Today sees the release of The Last Shield, book 6, yes 6, in the Ninth Century Series.
Coelwulf and his fiercely loyal band of warriors must once more battle for Mercia.
Here’s the blurb:
Book 6 in the action-packed, bloody and brutal series about Coelwulf, Mercia’s forgotten ninth-century king.
Summoned back to Worcester by Bishop Wærferth, Coelwulf discovers that an old enemy has resurfaced on the border with the Welsh, but this time, an enemy demanding help.
Aware he can’t leave Mercia, Coelwulf must split his force, determined that his old enemy is more helpful as his ally.
But beset by an unexpected force of Raiders inside Mercia, Coelwulf and his small band of warriors find themselves trapped by winter storms, as well as Raiders who don’t yet know of Jarl Halfdan’s death and still hunger for Coelwulf’s blood.
Coelwulf faces his most difficult struggle of all as he fights for the future of his beloved Mercian kingdom, his warriors, old and new, at his side.
I hope you enjoy The Last Shield. I’ll keep you updated with news of the next release in the series when I know.
Today, I’m delighted to welcome Meredith Allard to the blog with a post about the historical research she undertook to write her book Down Salem Way.
I’ve been reading, editing, and writing historical fiction for many years. As a matter of fact, I’ve even written a book about how to write historical fiction called Painting the Past: A Guide for Writing Historical Fiction. Thank you to M.J. for allowing me space on the blog today to share my thoughts on one of my favorite subjects.
The way I research historical fiction has changed a lot over the years. When I first started writing historical fiction, I would check as many books as I could carry out of the library, take meticulous notes, color code my notes with highlighters (blue for food, pink for fashion, etc.), return those books and check out another pile, and so on until I felt I had enough knowledge to begin drafting my story. Sometimes it was months worth of research before I started writing anything. Once I started writing I knew exactly where to look in my notebook for what I needed. If I was writing a dinner scene, I could find my notes about food. Notes I referred to often, such as important dates or events that I kept mentioning, were written on index cards, also color-coded, for easier access.
I no longer complete my research before I start writing. As a fellow writer friend said to me, feeling like you have to do all of your research before you start writing slows down your process to the point where your story doesn’t get written. These days I do some preliminary research by reading generally around my topic, perhaps taking a few notes, just enough to keep things clear in my head, and then I begin the prewriting process. Usually, through the process of brainstorming, prewriting, and drafting my story, I recognize what specific bits of historical information I’ll need and then I’ll search for those bits. That’s when my note taking begins in earnest. I create digital folders to organize my notes, citations, and annotations, and I still keep categories of information together (food, clothing, political climate, and so on).
One trick I learned from a history class I took years ago is to think about the historical world I’m creating through the acronym GRAPES.
Geography—How does the climate and landscape affect the people who live there?
Religion—How does the society’s belief system and traditions affect the people who live there?
Achievements—What are the achievements of this society—good and bad?
Politics—What is the power structure in this society?
Economics—How are goods and resources used in this society?
Social Structure—How does this society organize people into classes? Who ends up in which class and why?
I love to travel to the place I’m writing about as well. I always get a lot of good ideas for my story from my travels. As I work to weave the information I learned into my story, one thing I keep in mind is that I want to carry my readers into my world by touching their senses. What do readers see, hear, taste, touch, and smell? Often it’s the smaller details, what people wore, what they ate, the houses they lived in, that brings historical fiction alive since these are details we can relate to, even if what we eat and drink and where we live is different today.
Some dependable online research sources I’ve used over the years are Project Gutenberg, the Library of Congress, the Victorian Web, V&A, and JSTOR. The History Quill has a list of 50+ research sites for writers of historical fiction. I also love to go to the library to see what books I can find, and I’ve found that librarians are more than happy to help if I can’t find what I’m looking for.
I love learning about history, so researching historical fiction is actually fun for me.
Thank you so much for sharing your post with us. Research can indeed be a rabbit hole from which you can’t return:)
Here’s the blurb;
How would you deal with the madness of the Salem witch hunts?
In 1690, James Wentworth arrives in Salem in the Massachusetts Bay Colony with his father, John, hoping to continue the success of John’s mercantile business. While in Salem, James falls in love with Elizabeth Jones, a farmer’s daughter. Though they are virtually strangers when they marry, the love between James and Elizabeth grows quickly into a passion that will transcend time.
But something evil lurks down Salem way. Soon many in Salem, town and village, are accused of practicing witchcraft and sending their shapes to harm others. Despite the madness surrounding them, James and Elizabeth are determined to continue the peaceful, loving life they have created together. Will their love for one another carry them through the most difficult challenge of all?
Meredith Allard is the author of the bestselling paranormal historical Loving Husband Trilogy. Her sweet Victorian romance, When It Rained at Hembry Castle, was named a best historical novel by IndieReader. Her nonfiction book, Painting the Past: A Guide for Writing Historical Fiction, was named a #1 New Release in Authorship and Creativity Self-Help by Amazon. When she isn’t writing she’s teaching writing, and she has taught writing to students ages five to 75. She loves books, cats, and coffee, though not always in that order. She lives in Las Vegas, Nevada. Visit Meredith online at http://www.meredithallard.com.
I’m really pleased to be able to share with you that the audio version of The Custard Corpses is now available from Audible and Amazon, and can be read as part of an Audible membership subscription. If you don’t have one yet, you can sign up here, or it is available to purchase without a subscription
Matt Coles has produced a fantastic narration for Mason, O’Rourke, Smythe and Hamish. I hope you enjoy it. There’s a sample below the cover image.
Here’s the blurb:
A delicious 1940s mystery.
Birmingham, England, 1943.
While the whine of the air raid sirens might no longer be rousing him from bed every night, a two-decade-old unsolved murder case will ensure that Chief Inspector Mason of Erdington Police Station is about to suffer more sleepless nights.
Young Robert McFarlane’s body was found outside the local church hall on 30th September 1923. But, his cause of death was drowning, and he’d been missing for three days before his body was found. No one was ever arrested for the crime. No answers could ever be given to the grieving family. The unsolved case has haunted Mason ever since.
But, the chance discovery of another victim, with worrying parallels, sets Mason, and his constable, O’Rourke, on a journey that will take them back over twenty-five years, the chance to finally solve the case, while all around them the uncertainty of war continues, impossible to ignore.
And don’t forget, it’s also available as an ebook, paperback and hardback from Amazon.
Today, I’m delighted to welcome Gail Ward Olmsted to the blog with a fascinating post about her new book, Landscape of a Marriage.
Separating Fact from Fiction
As a reader, I enjoy historical fiction that stimulates my interest to learn more about a person or a time from the past. Good historical fiction, in my humble opinion, needs to be balanced- a blend of historical facts and accuracy with a riveting storyline and well-developed characters who lived, or at least could have lived, during that time. I don’t believe there is any required ratio between the levels of fact and fiction (maybe 60/40 in favor of facts if I had to wager a guess?) but clearly a well-researched story is ultimately going to garner more attention and a larger number of satisfied readers than one that relies on interesting characters to make up for a historical backdrop that is too thin or inaccurate. But the real question is not how much ‘history’ do you need in your historical fiction, but rather how do you obtain that information?
When it comes to research, at some point you have to tell yourself that it’s time to stop, that enough is enough. Although it is tempting to continue down yet another rabbit hole of information (and there are so many different avenues to explore) a good writer knows when it’s time. Time to put down all those references and sources and actually start writing.
Researching a historical novel is a challenging and at least for me, an ultimately rewarding experience. I have previously written four contemporary novels and Landscape of a Marriage, my first historical novel, was an eye-opener. I blame my public school education or more appropriately, my earlier lack of interest in most things historical for my struggles. Other than the dates I learned of all the major battles in a variety of wars that the U.S. participated in, I don’t recall learning anything of interest to me in all of those history classes I sat through. I was a good student, but never developed a love of history until I started reading on my own. My early favorites are still classics in my mind- Gone with the Wind (Mitchell), The Thornbirds (McCullough) and Trinity (Uris). Great characters and interesting storylines set in different times in the past. What a joy!
I was drawn to the story of renowned landscape architect Frederick Law Olmsted and his late brother’s widow Mary for a number of reasons. The primary one is that Olmsted is a distant relative of my husband’s. Way back when, there were two brothers- Aaron and Benjamin- one is Fred’s grandfather and the other, my husband’s great, great, great grandfather.
But what really drew me into the story was the marriage of Fred and Mary, his former sister-in-law. Although ‘levirate’ marriages were fairly common in the 19th century in order to protect the children and the family name, I felt there was an interesting story lurking right below the surface and I set out to write it. My first step was to find out everything I could about the lives of Fred and Mary. I reviewed many different resources while researching Landscape of a Marriage. There are a number of beautifully written books on Frederick Law Olmsted and that was where I began, including A Clearing in the Distance (Rybczynski) and Genius of Place (Martin). I highly recommend them both.
These books helped me to understand quite a bit about the times and Olmsted’s professional accomplishments. I made careful notes and drafted an outline, filling in the most significant events happening during the tumultuous years of the second half of the 19th century in America- the Civil War, Lincoln’s assassination, the women’s suffrage movement, the Gold Rush and the Second Industrial Revolution.
This provided the backdrop or the overall foundation for Landscape. Then I moved on to the Olmsteds themselves. I began with their marriage, the births of their children and significant personal and professional milestones along the way, including Fred’s work on such notable projects as Central Park in NYC, Mount Royal in Montreal, the Chicago World’s Fair and the reopening of Niagara Falls. The Olmsteds moved from New York, to Washington, DC, to California and back to New York before dividing their time between Brookline, a Boston suburb and Deer Isle, Maine. Each location would have an impact on their lives together and needed to be researched carefully to identify exactly how.
From there, I continued my research and Google provided me with access to numerous articles, posts and images that added to my base of knowledge. Who knew how interesting it could be to learn about the culture, the lifestyles, the clothing and the hobbies enjoyed during the second half of the 19th century? I remembered very little about the Civil War (except for those all important dates!) but never took the time to imagine what it was like for the soldiers, their mothers, their families. Before committing to landscape architecture as a career, Fred worked for the United States Sanitary Commission (the precursor to the American Red Cross) and his efforts revealed a caring, empathetic man who loved his country and fought to improve living conditions for the soldiers. This was a far cry from the critical and driven workaholic persona that frequently is assigned to Olmsted and it helped me to portray him as a loving and passionate man dedicated to both his profession and his wife and children. I hope readers who enjoy Landscape will be inspired to visit Olmsted’s parks and learn more about this creative visionary who transformed the American landscape forever.
Do you have a story to tell about a real or fictional person or an important time in history? The more research you do, the more likely it is that you will craft a story that you will enjoy writing and your readers will enjoy reading.
Here’s the blurb:
A marriage of convenience leads to a life of passion and purpose. A shared vision transforms the American landscape forever.
New York, 1858: Mary, a young widow with three children, agrees to marry her brother-in-law Frederick Law Olmsted, who is acting on his late brother’s deathbed plea to “not let Mary suffer”. But she craves more than a marriage of convenience and sets out to win her husband’s love. Beginning with Central Park in New York City, Mary joins Fred on his quest to create a ‘beating green heart’ in the center of every urban space.
Over the next 40 years, Fred is inspired to create dozens of city parks, private estates and public spaces with Mary at his side. Based upon real people and true events, this isthe story of Mary’s journey and personal growth and the challenges inherent in loving a brilliant and ambitious man.
Gail Ward Olmsted was a marketing executive and a college professor before she began writing fiction on a fulltime basis. A trip to Sedona, AZ inspired her first novel Jeep Tour. Three more novels followed before she began Landscape of a Marriage, a biographical work of fiction featuring landscape architect Frederick Law Olmsted, a distant cousin of her husband’s, and his wife Mary.
For more information, please visit her on Facebook and at GailOlmsted.com.
So, it’s been a while, but both The Queen Dowager, and Always A Queen, are near to being released. I decided to write both books together, one after another, and to ensure that this second trilogy about Lady Elfrida truly did justice to the intriguing woman I believe she was. (It’s also involved a major overhaul of the first two books in The Earls of Mercia series, which will also be available in paperback soon).
The cover for The King’s Mother has been ready for a while, but the cover for Always A Queen is still under construction.
But, aside from that, I thought I’d share a bit of the ‘blurb” for The Queen Dowager.
“No woman had ever held so much power and lost it on the whim of her son, the king. Six years of political ostracism has brought Lady Elfrida low. Desperate to be welcomed back to Court, she risks all to make an ally of England’s Viking enemy. Failure risks exile. Forever.”
The First Queen of England has been available on Netgalley for the last month, and it’s garnered some fab reviews. I thought I’d bring them together here, both good and bad, as not all of them are over on Goodreads!
So, as with all book reviews, here’s the blurb;
“Before Anne Boleyn stole the heart of a king and demanded marriage, another woman strove to wed an already married king of England. This is the story of Elfrida, who would become the first crowned Queen of England.
England is united under Edgar, but twenty years of uncertainty and a dwindling royal nursery, have left the royal family vulnerable to extinction. Edgar, a king at only 15 years old, has an acknowledged daughter and wife, but the dying ealdorman, Æthelwald, has commanded his wife to seek out the king, now in his early twenties.
True to her husband’s wishes, Elfrida pursues the King, nervous of her husband’s intentions, but trusting them all the same. When the king tries to make her his concubine, Elfrida refuses and withdraws from the court, only to find herself dreaming of the King, desiring his touch and his presence.
When the King seeks her out once more, she willingly follows him back to his court and finds herself plunged into a world of politics and self-interest where her future happiness rests not only on the king loving her but also on the goodwill of others with much to play for at the King’s court.
Bringing alive the characters of tenth century England; its young king, Edgar; its Ealdormen, Byrhtnoth, Æthelwine, and Ælfhere; the great reforming religious figures of Archbishop Dunstan, Bishop Æthelwold and Oswald and the great women of the period, Lady Elfrida, Lady Æthelflæd and Lady Wulfthryn, The First Queen of England evokes tenth century England at its most enigmatic, shining a welcome light on England’s first crowned queen, a woman who would go on to accomplish much, but who must first steal the heart of an amorous King and earn her place at court, and overcome the obstacle of the outcome of not only the King’s second marriage, but also his first.
The Mercian Brexit can be read as an introduction to The First Queen of England – offering an account of the very early days of king Edgar’s reign form 955-957.
The First Queen of England Part 2 and Part 3 now available – telling the continuing story of Lady Elfrida in late tenth century England.
The King’s Mother is also now available, book 1 in a new trilogy continuing the story of Lady Elfrida.”
I’ll start with the 5/5 reviews, and there are four of them, which is fab!
“I received an ARC from NetGalley. I loved this book. Loved everything about it. Cant wait for part 2. I did get confused here and there because the character names are so similar but once I got that down, it was easy to follow. I love to read about history and a story where a woman is still valuable even after being married once before is even better. I will say I knew nothing about this King or Queen of England but i am glad to know them now.”
“This is the first time I have heard about Elfrida’s story so this as a pleasant surprise. This novel had romance, drama, and political intrigue! I’m definitely looking forward to purchasing the sequel!”
“Lady Elfrida has laid her husband to rest. He has died at a very young age. She also is widowed at a young age. Though they had been married for several years there are no living children. She is sent back to her fathers home. Just before her husband passed he had mentioned the King. She discovers that she was supposed to have married the king, but her husband was besotted with her and kept her for himself. It was a happy union. Now she discovers that the kings wife and small daughter are to go live in a nunnery. He will be without a wife. When she meets the king she is instantly beside herself with the strong attraction they feel for each other. She knows that to be Queen she will have to become his wife and not a concubine. With the help of strong ladies from the court, who will advise her on what needs to be done, she will do everything in her power to become the first Queen of England. Well written. Has actual persons in the storyline. Interesting!”
“A wonderful and very interesting story about King Edgar of England and his third wife, Elfrida. Highly enjoyable! I read it in one night. A must for Historical Fiction Fans! Will definitely be reading book two in this series. I received a copy of this book from Netgalley. Thank you, Netgalley! All opinions are my own.”
And then the 4/5 and 3/5 reviews.
“Extremely interesting and factual. Great insight to the culture that spawned the Tudor dynasty.. Will look forward to reading more by this author and will recommend.”
“I was disappointed in this book as I had thought it to be historical fiction…unfortunately, there was a lack of history. I feel King Edgar of England and Elfrida both hved stories of their own, but this book only centers on their passion, even that not very well. The writing felt uninspired, also. Only my opinion.”
The First Queen of England is still available on Netgalley for a few more days for anyone who fancies delving into tenth century England (until 25th May 2019), and I would like to thank all reviewers for reading and offering their opinions! I appreciate each and every one of them, (and yes, that does mean the not too enthused ones as well – not everyone can like everything – I certainly don’t.)
The First Queen of England is available on Amazon now (and also Audible), along with Book 2 and Book 3, and the first part of a second series, The King’s Mother. Books 2 and 3 of the second trilogy will be published soon.
“Nona Grey’s story reaches its shattering conclusion in the third instalment of Book of the Ancestor.
THEY CAME AGAINST HER AS A CHILD. NOW THEY FACE THE WOMAN.
The ice is advancing, the Corridor narrowing, and the empire is under siege from the Scithrowl in the east and the Durns in the west. Everywhere, the emperor’s armies are in retreat.
Nona faces the final challenges that must be overcome if she is to become a full sister in the order of her choice. But it seems unlikely that Nona and her friends will have time to earn a nun’s habit before war is on their doorstep.
Even a warrior like Nona cannot hope to turn the tide of war.
The shiphearts offer strength that she might use to protect those she loves, but it’s a power that corrupts. A final battle is coming in which she will be torn between friends, unable to save them all. A battle in which her own demons will try to unmake her.
A battle in which hearts will be broken, lovers lost, thrones burned.
HOLY SISTER completes the Book of the Ancestor trilogy that began with RED SISTER and GREY SISTER. A ground-breaking series, it has established Mark Lawrence as one of the most exciting new voices in modern speculative fiction.”
Holy Sister is a satisfying conclusion to the Book of the Ancestor Trilogy. For other authors, I would have found that acceptable, but for Mark Lawrence, I confess, I was a bit disappointed.
As with the ending of the previous two trilogies, especially Jalan’s, I’m left wishing there had just been ‘more’.
The concurrent storylines are not without excitement, indeed from about 50-80% the storyline is extremely exciting, but to get there I had to wade through the first 35% and I didn’t enjoy it as much as I’d hoped I would. Yes, a year has passed since I read the previous book, and I had forgotten much, but even so, and especially considering the ‘summation’ at the beginning, I feel I should have been able to grab the characters and events far more quickly. For readers who can just plough on through all 3 books one after another, I’m sure this won’t be a problem but I’m far too impatient to have actually waited for the end of the trilogy.
And the eventual ending, well. It was somewhat anti-climatic.
If this was merely a coming of age story, then I would say the job had been accomplished very well, but it was always more than that, and sadly, Book 3 doesn’t quite do justice to the characters.
I appreciate that there are many who love this book – I’ve been seeing 5-star reviews flying around for Holy Sister for about 6 months. It might just be that, for me, the book suffers from too much hype, and so I would like to apologise to the author if my comments seem too harsh. It’s truly not the author’s fault when something gets blown out of all proportion.
The majority of people will love this book – and I’m excited for Mark Lawrence because that means he’ll get to write more and more books, and share his wonderful ideas with a wider and wider audience.
I think we will get to return to the world of the Book of the Ancestor, and I look forward to that. Perhaps then all my unanswered questions will find answers. Although I doubt it. Mark Lawrence is a sly old fox for a good reason!
Thank you to the publisher for sending me an E-Arc. I confess, there may have been a squeal of delight.
Holy Sister is released in the UK today in hardback, ebook and audiobook and you can purchase it here (other retailers are also available). I give it a 4/5;
“In 865, a great Viking army landed in East Anglia, precipitating a series of wars that would last until the middle of the following century. It was in this time of crisis that the modern kingdoms of Britain were born. In their responses to the Viking threat, these kingdoms forged their identities as hybrid cultures: vibrant and entrepreneurial peoples adapting to instability and opportunity.
Traditionally, Ælfred the Great is cast as the central player in the story of Viking Age Britain. But Max Adams, while stressing the genius of Ælfred as war leader, law-giver, and forger of the English nation, has a more nuanced and variegated narrative to relate. The Britain encountered by the Scandinavians of the ninth and tenth centuries was one of regional diversity and self-conscious cultural identities: of Picts, Dál Riatans and Strathclyde Britons; of Bernicians and Deirans, East Anglians, Mercians and West Saxons.”
Aelfred’s Britain is an excellent book, not confining itself to the period of Alfred’s rule but comprehensively offering an account of England from the reign of Alfred’s grandfather to the end of the reign of his youngest grandson (King Eadred) in 955. This makes it much more than a book about Alfred and rather a book about Britain and the Vikings just before, after and during The First Viking Age.
Instead of focusing on England and the Vikings, the book covers the actvities of the Vikings in Ireland, Scotland, England and Wales, in a very similar vein to the wonderful book by Claire Downham ‘Viking Kings of Britain and Ireland: The Dynasty of Ívarr to A.D. 1014’, along the way noting events on the Continent and in the homelands of the Vikings and Danes.
This ia an important development in the history of the period and a step that should have been taken long, long ago. There is little point in knowing events in England in isolation during this period – a wider view point should and must be adopted.
The author also employs an enjoyable and enlightening look at the ‘map’ of Britain – offering something of a handy guide to the various ‘stopping-off’ points available to the men and women from Scandinavia along the coast and riverways.
Some may find the author’s naming conventions a little annoying – but it seems to me that all historians have a preferred naming convention and insist on sticking to it no matter what – and it is only a slight bug-bear but that is because I know much of the period well.
This is a far more ‘historical’ book than The King in The North (which I always felt was too much like a travel guide for comfort) but it is, at heart,a book by an archaeologist, and this means that the archaelogy is used to ‘clothe’ the ‘known’ historical facts and vice versa. Yet, and I must applaud this, the author, while relying on some slightly dubious ‘primary’ sources, does ensure that the reader is aware of this – and the reader would do well to heed the warnings.
Overall a very enjoyable book, filled with fascinating insights that adopts a view point that has been a long time in being applied to this time period.
The hardback and ebook is out now and can be purchased here;
I’m not going to review my own book – fear ye not – but I am going to use this as an excuse to pull together some of the reviews that Viking Sword received under its previous guise of Ealdorman. So here’s the blurb:
“It’s the second Viking Age in England, and King Æthelred II reigns.
Five ealdormen represent him in the old Saxon kingdoms.
Battles are being fought against the viking raiders looking to plunder England for her wealth.
Leofwine is the ealdorman of the Hwicce.
On a diplomatic mission in 994, escorting home Olaf, the King of Norway, Leofwine is gravely injured in battle, losing the sight in one eye, and badly scarring half of his face.
Leofwine fears his new wife will find him repulsive and leave him, but she stands loyally by his side when he arrives home, delighted that her husband is still alive, as she had been told he died in battle.
Leofwine spends time with his wife and their infant son, Northman, as he recovers from his wounds.
He is a good man and a brave leader, but now his men fear his limited vision will be a hindrance when he leads them in battle, and that fear is increased when Leofwine falls in front of them.
But Leofwine is smart.
He trains his loyal hound Hunter to walk ahead of him, indicating where he may trip, and he trains hard to make up for his limited vision.
Having lost his own father in battle with the raiders, Leofwine has taken care of the lands with the help of his father’s closest confidant, Wulfstan, since he was a boy.
But he knows a great battle is looming, and he is not sure if his king, who has never lead his men in battle before, is up to the task of ridding the land of the raiders, and putting a stop to the Viking menace once and for all.”
Here’s review number 1
“Having read the Dragon of Unison books by this author, I thought I’d give this book a try too. I studied early Anglo-Saxon Northumbria but don’t know very much about that part of the later Saxon period (around 1000AD) or the history of that area but it was a really good read. The battle scenes were well covered and the story was interesting – history nearly always concerns itself with kings and court so its interesting to read about the lives of other people at that time, even if they are lords and attend meetings with the king and his court. I liked the characters as people (apart from the ones I wasn’t supposed to like) and the setting was totally believable so this all helps me when I’m reading historical novels to know some actual research has been done. The only criticism I have, and its a minor one, is that it would have been nice to have had an anchor point before I started reading – e.g. King Alfred (who everyone has heard of). To know how long he had been dead before the action takes place and the relationship between him and the king in the book, would have helped me to place the story a bit better. The list of major characters in the back of the book was very helpful for this. I was so keen to see how the story developed that I’ve already bought the second book and am half way through that.”
And review number 2
“I actually found this book to be quite a good, interesting, entertaining read.
I can’t speak for the historical accuracy of this novel. I only know bits and pieces of the time this novel is set in. But I found the characters to be interesting and well-written and the storyline to be engaging, one that kept me reading.
The amount of characters with similar-sounding names was a bit confusing, though. By the end of the book, I was struggling to differentiate between the different people.
I really liked the relationships between the characters, especially Leofwine and his wife. The scenes between them were particularly sweet and it was nice to see that real love had grown from the arranged marriage.
I felt that the author did a really good job of showing the politics that was in the kingdom. I also thought that it came across really well how difficult Leofwine found his injury and partial blindness – as well as how he learned to compensate for that disability. Of course, anyone who wasn’t whole in that time would have a much more difficult time of it than someone with that kind of injury in modern day.
The descriptions in the book were really good and I was able to see a lot of the events happening in my mind, especially when it came to the fighting scenes. I did, however, notice quite a few errors in the books – apostrophes used when something was supposed to be plural; and Hunter changed gender at one point.
I think I’d definitely be interested in reading more books in this series. It would be good to see what else is going to happen.”
And review number 3
A”n enjoyable story, with a minimalist style. The pacing was sound, but there were quite a few grammatical errors. The author needed to spend more time in editing, it needed just a bit more polish, but the story did not suffer despite this. I appreciated the author’s emphasis on setting and world building, not choosing to lump a bunch of shallow action sequences in, merely for the sake of grabbing fickle readers. Sword play is great, but I prefer depth of character and the author clearly does as well.
A good read, I would recommend it to those who can enjoy fantasy or historical fiction that is not layered with commercialized violence.”
These reviews all offered slightly different scores on the review, but I really appreciated the readers taking the time to not only read my book, but also to review it! So thank you again, and if it’s wet your appetite, then please grab yourselves a copy from Amazon.
“Gamma’s sword, the Malice, wakes, calling to be taken to battle once more.
But the Vagrant has found a home now, made a life and so he turns his back, ignoring its call.
The sword cries out, frustrated, until another answers.
Her name is Vesper.”
First things first, I’ve not read the Vagrant, but having received a free EArc of The Seven (Book 3) I dived right into it and then realised that I really should read, at least, the previous book.
The Malice starts very strongly – the world created feels both relatable and also very strange. This sums up much of the novel. The main characters of Vesper and the Kid are introduced very quickly and immediately feel like realistic characters. Yet the author’s writing style is sparse, almost to distraction, substituting words that sound like what they describe as opposed to describing them, for instance, a WarMech. For me, this meant that I was constantly grasping at even the smallest amount of description, which was strange because I often find author’s engaging in too much description and it annoys me, this was the complete opposite.
For all that, the world is richly imagined, in all its strangeness and it is very strange, and this makes it, at times, quite a difficult read, and that’s why it’s taken me a month to read because I just had to take a break half way through because the ‘weirdness’ and the writing style was giving me something of a headache.
For all that, the book is worthy of perseverance and I’m looking forward to reading The Seven.
All in all, not an easy read, but quite an intriguing one.
The Malice is currently available, as is The Seven, and the first book, The Vagrant.