Welcome to today’s stop on the blog tour for Traitor’s Knot by Cryssa Bazos

Today, I’m delighted to share Traitor’s Knot by Cryssa Bazos with you. Read on for an excerpt.

Elizabeth Seton browsed the household stalls, strolling at her leisure. James walked towards her, his eyes fixed firmly on the prize. She hovered over a collection of linens, and her fingers brushed over the cloths, but she did not linger beyond a curious moment. James kept a discreet distance, ever narrowing the gap. One slim hand held her skirts, raising them slightly to avoid a muddy puddle before she continued on her way. 

He halted his progress when she became rooted at the bookseller’s. While fancy ribbons and laces had not attracted her interest, a stack of pamphlets and chapbooks made the difference. She struck up a conversation with the bookseller, laughing at something he said. James rubbed his chin, engrossed. An unusual maid, he thought and drew closer. 

Leaning over the small collection, her head tilted to peer at the titles. Hair secured in a sedate knot, a wayward tendril escaped its constraint. The wind lifted and teased the stray lock, contrasting to the paleness of her nape. James fought the urge to reach out and twist the strand in his fingers. 

He bent forward and addressed her in a low tone, “Are you looking to improve your mind or to seek instruction?” 

Elizabeth started in surprise. Her eyes widened, and for the first time, he realised how blue they were. Almost immediately they narrowed, as though she wasn’t sure how to respond to his boldness. He knew he was being forward, but he had never won a thing without pressing his advantage. 

“I am looking for a book on good manners, sir. I would not expect you to recommend one.” 

James grinned. Without looking away, he addressed the bookseller, who watched them. “Master Ward, would you be so kind as to introduce us?”

“I would,” the man said. “Only I haven’t made the maid’s acquaintance myself.”

Amusement flitted across her lips. “Elizabeth Seton,” she announced.

“Mistress Seton, may I present James Hart, ostler at the Chequer and Crowne,” the bookseller said, fulfilling his duty. 

James swept his hat from his head. “Pleased to make your acquaintance, Mistress Seton.” He rather liked saying her name.

“Master Hart.” Elizabeth canted her head and hesitated for a fraction. She looked at him openly and did not avert her eyes in modesty when he returned her gaze. 

“You’re new to Warwick,” he said.

“How would you know this?” 

“I know everyone here.” 

“Not so,” she said. One brow arched ever so slightly. “You did not know me until this moment.”  

James found her bewitching. “I stand corrected Mistress Seton. Still, you are new to Warwick.”

Elizabeth’s head dipped.

“If I were to guess, I’d say you were Mistress Stanborowe’s niece. I’ve heard that Ellendale has a new resident.”

“Indeed, your information is correct.”

“Pray, allow me the privilege of calling on you.” James leaned against the stall and nearly sent a stack of books tumbling.

“My aunt values courtesy, and you, sir, are quite forward. I can only assume she would object.” 

“I assure you, mistress, I am not an objectionable fellow,” he said. “Is that not right, Master Ward?”

“Quite true.” The man’s voice shook with laughter.

“There you have it,” James said. “If you can’t trust the word of a bookseller, all is lost.”

A small smile flitted at the corner of her mouth. James found the resulting dimple intriguing. “I must be leaving.” She picked up her purchase and prepared to depart. “God save you, sir, and good day.” She reached over to pay the bookseller, but Master Ward caught James’s warning frown and casually turned away.  

“Are women from the south always so aloof?” James blurted, then cringed. Lagging wit—you can do better. 

She halted in surprise. “How did you know I came from the south?”

“Far south, I would guess,” he said, grasping the first thing that came to mind. 

“How do you suppose?” Her eyes narrowed.

“Naturally, by your speech.”

“Indeed? I could be from London,” Elizabeth replied.

“You are as likely from London as I from Scotland.”  

Elizabeth gave up trying to attract the bookseller’s attention and laid her coin atop a pile of chapbooks. She clutched her purchase to her chest in preparation for her escape. 

“I will make you a wager,” he said. “If I can guess where you came from, you’ll allow me to call on you.”

“And if you’re wrong?”

“I’ll wish you good day and trouble you no more.” James offered his hand, but she ignored it. “Do we have an agreement?”

Elizabeth held his gaze for a moment. She pursed her lips, and a hint of a dimple lurked at the corners. “Agreed.”

James smiled. He hadn’t forgotten what she had told the highwayman. “Let’s see—I’ll need one word from you.” 

“Which one?” Elizabeth asked.

“Owl.”

“Owl?”

“Aye, the very one. Say it again.” He crossed his arms and waited. When she repeated it, he nodded. “’Tis perfectly clear. Your speech has a Dorset flavour.” For truth, she did have a lovely, soft way of speaking.

Elizabeth’s brow arched slightly. “Are you certain I am not from Hampshire?”

“Aye. Admit it, I’m correct.”

“Fine, then, but Dorset is quite large, and that does not prove your wit.”

“An exacting maid. No doubt you’ll want me to do better,” he said with a slow smile. “I’ll need another word from you, then. Two, if you please.”

“Truly? Which ones?” The breeze strengthened, and she brushed a tangled strand from her face. James caught the haunting scent of lavender.

“Welcome home.”

 With a smile, she repeated the words. The rosy bow of her mouth fascinated him.

“Unmistakable.” He grinned.

“The verdict?”

“I would lay my life upon it. ’Tis a Weymouth cast.”

“Truly impressive.” Elizabeth’s blue eyes narrowed. “Such a clever fellow to know this only by my speech. Would you not agree, Master Ward?”

This time the bookseller laughed out loud. “Quite so, Mistress Seton.”

“Thank you for your stimulating instruction, Master Hart. I find my time has grown short. Good day.” She nodded farewell to the bookseller and started to walk away. 

“What of our wager?” James called out to her.

Elizabeth stopped to face him. “I’ll honour our wager at the time of my choosing. You didn’t stipulate otherwise.”

Here’s the blurb:

England 1650: Civil War has given way to an uneasy peace . . . 

Royalist officer James Hart refuses to accept the tyranny of the new government after the execution of King Charles I, and to raise funds for the restoration of the king’s son, he takes to the road as a highwayman.

Elizabeth Seton has long been shunned for being a traitor’s daughter. In the midst of the new order, she risks her life by sheltering fugitives from Parliament in a garrison town. But her attempts to rebuild her life are threatened, first by her own sense of injustice, then by falling in love with an outlaw. 

The lovers’ loyalty is tested through war, defeat and separation. James must fight his way back to the woman he loves, while Elizabeth will do anything to save him, even if it means sacrificing herself.

Trigger Warnings:

Violence, animal injury/death.

Buy Links:

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Barnes and Noble:  Kobo

Meet the author

Cryssa Bazos is an award-winning historical fiction author and a seventeenth century enthusiast. Her debut novel, Traitor’s Knot is the Medalist winner of the 2017 New Apple Award for Historical Fiction, a finalist for the 2018 EPIC eBook Awards for Historical Romance. Her second novel, Severed Knot, is a B.R.A.G Medallion Honoree and a finalist for the 2019 Chaucer Award. A forthcoming third book in the standalone series, Rebel’s Knot, will be released November 2021.

Connect with Cryssa

WebsiteTwitter:   Facebook

Instagram:  Book BubAmazon Author PageGoodreads

Don’t forget to check out the other stops on the Traitor’s Knot blog tour with The Coffee Pot Book Club

Welcome to today’s stop on the Beneath the Veil of Smoke and Ash by Tammy Pasterick blog tour

Today, I’m delighted to welcome Tammy Pasterick to the blog with a post about her new book, Veil of Smoke and Ash.

Researching Pittsburgh’s Golden Age of Steel

Writing a novel is never easy, but historical fiction presents its own set of challenges. While all authors strive to make their books entertaining and thought-provoking, historical novelists must also focus on accuracy. The worlds they create should be well-researched and detailed, and the characters should sound like people who actually live during medieval times, colonial times, or in 1910s Pittsburgh, as is the case in my novel, Beneath the Veil of Smoke and Ash. Transporting readers to the past is a daunting process, and I relied on a wide variety of resources to bring Pittsburgh’s golden age of steel to life. 

My book started out as a genealogy project, so my research began on Ancestry.com. In the spring of 2012, I couldn’t find my mom’s recipe for stuffed cabbages—a favorite dish in my Slovak family—so I turned to Google for some alternatives. I ended up on several Slovak and Hungarian cultural websites as well as a few genealogy sites. I then joined Ancestry.com on a whim and began a months-long search for information about my great-grandparents, who immigrated to America at the turn of the twentieth century. 

I found so many fascinating documents on Ancestry.com and quickly became addicted to the site. I located the ship manifesto for my Slovak great-grandparents who traveled to Ellis Island from Austria-Hungary in 1905 as well as a World War II draft registration card for my Lithuanian great-grandfather who was in his early fifties at the time he signed it. I was in awe of his bravery, as his advanced age exempted him from the draft. These discoveries led to a fascinating conversation with my ninety-year-old grandmother, who rarely spoke of her childhood. I asked her several questions about her family and her in-laws, and she responded in the most unexpected way. She presented me with a scrapbook and a shoebox of old family photos.

I’m not sure why Grandma Pearl had never shown me these treasures until the final months of her life, but I am grateful nonetheless. She opened up to me that day about her childhood and showed me pictures of her Lithuanian parents as well as her Slovak in-laws. She explained that they immigrated to America at the turn of the twentieth century to work in the steel mills of Pittsburgh. She shared as many details as she could about their immigrant experience, but I wanted to know more. My curiosity inspired me to turn my genealogy project into a novel. 

While the characters in my novel are fictional, the world they live in is not. My conversation with Grandma Pearl sparked my imagination and gave me a starting point, but I still had much to learn. I read several books about Pennsylvania’s steel and coal mining industries in the early twentieth century such as The Shadow of the Mills: Working-Class Families in Pittsburgh, 1870-1907 by S.J. Kleinberg and Growing Up in Coal Country by Susan Campbell Bartoletti. I also read The Steel Workers by John A. Fitch, which was part of The Pittsburgh Survey, a sociological study conducted from 1907-1908, which chronicled the living conditions of immigrant families. These books provided insight into the daily routines of immigrants as well as the risks they faced in the mills and mines. 

In order to better understand the hazardous work steelworkers and coal miners performed in the 1910s and 1920s, I watched silent films on YouTube. Still curious, I visited the Tour-Ed Mine and Museum in Tarentum, Pennsylvania with my father, who shared memories of his thirty years of coal mining with me. I’ll never forget what it was like to stumble through cool, dark tunnels 160 feet below ground and feel the jagged walls of exposed coal beneath my fingertips.   

 Lisa A. Alzo’s books, Slovak Pittsburgh and Pittsburgh’s Immigrants, contain so many incredible photographs and gave me a deeper understanding of Slovak culture and customs. They even helped me pick out authentic names for my Slovak and Polish characters. The Social Security Administration’s website was also a great source for character names, as it tracks the popularity of baby names as far back as the 1880s. 

As for the mental illness and mysterious medical condition featured in my book, I obtained most of my facts from various medical websites suggested by Google. I relied on information from webmd.com, mayoclinic.org, psychiatry.org, and several other sites focusing on women’s health. The Internet and Google make writing historical fiction so much easier than I imagine it was just a few decades ago. The answers to my questions are usually only a few keystrokes away, and the only challenge is determining the reliability of sources. Google is also particularly useful for tracking word usage over time. I learned very quickly that it would not be appropriate for my young character, Sofie, to go to the “movies” with her “boyfriend.” She would instead see a film at the “nickelodeon” with her “sweetheart.” 

Historical fiction is definitely challenging to write, but I enjoy the research just as much as the writing. I never know where an Internet rabbit hole will lead and whether it will spark an unexpected plot twist. My modest genealogy project was not supposed to take on a life of its own and become a novel, but I am happy that it did. My deep dive into Pittsburgh’s golden age of steel revealed many fascinating facts about my family’s history, but it also taught me about the labor movement, social inequality, anti-immigration sentiment, and mental illness at the turn of the twentieth century. I am a much smarter and more empathetic person as a result of writing this novel, and I can’t wait to find out what the next one will teach me. 

Thank you so much for sharing such a fascinating insight into your new book. Good luck with it.

Here’s the blurb

It’s Pittsburgh, 1910—the golden age of steel in the land of opportunity. Eastern European immigrants Janos and Karina Kovac should be prospering, but their American dream is fading faster than the colors on the sun-drenched flag of their adopted country. Janos is exhausted from a decade of twelve-hour shifts, seven days per week, at the local mill. Karina, meanwhile, thinks she has found an escape from their run-down ethnic neighborhood in the modern home of a mill manager—until she discovers she is expected to perform the duties of both housekeeper and mistress. Though she resents her employer’s advances, they are more tolerable than being groped by drunks at the town’s boarding house.

When Janos witnesses a gruesome accident at his furnace on the same day Karina learns she will lose her job, the Kovac family begins to unravel. Janos learns there are people at the mill who pose a greater risk to his life than the work itself, while Karina—panicked by the thought of returning to work at the boarding house—becomes unhinged and wreaks a path of destruction so wide that her children are swept up in the storm. In the aftermath, Janos must rebuild his shattered family—with the help of an unlikely ally.

Impeccably researched and deeply human, Beneath the Veil of Smoke and Ash delivers a timeless message about mental illness while paying tribute to the sacrifices America’s immigrant ancestors made.

Buy Links:

Amazon UKAmazon USAmazon CA:  Amazon AU

Barnes and Noble:  iBooksBookshop.orgBooks-A-Million

IndieBound.org

Meet the author

A native of Western Pennsylvania, Tammy Pasterick grew up in a family of steelworkers, coal miners, and Eastern European immigrants. She began her career as an investigator with the National Labor Relations Board and later worked as a paralegal and German teacher. She holds degrees in labor and industrial relations from Penn State University and German language and literature from the University of Delaware. She currently lives on Maryland’s Eastern Shore with her husband, two children, and chocolate Labrador retriever.

Connect with Tammy

WebsiteTwitterFacebook

InstagramBookBubAmazon Author Page:  Goodreads

Check out the other stops on the Beneath the Veil of Smoke and Ash blog tour with The Coffee Pot Book Club

Welcome to today’s stop on the blog tour for Redemption by Philip Yorke

Today, I’m excited to welcome Philip Yorke to the blog with an interesting post about his new Civil War novel, Redemption.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life?

For many years, I was an investigative journalist, so digging into subjects and finding information (or being ‘nosey’ as my wife likes to call it) is something I have become quite adept at. 

In truth, once I got used to blending fact with fiction (and getting creative), researching events and people from a certain period in time was actually a lot easier than writing a news story about something that is occurring in the ‘here and now’.

Throughout the two years I researched and wrote the first two books of the Hacker Chronicles series (Redemption is the second book), I have found myself increasingly using the BCW project website (bcw-project.org) a lot when structuring chapters and linking individuals to particular events that took place on very specific dates. So this is truly a wonderful resource for anyone with an interest in the period, giving the reader/author an accessible and accurate historical account of real events.

The National Archives also contain lots of valuable documents, as do local museums and the history departments of universities. As far as my own work is concerned, I have found the people at the University of Leicester to have been particularly helpful and accommodating.

Books also continue to be an incredible source of inspiration, and I devour quite a few when I am researching the Seventeenth Century world Francis Hacker was born into. Most of those that I use are obscure, being either a niche publication or something that was last published 200 years ago! But others, likes those written by best-selling historical author, Charles Spencer, are also invaluable, digging into areas and events where I have a real interest and enabling me to benefit from an informed opinion far greater than my own.

And then there is the National Civil War Museum in Newark-Upon-Trent. This is a treasure trove and a must-visit place for anyone interested in the period and the personalities.

For me, it will always be a special place, for it is where I was first introduced to Francis Hacker. The museum regularly shows short films in its basement area, and when I visited was screening a vignette film about the life of Francis (a renowned Parliamentarian) and his two brothers (who were officers in the Royalist army). Up until this point, I had been looking for a central character; well, the museum provided him to me on a plate! So never dismiss a physical visit as a costly time investment. In actuality, it could lead to the most productive period of research you ever undertake. This is true in my case, as the curators at the museum have also allowed me to have private viewings of exhibits – and have allowed me to use research items not available to the general public.

One last ‘essential’ for me is having an accurate calendar of the time I am writing about, so, for example, I can quickly state 29 May 1643 was either a Friday (using the Julian calendar) or a Monday (using the Gregorian calendar). Such little things really boost the credibility of the research that underpins your book. For anyone who is interested, I use the website 5ko.free.fr; as its name implies, this is a free resource.

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

I have two treasure troves I couldn’t be without.

The little-known The Civil War in Leicestershire and Rutland – by Phillip Andrew Scaysbrook – is my go-to book. It is a wonderful source of accurate historical information and anecdotes that put the two counties under the microscope in a way no other research does.

Written in the late 1970s, the author paints a vivid picture of the May 1645 Siege of Leicester, much of which is not available from more traditional sources. A panel of experts, including Brigadier Peter Young whose ancestor was the Earl of Stamford, has verified all of the claims made in the book.

And, as I mentioned in the previous question, I also rely heavily on the BCW project website’s rich online material that is made freely available to civil war enthusiasts.

Thank you so much for sharing your research with me. I agree, seeing something in the flesh can make a huge difference, and inspiration can strike even when you’re not looking for it. Good luck with the new book.

Here’s the blurb:

Saturday, the second day of July, in the year of our Lord, 1644, will be a day long remembered by the men and women committed to ending the reign of a tyrannical King. For on this day, the forces of Charles the First were crushed on the bloody fields of Marston Moor.

The calamitous defeat forces the increasingly desperate Royalists to intensify their attempts to bring about the immediate demise of their Parliamentarian enemies. This includes devising an audacious plan to assassinate the man they believe is key to the war’s outcome.

With the plotters ready to strike, Francis Hacker, one of Parliament’s most loyal soldiers, becomes aware of the conspiracy. With little time to act, he does everything in his power to frustrate their plans. But, alas, things start to unravel when brave Hacker finds himself pitted against a ruthless and cunning mercenary, a man who will resort to anything to achieve a ‘kill’.  

This novel is available with #KindleUnlimited subscription.

Universal Link

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Philip Yorke

Meet the author

Philip Yorke is an award-winning former Fleet Street journalist who has a special interest in history. His Hacker Chronicles series, to be told in five fast-paced historical fiction novels, tells the story of Parliamentarian soldier, Francis Hacker.

Redemption, the second book in the series, is set during the period 1644-46 (during the first English Civil War), when events take a significant turn in favour of Parliament.

Philip is married, and he and his wife have five children. He enjoys relaxing to classical music, reading the works of Nigel Tranter, Bernard Cornwell, Robyn Young and CJ Sansom, and supporting Hull City FC and Leicester Tigers RFC. 

He lives in Leicestershire, England.

Connect with the author

Website: Twitter: Facebook:

Instagram: BookBub: Amazon Author Page: Goodreads:

Don’t forget to check out the other stops on the Redemption Blog Tour with The Coffee Pot Book Club

Today, I’m delighted to host Liz Harris’ Darjeeling Inheritance Blog Tour

Today, I’m delighted to welcome Liz Harris to the blog with a fascinating post about her new book, Darjeeling Inheritance.

Your book, the Darjeeling Inheritance, which sounds fantastic, is set during the 1930s in India. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring the historical landscape to life?

I’ve always believed that if a novel is set in the past, and in a foreign location, the events in the past, and the nature of that location, should be organic in the novel. To ignore the history and nature of an area would result in the setting being no more than a mere backdrop to a story that could have been located anywhere and at any time.

So before I start writing, and before I’ve determined all of the characters who’ll be in my novel, I find out everything I can about my chosen area – its past and its present, every aspect of its geography, the lives of those who live there, their mores and how they’d view the world, and also any difficulties with which they’d have to contend.

My focus in Darjeeling Inheritance was on tea production, and on the plantation owners who lived in India during the British Raj, the period between 1858 and 1947, and also on the people who worked for them, and on those whose job it was to go out on the terraces between March and November and pluck two leaves and a terminal bud.

Books are always my first port of call – bookshops and libraries are an invaluable source of information and help – and as always, the local library was an excellent source of material when writing Darjeeling Inheritance. I’m very lucky in that I live in Oxfordshire, where the libraries are excellent, and also that I can get easily to the Bodleian Library in Oxford.

The resource to which I go after books is the internet. And I also try to make contact with people in the area, such as librarians or curators, if there’s anything I need to know but am struggling to find out. 

There’s no greater inspiration, or resource, than going to the location in which one is setting a novel, and if I can go there, I do. Just over two years ago, I booked to go to Darjeeling in October, after the monsoon. Unfortunately, that trip was to prove impossible. Two months before I was due to leave for Darjeeling, the Foreign Office advised against travelling there owing to trouble between the Nepali and Bengali. The issues are now resolved, but at that time, all the tea gardens and most of the hotels were closed.

Forced to rethink my plans, I decided to go instead to the famous tea plantations in Munnar, Kerala, and to the tea factory there, and I booked a flight for the following February. October would have been a good month for a trip to Darjeeling, but it would have been too rainy a month for Kerala. My visit was wonderful, and it gave me the first-hand experience I wanted.   

A tea plantation near Munnar, India

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it?

The following are my ‘go’ to books/resources. I’m making them plural as I have three staples without which I wouldn’t be comfortable writing, and I have these on the piano behind me, no matter the period or location of the work in progress.

Firstly, The Chambers Dictionary. I’m a keen Scrabble player and this is the Scrabble dictionary, so it’s the one I’ve used for years. I infinitely prefer looking up a word in a dictionary than seeking it on the internet.

The second is Roget’s Thesaurus. Repetition is the enemy of writers, and with Roget’s Thesaurus to hand, in which just about every word has a synonym for each of its meanings, an author always has a range of alternative words and phrases from which to choose. 

Finally, I have Cassell’s Dictionary of Slang, compiled by Jonathon Green. I’d hate my characters to speak in anachronistic terms, and I don’t want to jar my readers out of the text by using an idiom in my narrative that’s more appropriate for the twenty-first century than the nineteenth or twentieth. By checking the origin and first use of the vocabulary I choose, I do my best to avoid that happening. 

The three books upon which I rely

Those are my staples, but then there are the books for each specific novel. I was lucky with Darjeeling Inheritance in that much has been written by those who lived in India in the 1920s and 1930s, and especially by those who grew up there, and I was spoilt for choice. I drew on information from a very large number of books, including several novels by M.M. Kaye and her biography, and Women of the Raj, by Margaret MacMillan.

There is one other book that I must mention that’s specific to Darjeeling Inheritance. I owe a huge debt of gratitude to Darjeeling: A History of the World’s Greatest Tea, by Jeff Koehler. This was the first of the books that I bought, and it was at my side throughout my writing of the novel.

Finally, and it’s not exactly a resource, I don’t think I could write if I didn’t have a cup of coffee beside me. Yes, coffee, not tea! I’m saying this very quietly, but I don’t actually like tea!!

Jeff Koehler’s book, flanked by a cup of, dare I say it – coffee!

Many thanks, MJ, for inviting me to talk to you about my research process. I’ve very much enjoyed doing so.

Thank you for such a fascinating post. Good luck with the new book, and enjoy your cup of coffee!

Here’s the blurb:

Darjeeling, 1930

After eleven years in school in England, Charlotte Lawrence returns to Sundar, the tea plantation owned by her family, and finds an empty house. She learns that her beloved father died a couple of days earlier and that he left her his estate. She learns also that it was his wish that she marry Andrew McAllister, the good-looking younger son from a neighbouring plantation. 

Unwilling to commit to a wedding for which she doesn’t feel ready, Charlotte pleads with Dan Fitzgerald, the assistant manager of Sundar, to teach her how to run the plantation while she gets to know Andrew. Although reluctant as he knew that a woman would never be accepted as manager by the local merchants and workers, Dan agrees.

Charlotte’s chaperone on the journey from England, Ada Eastman, who during the long voyage, has become a friend, has journeyed to Darjeeling to marry Harry Banning, the owner of a neighbouring tea garden.

When Ada marries Harry, she’s determined to be a loyal and faithful wife. And to be a good friend to Charlotte. And nothing, but nothing, was going to stand in the way of that.

Buy Links:

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Meet the Author

Born in London, Liz Harris graduated from university with a Law degree, and then moved to California, where she led a varied life, from waitressing on Sunset Strip to working as secretary to the CEO of a large Japanese trading company.

Six years later, she returned to London and completed a degree in English, after which she taught secondary school pupils, first in Berkshire, and then in Cheshire.

In addition to the ten novels she’s had published, she’s had several short stories in anthologies and magazines. 

Liz now lives in Oxfordshire. An active member of the Romantic Novelists’ Association and the Historical Novel Society, her interests are travel, the theatre, reading and cryptic crosswords. To find out more about Liz, visit her website at: www.lizharrisauthor.com

Connect with Liz Harris.

WebsiteTwitterFacebook

LinkedInInstagramAmazon Author Page

Don’t forget to check out the other stops on the Darjeeling Inheritance blog tour with The Coffee Pot Book Club

Competition time – enter to win a paperback copy of Odin’s Game by Tim Hodkinson (UK only)

To celebrate the release of The Whale Road Chronicles in paperback, I’m pleased to be able to offer one lucky (UK) reader a FREE copy of the paperback of Odin’s Game (direct from the publisher).

Click here to enter, via Rafflecopter.

a Rafflecopter giveaway

Here’s the rules:

  1. follow @AriesFiction on Twitter (you can follow me as well if you like – but it’s not a necessity @coloursofunison)
  2. no giveaway accounts
  3. UK only
  4. 1 winner gets 1 paperback copy of Odin’s Game
  5. Competition runs from 05.10.21 to 10.10.21
    Once the giveaway finishes I will announce the winner on Twitter and get in touch to let you know how to claim your prize.

Good luck everyone!

If you’ve not heard of The Whale Road Chronicles, check out the blurb here:

Not everyone will survive, but who will conquer all in Odin’s game?

AD 915 In the Orkney Isles, a young woman flees her home to save the life of her unborn child. Eighteen years later, a witch foretells that evil from her past is reaching out again to threaten her son. Outlawed from his home in Iceland,

Einar Unnsson is thrown on the mercy of his Uncle, the infamous Jarl Thorfinn ‘Skull Cleaver’ of Orkney. He joins forces with a Norse-Irish princess and a company of wolfskin clad warriors to become a player in a deadly game for control of the Irish sea, where warriors are the pawns of kings and Jarls and the powerful are themselves mere game pieces on the tafl board of the Gods. Together they embark on a quest where Einar must fight unimaginable foes, forge new friendships, and discover what it truly means to be a warrior. As the clouds of war gather, betrayal follows betrayal and Einar realises the only person he can really trust is himself.

Odin’s Game is the first book of The Whale Road Chronicles. The first 4 books are available now.


About the Author:

Tim Hodkinson grew up in Northern Ireland where the rugged coast and call of the Atlantic ocean led to a lifelong fascination with Vikings and a degree in Medieval English and Old Norse Literature. Tim’s more recent writing heroes include Ben Kane, Giles Kristian, Bernard Cornwell, George R.R. Martin and Lee Child. After several years in the USA, Tim has returned to Northern Ireland, where he lives with his wife and children.

@TimHodkinson 

www.timhodkinson.blogspot.com

To give you an idea of what you can expect from the books, here’s a photo of Birsay, Orkney that I took last week on holiday! If you read the books you’ll find out why it’s so relevant:)

Birsay, Orkney (photo taken by me October 2021)

Welcome to today’s stop on The Amber Crane by Malve Von Hassell blog tour

Today, I’m delighted to welcome Malve von Hassell to the blog with a post about her new book The Amber Crane.

I appreciate M J Porter’s question about the process that I use when researching and writing my historical fiction works. 

At risk of being laughed out of court, I admit that my process is a jumble – almost a scattershot approach with frequent journeys down endless tunnels in search of an answer for a particular detail and not by any means a cohesive, thorough, or systematic process. In all my books to date, my initial inspiration involved a particular image or a character that excited my interest, and I ended up building a story around that.  

For instance, in The Falconers Apprentice, my original hook for further research was De Arte Venandi cum Avibus, a remarkable compendium about falconry penned by Frederick II of Hohenstaufen, Holy Roman Emperor, in the 13thcentury. Alina: A Song for the Telling began to take shape in my mind thanks to an accidental discovery of a historical character, Stephen de Sancerre, whose life trajectory intrigued me.  The Amber Crane had its origins in my recollection of legends about amber that I had heard in my childhood.

I am not a historian. However, my background and work experiences have provided me with some tools that come in handy when writing historical fiction.  I have worked as a translator for many years, and I have also worked as an anthropologist. 

As a translator one learns to dissect words and to be appreciative of the cultural context of expressions and phrases where a mere literal translation utterly fails to convey the meaning. As a writer of historical fiction one needs to be wary of using terms that are not appropriate to the time one is writing about and has to take care not to inject too much of one’s own language usage and thought processes into a context where such would have been unlikely. Meanwhile, don’t get me wrong—it is one thing to know and understand this challenge and another entirely to work accordingly. I have failed repeatedly at sticking to this goal.

I have also studied anthropology and completed research projects in that field. The best anthropologists are by definition historians, willing to keep digging, to consider innumerable details, and to look at the entirety of a situation from as many angles as possible before writing up a description or study of a particular society or community. Anthropologists when doing fieldwork try to cover as much ground as possible and to talk to as many people as possible in order to get all sides of a story.

The processes of writing an anthropological study, a historical study, or a work of fiction involve a similar element. All three attempt to arrive at the portrayal of a truth as much as that is possible while telling a compelling story. In order to convey that truth as the author sees it, the author must select and perhaps also discard elements in order to assemble the work. That process of selection is, of course, subjective, and the final product is by definition only a partial truth. Therein lies the dilemma of authors and at the same time a tremendous wealth of opportunity in that there is always yet another story to be told or another way to tell a story and to get at a truth.

In writing historical fiction, I try to apply some of the same principles of research as I used as an anthropologist. That means paying attention to the context as a multilayered set of dynamics, reading as much as possible, ideally in the language of the place and the era, and drawing on original sources.

When I began to work on The Amber Crane, I had some of this covered in that German is my native language and my original sources included personal accounts by various relatives. 

Meanwhile, I have two main “go to” resources. 

One resource in my opinion classifies as a national treasure, that is, the spectacular public library system in the US. The research library in New York City is publically available, and one can find everything, and if one can’t find it, one can order it from another library somewhere in the United States. You can draw on this resource anywhere. I can go to my local library and obtain materials from thousands of miles away from home. This is a luxury I cannot emphasize enough, and it is all available without any sort of special admission or qualification or association with a university.

I am somewhat old-fashioned and averse to many advances in technology. Thus, it pains me to admit this, but I would not want to miss the Internet for any present or future writing project. Not only does it offer starting points when researching any given subject and excellent opportunities for armchair traveling and exploration, but more importantly it is a vehicle for connecting with other writers and researchers all over the world. Such contacts, interactions, feedback, and support are critical for writers.

Thank you so much for sharing such a fascinating post with me. Good luck with your new book.

Here’s the blurb:

Chafing at the rules of the amber guild, Peter, an apprentice during the waning years of the Thirty Years’ War, finds and keeps a forbidden piece of amber, despite the risk of severe penalties should his secret be discovered.

Little does he know that this amber has hidden powers, transporting him into a future far beyond anything he could imagine. In dreamlike encounters, Peter witnesses the ravages of the final months of World War II in and around his home. He becomes embroiled in the troubles faced by Lioba, a girl he meets who seeks to escape from the oncoming Russian army.

Peter struggles with the consequences of his actions, endangering his family, his amber master’s reputation, and his own future. How much is Peter prepared to sacrifice to right his wrongs?

Trigger Warnings:

References to rape, Holocaust, World War II, violence

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Meet the Author

Malve von Hassell is a freelance writer, researcher, and translator. She holds a Ph.D. in anthropology from the New School for Social Research. Working as an independent scholar, she published The Struggle for Eden: Community Gardens in New York City (Bergin & Garvey 2002) and Homesteading in New York City 1978-1993: The Divided Heart of Loisaida (Bergin & Garvey 1996). She has also edited her grandfather Ulrich von Hassell’s memoirs written in prison in 1944, Der Kreis schließt sich – Aufzeichnungen aus der Haft 1944 (Propylaen Verlag 1994). She has taught at Queens College, Baruch College, Pace University, and Suffolk County Community College, while continuing her work as a translator and writer. She has self-published two children’s picture books, Letters from the Tooth Fairy (2012/2020) and Turtle Crossing (2021), and her translation and annotation of a German children’s classic by Tamara Ramsay, Rennefarre: Dott’s Wonderful Travels and Adventures (Two Harbors Press, 2012). The Falconer’s Apprentice (namelos, 2015) was her first historical fiction novel for young adults. She has published Alina: A Song for the Telling (BHC Press, 2020), set in Jerusalem in the time of the crusades, and The Amber Crane (Odyssey Books, 2021), set in Germany in 1645 and 1945. She has completed a biographical work about a woman coming of age in Nazi Germany and is working on a historical fiction trilogy featuring Adela of Normandy.

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Don’t forget to check out the other stops on The Amber Crane blog tour with The Coffee Pot Book Club

Welcome to today’s stop on the blog tour for Over The Hedge by Paulette Mahurin

Here’s the blurb

During one of the darkest times in history, at the height of the German occupation of the Netherlands in 1943, members of the Dutch resistance began a mission to rescue Jewish children from the deportation center in Amsterdam. Heading the mission were Walter Süskind, a German Jew living in the Netherlands, Henriëtte Pimentel, a Sephardic Jew, and Johan van Hulst, principal of a Christian college. As Nazis rounded up Jewish families at gunpoint, the three discreetly moved children from the deportation center to the daycare across the street and over the backyard hedge to the college next door. From the college, the children were transported to live with Dutch families. Working against irate orders from Hitler to rid the Netherlands of all Jews and increasing Nazi hostilities on the Resistance, the trio worked tirelessly to overcome barriers. Ingenious plans were implemented to remove children’s names from the registry of captured Jews. To sneak them out of the college undetected past guards patrolling the deportation center. To meld them in with their new families to avoid detection. Based on actual events, Over the Hedge is the story of how against escalating Nazi brutality when millions of Jews were disposed of in camps, Walter Süskind, Henriëtte Pimentel, and Johan van Hulst worked heroically with the Dutch resistance to save Jewish children. But it is not just a story of their courageous endeavors. It is a story of the resilience of the human spirit. Of friendship and selfless love. The love that continues on in the hearts of over six hundred Dutch Jewish children.

This novel is available to read on #KindleUnlimited

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Meet the Author

Paulette Mahurin is an international bestselling literary fiction and historical fiction novelist. She lives with her husband Terry and two dogs, Max and Bella, in Ventura County, California. She grew up in West Los Angeles and attended UCLA, where she received a Master’s Degree in Science. 

Her first novel, The Persecution of Mildred Dunlap, made it to Amazon bestseller lists and won awards, including best historical fiction 2012 in Turning the Pages Magazine. Her second novel, His Name Was Ben, originally written as an award winning short story while she was in college and later expanded into a novel, rose to bestseller lists its second week out. Her third novel, To Live Out Loud, won international critical acclaim and made it to multiple sites as favorite read book of 2015. Her fourth book, The Seven Year Dress, made it to the bestseller lists for literary fiction and historical fiction on Amazon U.S., Amazon U.K. and Amazon Australia. Her fifth book, The Day I Saw The Hummingbird, was released in 2017 to rave reviews. Her sixth book, A Different Kind of Angel, was released in the summer of 2018 also to rave reviews. Her last four books: Irma’s Endgame, The Old Gilt Clock, Where Irises Never Grow, and Over the Hedge all made it to bestselling lists on Amazon. Her new release, Over the Hedge, was #1 in Hot New Release Amazon U.K. it’s second day out. 

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Don’t forget to check out the other stops on the Over The Hedge Blog Tour with The Coffee Pot Book Club

Welcome to today’s stop on the blog tour for Bloody Dominions by Nick Macklin

Today, I’m delighted to welcome Nick Macklin to the blog to talk about the research he undertook to write his new book, Bloody Dominions.

Your book, Bloody Dominions sounds fascinating. I’ve recently been enjoying a great deal of Roman era historical fiction. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

I have always had an interest in the ancient world and especially the Roman empire. I studied history at college, which in addition to satisfying my thirst for knowledge of the past, helped stand me in good stead during the extensive research I conducted whilst writing Bloody Dominions.

I knew when I set out that I wanted to set the story against the backdrop of a significant period in Roman history. I spent some considerable time immersed in the central and university libraries in Exeter, looking to narrow that down to something offering the potential for meaningful character and plot development, that hadn’t already received exhaustive coverage. I eventually settled on Caesar’s tumultuous occupation of Gaul, in part because I was struck by just how heavily the Roman psyche was influenced during this period by the scare they’d received 50 years earlier, when Germanic tribes invaded their territories and defeated their legions. Seeing references to the veterans of that war watching their sons and grandsons enlist for a similar campaign, I started to think about developing that link on both sides of the conflict. The prolonged clash of cultures that spanned 8 years, offered ample opportunity for the kind of dual perspective from which I was hoping to tell the story. Whilst the violent conflict provided a wealth of material to explore the changing fortunes of war and its impact at a personal level. The switching of allegiances; nations fighting for and against Rome, also provided the potential for intriguing plot lines. And so, the idea for the Conquest Trilogy was born.

Fortunately, Caesar was an almost unique example of a great general who was also a prolific writer. His ‘Commentarii de Bello Gallico, ‘Commentary on the Gallic War’ is a first-hand account of his invasion. I was grateful for the many translated versions now available as I have yet to perfect my Latin. One of the things on my to do list. It was important to recognise that this autobiographical account had a political purpose, Caesar’s audience was the Senate and the people of Rome and he wanted to justify his actions, reinforce his reputation and portray himself as a commander of courage, flair and success. As a consequence, I took some of the estimates of enemy warrior and casualty numbers with a pinch of salt but at its heart the Commentary is a straightforward narrative of the campaign Caesar fought in Gaul. As such it was an invaluable resource, providing key details in respect of the order and timing of events, the legions involved, battle plans etc. as well as some of the incredibly useful but more mundane detail that helped me to gain a sense of just how far the legions marched during a campaign season!

Whilst my three protagonists are entirely fictitious, I wanted the framework against which their stories unfold to be entirely accurate from a historical perspective, to feature actual participants in Caesar’s campaign and draw on real events as they occurred. In that respect the Commentaries also offered some intriguing opportunities to weave fact and fiction. For example, Caesar describes an ultimately unsuccessful peace conference between himself and the Germanic King Ariovistus prior to the battle of Vosges in 58 BC. He outlines how Ariovistus insisted that each side should be accompanied by mounted troops. He probably made this a condition because he knew that Caesar’s cavalry was composed mainly of Aeduian horsemen, whose loyalty to Caesar was questionable. Indeed, Caesar may not have trusted them himself. As a ruse Caesar ordered a group of his Gallic auxiliaries to dismount and had legionnaires from the Xth Legion ride in their place and accompany him to the peace conference. The incident earned the Legion its nickname ‘Equestrius’. In Bloody Dominions I took the liberty of having Caesar call for experienced riders to join his guard, hence Atticus’s involvement, a pivotal moment in the novel as this is when he and Allerix meet for the first time. 

Thereafter, as I plotted the journeys of Atticus, Allerix and Epona I consulted a variety of additional book and web-based resources to supplement my knowledge and research particular points of interest. Old enough to remember researching before the web, I never cease to be amazed at the wealth of information available at our fingertips, although I still prefer to do the bulk of my research using physical resources and pen and paper! I did however find the excellent web based military history encyclopaedia, www.HistoryofWar.org particularly helpful when looking to visualise how the battles in which my characters feature played out.

Finally, one of the earliest pieces of research I did when Bloody Dominions was still very much in its infancy, was to complete a ‘field trip’ to Europe. I can’t pretend that this visit was entirely conducted for research purposes, I had always wanted to travel around Europe by train. A nod I suspect to the inter-railing visit I never made as a teenager! However, I did make a number of detours along the way to visit museums, monuments and battlefield sites (wherever possible) in Italy, France, Germany and Belgium. I never get over the sense of standing where so many have gone before, never more so than when standing on the Ponte Pietre Bridge in Verona, recognising that it had been ‘crossed by Caesar and all of the legions travelling to Gaul. Including of course those in the XIIth on their way into the pages of Bloody Dominions. 

This is me, quite literally at the start of the Bloody Dominions Journey as I prepare to leave Exeter at the start of that European ‘research’ trip: 

Thank you so much for sharing your research journey with me. It sounds fascinating, and I wish you luck with your new book, and the rest of the books in the trilogy.

Intrigued?

Here’s the blurb:

Journey with those at the heart of the conflict as Caesar embarks on the tumultuous conquest of Gaul 58-51 BC. Book One 58-56 BC.

As Caesar’s campaign begins, tests of courage and belief will confront the three protagonists, shaping them as individuals and challenging their views of the world and each other:

Atticus – an impetuous but naturally gifted soldier, whose grandfather served with distinction in the legions;

Allerix – a Chieftain of the Aduatuci, who finds himself fighting both for and against Caesar; and

Epona – a fierce warrior and Allerixs’ adopted sister.

Experiencing the brutalities of conflict and the repercussions of both victory and defeat, Atticus, Allerix and Epona will cross paths repeatedly, their destinies bound together across time, the vast and hostile territories of Gaul and the barriers of fate that have defined them as enemies. In a twist of fate, Atticus and Allerix discover that they share a bond, a secret that nobody could ever foresee…

Trigger Warnings:

Violence, attempted rape.

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Meet the Author

A history graduate, Nick enjoyed developing the skills that would stand him in good stead during the extensive research he conducted prior to writing his novel. Whilst the ancient world unfortunately didn’t feature to any extent in his history degree, (the result of failing miserably to secure the A level grades that would have permitted greater choice) he maintained a lifelong and profound interest in ancient history and especially the Roman Empire, continuing to read avidly as he embarked on a career in HR. Over the next 30 years or so Nick occupied a variety of Senior/Director roles, most recently in the NHS. Unsurprisingly, writing in these roles was largely confined to the prosaic demands of Board papers but Nick never lost the long-harboured belief, motivated by the works of writers such as Robert Fabbri, Robyn Young, Anthony Riches, Simon Scarrow, Matthew Harffy and Giles Kristian, that he too had a story to tell. When he was presented with a window of opportunity c3 years ago he took the decision to place his career on hold and see if he could convert that belief into reality. 

Nick always knew that he wanted to set the novel against the backdrop of a significant event/period in Roman history. Looking to narrow that down to something offering the potential for meaningful character and plot development, but that hadn’t already received exhaustive coverage, he settled on Caesars tumultuous occupation of Gaul. Spanning 8 years, the prolonged clash of cultures offered ample opportunity for the kind of dual perspective from which he was hoping to tell the story, whilst the violent conflict provided a wealth of exciting material to explore the changing fortunes of war and its impact at a personal level. The switching of allegiances, nations fighting for and against Rome also provided the potential for some intriguing plot lines. As his research unfolded, he was also struck by just how heavily the Roman psyche during this period was influenced by the scare they had received 50 years earlier when Germanic tribes invaded their territories and defeated their legions. Seeing references to the veterans of that war watching their sons and grandsons enlist for a similar campaign, he started to think about developing that link on both sides of the conflict. And so, the idea for the Conquest Trilogy was born.

In Bloody Dominions Nick has sought to produce a novel in which unfolding events are experienced and described from the perspective of protagonists on both sides of Caesar’s incursion into Gaul.  Conscious that the role of women in Roman fiction, Boudica aside, is largely confined to spouse, prostitute or slave, Nick wanted to ensure that one of his lead characters was female and a prominent member of the warrior clan of her tribe. The novel is driven by these characters but the framework against which their stories unfold is historically accurate, featuring actual participants in Caesar’s campaign and drawing on real events as they occurred. As such Nick is genuinely excited about his characters and the story they have to tell.

Nick lives in Exeter with his two daughters and is currently juggling work as an Independent HR Consultant with writing the second novel in the Conquest Trilogy, Battle Scars. 

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Don’t forget to check out the other stops on the Bloody Dominions Blog Tour with The Coffee pot Book Club

Book Review – The Man Who Died Twice by Richard Osman – Mystery

Here’s the blurb;

It’s the following Thursday.

Elizabeth has received a letter from an old colleague, a man with whom she has a long history. He’s made a big mistake, and he needs her help. His story involves stolen diamonds, a violent mobster, and a very real threat to his life.

As bodies start piling up, Elizabeth enlists Joyce, Ibrahim and Ron in the hunt for a ruthless murderer. And if they find the diamonds too? Well, wouldn’t that be a bonus?

But this time they are up against an enemy who wouldn’t bat an eyelid at knocking off four septuagenarians. Can the Thursday Murder Club find the killer (and the diamonds) before the killer finds them?

First things first, I’ve not read book 1, but I was curious to see what all the hype was about. It didn’t disappoint, but I did struggle to ‘get into’ the book. There’s some funny tenses and I don’t like books that haven’t decided what tense to write in:) I did get used to it, eventually, but I am curious to know if anyone else felt the same way I did.

The Man Who Died Twice is a well-told modern-day mystery featuring four friends in their 70s as they try and solve three interlinked mysteries surrounding some missing diamonds.

It is a good tale with characters that are well-drawn, although, on occasion, it is the ‘bit’ part players that speak more to the reader. (This may be because it’s a second book and everyone already knows them from book 1).

It is filled with twists and turns, although the reader does get to a part of the mystery long before the characters do, but with a nice little twist at the end.

An engaging story, which I read very quickly

Thank you to the publisher and Netgalley for my review copy.

The Man Who Died Twice is out now in hardback, audio and ebook. You will enjoy it if you like a modern day, light hearted mystery.

Welcome to today’s stop on the Island of Gold by Amy Maroney blog tour

Today, I’m excited to share a post from Amy Maroney who’s going to tell me all about the research she undertook for her new book, Island of Gold.

Thank you for hosting me on your blog, MJ! I love research and you’ve asked some excellent questions.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

AM: Island of Gold, the first book in my Sea and Stone Chronicles series, was inspired by a three-week stint on the island of Rhodes back in 2012. I was struck by the layers of history on the island stretching back thousands of years. All of that history is still visible today. Ancient temples and crumbling statues of Greek goddesses exist alongside the walls and forts built by the medieval Knights Hospitaller. When I explored Rhodes, I knew that one day, I would write about the island and its history.

photo of Knights Hospitaller palace, Rhodes Town, Unsplash photo

My first research always come informally, mostly through travel and reading. It’s when I’m traveling that I have the best, most creative ideas for fiction. Reading is like traveling in that it takes me to different worlds, so ideas are often sparked that way, too. With that initial idea or inspiration percolating, I start to dig into the historical record. I rely heavily on Academia.edu, Interlibrary Loan, and the kindness of researchers all over the world. As I explore history, I begin to imagine characters inhabiting the distant past. 

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

AM: I have many go-to books that I’m leaning on heavily while writing the Sea and Stone Chronicles. A few in particular were invaluable during the research and writing process for Island of Gold. I own a copy of The Book of Michael of Rhodes, an illustrated journal of sorts written by a Rhodian-born seaman who made a living working on various Venetian ships during the early 1400s. Island of Gold is set on Rhodes, and the maritime dramas of the era figure large in the Sea and Stone Chronicles, so this book has been a treasure trove of information about sailing, merchant ships, Venetian influence in the Mediterranean, and other topics crucial to my research. 

photo of illustration from Michael of Rhodes’ book, taken by Author

Since Island of Gold is a story about ordinary people living in the shadow of the Knights Hospitaller when that organization was headquarters in Rhodes during the 1400s, I relied on several key books about the knights during my research. My favorite go-to books on that topic are The Knights Hospitaller by Helen Nicholson and The Knights of Rhodes by Elias Kollias.

My hero and heroine are Cédric and Sophie, a noble French falconer and a spirited merchant’s daughter, who marry in France and go on to seek their fortunes in Rhodes. 

To create Cédric de Montavon, I studied The Hound and The Hawk by John Cummins and H Is for Hawk by Helen Macdonald. I also valued Fighting Words: A Glossary of Swords and Combat by David Blixt, Dale Girard, Jared Kirby, and Tom Leoni.

To create Sophie Portier, I began with research I had already done on fifteenth century France for the Miramonde Series (the story of a Renaissance-era female artist and the modern day scholar on her trail). I then added some new go-to resources. A Distant Mirror by Barbara W. Tuchman gave me essential background about the fourteenth century and how the plague and other major events set the European stage for the fifteenth century. Two books about medieval life helped me create realistic domestic scenes and deepen Sophie’s character: Living and Dining in Medieval Paris by Nicole Crossley-Hollard and A Small Sound of the Trumpet: Women in Medieval Life by Margaret Wade Labarge. 

One of the resources that helped me with world-building for Island of Gold was Reflections on a Marine Venus: A Companion to the Landscape of Rhodes by Lawrence Durrell. And I relied heavily on numerous academic papers written by researchers dedicated to studying the medieval Mediterranean.

Photo of medieval hospital in Rhodes Town, Unsplash photo

Thank you so much for hosting me on your blog today, MJ! I enjoyed my visit with you.

Good luck with the new book. The cover is beautiful. Thank you so much for sharing your research with me.

Here’s the blurb

1454. A noble French falconer. A spirited merchants daughter. And a fateful decision that changes their destiny forever.

When Cédric is recruited by the Knights Hospitaller to the Greek island of Rhodes, his wife Sophie jumps at the chance to improve their fortunes. After a harrowing journey to Rhodes, Cédric plunges into the world of the knights—while Sophie is tempted by the endless riches that flow into the bustling harbor. But their dazzling new home has a dark side. 

Slaves toil endlessly to fortify the city walls, and rumors of a coming attack by the Ottoman Turks swirl in the streets. Desperate to gain favor with the knights and secure his position, Cédric navigates a treacherous world of shadowy alliances. Meanwhile, Sophie secretly engineers a bold plan to keep their children safe. As the trust between them frays, enemies close in—and when disaster strikes the island, the dangers of their new world become terrifyingly real. 

With this richly-told story of adventure, treachery, and the redeeming power of love, Amy Maroney brings a mesmerizing and forgotten world to vivid life.

This novel is available on #KindleUnlimited

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Meet the author 

Amy Maroney lives in the Pacific Northwest with her family, and spent many years as a writer and editor of nonfiction before turning her hand to historical fiction. When she’s not diving down research rabbit holes, she enjoys hiking, dancing, traveling, and reading. Amy is the author of the Miramonde Series, a trilogy about a Renaissance-era female artist and the modern-day scholar on her trail. To receive a free prequel novella to the Miramonde Series, join Amy’s readers’ group at http://www.amymaroney.com. (Just copy and paste into your browser.)

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Don’t forget to check out the other stops on the Island of Gold blog tour with The Coffee Pot Book Club