Here’s the blurb
‘My defloration was talked about in all the courts of Europe. The Prince boasted of his prowess, even as preparations were being made for his wedding, as boldly as if he had ridden across that causeway with bloodstained sheet tied to his lance.’
1584, Italy: Twenty-year-old Giulia expects she will live and die incarcerated as a silk weaver within the walls of her Florentine orphanage, where she has never so much as glimpsed her own face. This all changes with the visit of the Medici family’s most trusted advisor, promising her a generous dowry and a husband if she agrees to a small sacrifice that will bring honour and glory to her native city.
Vincenzo Gonzaga, libertine heir to the dukedom of Mantua, wants to marry the Grand-Duke of Tuscany’s eldest daughter, but the rumours around his unconsummated first marriage must be silenced first. Eager for a dynastic alliance that will be a bulwark against the threat of Protestant heresy beyond the Alps, the Pope and his cardinals turn a blind eye to a mortal sin.
A powerful #MeToo story of the Renaissance, based on true events.
Purchase Links
https://www.amazon.co.uk/Maiden-Florence-Katherine-Mezzacappa/dp/1914148509
https://www.amazon.com/Maiden-Florence-Katherine-Mezzacappa/dp/1914148509
My Review
Told with the benefit of hindsight by our maiden of Florence, Giulia, The Maiden of Florence is the story of this astounding event and the consequences of it for our fair maiden. The first third of the book is a retelling of what might have befallen Giulia, and events then move on to tell the story of what occurred afterwards, including her eventual marriage. However, the reach of the man behind her involvement is never very far away, despite her resentment of it.
The narrative allows Giulia to have her happily ever after ‘for now’, but events quickly move on, and she finds herself caught up in the battle to protect her oldest son, seeking aid where she would never have thought to do so until desperate.
The story is told with compassion and some insight from her husband. The recreation of Florence and Venice in the late 1500s/early 1600s is intriguing while also reflecting her restricted world view—we see only a small area of Florence and Venice. Giulia is rarely, if ever, not subject to some external force, whether it is the benign influence of her husband or other malevolent forces.
An engaging read, somewhat slower in pace, and sure to delight readers of this era and also narratives featuring strong women who are constrained by the society they live in.
Meet the author
Katherine Mezzacappa is an Irish writer of mainly historical fiction, currently living in Italy. She has published several novels under pen names with publishers Bonnier Zaffre and eXtasy. She works as a manuscript assessor for The Literary Consultancy. Katherine reviews for Historical Novel Society’s quarterly journal and is one of the organisers of the Society’s 2022 UK conference. In her spare time she volunteers with a used book charity of which she is a founder member.
Connect with the author
Twitter: https://twitter.com/katmezzacappa
Facebook: https://www.facebook.com/katherinemezzacappafiction/
https://katherinemezzacappa.ie
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