When Rósa is betrothed to Jón Eiríksson, she is sent to a remote village.
There she finds a man who refuses to speak of his recently deceased first wife, and villagers who view her with suspicion.
Isolated and disturbed by her husband’s strange behaviour, her fears deepen.
What is making the strange sounds in the attic?
Who does the mysterious glass figure she is given represent?
And why do the villagers talk of the coming winter darkness in hushed tones?
The Glass Woman is an intriguing tale of Iceland in the late 1600s.
I make no bones that I am fascinated by Iceland, perhaps not during this time period, but earlier, when the country was being settled. I tried this book on the off-chance – Jane Eyre in Iceland – yes, please.
And indeed, it is a dark tale, told from the viewpoint of Rosa. It is dark, frightening and claustrophobic, and reads very much like a much more modern Icelandic ghost story I read recently. It makes you shiver, it makes you feel for Rosa, but then everything changes and the book is not at all what you think it’s going to be.
I found the story intriguing and engaging, and if it’s not Jane Eyre in Iceland, it’s because the book is actually much harsher.
Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver’s semmingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig’s Publishers, its secrets hidden in the real stories behind their girls’ magazines The Rosie Cheek and The Freckle.
On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.
The Mirror Dance is my first encounter with Dandy Gilver, even though this is book 15 of a 1930s mystery series.
The story is told from Dandy Gilver’s point of view, and while she does sometimes share thoughts and speech which are a little wordy, it doesn’t detract from the storyline, which is satisfying and quite deliciously complex.
Even though the voice of the narrator, Dandy, gives a few hints that all is not as it seems, I genuinely didn’t work out what had happened until it was revealed at the end.
A really enjoyable and entertaining read. Thank you to Netgalley and the publisher for my review copy.
The Mirror Dance is released on the 21st January 2021 in hardback and ebook and is available here;
“August 1940. On the streets of London, locals watch with growing concern as German fighter planes plague the city’s skyline. But inside the famous Ritz Hotel, the cream of society continues to enjoy all the glamour and comfort that money can buy during wartime – until an anonymous man is discovered with his throat slashed open.
Detective Chief Inspector Coburg is called in to investigate, no stranger himself to the haunts of the upper echelons of society, ably assisted by his trusty colleague, Sergeant Lampson. Yet they soon face a number of obstacles. With the crime committed in rooms in use by an exiled king and his retinue, there are those who fear diplomatic repercussions and would rather the case be forgotten. With mounting pressure from various Intelligence agencies, rival political factions and gang warfare brewing either side of the Thames, Coburg and Lampson must untangle a web of deception if they are to solve the case – and survive.”
Murder at the Ritz is the first book I’ve read by Jim Eldridge, but it won’t be the last.
This was a thoroughly enjoyable 1940s murder-mystery with enough red herrings to keep the reader guessing throughout the story. I loved the way the author embedded the story into the events of the time, with the threat of air bombs, and the tragedies they brought. The book felt quite claustrophobic in places, with the threat of the German invasion never far away.
The story felt very complete, and well researched – the gangsters, the British Fascist party, MI5, MI6, the Foreign Office, and that’s even without the events at the Ritz, and the murder!
Highly recommended. Thank you to the publisher and Netgalley for my review copy.
Murder at the Ritz is available now in ebook and hardback from here.
“The first book in a highly original and delightfully clever crime series in which Queen Elizabeth II secretly solves crimes while carrying out her royal duties.
It is the early spring of 2016 and Queen Elizabeth is at Windsor Castle in advance of her 90th birthday celebrations. But the preparations are interrupted when a guest is found dead in one of the Castle bedrooms. The scene suggests the young Russian pianist strangled himself, but a badly tied knot leads MI5 to suspect foul play was involved. The Queen leaves the investigation to the professionals—until their suspicions point them in the wrong direction.
Unhappy at the mishandling of the case and concerned for her staff’s morale, the monarch decides to discreetly take matters into her own hands. With help from her Assistant Private Secretary, Rozie Oshodi, a British Nigerian and recent officer in the Royal Horse Artillery, the Queen secretly begins making inquiries. As she carries out her royal duties with her usual aplomb, no one in the Royal Household, the government, or the public knows that the resolute Elizabeth will use her keen eye, quick mind, and steady nerve to bring a murderer to justice.”
So, this isn’t quite historical fiction, but it’s mainly set at Windsor Castle, so I’m going with it. The Windsor Knot was in the Kindle sale for 99p, and I decided to try it out on a whim, and I’m pleased I did. What I initially thought to be a cosy-mystery is a bit more than that and the plot becomes more and more complex as the queen wades through the information available to her.
What I really enjoyed was the way the author managed to move the queen through the duties of her day to day business and still find time for her to be thinking more than the people at MI5.
Set in 2016, just before her 90th birthday, this book is very much centred around the queen, and the people she trusts who have far more freedom than she does to get to the people and places she needs information about. There are no end of false leads and the two main characters, that of the queen and her personal secretary, Rosie, are well-constructed and engaging. And, although he only makes the odd appearance – Prince Phillip is a delight as well.
If you’re looking for a (reasonably) light-hearted murder-mystery that’s well-grounded in today’s world, then I would recommend this, and for 99p, it’s an absolute steal. Not my usual read but a delight all the same.
‘1871. An age of discovery and progress. But for the Wainwright family, residents of the gloomy Teesbank Hall in County Durham the secrets of the past continue to overshadow their lives.
Harriet would not have taken the job of governess in such a remote place unless she wanted to hide from something or someone. Her charge is Eleanor, the daughter of the house, a fiercely bright eighteen-year-old, tortured by demons and feared by relations and staff alike. But it soon becomes apparent that Harriet is not there to teach Eleanor, but rather to monitor her erratic and dangerous behaviour – to spy on her.
Worn down by Eleanor’s unpredictable hostility, Harriet soon finds herself embroiled in Eleanor’s obsession – the Wainwright’s dark, tragic history. As family secrets are unearthed, Harriet’s own begin to haunt her and she becomes convinced that ghosts from the past are determined to reveal her shameful story.
For Harriet, like Eleanor, is plagued by deception and untruths.’
The Deception of Harriet Fleet is a deeply atmospheric novel, tightly wrapped up in the injustices of how women were treated in the 1800s, when they were expected to shut up and look pretty. But, none of the women in this story are pretty – they are all haunted – by the events that have befallen them and on which the societal norms of the period can be blamed.
Eleanor is a deeply troubled young woman, Harriet, her governess, is running from her past, and even the household servants are subjected to the whim of their master, Mr Wainwright. Wrap that around a family tragedy that no one will talk about, and the novel becomes engrossing and fascinating, even as it repels. The way the women of the story are so completing misunderstood makes for harrowing reading, and when the double truth is eventually revealed it feels satisfying, even as shocking as it is. I confess, I didn’t predict either of the mysteries.
I picked this book from the Amazon 99p sale, and I’m so glad I did. A well-thought out novel, which doesn’t drop the suspense until near the end – and even then, I think it’s understandable.
I know I won’t have been the only one to have struggled to find books engaging throughout 2020but there are two trends that have mainly characterised my reading throughout the year. I’ve either found myself in Early England (before 1066), or in the loving embrace of cosy 1920s murder mysteries. I don’t think it’s possible to get further apart.
But there are some books that have fallen outside of those two trends, and two of these books, have been my standout books of the year.
I was lucky enough to get an advanced copy from Netgalley so didn’t have to wait until the summer to enjoy it.
Here’s the blurb:
“One family united by blood. Torn apart by war…
England, 1459: Cecily, Duchess of York, is embroiled in a plot to topple the weak-minded King Henry VI from the throne. But when the Yorkists are defeated at the Battle of Ludford Bridge, Cecily’s family flee and abandon her to face a marauding Lancastrian army on her own.
Cecily can only watch as her lands are torn apart and divided up by the ruthless Queen Marguerite. From the towers of her prison in Tonbridge Castle, the Duchess begins to spin a web of deceit – one that will eventually lead to treason, to the fall of King Henry VI, and to her eldest son being crowned King of England.
This is a story of heartbreak, ambition and treachery, of one woman’s quest to claim the throne during the violence and tragedy of the Wars of the Roses.”
I loved this book, and more than that, O’Brien’s choice to tell her story almost exclusively through letters inspired me when I was struggling to write Lady Estrid, and gave me a means to tell a complex family story. But, even without that, I highly recommend this book. Anne O’Brien tells engaging and captivating stories of England’s forgotten women, and that is just the sort of book that appeals to me.
It’s available now in ebook, audiobook and hardback, and when I wrote this, the ebook was only 99p, an absolute steal.
Next up on my list of excellent reads is Camelot by Giles Kristian.
Here’s the blurb:
Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been these past ten years. But in a small, isolated monastery in the west of England, a young boy is suddenly plucked from his simple existence by the ageing warrior, Gawain. It seems he must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot. For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive
Camelot had a wonderful feel to it, and while, I wasn’t quite as enamoured of it as I was Lancelot, the sort-of prequel, I still can’t recommend it enough. The way Kristian evoked the Arthurian legend was amazing. No matter how much I ‘knew’ what was going to happen, I still wanted the characters to triumph, and that, was a little piece of genius.
Camelot is available now in hardback, ebook and audio book.
One thing I’ve noticed is that I really didn’t read a lot of fantasy this year, which is strange for me. When I did read, I found solace in some tried and tested favourites, Mark Lawrence’s The Girl and the Stars, Katharine Kerr’s return to Deverry with the wonderful Sword of Fire and Terry Pratchett – I’ve been trying to listen to some audiobooks, and although I’m still not sure I like it, I have found the Terry Pratchett audiobooks to be great entertainment, especially as I’ve read all the books in the past. I have the last book in Peter Newman’s Deathless Trilogy to read as well, but I’ve been saving it up because it’s going to be a real treat.
(I’ve just noticed that Mark Lawrence wrote a review for Sword of Fire on the cover. How funny. But, I’ve been a fan of Katharine Kerr for well over twenty years – maybe that’s why I like Mark Lawrence as he clearly is as well.)
But to return to historical fiction, I have stepped, just once or twice, further back in time than the Early English period to the Romans and the Greeks.
Sons of Rome by Turney and Doherty was a fantastic read, each author taking the part of one of two characters, interchanging their lives in a format that worked so well. I have book 2 to read now and I’m excited about that. And also The Gates of Rome by Conn Iggulden was a stellar read, and I’m still quite cross about the ending! He better put that right if there’s a sequel. I’m also going to give an honourable mention to Derek Birk’s Britannia World’s End. I really, really loved the first book. The second book was not quite as stellar but was still a welcome return to the characters from Book 1.
I’ve also taken on some beta reading projects this year, and have been really impressed by the quality of fiction that people are writing. I’ve been taken to Australia and New Zealand at the time of the gold rush, to Ancient Egypt, to Tudor England, 17th century Paris, 19th century Italy and now I find myself in 19th Century America. I hope these books are released and then I can share my reviews. I read books listed on Netgalley and also on The History Quill. If you love getting your mitts on books before they’re released, I highly recommend both of them, and The History Quill especially if you’re after fresh new voices in historical fiction.
But finally, I will mention the books I’ve read from the Early English period. I’ve not read as widely as I might have liked, but it can be hard to read what you’re writing about at the same time. I’ve spent some time with Matthew Harffy’s creations with Fortress of Fury and A Time For Swords. I’ve also returned to the world of Christine Hancock’s Bright Helm and I can assure that she has a new book, hopefully next year, which readers are going to really, really enjoy – a slight diversion from Byrhtnoth but still very much mentioning him. I’ve been lucky to read a really early copy of it, and I love it already. Bring it on!
I have the last Uhtred book to read, War Lord, but I’ve been saving it up for the holidays.
But, the thing that has really got me through the year has been a vast selection of murder mystery books. The majority have been set in the 1920s in the UK, but I have just discovered E M Powell’s Stanton and Barling mysteries set in the 1100s. These are so entertaining, if quite gory, and what I enjoy most about them, is I’ve never yet guessed who actually committed the murders! The same could be said for the Posey Parker mystery books by L B Hathaway which elevate the 1920s murder mystery to a whole new level. The Verity Kent murder mysteries are also excellent, and have a theme that runs through them all.
So, what I can take away from this is that much of the year has been spent reading cosy murder mysteries, although not many of them have been that cosy. It seems that I need a good mystery to help me unwind and one that’s not too gritty, and one that’s certainly set in the past.
Thank you to the authors who’ve kept me entertained this year, and happy reading everyone. I’m looking forward to more in 2021.
Posie Parker has been called to her most baffling case yet.
Amyas Lyle, London’s top young lawyer, has been found with his head in a box of poisoned saltwater.
It’s the perfect murder. But who hated him enough to do such a thing?
Following a trail of strange notes, all of which speak of the sea, and saltwater, Posie travels from London to the seaside resort of Whitley Bay, looking for answers. But nothing can prepare her for what she finds there.
Can Posie find Amyas Lyle’s cold-blooded killer before further deaths take place? Can she protect those Amyas has left behind?
As Britain celebrates an Olympic summer, will Posie manage to enjoy a holiday romance of her own? And just what is wrong with Inspector Lovelace? Why is he behaving so oddly? Is it anything to do with his new, smart appearance and some very carefully starched shirt collars?
This is a classic murder mystery which will appeal to fans of Agatha Christie and Downton Abbey. The Saltwater Murder is full of intrigue and red herrings, and is the seventh book in the delightfully classic Posie Parker Mystery Series, although this novel can be enjoyed as a stand-alone story in its own right. A clean read, with no graphic violence, sex or strong language.
I have a little bit of a soft-spot for 1920s murder mysteries, and the series featuring Posie Parker is certainly one of the strongest available.
I’ve read all of the books to date, and I think what is so appealing and enjoyable, is that the mysteries are deliciously complex, and the ‘bit part’ characters really come alive. Just like a classic Agatha Christie, you do spend all the time thinking, ‘it was him,’ or ‘it was her.’ Every character always has a motive but the solution is never, ever, the predictable one.
The Saltwater Murder is set in 1924 and is a fantastic addition; twisty, complex, and yet still grounded in the characters that long-time readers love and want to read about. Equally, I am sure that a reader could begin the series from here, and not feel too out of their depths, although they will then want to go back to the beginning and find out how it all started.
The author does a fantastic job of grounding the books in the time period, right down to the mention of Fry’s Chocolate bars and Lyons tea shops, and that’s without even mentioning the accurate weather forecasts and the depiction of events in the wilder world, which in this case are the 1924 Olympics held in Paris.
If you, like me, enjoy a Poirot or a Marple, and fancy something similar, then I highly recommend all of the Posey Parker books.
Easter, 1177. Canterbury Cathedral, home to the tomb of martyr Saint Thomas Becket, bears the wounds of a terrible fire. Benedict, prior of the great church, leads its rebuilding. But horror interrupts the work. One of the stonemasons is found viciously murdered, the dead man’s face disfigured by a shocking wound.
When King’s clerk Aelred Barling and his assistant, Hugo Stanton, arrive on pilgrimage to the tomb, the prior orders them to investigate the unholy crime.
But the killer soon claims another victim–and another. As turmoil embroils the congregation, the pair of sleuths face urgent pressure to find a connection between the killings.
With panic on the rise, can Barling and Stanton catch the culprit before evil prevails again—and stop it before it comes for them?
THE CANTERBURY MURDERS is the third book in E.M. Powell’s Stanton and Barling medieval murder mystery series. Combining intricate plots, shocking twists and a winning–if unlikely–pair of investigators, this series is perfect for fans of Ellis Peters’ Brother Cadfael or C. J. Sansom’s Shardlake.
This is the first of the Stanton and Barling Mysteries that I’ve read, and I will certainly be going back to the first two books.
The Canterbury Murders is a well constructed and intriguing murder-mystery. The main characters of Stanton and Barling are as unlike as chalk and cheese, and I really enjoyed how they clashed with one another, even though they were working towards the same outcome, of solving the mystery.
The peripheral characters are well sketched, and there were times when I was convinced I knew who the murderer was only to discover I was wrong, and when the big reveal came, it was satisfying, and more importantly, made perfect sense.
This was a very well executed and thoroughly entertaining tale and I look forward to more of the same in the future. I’ve already ordered books 1 and 2.
Thank you to Netgalley and the Publisher for my review copy.
An intrepid female reporter matches wits with a serious, sexy detective in award-winning author Manda Collins’ fun and flirty historical romcom, perfect for readers of Evie Dunmore, Julia Quinn Tessa Dare and Netflix’s Enola Holmes!
Of all the crime scenes in all the world, she walks into his. Twice.
England, 1865: Notorious newspaper columnist Lady Katherine Bascomb is determined to educate the ladies of London on the nefarious criminals who are praying on the fairer sex. But when her reporting leads to the arrest of an infamous killer, Katherine flees to a country house party to escape her doubts about the case – only to become witness to a murder herself! When the lead detective accuses Katherine of inflaming – rather than informing – the public with her column, she vows to prove him wrong.
Detective Inspector Andrew Eversham’s refusal to compromise his investigations nearly cost him his career, and he blames Katherine. When he discovers she’s the key witness in a new crime, he’s determined to prevent the beautiful widow from once again wreaking havoc on his case. Yet as Katherine proves surprisingly insightful and Andrew impresses Katherine with his lethal competency, both are forced to admit the fire between them is more flirtatious than furious. But to explore the passion between them, they’ll need to catch a killer . .
A Lady’s Guide to Mischief and Mayhem grabbed my attention due to the title and the cover. It sounded like a light-hearted, fun read, and in many respects, it was.
Lady Katherine is an engaging character, and with much of the story told from her perspective, we get to know her quite well, although some of her true nature is hidden behind the Victorian facade of never showing emotions. The addition of the story-line being told from the perspective of Inspector Eversham adds an entirely different dimension to the story – that of a more disciplined police officer, although it slips quite quickly.
The beginning of the book takes place in London, and I fully expected the action to remain there, but we are abruptly whisked away to the Lake District where the crimes take on an even more sinister nature, and become somewhat more personal.
The author excels here at producing quite a complex case for the main characters to unravel and it did hook me. There were points where I was convinced I had worked out what was happening, only to be wrong. The budding romance between Lady Katherine and Inspector Eversham does feel a little rushed and there were moments where I might have liked more plot development, but overall, it was a fun and reasonably light-hearted read, not because of the content, but because of the way Lady Katherine insists on solving the mystery of who the murderer is.
Thank you to the publisher and Netgalley for my review copy.
A Lady’s Guide to Mischief and Mayhem is available now.
In the aftermath of the Great War, the line between friend and foe may be hard to discern, even for indomitable former Secret Service agent Verity Kent, in award-winning author Anna Lee Huber’s thrilling mystery series.
Peacetime has brought little respite for Verity Kent. Intrigue still abounds, even within her own family. As a favor to her father, Verity agrees to visit his sister in Wiltshire. Her once prosperous aunt has fallen on difficult times and is considering selling their estate. But there are strange goings-on at the manor, including missing servants, possible heirloom forgeries, and suspicious rumors—all leading to the discovery of a dead body on the grounds.
While Verity and her husband, Sidney, investigate this new mystery, they are also on the trail of an old adversary—the shadowy and lethal Lord Ardmore. At every turn, the suspected traitor seems to be one step ahead of them. And even when their dear friend Max, the Earl of Ryde, stumbles upon a code hidden among his late father’s effects that may reveal the truth about Ardmore, Verity wonders if they are really the hunters—or the hunted . . .
A Pretty Deceit is an excellent addition to the series by Anna Lee Huber. I didn’t realise when I started reading it, that I’d already read Book 3, but I soon appreciated that I ‘knew’ the characters. Then came the search on Goodreads, and then it all made a great deal more sense:)
Verity Kent is once more embroiled in a new mystery and also still pursuing an old one from Book 3, the two threads merging together expertly to give an engrossing and deliciously complicated narrative, that ensures all the old favourites make an appearance at some point throughout the book.
It was a thoroughly enjoyable and engrossing read. In fact, as soon as I’d finished it, I went on to read Book 1, and plan on reading Book 2 as well. If you enjoy a well constructed and deeply rooted 1920’s (well, just as about) murder mystery, this is definitely a great series to read.
Thank you to Netgalley and the Publisher for my review copy.
A Pretty Deceit was released on 6th October, and is available here.