historical fiction – MJ Porter

I’m delighted to welcome Paula Dáil and her book, Red Anemones, to the blog #HistoricalFiction #FamilyLegacy #JewishHistory #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Paula Dáil and her book, Red Anemones, a story of struggle, resistance and hope, to the blog with an excerpt.

Excerpt 1

Elyria, Ohio

January 1971

If you aren’t who I think you are, then who are you?

“Dad – what are we doing here?” I ask my father, while shivering in a bitter wind, insistently spitting snow at us. We are standing side by side in a place neither of us has ever heard of, can’t pronounce, and never expected to find ourselves. As I speak, I stare at a pile of partially hidden, freshly dug dirt. Fifty yards away, gigantic chunks of frozen water crashing onto Lake Erie’s shore sound like ice cubes stuck in a meat grinder.”

“I told you – we’re here to bury your mother,” my father answers through chattering teeth. He moves closer, linking his arm through mine, seeking to share each other’s warmth as we move toward a synthetic grass tarp, obscenely green against the dormant ground beneath it. A slowly moving hearse becomes visible from the left.

“I think we’re in the wrong place. This headstone says Rachael Rebekkah Rosenblum Barlow, and my mother’s name was Charlotte,” I point out.

“Until forty-eight hours ago, I thought her name was Charlotte, too. Apparently, we were both wrong,” my father replies in a barely audible whisper punctuated by a deep sigh.

“Look at the headstones next to hers. Mikael Jacob Weiss and Sarah Rebekkah Michal Weiss, with no dates and an inscription, ‘May their memories be for a blessing.’ Another says Nathalie Avigail Weiss Rosenblum d.1934 and Eitan Noem Rosenblum d.1938. Do you know who any of these people are?”

“No idea.” The two-word answer rides on a deep exhale and a slight shake of my father’s head. We pass the time waiting for the hearse by staring out across the partially frozen lake, mesmerized by the icebergs floating rhythmically back and forth, until a wave hurls them toward the shore. An idling backhoe, partially hidden behind a large, dormant tree downslope from the hill where we stand, hums a steady dirge.

“According to her lawyer, your mother, Charlotte Rose Barlow’s legal name was Rachael Rebekkah Rosenblum Barlow. These others must be related to her somehow; otherwise, there’s no reason for her to want to be buried in this godforsaken place, and she was very insistent about it,” my dad explains as the hearse pulls up. He takes my hand, and together we walk closer to the tarp. The driver and another solemn-faced man get out and walk toward us, putting on gloves. They peel back the artificial turf, exposing the hole underneath, then walk back to the hearse, where two men wearing black overcoats and fedoras are extracting a wooden, sarcophagus-shaped coffin. A small nameplate is affixed to the flat top.

“That can’t have been easy to find,” I remark, referring to the European-style box containing my mother’s remains.

“Your mother was very specific about what she wanted.”

Here’s the Blurb

Moving among generations of a German-Jewish-American family, Red Anemones is a poignant exploration of the intricate bonds, untold secrets, and unspoken legacies our ancestors bestow upon us.

Natalie Barlow’s journey of self-discovery begins when her estranged mother’s sudden death releases a storm of unrevealed family secrets reaching back to pre-WWI Germany.

As Natalie navigates the complexities of her newly discovered Jewish identity and her ancestral heritage, she comes face-to-face with the early 20th-century German immigrant experience, which included strong anti-German sentiment and deep antisemitism that prevailed across America.

Through diaries and letters her mother saved, Natalie learns of the personal costs this ugly reality extracted from generations of her own family. Ultimately, she must confront the question of her own identity.

Like Israel’s red anemones carpeting the western Negev and Dvira Forest of the Judean foothills year after year, Natalie is determined, no matter the personal costs, to find the courage, resiliency, and passion to embrace the changes that bring new beginnings. Inspired by a true story.

Praise for Red Anemones:

““Red Anemones” by Paula Dáil weaves a powerful narrative inspired by a gripping true story, infusing the text with authenticity and emotional resonance. This book is an absolute must-read for fans of the genre, as it expertly blends enthralling storytelling with fully realised characters and a rich plot.”

~ Yarde Book Promotion, Editorial 5* Review

“Poignant, disturbing, and historically and dramatically riveting.”

~ Kirkus Reviews

“As I read, I found myself utterly taken by Dáil’s writing. Her prose has rhythm and patience, tight, deliberate, and quietly powerful. She writes with tenderness but never sentimentality, allowing emotion to rise naturally from her characters’ choices. I could almost feel the weight of Nathalie’s conflict between family duty and self-determination, between love and freedom. The language is lived-in, grounded, and full of quiet heat.”

~ Literary Titan, 5* Review

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Meet the Author

A native Californian, Paula Dáil is an emerita research professor of social welfare and public policy and award-winning author. Widely published in the social sciences, she has also been recognized for her non-fiction and fiction writing, both under her own name and her pen name, Avery Michael.

She is the recipient of first or second place Readers Favorite, Reader’s Choice, Independent Publisher, Bookfest and Literary Titan awards, a Booklist Starred Review and several other five-star reviews, including Goodreads, The Book Commentary, and Independent Book Review. Two of her books received the Non-fiction Book of the Year Award from the Council for Wisconsin Writers. She holds a PhD from the University of Wisconsin-Madison and lives with her husband and dog in the Great Lakes Region of the Upper Midwest.

Red Anemones is her tenth book.

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I’m delighted to welcome Catherine Hughes and her new book, Therin Lies the Pearl, to the blog #HistoricalFiction #NormanConquest #MedievalHistory #AngloSaxonHistory #EarlyMedieval #StMargaret #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Catherine Hughes and her new book, Therin Lies the Pearl, to the blog with an excerpt.

Excerpt 3

Her voice lifted in confusion. “Father?”

Margaret had been breathing in the musky smell of the woodlands and the flowering anemone that lined their path when she saw her father’s body, as it was positioned in the saddle, tilt further and further toward the side.

That morning the family had left the inn and began traveling toward Favreshant, following a path made fragrant by the flowers and plants newly opened for spring. The weather did much to improve Margaret’s spirits as the sun shone brightly upon them from a clear, blue-domed sky. An occasional puffy cloud floated across the heavens but never did it linger long enough to diminish the warmth that embraced her. Walking with a bemused smile upon her face, Margaret surrendered to the charms of the countryside, relishing in the way the light accentuated the many shades of green that colored the leaves, the bushes, and the flower stems. A random look toward the front of the cavalcade snapped her pleasant daydream when she noticed the rider near the head of the train—her father—was about to fall.

Abandoning her usual sauntering walk, she broke into enormous strides trying to close the gap between her father and herself. The rapid turnover of her feet upon the soil alarmed the flock of yellowhammers who had been flitting about the blossoms. To escape the disruption, they rose higher and hovered above, waiting for the tumult to settle.

“Father!”

Her shout coincided with the loud thud of his body landing on solid ground, his head coming to rest in a patch of wildflowers.

Before Margaret reached him, she could see Gerhard was already there. He had carefully removed young Edgar from the saddle and then ran toward Edward, dropping to his knees for closer inspection.

Margaret skidded to a halt and took the same posture on the other side of her father’s fallen body. Hesitantly, she repeated again, “Father…?”

His lips parted but no sound issued forth.

After a quick glance in her direction, Gerhard moved closer to Edward, placing one hand beneath his master’s neck and bringing his own closer. “Edward! Edward, can you hear me?” Nothing. “Blink your eyes if you can hear me.” Gerhard’s voice cracked with worry, his usual composure gone. Because Gerhard had leaned so closely over her father’s head, Margaret had to slide further up toward his shoulder to be able to see whether or not her father had comprehended Gerhard’s words.

To her relief, she saw his eyelashes flutter—he understood! He was still there, he was still with them!

Gerhard continued. “Can you move your legs, my lord? Your arms? Just blink to let me know if you still have some control over your limbs.”

The words hung in the air as other people soon gathered around the group of three upon the ground. Margaret heard Edgar sniffling somewhere outside the circle and felt Harold, the priest, and his two brothers glaring down upon them from their seats. None of them had dismounted; instead, they surrounded the trio like a band of

highwaymen waiting to pounce on an unsuspecting victim. To Margaret’s dismay, her father’s eyelids did not flicker.

She studied Gerhard and watched the changing color of emotion move across his face—from confusion to concern, from fear to speculation, from suspicion to anger. When they both noticed the parting of her father’s lips, their hopes lifted. Together, she and Gerhard leaned in closer.

Her father’s eyes remained open but unfocused, and he whispered gently, more so to the air than to them. “No … feeling …my legs. My feet… cannot feel them… cannot move them… nothing there.”

Gerhard was about to respond but stopped when he saw Edward gather his breath once more. Unable to inhale deeply, he spoke in shallow exchanges. “Dizzy … since morn…could not get… legs…to keep hold … of the horse… chest feels … full… crushed.” He paused here for a lengthier break.

Margaret could feel her eyes welling up, her lashes wet with moisture.

“Cannot… take …. in … air.” With his gaze still focused at some point in the far distance, he whispered in a hushed tone, “Twas… foul… play.” Silence and he moved no more.

Margaret felt tears stinging her eyes. They burned her skin as they tumbled down her face until they left small, individual droplets of water on her father’s tunic. She watched as Gerhard placed his hand over Edward’s face, his fingers gently extending to close each eyelid.

Tiny bright-blue flowers with yellow centers formed a soft, decorative pillow where his sleeping head lay. Reminded of Jesus’ promise when he created these delicate blossoms, Margaret trusted that the Blessed Virgin would watch over her father’s soul. And she also knew that her father—like the flower itself—was urging her to “forget-me-not.”

Here’s the Blurb

Normandy, 1064

Celia Campion, a girl of humble background, finds herself caught in a web of intrigue when Duke William commands her to work as his spy, holding her younger sister hostage. Her mission: to sail across the sea to Wilton Abbey and convince Margaret, daughter of Edward the Exile, to take final vows rather than form a marriage alliance with the newly crowned king to the North, Malcolm III of Scotland. Preventing a union between the Saxons and Scots is critical to the success of the Duke’s plan to take England, and more importantly for Celia, it is the only way to keep her sister alive.

In this sweeping epic that spans the years before and after the Conquest, two women from opposite sides of the English Channel whisper across the chasm of time to tell their story of the tumultuous days that eventually changed the course of history. As they struggle to survive in a world marked by danger, loss, and betrayal, their lives intersect, and they soon come to realize they are both searching for the same thing–someone they can trust amidst the treachery that surrounds them.

Together, their voices form a narrative never before told.

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Meet the Author

Award winning writer, Catherine Hughes, is a first-time author who, from her earliest years, immersed herself in reading. Historical fiction is her genre of choice, and her bookshelves are stocked with selections from ancient, Medieval, and Renaissance Europe as well as those involving New England settlements and pioneer life in America. After double-majoring in English and business management on the undergraduate level, Catherine completed her Master’s degree in British literature at Drew University and then entered the classroom where she has been teaching American, British, and World Literature at the high school level for the last thirty years.

Aside from teaching and reading, Catherine can often be found outdoors, drawing beauty and inspiration from the world of nature. Taking the words of Thoreau to heart, “It is the marriage of the soul with nature that makes the intellect fruitful,” Catherine sets aside time every day to lace up her sneakers and run with her dog in pre-dawn or late afternoon hours on the beaches of Long Island. When her furry companion isn’t busy chasing seagulls or digging up remnants of dead fish, she soaks in the tranquility of the ocean setting, freeing her mind to tap into its deepest recesses where creativity and imagination preside.

In Silence Cries the Heart, Hughes’s first book, received the Gold Medal in Romance for the Feathered Quill 2024 Book of the Year contest, the Gold Medal for Fiction in the 2024 Literary Titan competition, and the 2024 International Impact Book Award for Historical Fiction. In addition, the Historical Fiction Company gave it a five star rating and a Silver Medal in the category of Historical Fiction Romance. The book was also featured in the February 2024 Issue 31 of the Historical Times magazine and was listed as one of the Best Historical Fiction Books of 2024 by the History Bards Podcast. Therein Lies the Pearl is her second venture into the world of historical fiction.

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I’m delighted to be reviewing The Locked Room by Holly Hepburn #histfic #cosycrime #1930s #bookreview #BakerStreet

I’m delighted to be reviewing The Locked Room by Holly Hepburn #histfic #cosycrime #1930s #bookreview #BakerStreet @rararesources #TheLockedRoom @theboldookclub #boldwoodbloggers @BoldwoodBooks @HollyH_Author

Here’s the blurb

The BRAND NEW instalment in Holly Hepburn’s Baker Street Mystery series – for fans of Sherlock Holmes! Join Harriet White in 1930’s London for another glorious Sherlock Holmes-inspired mystery, for fans of Nita Prose and Janice Hallett.

After a very close call on the Cambridgeshire Fens, Harriet White is about ready to hang up her deerstalker and settle back into her normal life, working in a bank on Baker Street. Until she discovers a letter in The Times newspaper challenging Sherlock Holmes to prove his status as the world’s greatest detective, by solving an impossible mystery. The letter, signed Professor James Moriarty, advises Holmes that the crime will be committed within the following seven days. There will be no further clues – Holmes himself must deduce which crime is the correct one to investigate.

Dismissing the letter as a prank, Harry goes about her business until news breaks of the theft of valuable jewel collection from a safe in an apparently locked room in a Mayfair townhouse.

Intrigued in spite of her misgivings, Harry dons a disguise and investigates. But as she begins to unpick the puzzle, a body is found. And now, a stranger, and far more deadly mystery begins to unfold around her…

Purchase Link

https://mybook.to/TheLockedRoom

My Review

The Locked Room is the third book in the Baker Street Mysteries. I’ve read books 1 and 2. Check out the review for The Missing Maid and The Cursed Writer.

The Locked Room is the third book in the Baker Street Mysteries, and I’ve read them all. While it is not necessary to have read the previous two books in the series, there are some threads that readers might miss if they begin with book 3 (and, of course, they will be missing out on the fun of reading the series from the beginning).

Our main character, Harriet, has two mysteries to solve in this latest book: determining the identity of her younger brother’s intended future wife and the theft of a priceless gem from a safe in a locked room. The twin mysteries unfold side by side and lead Harriet to some interesting locations.

What I really adore about this series of books is just how ‘Sherlock Holmes’ like they are – even the mysteries ring with familiarity from the Holmes stories, and yet are firmly placed in the 1930s. Harriet also interacts with the other characters in a way that feels very true to the time period. As much as we might not like it, she does have to masquerade in men’s clothing, and she does need the help of her male friend to get into all the places she needs to visit. The Locked Room is also as twisty as the previous two books.

Another fab mystery, thoroughly enjoyable, ripe with the smell of 1930s London, and very Holmes-eque in its resolution as well as the mystery itself.

Meet the author

Holly Hepburn writes escapist, swoonsome fiction that sweeps her readers into idyllic locations, from her native Cornwall to the windswept beauty of Orkney. She has turned her hand to cosy crime inspired by Sherlock Holmes himself. Holly lives in leafy Hertfordshire with her adorable partner in crime, Luna the Labrador.

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https://bit.ly/HollyHepburnNews

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I’m delighted to welcome Francesca Capaldi and her new book, Celebrations at the Beach Hotel to the blog. Francesca is introducing us to the characters #blogtour #histfic #saga

Meet the Characters from Celebrations at the Beach Hotel

Annie and Alice Twine are sisters who work in the scullery at the Beach Hotel. They appeared in the first five novels about the place, but now, with the sixth book, they’ve landed a starring role each. They are twenty-three and twenty-two years old when Celebrations at the Beach Hotel begins.

As scullery maids, their jobs would have included washing up glassware, crockery, cutlery and pans, getting rid of waste food (most likely in a pig bin) and keeping the scullery and stillroom clean. They would have boiled hot water for various maids and even plucked and skinned animals, though we never see Annie and Alice do this.

Both of them started work at the hotel at 15, when they left school, so Annie started a year before Alice, and is now head scullery maid, something she is fond of reminding her younger sister about! Annie does have a tendency to glumness, whereas Alice has a happier personality. At least, that’s how it appears on the surface. Their father, Colin, is a farm manager at a farm in Wick, the village where the sisters live. Their three brothers, Cedric, Cecil and Cyril, who all worked as labourers on the farm before the war, have yet to be demobbed. Wick at the time was a village next to Littlehampton with extensive farmland, but it’s now part of the town. (Growing up, my house was a ten-minute walk away from where they supposedly lived.)

The sisters get on well, when Annie isn’t bossing Alice around. Their mother is keen for them to marry, but, as the sisters say, what opportunity do they have with most of the men still away? But when the men do start to return, that’s when romance comes between the two of them.

A lot of the characters from the previous books in the serious, including Edie, Lili, Helen, Hetty and Fanny, are part of the story, as the men who worked at the hotel before the war, and survived, slowly return. These include Lorcan, who Annie holds a torch for, and Jasper, who Alice is very fond of. Lorcan and Jasper both enlisted and joined Kitchener’s 7^th Special Service Battalion in 1914, which eventually became part of the 12^th (Eastern) Division. Although the war ended in November 1918, they spent another four months on salvage and clear up duties in France, so don’t return to the hotel until March 1919.

Lorcan’s from Ireland, a place he has difficulty visiting after he returns, due to the civil war brewing there. He walked out briefly with stillroom maid Hetty, who is now engaged to another, but Annie suspects that he hasn’t got over her. Jasper is from Bognor Regis and part of a once well-off middle-class family who owned several grocery stores, but has since had a fall in fortunes. The men’s jobs as porters would have included greeting guests at the hotel, carrying luggage and showing them to their rooms, advising on hotel facilities and that of the surrounding area, making travel arrangements, parking guests’ motorcars and running errands for them.

During the course of the story, there are several marriages. These are kicked off by the real wedding of Princess Patricia of Connaught (a granddaughter of Queen Victoria) to The Hon. Alexander Ramsay, incidentally the first royal wedding at Westminster Abbey since the 14^th century. The female staff are reading about it in the newspaper and cooing over it as Lorcan and Jasper return from the war. Although Alice enjoys reading about the event, Annie is typically dismissive of the whole thing.

Either way, this event, and the subsequent weddings, don’t make either sister optimistic about their own prospects. Alice believes Jasper’s too high above her in social standing, even though he’s now just a porter. These beliefs only serve to help scupper their chances further, and they end up having a major fall-out with each other as a consequence, which isn’t helped by the appearance of a third man, adding to the romantic mix…

Here’s the blurb

Sisters Alice and Annie have always been close but will a man come between them?

Annie and Alice love their life working at the Beach Hotel together and each is thrilled to have finally found a sweetheart. Yet the path of true love never did run smooth, and they soon find themselves facing conflict and strife. Could love come between them and the bond they share?

Meanwhile, as men start to come home from the war, the women have to work out how to keep their jobs, although they are delighted to be back with their beaus. Soon, wedding bells ring out in Littlehampton.

Will everything be made right in time for Christmas?

Purchase Links

Amazon https://amzn.to/4gTi5fj

Kobo: https://bit.ly/4765y3M

Meet the author

Francesca Capaldi has enjoyed writing since she was a child, largely influenced by a Welsh mother who was good at improvised storytelling and an Italian father who loved history. She is the author of historical sagas, short stories and pocket novels.

The first novel in the Beach Hotel series, A New Start at the Beach Hotel, won the Romantic Saga Award at the Romantic Novelists’ Association Awards in 2024. The first novel in the Wartime in the Valleys series, Heartbreak in the Valleys, was shortlisted for the Historical Romantic Award in the RoNAs in 2021.

Francesca was born and brought up on the Sussex coast, went to London to do a history degree, but has lived for many years in Kent with her family and a cat called Lando Calrission.

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The blog tour for Lords of Iron has finished. A huge thank you to all the hosts. Here’s what they had to say about Lordsof Iron #newrelease #MenOfIron #WarriorsOfIron #LordsofIron #histfic

The Lords of Iron blog tour

Watch the little video I made to showcase the reviews from the fabulous reviewers. Thank you to them all. I know the majority have been with me since Men of Iron, and it’s amazing to realise how invested they’ve become in my characters. (The music is very dramatic).

Check out my blog for more details about the Dark Age Chronicles

Blog links

The Dark Age Chronicles

To what extent can we – or should we – select one date or event as ‘the end of Roman Britain’? #non-fiction

Image shows a map of Early England showing the places mentioned in the text of the book — The Dark Age Chronicles Map

Purchase Link

https://amzn.to/4qaRuy3

Image shows the book cover for Men of Iron by historical fiction author MJ Porter

Image shows the book cover for Warriors of Iron by hstorical fiction author MJ Porter

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I’m welcoming Jill Bray, and her historical mystery, A Brotherly Devotion, to the blog with an extract #blogtour #historicalmystery

I’m welcoming Jill Bray, and her historical mystery, A Brotherly Devotion, to the blog with an extract #blogtour #historicalmystery @rararesources @JillBray67

This extract is taken from the start of Chapter 18 after Lord Fitzwarren has been found to be the killer of Brother Clement.

Katherine found it difficult to believe that, in a short space of time, her whole world had changed once again. She had known the facts and the evidence that was put against Lord Fitzwarren, but she hadn’t given much thought as to how it would end. It was only yesterday that she had started to suspect him, and then earlier today, when she had journeyed with her father to speak with Edward; she had known for certain that he was the one who had so viciously murdered Brother Clement.

The banquet in the hall now felt quite surreal. She looked around at the rest of the guests, who had gone back to feasting and drinking at their tables, as though nothing had just happened. Yet, for her, everything had changed once more. Just a couple of days ago, she had been expecting to run away with Alexander in order to avoid marrying Lord Fitzwarren; and, up until yesterday, she had intended to keep to that plan. She had come to terms with having to give up everything; to lose contact with her sister and to disobey her father, in order to be with the man she loved. After sitting back down at the table next to her sister, she felt quite light-headed and reached out to pour herself a goblet of wine. She needed to consider, just what she was going to do next.

“Well, that wasn’t what I expected!” Angharad exclaimed, leaning over to her sister. “You knew, didn’t you?” She questioned Katherine.

“Not everything, and not finally until earlier today,” she admitted. “But even then, I couldn’t tell you. I hope you understand. Father needed to keep everything quiet, so that Lord Fitzwarren wouldn’t get to know.”

“This explains why you have been so distant. I still can’t believe that the man you were due to marry was a murderer. That’s quite a revelation.” Angharad leaned back in her chair. “So, why did it happen here tonight, at the banquet?”

“We went to Lord Fitzwarren’s manor earlier today to get Edward to safety and for father to arrest Lord Fitzwarren; but he wasn’t there,” Katherine told her. “Father didn’t want to raise any suspicion. And, as he knew Lord Fitzwarren would be here tonight, he agreed with Sir Robert that this evening would be a good opportunity to present the case against him.”

“Did father know before then, that Lord Fitzwarren had killed the monk?”

Katherine thought about it carefully. “He had spoken with Peter Beaumont and found out about Lord Fitzwarren’s sister, so I think he had his suspicions. But he had no proof, and that was the main thing.” Katherine took a drink of wine and relaxed back into her chair with a sigh of relief. “None of us were certain, until yesterday when I met Edward, and he showed me the dagger. Up until then, it was just a story father had been told by Peter Beaumont, who was a close friend of Hughs. One about how William’s devotion to his sister had been so consuming; and how she had taken her own life rather than live without the man she loved. That man was Hugh de Glanville, who became Brother Clement when he took Holy Orders. In Lord Williams eyes, the church took away his adored sister and then denied her a burial in consecrated ground. His grief and anger must have festered away inside him ever since her death and become sort of twisted. Then last week, and quite by chance; he came upon the man who had been the cause of all his sadness.” She took another sip of wine before continuing. “It was an accidental encounter as, from what father has told me, I don’t believe Brother Clement left the walls of the Abbey much. Lord Fitzwarren must have thought it was divine intervention, and he was being given a chance to mete out his own kind of justice.”

“So, he killed him?” Angharad stared at her.

“Yes, in order to avenge his sister.” Then, Katherine added more thoughtfully. “Such was his devotion to her.”

“And to think you were so nearly his wife.”

Here’s the blurb

YORK 1224: On a hot July night, Brother Clement is savagely murdered when returning from administering to Lady Maud de Mowbray.

Simon de Hale, Sheriff of Yorkshire, is in his office when Abbot Robert visits to inform him of the murder, and request that he take responsibility for investigating the killing.

Simon is unsure whether the murder is a crime against the Abbey, or if it is a more personal matter against the monk.

Commencing their investigation, Simon and his deputy, Adam, ride out to see Lady Maud de Mowbray at Overton – the last person to see Brother Clement alive. When they encounter her son, Roger de Mowbray, they both take an instant dislike to him.

Lady Mowbray reveals to Simon that she intends to leave her money to the Abbey, and Simon can see this being a motive for the monk’s murder, if her son was aware of this.

The investigation gathers pace and a murder weapon is found.

A banquet is held at the castle to honour the Royal Justice – during which, one of the guests is exposed as the murderer and apprehended. But that will not be the end of the story for Simon and his family.

Purchase Links

https://www.amazon.co.uk/Brotherly-Devotion-Murder-Most-Foul-ebook/dp/B0FH16K5F8/

https://www.amazon.com/Brotherly-Devotion-Murder-Most-Foul-ebook/dp/B0FH16K5F8/

Meet the author

Jill lives on the Island of Guernsey now, but is originally from Yorkshire. She has a love of early medieval history which led her to study the subject at Huddersfield College in the 1980’s. Working in Leeds at the time, meant that she had access to the Yorkshire Archaeological Society on their late night opening and following research, she wondered what the lives of the people she read about were actually like. This started a love of writing historical fiction, but her initial stories were never sent to a publisher. Life and work then intervened and writing was put to one side. It was only following a workshop held by the Guernsey Literary Festival in 2024 on writing historical fiction, that her love of writing was reignited. Her first novel ‘A Brotherly Devotion’ was published in July 2025.

https://www.jillbray.co.uk

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I’m delighted to welcome Carol Anne Dobson and her book, Storks in a Blue Sky, to the blog #HistoricalRomance #HistoricalFiction #Devon #Alsace #TheCoffeePotBookClub #BlogTour

I’m delighted to welcome Carol Anne Dobson and her book, Storks in a Blue Sky, to the blog with an excerpt.

Excerpt

He was introduced plainly as Jean Luc de Delacroix, a member of the Royal Society, whose studies were following in the path already trodden by Mark Catesby. She was aware of a ripple of anticipation going through the audience, which had become so numerous that people were having to stand at the back. She realised it was now too late to escape and sat in resignation, angry at her own recklessness.

His voice was strong and clear and, in spite of her agitation, she felt herself drawn almost hypnotically into the world he was describing; his years of travelling distilled into an eagle’s eye view of a vast, river- scored land, lake-jewelled and mountain-ridged. A tree-quilted countryside; spruce, firs and pines, dark green against glittering ice and snow; woods of sweet gum, cedar, red oak, maple and walnut; red, white and black mangroves sinuously emerging from brackish, southern swamps; and everywhere embroidered with flowers, whose very names were colour-rich; black eyed Susans, purple fringed orchids and golden rod.

She saw flocks of passenger pigeons, so numerous they blackened the sky, blotting out the sun, making oak tree boughs break under their weight. She saw the wood bison in the Appalachian forests and felt the earth shudder beneath migrating herds of caribou. Exotically plumed birds flew around her and she marvelled at the Carolina parakeet and the pintera, a wood pecker with a beak like ivory. Rattlesnakes, copperheads, water moccasins, scorpions and tarantulas made her shiver, and the sing-song quality of native words like ‘Cherokee,’ ‘Okeechobee’ and ‘Pahayokee,’ all added to the beauty and strangeness of the picture in her mind. He spoke quickly, almost without pausing for breath, often looking in her direction, and she noticed that his clothes appeared to have taken on a life of their own. His cravat was askew, his coat hung oddly, his hair had escaped from its tie and was hanging, dark and thick, onto his broad shoulders. She felt an over-riding urge to straighten his garments and present him, perfectly attired, to this gathering of sombrely dressed men, every one of whom was
wearing the customary wig.

“And now may I show various specimens of plants to you from the New World, and one very special creature,” he concluded his talk and watched as footmen carried in plants in tubs of earth and a small crate.

“Can I ask how many men died in your travels? Was it a very dangerous undertaking?” a man enquired.

“We did have to take many risks in the wilderness, it’s true, but no one died as a result. Two men were killed in battle and another man died from the smallpox.”

At the suggestion that he and his men had been engaged in fighting, she noticed that the room grew quiet. She could feel the hostility directed towards him that she had encountered at the Vinnicombe’s and suddenly understood her naivety. He had been fighting on the wrong side, she realised. He was partly French and had been fighting against the English. She was
horrified and her spirit was almost at one with the general sentiment in the room. He, however, completely ignored any undercurrent in the gathering and walked over to her.

“Madam, I hope I have entertained you. May I now reveal my surprise.”

He held out his arm and she was forced to accompany him to the wooden crate. He carefully opened the side and she looked in amazement at the largest spider she had ever seen. Its eyes were protruding, its segmented legs were long and hairy and it could only be described as indescribably ugly.

Speechless, she stared at the monster, which was about the size of a sparrow.

“Do you like it?” he asked, smiling like a father at his new-born child. “I thought you might.”

“Yes,” she murmured, unable to take her eyes off the fascinating creature. People crowded round, jostling and pushing. Gasps of astonishment could be heard, followed by a hushed silence.

She had a vision of Miss Vinnicombe and the snake, and in a moment of premonition knew exactly what was going to happen. The next second, several ladies, and one gentleman, screamed so piercingly that the windows rattled. Pandemonium ensued. Handkerchiefs were frantically flapped to give air to the hysterically affected ones and in all the commotion she saw the black boy sidle up to the crate, then poke its occupant with a jewelled pin he
extracted from his turban.

“No!” she shrieked, but it was too late, as the spider was propelled out of his home and landed awkwardly on the floor. People dashed out of its way, opening a path for it, somewhat in the manner of Moses and the Red Sea. Jean Luc lunged forwards, but it skittered sideways through peoples’ legs, making a clattering noise as it ran over the wood floor.

She had never seen a room in such an uproar and she looked crossly at the black child, who had taken refuge behind his master. The obese lady had fallen to the ground and lay twitching, her canary-yellow stomach protruding like a mountain, high above the rest of her body.

She ran to the door as that had seemed to be the direction in which the spider had been heading. The air was cool and fresh on her face and she gulped it in gratefully. A quick scrabbling movement of black by the sheep pen attracted her attention and she thought she could see the spider. Then, to her amazement, one of the blond horsemen who had accompanied them and who was standing by the wicker fence, gave a strong kick with his booted foot and sent the object flying among the sheep.

She ran up to him. “What have you done!” she screamed, beside herself with anger.

“How dare you!”

He looked insolently down at her and she realised that Jean Luc de Delacroix might well be the only person in his entourage who was happy to travel with snakes, spiders and raccoons. His iron-grey eyes looked familiar. His strong, large body blocked her view of the sheep pen and it suddenly came to her that she was looking at a younger version of Heinrich Scheyer. Her fear of him made her wary of challenging the man any further. She pushed past and with a complete disregard for her silk dress, plunged into the mud-caked, evil smelling flock of sheep who scattered in panic and huddled against the far side of the pen.

In the earthen space now left bare, she could see the forlorn, trampled on body of the spider. It was clearly dead. Its legs were twisted oddly and it had lost an eye. She picked it up, cradling it in her hand and left the enclosure, glaring at the Alsatian soldier as she did so.

Here’s the Blurb

A historical romance played out between the wild coast and moors of North Devon and the mountains and river-crossed plain of Alsace.

The beautiful, red-haired Sarah Durrant is an uneducated servant who takes the place of her mistress when she suddenly dies at Lynmouth as they are travelling across the remote wilderness of 18th century Exmoor. Her origins are a mystery. She only knows she is illegitimate and possesses a gold locket which contains a miniature of a woman who resembles her.

North Devon at first proves a sanctuary from the violence of her past but then the French aristocrat, Jean Luc de Delacroix, a soldier and a scientist, arrives from the New World; the local activities of smuggling and wrecking surface; her life becomes a tangle of love, deception and fear.

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Meet the Author

Carol Anne Dobson is a qualified teacher and librarian with a B.A. in English, French and Russian. She has lived in Devon for most of her life, and North Devon provides the setting for much of Storks in a Blue Sky.

Alsace in France came to be a second home when her daughter lived there for six years and it is this Germanic region of France which also features in the novel.

In 2009 Storks in a Blue Sky won the David St John Thomas Fiction Award.

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I’m delighted to welcome Lisajoy Sachs and her book, Bright One, to the blog #BrightOne #HistoricalFiction #WWII #JewishHistoricalFiction #Holocaust #FamilyHistory #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Lisajoy Sachs and her book, Bright One, Book 1 in the Bright One Series, to the blog with an excerpt.

Excerpt

“You must remember this,” Yosef continued, his voice low and steady, his eyes holding theirs. “History doesn’t begin or end with one moment. It’s like a slow avalanche, with pressure building over time until it all comes crashing down. And when you look at the world around you now, with the current events happening right here in our town, look at the posters, the speeches, the violence that’s creeping into everyday life here in Romania… we can feel the ground shifting again. Even though it is a different time, it holds the same tensions.”

Here’s the Blurb

When desperate choices mean the difference between life and death.

Inspired by true events, Bright One tells the story of Jetti Finkelthal, Lisajoy Sachs’ great-grandmother. In Czernowitz, Romania, this young Jewish mother is forced to face impossible choices as the world begins to collapse around her. As antisemitism tightens its grip and war edges ever closer, Jetti holds fast to her daughter, Berta, with the fragile belief that love and courage might still carve a way through the darkness.

Heartened by her grandmother Berta’s letters, photographs, and family oral histories, Sachs revives a story both intimate and universal—stitched with the fabric of daily life, the pull of memory, and the quiet heroism of women who refused to yield to despair. Told with vivid, sensory detail, the novel unfolds as if you are walking beside the characters, witnessing what they see and sharing in what they feel.

Through Jetti’s resilience and sacrifices, Bright One reveals the enduring strength of family ties and the shadow of trauma that lingers across generations. It is a story of survival, of loss, and of the unbreakable connection between mother and child.

For readers captivated by historical fiction that lingers long after the final page, Bright One offers a profoundly human portrait of love tested by history’s darkest hours.

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Meet the Author

Lisajoy Sachs is a dedicated writer and advocate for the preservation of history and culture through storytelling. Born and raised on Long Island and in the Catskills Mountain region of New York, Lisajoy’s early years were shaped by the picturesque landscapes of mountains and the sea. Growing up, she embraced her family’s deep connection to community and tradition.

Her professional journey is as dynamic as her personal interests. With a diverse career spanning Fine Arts, Interior Design, Metal Smithing, Lapidary, and the craft beer and hospitality industries, she has cultivated a deep and varied understanding of her many fields of interest.

Ms. Sachs holds several prestigious degrees and certifications, including a Master’s Degree in Fine Arts from the City University of New York, a Bachelor of Fine Arts from Alfred University, and an Accredited Jewelry Professional (AJP) certification from the Gemological Institute of America. She is also a graduate of the Hop and Brew School at Yakima Chief Hops and holds a CiceroneCertified Beer Server© credential, underscoring her expertise and passion for the craft beer industry.

As a writer, Lisajoy’s work spans a variety of themes, from beer culture and community engagement to her most prized projects in historical fiction. Her writing reflects a profound appreciation for history, particularly focusing on how personal stories intertwine with larger cultural narratives. She has published multiple articles celebrating the craft beer industry’s ability to foster diversity and unity and continues to explore new ways to inspire her readers through her storytelling.

A deep passion for history, coupled with a fascination with family ancestry and vivid storytelling, is reflected in Lisajoy’s creative projects. Her fiction often delves into richly detailed settings and explores characters navigating the complexities of their times. Whether writing about the harrowing journey of her family in pre-WWII Europe or capturing the resilience of individuals in the face of change, Lisajoy brings depth, authenticity, and emotional resonance to her narratives.

Outside of her professional life, Lisajoy is an avid cyclist and skier, often traveling in her camper van with her partner and standard poodle Hops exploring new adventures. She has recently relocated to the Catskills Mountains, a decision influenced by her desire to embrace a balanced, family and community-focused lifestyle.

Lisajoy’s dedication to her craft, her community, and her passions makes her a multifaceted creative force. Through her writing and professional endeavors, she continues to bridge the gap between history, culture, and the shared human experience.

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Fellow writers, lets minimise the stress around getting those words on the page #writingadvice

As a writer, I’m often asked ‘what’s the one piece of advice you’d give,’ and similar questions. As I evolve as a writer, this does change, but I’ve long been working out ‘how’ I write, and what I need to ‘write’ and now I’ve discovered something else that I also think is valuable advice. To be a writer, you first must write, but that brings with it all kind of pressure. So, for the last two years, I’ve been actively ‘minimising’ the pressure to write. So, what do I mean, and how have I done it?

For the last five years (since people started to comment on how much I wrote), I’ve been keeping more active records of how and when I write. It allowed me to discover that I write in concerted bursts of about 20 minutes to an hour, and in that time, I write 1000 words (I like to write in chunks). I might then carry on writing, or I might stop for a bit. But, I now know I can write 1000 words in a minimum of 20 minutes (actually, I can be a bit quicker than that as my typing skills improve), and so, to hit my target of at least 2000 words on a writing day, I need only set aside a single hour to accomplish that goal (which is not a lot of time).

I find this knowledge incredibly empowering. I can plan my day, set aside the required time, and give myself the space to be creative. (This process does also include a few other things – I need the correct environment as well – music, a quiet house, no external annoyances – the summer months when everyone’s mowing their lawns at all hours of the day are very frustrating).

What’s changed throughout 2024 and 2025 is that I’ve purposefully started to split my projects up. I no longer start a project, write it all, edit it, reread it, send it to my editor (or to my beta readers), I write in the morning, and in the afternoon, I edit a different project, and not necessarily the one I wrote before the one I’m now writing.

Now I know I’m a developmental writer, working out the kinks in my story at every level of editing, I’m embracing those processes just as much as the creative elements of writing. I actually find, (if not the structural edits), the copyedits and proofread stages quite relaxing. (As a messy panster, the structural edits are still a bit of a slog). I’m enjoying the process of crafting the messy thoughts that spill from my mind when I’m in the writing ‘zone’ into the novel I want it to be. I don’t worry if I can’t remember the name of something, or if I need to research something in more detail (unless it will fundamentally change the story), I write with ? and highlighted sections, and I know these are the bits I need to work on when the flood of words has stopped, and the initial draft is complete. And this is also the process when I often add the incidentals – I can’t remember what all my characters look like but I know how they ‘sound’ when I write them. I have a spreadsheet and use it to add the other tangible features.

In this way, I’ve minimalised the writing process, and very much feel as though I have control over that element of my writing. (I’ve also changed my line spacing on Word to 1.15, just enough to give my eyes a bit of a rest, and work in a document formatted with Vellum after the initial drafts – again, changing the environment a little bit to make it more pleasurable for my eyes). I’m still a writer, and I’m still developing my craft, but for me, I’m never going to write a beautifully ‘clean’ first draft. It’s going to be a horror of misspelt names, misnamed characters and places, question marks and highlighted sections where I need to check something. But, it’s increasing my productivity and the pressure to write each day has slowly started to dissipate. It’s not always easy to be creative on demand, but, now I know I need at most an hour a day to hit my minimum writing targets, I’m empowering myself each and every day that I hit my target. (I am very aware not everyone is a developmental writer, but I urge you to take the time to work out your own processes. It might surprise you).

Check out my writing year reviews for 2024 and 2025 – you’ll see it doesn’t always work, but it’s a good routine to ‘hang’ on to when the going gets tough.

Curious about my writing processes? Check out my Patreon for some short masterclasses.

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I’m delighted to welcome Jennifer Wizbowski and her book, Poinsettia Girl, to the blog #PoinsettiaGirl #HistoricalFiction #RenaissanceFiction #TheCoffeePotBookClub #BlogTour

I’m delighted to welcome Jennifer Wizbowski and her book, Poinsettia Girl, to the blog with an excerpt.

Excerpt

Margarita closed the door to her bedroom and entered the hall with some of her spunk back in her step. She needed those afternoon naps more than she had in all her years in the Pietà. Every day, when early afternoon came, she’d feel her shoulders slumping and her patience waning, ready to shut out the worries around her and blow her bedside candle out.

She would never admit that to anyone. It would make her sound old, and then there would be all their fussing. While her schedule no longer consisted of classes, private lessons, or choral rehearsals, it was as full as the girls in new lace collars. She still had hers, that lacy shawl, a little more cream than stark white- one could never stop the cycle of aging. She would wear it when special occasions called for it: a full choir for a dignified guest or a celebration, but mostly, it hung in her closet, a trophy of her femininity, not the public image of virginal and ethereal but the honest image: persevering, unruffled and wise.

The Pietà took careful measures in recording the names, titles, entrances, and exits of every woman who spent any time behind its protective walls. Some listings were short, poor, sick babes that only lasted a night or diseased women who spent their final days cared for with the dignity society did not give them—others, like herself, whose decades were sub- marked by all her different roles in the Pietà. The path was different for everyone. Some women did not possess the musical predisposition to train for the Coro, which is why they tested every foundling’s aptitude by the age of eight.

The less musically inclined girls trained in textile arts or medicine, with the potential of working in the Pietà’s ground-floor ventures in their later years. The hospital administered vaccines and cared for the unwanted, while the textiles area had a successful laundering and hat-making business.

In her current assignment, she was listed as Discrete, a nice way of inferring: a retiree with no more obligations to the Coro—and as Margarita internally joked, whom they decided to keep around a bit longer instead of shipping off to a convent. Indeed, she was worth more than the average old woman slippering around.

Here’s the Blurb

Poinsettia Girl is based on the story of Agata de la Pieta, an orphan musician of the Ospedale de la Pieta.

Ten-year-old Agata’s world is shaken at the sudden death of her mother. Left only with her egregious father, a working musician in Venice, her ailing grandmother sends her to the well-known orphanage, hidden from everything she’s ever known.

Agata auditions for the conservatory style music school where music is both salvation and spectacle. Hidden behind ornate metal grates, adorned with poinsettias in their hair, the singers are veiled in mystery, their ethereal music drawing noble audiences, including gilded young men who see them as treasures-not only for their sound but as coveted marriage prizes.

Just as she reaches the height of her musical journey, a marriage proposal from someone outside the audience tempts her with the promise of a new life-a return to the old neighborhood she’s longed for and a home she barely remembers.

Torn between the music that has defined her and the hope of belonging to a family, Agata must confront the most profound question of her life: is her purpose rooted in the music that shaped her, or in the love that might free her?

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Meet the Author

Jennifer Wizbowski spent her childhood days lost among the spines of her favorite books. Inspired by the daffodil fields of Wordsworth and the babbling brooks of Shakespeare, she earned her bachelor’s in English literature, a minor in music, and a secondary teaching credential, then wrote freelance for local business journals, taught in classrooms, and authored a Teen and Tween column for a parent magazine—all while raising her family.

As those years ended, she knew it was the right time to pursue her lifelong aspiration of bringing her own books to life. She now devotes herself to illuminating everyday women’s stories often lost in the shadows of history, revealing how they became heroines of their own time and place.