The enthralling debut novel from Channel 4 F1 presenter Steve Jones – it’s Sliding Doors meets High Fidelity.
Bob Bloomfield is, in the words of his best friend’s wife, a ‘selfish, arrogant a*sehole’, who hasn’t spent a great deal of time making friends in his 49 years on earth.
But what if he could change? What if Bob could stop the very thing that has made him the man he is, the death of his younger brother, Tom in 1986.
Call Time by Steve Jones is an entertaining and engaging read. I admit, I was a bit, ‘Oh another celebrity novel,” but I do love Steve Jones as a presenter, and the premise was interesting, so I thought, ‘Why not.’ And I’m so pleased I did.
Our main character, Bob, is not a pleasant individual. His best friend’s wife is correct when she labels him an arsehole, and for much of the first 40% of the book, the reader only knows about Bob ‘the arsehole.’ We don’t really know what makes him tick other than being a bit of a dick. But then, something changes, and from then on, the book is fast-paced and somewhat of a rollercoaster.
I really enjoyed the cultural nods to films I might have watched from the 80s, and while some might argue that the pretext of some of the ripples from changing the past is a bit flimsy, this is a story of redemption in the most unusual of ways. I don’t want to give anything away, so it’s quite hard to explain all the bits I liked, but yes, this is a book for fans of time-altering novels, and I think the last 20% of the novel is unexpected, and all the more enjoyable for that.
A fun novel that contends with that age-old issue of, ‘Would you change the past if you could?’ And if you did change the past, how might that change your present?
My thanks to Netgalley and the publisher for my review copy.
Meet the Author
Steve Jones’ first job was in a petrol station. It was also the first job he was fired from for putting diesel in Dai-The-Milk’s petrol truck. From there he gained employment in a printing factory before setting off for distant shores to “find himself”. He subsequently found a mediocre career in modelling which thankfully segued into a fairly successful twenty year (to date) career in TV presenting. His cherished accomplishments: He was crowned Welsh Rear Of The year in 2002. His suitcase has come out first at the airport on no less than two occasions, and now, he has written Call Time. Which he very much hopes you will enjoy.
I’m delighted to welcome Amy Maroney to the blog. I always love to hear about the historical research for author’s novels. So here we go.
Uncovering the story of Queen Charlotta of Cyprus, a forgotten heroine
My new novel, The Queen’s Scribe, features a fifteenth-century monarch with an extraordinary story of ambition, courage, and dedication to her kingdom. Just who was Queen Charlotta of Cyprus, and why was she so mesmerizing that I wrote a book about her?
As is often the case with women in history, very little information remains about this queen (she was baptized ‘Charlotte’, but may have referred to herself as ‘Carlotta’; I call her ‘Charlotta’ in the novel). Most scholars agree that she was born about 1444.
Charlotta was the only surviving child of King Jean II of Lusignan and his wife Eleni Palaiologina, princess of Morea. The following image is said to portray Charlotta, her mother, and her sister (subsequently deceased).
IMAGE OF QUEEN ELENI AND HER DAUGHTERS, PUBLIC DOMAIN PHOTO
Charlotta’s father, King Jean, was a genial but ineffective ruler who loved hunting, hawking, and spending money. The glory days of the kingdom ended abruptly when his grandfather King Janus was taken captive by Egyptian Mamluks and subsequently ransomed for 200,000 ducats, which put the kingdom in deep debt. By the time of Charlotta’s birth, three centuries of lavish living coupled with a weak military presence had crippled the once-powerful Lusignan dynasty.
Within the royal court itself, animosity festered like a battle wound. Queen Eleni was a proud Greek and a dominating personality. She purportedly bit off her rival Marietta’s nose when she found the woman in bed with her husband (some sources say she cut it off). Jean and Marietta’s son, Jacques (also known as Jacco the Bastard) was the apple of his father’s eye. A handsome, charismatic bully, he became Charlotta’s protector before his desire for the throne soured their relationship forever.
Thanks to her mother’s influence, Princess Charlotta was thoroughly Greek and her understanding of French was rudimentary at best. Though her father was French and many of the ruling nobility claimed French roots, the French spoken in Cyprus at the time was so distorted that native speakers visiting from Europe could not understand it.This fact underpins the plot of The Queen’s Scribe, which features a fictional French heroine whose skills as a scribe and interpreter become essential to Queen Charlotta.
PHOTO OF NICOSIA OLD TOWN, DEPOSIT PHOTOS STANDARD LICENSE
When she was about 13, Charlotta was married to the Portuguese Prince João of Coimbra. The young couple moved from the royal palace to a house elsewhere in the Cyprus capital of Nicosia, angering Charlotta’s mother and delighting the Western European (‘Latin’) members of the court. Tensions grew between the two camps until Prince João suddenly died under mysterious circumstances; the queen’s chamberlain—who was like a brother to Queen Eleni—was blamed.
In a royal tit-for-tat, the queen’s chamberlain was then killed by Sicilian associates of Jacco’s. Palace gossips said Charlotta had asked her half-brother to arrange the murder. Before he could be punished, Jacco fled for the island of Rhodes and the hospitality of the Knights Hospitaller.
Meanwhile, Charlotta grieved her dead husband and awaited a new betrothal, this time with her first cousin Louis (of the French-speaking Duchy of Savoy). Queen Eleni, who had been disabled by what might have been a paralytic stroke in early adulthood, slowly lost her health. Still, she fought the betrothal with every ounce of her strength, for in the Greek Orthodox tradition, marrying a first cousin was an unforgivable sin.
In 1458, both Queen Eleni and King Jean died. At 15, Charlotta was crowned queen. Soon afterward, Jacco sailed to Egypt, intent on gaining the sultan’s support for his campaign to seize his half-sister’s throne.
Meanwhile, the powerful barons who had served her father as council members now whispered in Charlotta’s ear. Some of them truly believed in her; others cared only for their own self-interest and survival; a few displayed breathtaking treachery.
Rumors began swirling that Jacco had charmed the Sultan of Egypt and was building a massive army of Mamluk warriors. Charlotta desperately needed help to preserve her throne, and naturally looked to her new husband, Louis, for support. But far from being the strong partner she’d hoped for, he was a disinterested and weak leader, more interested in fine food and amusements than strategizing for war.
PHOTO OF KYRENIA FORTRESS, DEPOSIT PHOTOS STANDARD LICENSE
Less than two years after her coronation, Charlotta moved her court to the seaside fortress of Kyrenia, where they survived a massive siege by Jacco. A few months later, she left Louis in the fortress and sailed around the Mediterranean beseeching allies to help save her crown.
I chose to tell Queen Charlotta’s tale through the eyes of fictional Estelle de Montavon, daughter of a French falconer. In The Queen’s Scribe, Estelle—a talented scribe and linguist—becomes as valuable as gold when the royal court retreats to Kyrenia Fortress and civil war looms. When Queen Charlotta voyages across the Mediterranean Sea entreating French-speaking allies for help, Estelle is at her side, witnessing every triumph and disaster along the way.
Like so many other women in history, Queen Charlotta has been lost in the shadows for too long. I hope The Queen’s Scribe plays a role in bringing her story back into the light.
Thank you so much for sharing. She sounds that an intriguing character, as does her mother:)
Here’s the blurb
A broken promise. A bitter conflict. And a woman’s elusive chance to love or die.
1458. Young Frenchwoman Estelle de Montavon sails to Cyprus imagining a bright future as tutor to a princess. Instead, she is betrayed by those she loves most—and forced into a dangerous new world of scheming courtiers, vicious power struggles, and the terrifying threat of war.
Determined to flee, Estelle enlists the help of an attractive and mysterious falconer. But on the eve of her escape, fortune’s wheel turns again. She gains entry to Queen Charlotta’s inner circle as a trusted scribe and interpreter, fighting her way to dizzying heights of influence.
Enemies old and new rise from the shadows as Estelle navigates a royal game of cat and mouse between the queen and her powerful half-brother, who wants the throne for himself.
When war comes to the island, Estelle faces a brutal reckoning for her loyalty to the queen. Will the impossible choice looming ahead be her doom—or her salvation?
With this richly-told story of courage, loyalty, and the sustaining power of love, Amy Maroney brings a mesmerizing and forgotten world to vivid life. The Queen’s Scribe is a stand-alone novel in the Sea and Stone Chronicles collection.
Praise for the Sea and Stone Chronicles:
“Island of Gold is a nimbly told story with impeccable pacing.”
—Historical Novel Society, Editor’s Choice Review
“Sea of Shadows is stunning. A compelling tale of love, honor, and conviction.”
—Reader’s Favorite Review
Amy Maroney is the author of the award-winning Miramonde Series, the story of a Renaissance-era female artist and the modern day scholar on her trail.
Buy Links:
This title is available to read on #KindleUnlimited.
Amy Maroney studied English Literature at Boston University and worked for many years as a writer and editor of nonfiction. She lives in Oregon, U.S.A. with her family. When she’s not diving down research rabbit holes, she enjoys hiking, dancing, traveling, and reading.
Amy is the author of The Miramonde Series, an Amazon-bestselling historical mystery trilogy about a Renaissance-era female artist and the modern-day scholar on her trail. Amy’s award-winning historical adventure/romance series, Sea and Stone Chronicles, is set in medieval Rhodes and Cyprus.
An enthusiastic advocate for independent publishing, Amy is a member of the Alliance of Independent Authors and the Historical Novel Society.
All books, no matter their binding, will fall to dust. The stories they carry may last longer. They might outlive the paper, the library, even the language in which they were first written.
The greatest story can reach the stars . . .
This is the start of an incredible new journey from the internationally bestselling author of Prince of Thorns, in which, though the pen may be mightier than the sword, blood will be spilled and cities burned…
Evar has lived his whole life trapped within a vast library, older than empires and larger than cities.
Livira has spent hers in a tiny settlement out on the Dust where nightmares stalk and no one goes.
The world has never noticed them.
That’s about to change.
As their stories spiral around each other, across worlds and time, each will unlock vast secrets about the world and themselves. This is a tale of truth and lies and hearts, and the blurring of one into another.
The Book That Wouldn’t Burn is the beginning of Mark Lawrence’s newest trilogy. Now, he’s said this isn’t related to the previous trilogies, which were all interconnected, but I’m not at all convinced, and perhaps neither will you be when you read some of the chapter headings – which are all taken from made-up books, and perhaps, written by characters from those previous books.
The Book That Wouldn’t Burn, like all Mark’s previous offerings, sucks the reader in almost immediately. It might not quite have Red Sister vibes ‘When killing a nun it’s important to ensure you have…’ but it’s not long before you can’t put the book down.
And yet, as with many of his stories, it can feel as though you’re not entirely sure why you’re enjoying the story so much, and so invested in the two main characters. This isn’t a complaint.
The narrative, skipping between two points of view, moves at odd intervals (again, not a complaint), and just when you might be considering putting the story down, there is a new development, and I warn you all now, without giving away any spoilers, there is one development that will have your jaw dropping in delicious delight.
As with all Mark Lawrence’s books, The Book that Wouldn’t Burn will leave you both satisfied and demanding more. It is a magnificent addition to his already magnificent collection of stories, and I can’t wait for the next instalment. It will also take you some time to reconcile what you’ve read. It’s taken me a good few months to write this review, because to begin with, all I could think was that my mind had been blown.
Thank you to the publisher and Netgalley for my review copy. I have ordered the limited edition hardback as well, and it will go, pride of place, next to my other Mark Lawrence editions.
For those who don’t know, my obsession with Mark Lawrence’s books began when I was given a free copy of his first book when I preordered the last GRR Martin book in the Game of Thrones series. As of yet, I’ve not finished reading that book, because I want to wait for the next part, but I have read all of Mark Lawrence’s books since then.
Connect with Mark Lawrence
Mark Lawrence was born in Urbana–Champaign, Illinois, to British parents but moved to the UK at the age of one. He went back to the US after taking a PhD in mathematics at Imperial College to work on a variety of research projects including the ‘Star Wars’ missile defence programme. Returning to the UK, he has worked mainly on image processing and decision/reasoning theory. He says he never had any ambition to be a writer so was very surprised when a half-hearted attempt to find an agent turned into a global publishing deal overnight. His first trilogy, THE BROKEN EMPIRE, has been universally acclaimed as a ground-breaking work of fantasy. Following The Broken Empire is the related RED QUEEN’S WAR trilogy. THE BOOK OF THE ANCESTOR trilogy is set on a different world and is followed by the related BOOK OF THE ICE trilogy. There is also THE IMPOSSIBLE TIMES trilogy, a D&D/sci-fi work set in London in the 80s. All of these trilogies can be read in any order. Mark is married, with four children, and lives in Bristol.
The Colosseum is being flooded. And emotions are rising to the surface. Rome, 80AD. The Emperor orders the Colosseum to be flooded. There must be vast battles, spectacular props and epic storytelling. Meanwhile Emperor Titus must somehow be persuaded to give up his love affair with the Jewish Queen, Berenice.
Marcus, manager of the amphitheatre, must face the dangers, mistakes and emotions of the watery depths as new members join his team. His scribe, Althea, must find out what she wants from life, now that she is a freedwoman, but a woman’s choices are not always free.
Words may be dangerous, but desires must be spoken out loud. As the backstage team takes on new challenges, a change is coming.
Beneath the Waves is the gripping second novel in the Colosseum historical fiction series. If you enjoy immersing yourself in the past and finding characters you care about, then join the Colosseum’s tough, loyal and quick-witted backstage team.
Beneath the Waves is the thrilling second part of The Colosseum series by Melissa Addey.
Picking up the tale of Althea, a Greek slave woman, from where we left her at the end of From the Ashes, this is the story of the ending of the 100 days of Games, begun in From the Ashes, and also takes the reader through to the second year in the life of the Colosseum.
Our much-loved characters reappear in Beneath the Waves, along with a few new additions. While From the Ashes focused very much on surviving the events of Vesuvius, the plague and the fire that our characters suffered, book 2 is perhaps less filled with huge peril for everyone, as instead, it focuses on the peril our main characters experience. Their humanity is very evident. They are people. They don’t always do the right thing. They are perhaps beset with irrational fears. And they also perhaps do what they’re supposed to do when we, as a modern audience, would demand alternatives. Althea and Marcus are characters of their time, which is one of the huge strengths of the novel.
I adore the descriptions of the Games and the minutiae of day-to-day life, and this second novel builds very much to an impressive and potentially dangerous ending for Marcus, Althea and their young charge.
(And, if you’re a fan of Simon Turney as well, then reading this series alongside his Domitian, will ensure you know what’s happening to the toffs as well as the plebs.)
Meet the author
Melissa Addey writes historical fiction set in Ancient Rome, medieval Morocco and 18th century China. She is a full time self-published author and runs workshops for authors wanting to be entrepreneurial. Her books have been selected for Editor’s Choice by the Historical Novel Society and won the inaugural Novel London award. She has been the Leverhulme Trust Writer in Residence at the British Library, has a PhD in Creative Writing and works with the Alliance of Independent Authors on their campaigns.
In Eagle of Mercia, young Icel and his allies are busily guarding the River Thames against a potential Viking raider attack. The Viking raiders certainly made use of the many rivers running through England at the time (and throughout the British Isles), but the river was also significant as a very definitive and solid boundary between the Saxon kingdoms of Wessex and Mercia, which to the west, where the River Thames doesn’t flow, was continued by the earthworks known as the Wansdyke.
London, now the capital of the United Kingdom, wasn’t always as important as we might assume, and indeed, it wasn’t ever the capital of Wessex or Mercia. These two kingdoms fought most fiercely over the settlement. It wasn’t even overly important to the Romans, either. And this is why I’ve perhaps been remiss in not truly considering its significance. As rivers have changed their course over the years, so has the River Thames. And what’s most fascinating about the River Thames is that, seemingly for long periods during the Saxon era, it wasn’t navigable, as we might expect it to have been.
Map of Early England by Flintlock Covers
‘During this period, as perhaps as other times, there may well have been a division between use of the Thames in its today reach and use of it above the tidal head. Paleoenvironmental evidence suggests that a relative drop in river levels during the Roman period meant that the tidal head was perhaps as low as Londinium itself, but that it (and thereby the range of easy navigability) generally moved upstream during the Anglo-Saxon period. This trend was not, however, uniform, and there were also brief periods (such as the late tenth to eleventh centuries) when the tidal reach shifted back downstream again.’ p. 271
It seems then, that when considering London, or Londinium/Lundenwic/Londonia, we also need to be mindful of the era in the Saxon period that we’re writing about. For the first Viking age,
‘A combination of the seasonal (and presumably climatic) unreliability of riverine travel and the need on many occasions to travel upstream cannot have made it easy for the Vikings to use the Thames for shock offensives… and there is no clear example of a Viking force travelling by water up the Thames further than Fulham.’ p.278
Clues to how passable the River Thames might have been can be traced.
‘Without the construction of bridges, the river would have been impassable except by ferry, from its estuary as far as the lowest fording point, perhaps as low as Halliford near Shepperton, and between the various fording points. Even where the middle and upper stretches could be forded, such crossings were not guaranteed to be easy. Lechlade and Cricklade, two potentially treacherous upper Thames crossings, severely affected by flooding in winter were named Old English (ge)lad ‘difficult river crossing.’ p.279
As with all things, we should be wary of assuming that current conditions would have been prevalent in the past. The River Thames certainly falls into that category. So while, yes, it was certainly a decisive boundary between the Saxon kingdoms of Wessex and Mercia, on occasion, it wouldn’t have been as decisive as at others. This, I find fascinating, and just another of those ‘facts’ travellers to the Saxon era should be wary about. While we know (hopefully not a spoiler) that London was attacked in the 840s and 850s, prior to this, it might well have been impossible for the Viking raiders to attack in the way they were used to. This, perhaps, accounts for why they chose more coastal locations, such as the Isle of Sh.
Map by Flintlock Covers for Wolf of Mercia
(Quotes taken from Beyond the Burghal Hidage by Baker and Brookes)
Today is the day, book 4 in The Eagle of Mercia Chronicles is released into the wild. I’m really excited about this one:) And I can’t believe we’re already onto book 4.
Here’s the blurb:
A mercy mission in the heart of Wessex is beset with deadly, bloody dangers.
Tamworth AD831
Icel’s profile continues to rise. Lord of Budworth and warrior of Mercia, he’s acknowledged by King Wiglaf and his comrades to keep Mercia safe from the ravages of Wessex, the king-slayer of the East Angles, and the Viking raiders. But, danger looms. Alongside Spring’s arrival comes the almost certain threat of the Viking raiders return.
When Lord Coenwulf of Kingsholm is apprehended by a Viking and held captive on the Isle of Sheppey in Wessex held Kent, Icel is implored by Lady Cynehild to rescue her husband.
To rescue Lord Coenwulf, Icel and his fellow warriors must risk themselves twice over, for not only must they overpower the Viking raiders, they must also counter the threat of Mercia’s ancient enemy, the kingdom of Wessex as they travel through their lands.
Far from home and threatened on all sides, have Icel and his fellow warriors sworn to carry out an impossible duty?
I can let you know that book 5 is mostly written, and I know the title and I’ve seen the cover – I know, I’m such a tease. I will update when I can share more.
Check out the blog tour for Eagle of Mercia. My thanks to Rachel at Rachel’s Random Resources for organising and all the hosts for taking part. I will add the links each day. The initial reviews for Eagle are very positive, so I hope you’ll enjoy it too.
I’m delighted to wish my fellow Medieval Maverick happy release day with her new book, Turning the World to Stone. It’s a goodie:)
Here’s the blurb
Vilified by history, Caterina Sforza learned early that her life was not her own. Married at age ten, she was a pawn in the ever-changing political environment of Renaissance Italy.
Resigned to her life as a fifteenth-century wife, Caterina adapted to the role she was expected to play: raising and educating her children, helping the poor in her new home, and turning a blind eye to her husband’s increasingly shameful behaviour. But Fate had other plans for her, and soon Caterina’s path would be plagued by murder, betrayal, and heartbreak.
“Could I write all, the world would turn to stone.”
I started writing in high school and have always been fascinated by history, eventually earning a degree in the subject. The merging of the two came naturally when I started writing full time a few years ago.
In my alternate identity as Lady Matilda, I post satirical articles on managing your medieval manor during the Black Death.
I’ve just released my new historical fiction novel, Unfinished: The Inspired Life of Elisabetta Sirani, the tragic story of Maestra Sirani, a Seventeenth-Century artist who died young of a mysterious illness. I’m currently researching the life of Caterina Sforza for my next book.
Following a tip-off from notorious spy Fredrick Fredricks, Fiona Figg and Kitty Lane of British Intelligence find themselves in the hustle and bustle of Egypt. But ancient mummies aren’t the only bodies buried in the tombs of Cairo.
When a young French archeologist is found dead in a tomb in the desert with his head bashed in, and an undercover British agent goes missing, the threat moves closer to home.
As they dig deeper, soon Fiona and Kitty uncover a treasure trove of suspects, including competing excavators, jealous husbands, secret lovers, and belligerent spies! Fiona wonders if the notorious Fredrick Fredricks could be behind the murders? Or is the plot even more sinister?
One thing is clear – If Fiona and Kitty can’t catch the killer, they might end up sharing a sarcophagus with Nefertiti.
With humor as dry as the Arabian desert, and pacing as fast as a spitting camel, Fiona and Kitty are back in another sparkling adventure, this time in WW1 Egypt.
Covert in Cairo is an enjoyable trip to Cairo in December 1917. Fiona Figg is on a mission to prevent the Suez Canal from being attacked, as she finds a Cairo overrun with British troops, very much a Britain away from home, complete with good tea and marmalade.
As in the previous book, Fiona Figg longs to make a name for herself and finally win free from the confines of being a file clerk at the War Office, but not everything goes her way. Kitty Lane is on hand to add her skills to the investigation, and Clifford, their chaperone, but really, a man with an eye for the ladies and very much embodying all that was wrong in the thinking of an early twentieth-century man, including thinking women were fragile, can add his skills as well, most notably being able to talk to anyone.
What ensues is a tale of murder, antiquities, camels and donkeys, night-time shenanigans, and an all-round good mystery.
An enjoyable jaunt to the Cairo of the past, including several well-known historical personalities, and ensuring that Fiona must continue her pursuit of an errant spy and, as such, win-free from returning to dreary London for the time being.
Check out my review for book 1 in the Fiona Figg and Kitty Lane Mystery books Chaos at Carnegie Hall
Meet the Author
Kelly Oliver is the award-winning, bestselling author of three mysteries series: The Jessica James Mysteries, The Pet Detective Mysteries, and the historical cozies The Fiona Figg Mysteries, set in WW1. She is also the Distinguished Professor of Philosophy at Vanderbilt University and lives in Nashville, Tennessee. She is bringing new titles in the Fiona Figg series to Boldwood, the first of which, Chaos in Carnegie Hall, will be published in November 2022.
A quirky and funny series for fans of a good mystery and compelling characters. Can you solve the crime before our dressmaking duo?
After losing her job at an exclusive London hotel, Penny Slipper is only too happy to help when her grandma asks her to take charge at the Cozy Craft sewing shop in charming rural Suffolk.
With cousin Izzy on hand as the expert dressmaker and Penny’s head for business, what can possibly go wrong?
But Penny’s in town for less than a day when the local librarian is poisoned and Penny fears she might even be accidentally responsible. Penny and Izzy are forced to turn detectives to uncover the true cause of death, while finishing a costume commission for their first customer.
Matters take a further deadly turn when a second body is discovered.
Can Penny and Izzy unpick the mysteries of the past and sew the pieces of this puzzle together before it’s too late?
If you enjoy fast-paced mysteries, charming country towns and characters who you want to spend hours with then you’re going to love the Cozy Craft Mystery series.
The Wonderland Murders is a delightful and very well-plotted contemporary cozy mystery set in Framingham, the UK.
Penny and Izzy are cousins thrown together by the illness of their mutual grandmother, who normally runs a crafting shop. Izzy is somewhat scatty and filled with new ideas. Penny is more down to earth and determined to make a profit from the shop. But no sooner has Penny arrived than a murder takes place in the local library. While they’re not obsessive about who is responsible, they do begin to consider who might have been to blame as they work on an Alice in Wonderland costume for the upcoming World books day for one of the librarians.
What ensues is so well-plotted and delightful that I genuinely didn’t guess the ending. These stories have a lovely lightness of touch, genuine warmth and humour throughout, and Izzy and Penny really complement each other as main characters.
I loved this first book so much that I’m busy devouring the rest of the series, and the series is consistently as enjoyable and delightful. I’m so glad I took a chance on The Wonderland Murders, and if you love a cozy crime, you won’t be disappointed, either.
Giveaway Prize – The Wonderland Murders, a cross stitch book, a floral notepad, a note writing set and a grass bunny.
Millie Ravensworth writes the Cozy Craft Mystery series of books. Her love of murder mysteries and passion for dressmaking made her want to write books full of quirky characters and unbelievable murders. Millie lives in central England where children and pets are something of a distraction from the serious business of writing, although dog walking is always a good time to plot the next book.
Today, I’m delighted to welcome Alison Morton to the blog to celebrate the 10th Anniversary edition of INCEPTIO.
Why Roman alternative history?
An avid reader of spy, thriller and crime stories from childhood and a life-long devotee of all things Roman, I yearned to write a Roman thriller with a true-hearted heroine imbued with Roman virtue but a tendency to go off-piste. Lindsey Davis does this beautifully with Flavia Albia, Falco’s daughter and to a certain extent with Helena Justina, Falco’s wife. However, I wanted women to run this New Rome. Yes, I had also read a lot of science fiction including wonderful stories by Anne McCaffery where women were equal if not leading their society. But I didn’t want to write space opera.
There was only one solution: I stayed on Planet Earth and brought my Roman stories up to the 21st century.
A fascination with the ‘what if’ idea
Perhaps it’s something all kids speculate about: suppose I have the wrong parents, suppose I’m really a lost princess, what if I could fly, what if we were all rich? Later, as a student of history, I was always fascinated by the possibilities of the tiniest thing turning the huge wheel of history – “For want of a nail,” and so on. Then I learnt about the ‘butterfly of doom’ where one butterfly flapping its wings cascaded events in a different direction.
When I produced my first manuscript, I didn’t know I was writing in a genre called alternative history (“althist” for short). I was inspired by Robert Harris’s Fatherland, a tense, shocking and beautifully written thriller with a heart-wrenching ‘secret’. Twisting history was allowed and used by acclaimed writers such as Michael Chabon and Kingsley Amis as well as Harris!
Of course, a thriller must be exciting, intriguing and full of emotional punch, but althist stories have their own ‘rules’. The most important are to identify the moment where history as we know it veers off onto a different path forever, and to weave into the story to show how the alternative timeline has developed since that point of divergence.
Why Roman alternative history?
‘Rome’ lasted 1229 years in the West, which time span would take us back to AD 794 from today. It changed from a tiny community of tribal farmers to a confident military and trading empire boasting high culture, diversity, power, engineering and rule of law, eventually dwindling to a miserable rump kneeling before barbarians.
Rome had the dark side of all ancient and later cultures: slavery, rampant corruption, patriarchalism and scant regard for disabled and poor people. But Rome gave us systems, values, including civic-mindedness, cultural and engineering genius and literacy that are still firmly embedded in our psyches today. So it shrieked “explore me” very loudly!
It goes back to a mosaic in Spain Standing on the beautiful floors in Ampurias, I asked my father, “What would it be like if Roman ladies were in charge, instead of the men?” Maybe it was the fierce sun boiling my brain, maybe early feminism peeping out or maybe just a precocious kid asking a smartarse question. But clever man and senior ‘Roman nut’, my father replied, “What do you think it would be like?”
Alison, age 11, and her mosaic
That childish vision grew and grew. When I was older, I realised I had to put in some proper research. The dissolution of the Roman Empire is fascinating and full of ‘what if’ and natural conflict:
The senatorial families at the end of the 4th century fiercely defended their tradition of worshipping the Roman gods despite ever encroaching Christianity. Led by former urban prefect of Rome and consul Quintus Aurelius Symmachus, they pleaded for religious tolerance, but by late 394 AD Emperor Theodosius made any pagan practice, even dropping a pinch of incense on a family altar in a private home, into a capital offence.
In its last fifty to seventy years the Western Roman Empire was dissolving into small enclaves, client states, cut off regions – the Domain of Soissons is one example.
Many former Roman territories retained their Roman administrative systems into the seventh and eighth centuries. Could one remote colony last even longer, say centuries?
Switching from a male Roman ethos to a feminist-lite one
I wanted a strong female character who drove the story, but not a harsh, excluding one, hence my heroine has some very human faults and characteristics. There was and perhaps still is a distinct lack of stories where two women have conversations beyond social or fashion issues and are not dependent on the male characters as wife, girlfriend, colleague. I use a technique called gender mirroring where I reverse the behaviour of the characters of a typical spy or action thriller. Think Jane Reacher or Jamie Bond in modern terms. A fascinating writing exercise!
So, I had to exercise the brain and apply some historical logic for Roma Nova. As the men defended the tiny new state of Roma Nova women worked in the fields, traded, sat on the council and managed the families. Consider the dynamic of only a few hundred men at the front especially during the Great Migrations. They simply ran out of male fighters to defend Roma Nova, so sisters and daughters from these pioneer families had to put on armour and heft weapons to defend their homeland and their way of life.
Fighting danger side-by-side with brothers and fathers reinforced women’s status and roles. And they never allowed the incursion of monotheistic paternalistic religions. In this way, women developed leadership roles in all parts of Roma Novan life over the next sixteen centuries.
Pulling in my own history
I served six years in the UK forces with active assignments all over the NATO area and beyond. It never occurred to me that women couldn’t serve in the military. I loved it! In the forces, you are only as good as your last job and you are promoted only on merit; both appealing ideas. Thus, my heroines serve in the elite forces in Roma Nova which fits in neatly with the traditional Roman military mindset.
Building the world
For credible alternative history (not Inglourious Basterds!), there is no easy ride such as making everything up. You need to research as thoroughly as for standard historical fiction, especially around the point in time when the timeline splits and leaves the standard one. For Roma Nova this was AD 395.
The twin guidelines of alternative history writing are plausibility and internal consistency. No country, real or imagined, can survive without a functioning government, an economic, social and political system, food, law and order and income. The basic skills of historical fiction writing apply in the same way: ability to research, respect for known facts (up to the point of divergence), a sense of historical setting, the avoidance of the information dump, and keeping speech, clothes and manners both consistent with and in the world you are describing. For example, in AD395, solidinot aurei, sestertii or denarii were coins used in the late empire, so Roma Nova Internet banking and credit cards in the 21st century are denoted in solidi.
The sources problem
Much of the historical record is missing from the late fourth century, the springboard for my book world. This complicates research. The big problem of records from antiquity is that they tend to contain the actions and thoughts of the elite and usually only of men. Symmachus, whom I mentioned above, was not only the urban prefect of Rome at one time but also a noted writer in a wide circle of intellectuals. Just under a dozen books of his letters and official dispatches have survived. Such fragments combined with finds from archaeological digs and the physical remains on the landscape help researchers build up a picture of life at the time. I’m always dropping into the British Museum, buying new books and searching online. It’s very much a case of putting the different pieces of a jigsaw together then filling in the gaps intelligently and with historical logic.
“It’s about Roman blood, survival and money. Mostly yours.”
In an alternative New York, Karen Brown is running for her life. She makes a snap decision to flee to Roma Nova – her dead mother’s homeland, the last remnant of the Roman Empire in the 21st century. But can Karen tough it out in such an alien culture? And with a crazy killer determined to terminate her for a very personal reason?
Stifled by the protective cocoon of her Roma Novan family, deceived by her new lover, she propels herself into a dangerous mission. But then the killer sets a trap – she must sacrifice herself for another – and she sees no escape.
A thriller laced with romance and coming of age, this first in series is Roman fiction brought into the 21st century through the lens of alternative history and driven by a female protagonist with heart and courage.
This 10th Anniversary hardback edition includes bonus content: Three character ‘conversations’, two short stories and the story behind INCEPTIO.
Buy links:
INCEPTIO 10th Anniversary special edition hardback:
Alison Morton writes award-winning thrillers featuring tough but compassionate heroines. Her ten-book Roma Nova series is set in an imaginary European country where a remnant of the ancient Roman Empire has survived into the 21stcentury and is ruled by women who face conspiracy, revolution and heartache but with a sharp line in dialogue. INCEPTIO starts the adventure…
She blends her fascination for Ancient Rome with six years’ military service and a life of reading historical, crime and thriller fiction. On the way, she collected a BA in modern languages and an MA in history.
Six full-length Roma Nova novels, including INCEPTIO, have won the BRAG Medallion, the prestigious award for indie fiction. SUCCESSIO, AURELIA and INSURRECTIO were selected as Historical Novel Society’s Indie Editor’s Choices. AURELIA was a finalist in the 2016 HNS Indie Award. The Bookseller selected SUCCESSIO as Editor’s Choice in its inaugural indie review. The Historical Novel Society recently selected JULIA PRIMA, the first Foundation story set in the 4thcentury, the accolade of Editors’ Choice.
Alison lives in Poitou in France, the home of Mélisende, the heroine of her two contemporary thrillers, Double Identityand Double Pursuit. Oh, and she’s writing the next Roma Nova story.
MJ Porter 