Welcome to today’s stop on the blog tour for Kingfisher by D K Marley

Today, I’m delighted to welcome D K Marley to the blog with a fascinating post about her new book, Kingfisher.

Delving Into Worlds to Create Worlds

The idea of reading books to create a book, or perusing over endless amounts of websites, articles, dissertations, and more to write one historical novel appears daunting to most people; however, to me the task is one of the most enjoyable aspects of being a historical fiction author. So much so that I have to stop myself from researching to remind myself that I have a book to write. That being said, I do spend at least a month researching and taking notes before writing the first line of any book; and then, I research as needed along the way, especially when I come across something that must be included. My first draft is always a continuous flow from beginning to end with very little stopping and starting. The idea is to get the initial story on the computer because more often than not, everything shifts and morphs from the very first line to the the last by the time all the research is done and I have gone through the story twenty more times.

In researching for the novel Kingfisher I began simply, as I do with most of my novels. I always find one poem to include in my work, something that speaks to the heart of the story as well as giving a clue to the time period ideals that my characters live within. My best source so far in finding great poems is, of course, with Shakespeare, as most of my other novels are based on his plays. Kingfisher is different. This story deals with the loss of an age of innocence before WW1, and the desperation many felt to reclaim the Victorian way of life, so when I came across Martin Donisthorpe Armstrong’s poem “Kingfisher” written in the late 1800s, I felt an instant connection and knew I had to use it as the opening to the book.

Under the bank, close-shadowed from the sun,
By winter freshets spun,
Dry tangled wreckage hung above the shallows
In the long roots of the sallows,
And underneath in cool twilight the stream
Lay calmed to a brown dream.

Then with the gleam and flash of a swift-blue flame
Out from the dusk he came,
And the heart and the breath stood still with delight and wonder,
While in the water under
Shot, swift as he, a streak of blue and green
From unseen to unseen.

O wonder, leaping with sudder flutter of wings
From the litter of common things,
Flash on the inward eye till the soul leaps higher
On the surge of a great desire,
And high in the dim-lit hall of earthly years
Another lamp appears. 

The flash of a swift-blue flame, out of the dusk he came… a streak of blue and green from unseen to unseen – sounds like a time traveler to me! And ‘from the litter of common things, flash on the inward eye till the soul leaps higher on the surge of a great desire, and high in the dim-lit hall of earthly years another lamp appears’ bespeaks of hope beyond the present circumstances; thus, hope beyond the dark storm of WW1, and beyond the fall of Camelot.

I must say, Wikipedia was a great help in general information about regions around Wales, specifically the Brecon forest, and Caernarfon. I spent a great deal of time just looking at pictures of the area, imagining my characters walking to the top of a tor, of the River Usk snaking through the valley, and lone Rowan trees growing from rocky crags. Since COVID prevented me from an actual trip to Wales, I had to use the pictures to absorb myself into the landscape (*sigh*). Also, I have to give a shout-out to Deborah Greenfield, an audiobook narrator who lives right near the area I wrote about, who was a great help in making sure my descriptions were accurate. 

As far as books and research material, the list is vast! I used JSTOR and Gutenberg.org quite a bit, especially when taking time to read the writings of Einstein and Freud. BBC Online was also a great avenue for videos and articles.

Also, my own copies of Tennyson’s Idylls of the King, and Lady Charlotte Guest’s translated edition of The Mabinogion were essential in developing the story.

Here are just a few more of the research sites I used for the book but my list includes at least 150 to 200 articles, books, and more:

An overview of Arthurian literature: https://www.bbc.co.uk/wales/history/sites/themes/society/arthur_literature.shtml

The official page about the Welsh Bardic festival known as the Eisteddfod:

https://www.genuki.org.uk/big/wal/Social/Eisteddfod

A historical blog article about Victorian-era debutantes:

http://www.katetattersall.com/coming-out-during-the-early-victorian-era-debutantes/

Book – “Ladies of the Manor: How Wives and Daughters Really Lived in Country Houses”

https://books.google.com/books?id=BEdpCAAAQBAJ

As far as an instrumental book on writing, the two I keep with me always are books I was introduced to at the Writer’s Retreat Workshop, a 10-day retreat founded by Gary Provost, and they are Bird by Bird by Anne Lamott, and On Writing by Stephen King. Bird by Bird is honest, down-to-earth writing guide, and On Writing is an inspiring book showing how the link between writing and living spurred King’s recovery after trauma, something I can very well relate to. Both books I highly recommend to any aspiring writer.

Thank you for having me on the blog today and I hope you enjoy my story “Kingfisher”!

Thank you so much for sharing your research resources. Good luck with the new book.

Here’s the blurb:

The past, future, and Excalibur lie in her hands.

Wales, 1914. Vala Penrys and her four sisters find solace in their spinster life by story-telling, escaping the chaos of war by dreaming of the romantic days of Camelot. When the war hits close to home, Vala finds love with Taliesin Wren, a mysterious young Welsh Lieutenant, who shows her another world within the tangled roots of a Rowan tree, known to the Druids as ‘the portal’.

One night she falls through, and suddenly she is Vivyane, Lady of the Lake – the Kingfisher – in a divided Britain clamoring for a High King. What begins as an innocent pastime becomes the ultimate quest for peace in two worlds full of secrets, and Vala finds herself torn between the love of her life and the salvation of not only her family but of Britain, itself.

“It is, at the heart of it, a love story – the love between a man and a woman, between a woman and her country, and between the characters and their fates – but its appeal goes far beyond romance. It is a tale of fate, of power, and, ultimately, of sacrifice for a greater good.” – Riana Everly, author of Teaching Eliza and Death of a Clergyman

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Meet D K Marley

D. K. Marley is a Historical Fiction author specializing in Shakespearean adaptations, Tudor era historicals, Colonial American historicals, alternate historicals, and historical time-travel. At a very early age she knew she wanted to be a writer. Inspired by her grandmother, an English Literature teacher, she dove into writing during her teenage years, winning short story awards for two years in local competitions. After setting aside her writing to raise a family and run her graphic design business, White Rabbit Arts, returning to writing became therapy to her after suffering immense tragedy, and she published her first novel “Blood and Ink” in 2018, which went on to win the Bronze Medal for Best Historical Fiction from The Coffee Pot Book Club, and the Silver Medal from the Golden Squirrel Book Awards. Within three years, she has published four more novels (two Shakespearean adaptations, one Colonial American historical, and a historical time travel).

When she is not writing, she is the founder and administrator of The Historical Fiction Club on Facebook, and the CEO of The Historical Fiction Company, a website dedicated to supporting the best in historical fiction for authors and readers. And for fun, she is an avid reader of the genre, loves to draw, is a conceptual photography hobbyist, and is passionate about spending time with her granddaughter. She lives in Middle Georgia U.S.A. with her husband of 35 years, an English Lab named Max, and an adorable Westie named Daisy.

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Don’t forget to check out the other stops on the Kingfisher blog tour with The Coffee Pot Book Club.

The Custard Corpses is now available as an audiobook

I’m really pleased to be able to share with you that the audio version of The Custard Corpses is now available from Audible and Amazon, and can be read as part of an Audible membership subscription. If you don’t have one yet, you can sign up here, or it is available to purchase without a subscription

Matt Coles has produced a fantastic narration for Mason, O’Rourke, Smythe and Hamish. I hope you enjoy it. There’s a sample below the cover image.

Here’s the blurb:

A delicious 1940s mystery.

Birmingham, England, 1943.

While the whine of the air raid sirens might no longer be rousing him from bed every night, a two-decade-old unsolved murder case will ensure that Chief Inspector Mason of Erdington Police Station is about to suffer more sleepless nights.

Young Robert McFarlane’s body was found outside the local church hall on 30th September 1923. But, his cause of death was drowning, and he’d been missing for three days before his body was found. No one was ever arrested for the crime. No answers could ever be given to the grieving family. The unsolved case has haunted Mason ever since.

But, the chance discovery of another victim, with worrying parallels, sets Mason, and his constable, O’Rourke, on a journey that will take them back over twenty-five years, the chance to finally solve the case, while all around them the uncertainty of war continues, impossible to ignore.

And don’t forget, it’s also available as an ebook, paperback and hardback from Amazon.

Welcome to today’s stop on the blog tour for Landscape of a Marriage by Gail Ward Olmsted

Today, I’m delighted to welcome Gail Ward Olmsted to the blog with a fascinating post about her new book, Landscape of a Marriage.

Separating Fact from Fiction

As a reader, I enjoy historical fiction that stimulates my interest to learn more about a person or a time from the past. Good historical fiction, in my humble opinion, needs to be balanced- a blend of historical facts and accuracy with a riveting storyline and well-developed characters who lived, or at least could have lived, during that time. I don’t believe there is any required ratio between the  levels of fact and fiction (maybe 60/40 in favor of facts if I had  to wager  a  guess?) but clearly a well-researched story is ultimately going to garner more attention and a larger number of satisfied readers than one that relies on interesting characters to make up for a historical backdrop that is too thin or inaccurate. But the real question is not how much ‘history’ do you need in your historical  fiction,  but rather how do you obtain that information?

When it comes to research, at some point you have to tell yourself that it’s time to stop, that enough is enough. Although it is tempting to continue down yet another rabbit hole of information (and there are so many different avenues to explore) a good writer knows when it’s time. Time to put down all those references and sources and actually start writing.

Researching a historical novel is a challenging and at least for me, an ultimately rewarding experience. I have previously written four contemporary novels and Landscape of a Marriage,  my first historical novel, was an eye-opener. I blame my public school education or more appropriately, my earlier lack of interest in most things historical for my struggles. Other than the dates I learned of all the major battles in a variety of wars that the U.S. participated in, I don’t recall  learning anything of interest to me in all of those history classes I sat through. I was a good student, but never developed a love of history until I started reading on my own. My early favorites are still classics in my mind- Gone with the Wind (Mitchell), The Thornbirds (McCullough) and Trinity (Uris).  Great characters and interesting storylines set in different times in the past. What a joy!

I was drawn to the story of renowned landscape architect Frederick Law Olmsted and his late brother’s widow Mary for a  number of reasons. The primary one is that Olmsted is a distant relative of my husband’s. Way back when, there were two brothers- Aaron and Benjamin- one is Fred’s grandfather and the other, my husband’s great, great, great grandfather. 

Frederick Law Olmsted

But what really drew me into the story was the marriage of Fred and Mary, his former sister-in-law. Although ‘levirate’ marriages were fairly common in the 19th century in order to protect the  children and the family name, I felt there was an  interesting story lurking right below the surface and I set out to write it. My first step was to  find out everything I could about the lives of Fred and Mary. I reviewed many different resources while researching Landscape of a Marriage. There are a number of beautifully written books on Frederick Law  Olmsted and that was where I began,  including A Clearing in the Distance (Rybczynski) and Genius  of Place (Martin). I highly recommend them both.

Mary Cleveland Olmsted

These books helped me to understand quite a bit about the times and Olmsted’s professional accomplishments. I made careful notes and drafted an outline, filling in the  most significant events happening during the tumultuous years of  the second half of the 19th century in America- the Civil  War, Lincoln’s assassination, the  women’s suffrage movement, the Gold Rush and the Second Industrial Revolution.

Mrs Fred Olmsted

This  provided the backdrop or the overall foundation for Landscape. Then I moved on to the Olmsteds themselves. I began with their marriage, the births of their children and significant personal and professional milestones along the way, including Fred’s work on such notable projects as Central Park  in NYC, Mount Royal in Montreal, the  Chicago World’s Fair and the reopening of Niagara Falls. The Olmsteds moved from New York, to Washington, DC, to  California and back  to New York before dividing their time between Brookline, a Boston suburb and Deer Isle, Maine. Each location would have an impact on their lives together and needed to be researched carefully to identify exactly how.

From there, I continued my research and Google provided me with access to numerous articles, posts and images that added to my base of knowledge. Who knew how interesting it could be to learn about the culture, the lifestyles, the clothing and the hobbies enjoyed during the second half of the 19th century? I remembered very little about the Civil War (except for those all important dates!) but never took the time to imagine what it was like for the soldiers, their mothers, their families. Before committing  to  landscape architecture as a career, Fred worked for the  United States Sanitary Commission (the precursor to the American Red Cross) and his efforts revealed a caring, empathetic man who loved his country and fought to improve living conditions for the soldiers. This was a far cry from the critical and driven workaholic persona that frequently is assigned to Olmsted and it helped me to portray him as a loving and  passionate man dedicated to both his profession and his wife and  children. I hope readers who enjoy Landscape will be inspired to visit  Olmsted’s parks and learn more about this creative visionary who transformed  the  American landscape forever.

Do you have a story to tell about a real or fictional person or an important time in history? The more research you do, the more likely it is that you will craft a story that you will enjoy writing and  your readers will enjoy reading.

Here’s the blurb:

A marriage of convenience leads to a life of passion and purpose. A shared vision transforms the American landscape forever.

New York, 1858: Mary, a young widow with three children, agrees to marry her brother-in-law Frederick Law Olmsted, who is acting on his late brother’s deathbed plea to “not let Mary suffer”. But she craves more than a marriage of convenience and sets out to win her husband’s love. Beginning with Central Park in New York City, Mary joins Fred on his quest to create a ‘beating green heart’ in the center of every urban space. 

Over the next 40 years, Fred is inspired to create dozens of city parks, private estates and public spaces with Mary at his side. Based upon real people and true events, this is the story of Mary’s journey and personal growth and the challenges inherent in loving a brilliant and ambitious man. 

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Meet the Author

Gail Ward Olmsted was a marketing executive and a college professor before she began writing fiction on a fulltime basis. A trip to Sedona, AZ inspired her first novel Jeep Tour. Three more novels followed before she began Landscape of a Marriage, a biographical work of fiction featuring landscape architect Frederick Law Olmsted, a distant cousin of her husband’s, and his wife Mary. 

For more information, please visit her on Facebook and at GailOlmsted.com.

Connect with Gail Ward Omstead.

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Don’t forget to check out the other stops on the Landscape of a Marriage Blog Tour with The Coffee Pot Book Club

Welcome to today’s stop on the Queen of Blood by Sarah Kennedy blog tour

Today I’m delighted to welcome Sarah Kennedy to the blog to answer my questions about her fantastic new book, Queen of Blood.

Your book, Queen of Blood, is set during the tumultuous reign of Mary Tudor, a much maligned character. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

I’m afraid that I’m rather a magpie in my research—toddling along picking up the shiny bits along the way, not knowing whether I’ll want them later. I spent a long time studying Renaissance literature as a student and then a professor, and when I started my career as a writer I focused on poems. Poems, of course, are much shorter and more focused in their scope than fiction, and, in my historical poems, I was able to use tiny details and idioms that I had picked up mostly unconsciously from reading. As I moved into fiction, I found that those Early Modern cadences of language came to me very easily. I travel (or used to travel!) quite a bit, and part of my research involves going to the kinds of places that I set my fiction in—small towns and villages, castles, stately homes, and museums. I talk to people a lot, and I soak in atmosphere. That’s not the most scholarly way to do research, I realize, but it’s how I work. This probably drives a historian crazy!

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

My process is rather sloppy, I’m afraid! I do read history, as anyone who writes historical fiction must, but I find that reading the literature of the period—the poems, plays, stories, and letters—of the period do more to fill in gaps for me. Reading literature also provides me with first-hand knowledge of the words people used, the ways they expressed emotions and beliefs, and how they spelled things. Spelling wasn’t regularized in the English language during the Renaissance, so it’s very interesting for me to see how writers spelled words. I teach Renaissance literature and Shakespeare, so I’m constantly involved with Renaissance language and content.

As I said above, I also feel a strong need to be in physical spaces that I’m writing about. I love Yorkshire, Scotland, and Wales, and those landscapes still speak from their pasts directly into my imagination. London is my favorite city, and I’ve spent many weeks there, wandering the streets. It feels a bit like my second home, though I’ve never actually lived there.

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

This may sound like a strange choice, but the Collected Works of Shakespeare is probably my go-to text. Shakespeare was brilliant at metaphor and image, but he also used many characters who are not noble or royal—and his ear for speech was unmatched in the period (in my opinion). I can always get my imagination fired up for characters talking by reading Shakespeare. I have to keep in mind as I read that Shakespeare was shameless with the historical record in his history plays. He moved characters around and put them in places that everyone knows they weren’t—and he keeps them alive or kills them off if his story requires it. I try not to take him too much as an example, though the temptation is strong.

If I had to list a second choice (and this might also be odd) it would probably be John Foxe’s Book of Martyrs, just because he has so many stories (many of them highly propagandistic) about the tumultuous period of Mary Tudor’s reign.

Thank you so much for sharing your research with me. It’s fascinating. Good luck with the new book.

Here’s the blurb:

Queen of Blood, Book Four of the Cross and the Crown series, continues the story of Catherine Havens, a former nun in Tudor England. It is now 1553, and Mary Tudor has just been crowned queen of England. Still a Roman Catholic, Mary seeks to return England to its former religion, and Catherine hopes that the country will be at peace under the daughter of Henry VIII. But rebellion is brewing around Thomas Wyatt, the son of a Tudor courtier, and when Catherine’s estranged son suddenly returns from Wittenberg amid circulating rumours about overthrowing the new monarch, Catherine finds herself having to choose between the queen she has always loved and the son who seems determined to join the Protestants who seek to usurp her throne.

Universal Link: 

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Meet the Author

Sarah Kennedy is the author of the Tudor historical series, The Cross and the Crown, including The AltarpieceCity of LadiesThe King’s Sisters, and Queen of Blood. She has also published a stand-alone contemporary novel, Self-Portrait, with Ghost, as well as seven books of poems.  A professor of English at Mary Baldwin University in Staunton, Virginia, Sarah Kennedy holds a PhD in Renaissance Literature and an MFA in Creative Writing.  She has received grants from both the National Endowment for the Arts, the National Endowment for the Humanities, and the Virginia Commission for the Arts.

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Don’t forget to pop by the other stops on the Queen of Blood blog tour with The Coffee Pot Book Club

Welcome to today’s stop on the blog tour for ‘Tho I Be Mute by Heather Miller

Today I’m delighted to welcome Heather Miller to the blog with an article about her new book ‘Tho I Be Mute.

Your book, ‘Tho I Be Mute, sounds absolutely fascinating. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

Thank you for saying so. Honesty, some people believe that it is not my story to tell because I am not Cherokee. It is something that weighs heavily on my heart. 

I have tried to write with sensitivity, research, persistence, perspective, and due consideration. Two “sensitivity” editors read the novel before and during the publication process. I asked myself whether I could construct this narrative through the eyes of both Cherokee, John Ridge, and his Caucasian wife, Sarah, with honesty and researched integrity. I followed the history as closely as possible. I kept the narrative’s theme very human, not singularly defined by ethnicity or identity.

David Marion Wilkinson, the author of Oblivion’s Altar (John’s father, Major Ridge’s story), said when I interviewed him, “This isn’t only a Cherokee story. It is one of courage. The Ridge family’s story is a human one, surrounded by corruption, evil, and greed.” He’s right. Although, the story is also one of love, not defined by race or cultural background. John and Sarah found a connection to one another’s character, not one another’s culture. 

So, to tell the tale, I research and continue to uncover new texts to illuminate the story from multiple perspectives. History advised each event within the novel’s pages. When there was little evidence, I worked backward from laws John Ridge submitted to the Cherokee Legislative Council. I asked myself what could have prompted him to present such and created a plausible event leading to the facts, working backward from effect to cause.  

My research began in a Special Collections Library on our local university campus during a “field trip” for a Researched Fiction course. I knew the character I wanted to begin with: an archetype of American Southern Fiction, the woman who lives alone in the hills offering medicine and life lessons to anyone who crosses her path. She is reminiscent of the “goat woman” from Charles Frazier’s Cold Mountain. She became Clarinda Ridge, John and Sarah’s daughter. 

Why was she alone? What could have happened to her to leave her with so much to teach and no one around her to share her wisdom? What kind of life could she have lived to gain such knowledge? So, I began to dig for gems and found her and her family on the pages of Thurman Wilkin’s text Cherokee Tragedy: The Ridge Family and the Decimation of a People. 

From there, I obsessed, as most historical fiction authors tend to do. I scoured the Internet and libraries for biographies, Ph.D. dissertations, archaeological reports, and historical texts on the political climate surrounding Cherokee’s removal from their ancestral lands. Several books were pivotal to plotting the manuscript: Thurman’s Cherokee TragedyCherokee Cavaliers by James Parins, John Rollin Ridge also by James Parins, Tiya Miles’ Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and FreedomLiving Stories of the Cherokee, collected and edited by Barbara R. Duncan, An American Betrayal by Daniel Blake Smith, Blood Moon by John Sedgwick, To Marry an Indian: The Marriage of Harriett Gold and Elias Boudinot, 1823-1839 edited by Theresa Strouth Gaul, The Heathen School by John Demos, Sovereignty: A Play by Mary Katharyn Nagle (a Ridge descendant), and Toward the Setting Sun by Brian Hicks. My latest read is Steve Inskeeps’ Jacksonland. I have also read extensively from Theda Purdue’s body of work. In all these texts, John Ridge’s own words, primary source documents filled my ears with his voice. The manuscript contains excerpts that are his exact words.

Legend and Myth also influence the narrative, so I have read and listened to many oral stories from Cherokee Treasured Members and listened to Cherokee Native Speakers and read from a pivotal primary source, Sacred Formulas of the Cherokee by James Moody. 

Chieftain’s Museum/Major Ridge Home Picture

Field trips are exceedingly fun and widen my circle of knowledge, not only of the people but of the era (and get me away from my computer screen). My first field trip was in September of 2019 to the Chieftain’s Museum/Major Ridge Home near Rome, Georgia. The visit made it all real. To stand where these very real people lived and worked, farmed and raised children was beautiful to my soul. I used my imagination to take in the landscape, to unwind time, to shrink the massive tree trunks on the property next to the Oostanaula River. Inside the museum, there are scale models of what renovations the home underwent through its lifetime and glass covering removed walls that reveal its original log structure.

One archeologic gem made me hold my breath. John Ridge’s shoe taps lay under glass, worn on one side from his persistent limp from hip scrofula. So taken aback by their presence, I wrote a scene where he leaves his shoes in a nearby field so they could be discovered by archaeologists nearly two centuries later. 

After uncovering so much that influenced the manuscript at Chieftain’s, I widened my field trip circle, visiting: New Echota, the once Cherokee Capital, the Vann House, Red Clay, Tennessee, Ft. Mitchell, Alabama, Horseshoe Bend, Alabama, the McIntosh Reserve in Whitesburg, Georgia, and the OconalufteeVillage and the Museum of the Cherokee Indian in Cherokee, North Carolina. I have learned many historical facts from each adventure, uncovered human anecdotes, and built visions of landscapes from the past. Each of these enriching experiences makes writing this world more realistic. 

On May 29th, 2021, I travelled to Indian Springs, home to Creek Chief McIntosh’s Tavern, where he signed the Treaty of Indian Springs, selling Creek land to the American Government. His signature on that document brought his assassination. During the tour, I was able to hold a flint-lock pistol. As I am sure your readers know, rarely do these guns shoot accurately. After firing the lead ball and likely missing its target, a shooter could hold the barrel in their hand and use the stock as a club. They are exceedingly heavy. 

With permission from Ridge descendants, each purchase of ‘Tho I Be Mute will fund a future scholarship for Cherokee students planning to pursue a law degree. My husband and I plan to travel to Cherokee Nation in Oklahoma this summer to celebrate the novel’s launch. Also, the trip is to continue research for Mute’s sequel, Yellow Bird’s Song. The Ridge family saga continues. 

Thank you so much for sharing your research with me. Good luck with the new book.

Here’s the blurb:

Home. Heritage. Legacy. Legend.

In 1818, Cherokee John Ridge seeks a young man’s education at the Foreign Mission School in Cornwall, Connecticut. While there, he is overcome with sickness yet finds solace and love with Sarah, the steward’s quiet daughter. Despite a two-year separation, family disapproval, defamatory editorials, and angry mobs, the couple marries in 1824.

Sarah reconciles her new family’s spirituality and her foundational Christianity. Although, Sarah’s nature defies her new family’s indifference to slavery. She befriends Honey, half-Cherokee and half-African, who becomes Sarah’s voice during John’s extended absences.

Once arriving on Cherokee land, John argues to hold the land of the Cherokees and that of his Creek neighbors from encroaching Georgian settlers. His success hinges upon his ability to temper his Cherokee pride with his knowledge of American law. Justice is not guaranteed.

Rich with allusions to Cherokee legends, ‘Tho I Be Mute speaks aloud; some voices are heard, some are ignored, some do not speak at all, compelling readers to listen to the story of a couple who heard the pleas of the Cherokee.

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Meet the Author

As an English educator, Heather Miller has spent twenty-three years teaching her students the author’s craft. Now, she is writing it herself, hearing voices from the past. 

Miller’s foundation began in the theatre, through performance storytelling. She can tap dance, stage-slap someone, and sing every note from Les Misérables. Her favorite role is that of a fireman’s wife and mom to three: a trumpet player, a future civil engineer, and a future RN. There is only one English major in her house. 

While researching, writing, and teaching, she is also working towards her M FA in Creative Writing. Heather’s corndog-shaped dachshund, Sadie, deserves an honorary degree.

Connecting with the author

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Don’t forget to check out the other stop on the blog tour for ‘Tho I Be Mute with The Coffee Pot Book Club.

Book Review – Daughters of Sparta by Claire Heywood

Here’s the blurb:

Two sisters parted. Two women blamed. Two stories reclaimed.

‘Required reading for fans of Circe . . . a remarkable, thrilling debut’ – Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue

‘Fluent and persuasive. I admire the ambition with which Heywood tackles the subject, to which she brings freshness and verve. I enjoyed it very much’ – Elizabeth Buchan, bestselling author of The Museum of Broken Promises

For millennia, two women have been blamed for the fall of a mighty civilisation – but now it’s time to hear their side of the story . . .

As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivalled beauty, they are the envy of all of Greece.

Such privilege comes at a high price, though, and their destinies are not theirs to command. While still only girls they are separated and married off to legendary foreign kings Agamemnon and Menelaos, never to meet again. Their duty is now to give birth to the heirs society demands and be the meek, submissive queens their men expect.

But when the weight of their husbands’ neglect, cruelty and ambition becomes too heavy to bear, they must push against the constraints of their sex to carve new lives for themselves – and in doing so make waves that will ripple throughout the next three thousand years.

Daughters of Sparta is that most wonderful of books – one that draws you in from the very first pages and won’t let go of you until the end. I read it in just over a day. I didn’t want to put it down.

The storytelling is engaging, the characters of Helen and her sister, beautifully sketched while everyone around them, apart from their mother, stays very much in the background. This is their story.

At times the reader will hate either or both of the sisters, at other times, the reader will understand their pain, their desire to be more than their birthright.

A beautifully evocative story that speaks of the loneliness of royal marriage, of the heavy, and life-threatening expectations placed on young women to become mothers, and you will be swept along by a tale you think you know but might not.

5 stars from me.

Thank you to Netgalley and the publisher for my review copy.

Daughters of Sparta is available now in ebook, hardback and audiobook.

Welcome to today’s stop on the blog tour for The Anarchy by Tracey Warr

Welcome to the blog. Your book, The Anarchy, is set in a time period that I thoroughly enjoy and sounds absolutely fascinating. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

The Anarchy is set 1121–1139 and focuses on the later life of the Welsh noblewoman, Nest ferch Rhys. It is the final book in my Conquest trilogy telling the story of Nest’s turbulent life. Gwyneth Richards has argued that historiography has had a male bias ‘which has hitherto rendered women more invisible than is warranted by the available sources’ (2009, p. 24). Near-invisible women in the early middle ages are the territory of my historical fiction. I take the often very slight references to them in medieval chronicles and charters and imagine into the gaps. My first novel on an 11thcentury countess of Toulouse and Barcelona, Almodis de la Marche, came from a few sentences in the Chronicle of Ademar de Chabannes. My second novel came from a few more sentences in the same medieval chronicle on a different woman who was kidnapped by vikings. The Conquest trilogy derives from a couple of paragraphs on Nest ferch Rhys in Brut y Tywysogion (The Chronicle of the Princes

1 Brut y Twysogion (Chronicle of the Princes)
https://commons.wikimedia.org/wiki/File:Chronical_of_the_Princes_(f.260).jpg Attribution: National Library of Wales, CC0, via Wikimedia Commons

Nest ferch Rhys was the daughter of the last independent king in Wales, Rhys ap Tewdwr. Her father and three of her brothers were killed by invading Normans and she was probably raised in the Norman court. She became the mistress of the Norman king, Henry I, and had a son with him. She was married to Gerald FitzWalter, the Norman steward of Pembroke Castle, which had been part of her father’s kingdom. The Welsh prince, Owain of Powys, abducted her from Gerald for a few years. After Gerald died, she was married to Stephen de Marais, the Norman constable of Cardigan Castle. The character Haith in my novel is based on Hait who is documented as the sheriff of Pembroke in the 1130 pipe roll, the records of the court (Green, 1986). Hait is presumed, from his name, to have been Flemish. It is my invention to make him a close friend of King Henry. According to Nest’s grandson, Gerald of Wales, Hait was the father of one of Nest’s sons. 

Once I have a spark from a primary source such as the Brut y Tywysogion to set me off, I pursue several lines of enquiry to find out everything I can about my characters, their relationships with one another, and the contexts they lived in. The lines of enquiry I pursue are further primary sources, genealogical research, biographies, the literature and art of the time, objects in museums, maps, site research at places associated with the characters, and contextual research—finding out, for example what people in those times and places wore and ate, what games they played and what books they read. I do as much research as I can online and buy key books and then I spend days in the British Library poring over the more inaccessible sources.

Other primary sources I drew on for The Anarchy included William FitzStephen’s account of Norman London and the books written by Nest’s grandson, Gerald of Wales. The genealogical research gives me a sense of the relationships between people and, for instance, an idea of how many children my heroine had and when. One key resource I use for genealogical research is Charles Cawley’s Medieval Lands, which can be searched online (2014). Genealogies are often set out following the patriarchal line. I make an effort to perceive the matriarchal line too, as far as possible. Family and kin—on both sides—were extremely significant for medieval people.

Despite sometimes being described as the most famous early medieval Welsh woman, the historical record of Nest is slender. Her kidnap from her husband Gerald FitzWalter by Prince Owain Cadwgan, which probably occurred at Cilgerran Castle, is briefly described in Brut y Tywysogion (The Chronicle of the Princes). Nest is credited with advising Gerald to escape down the castle toilet chute, which let out onto the dungheap below, outside the castle walls. (See my earlier blogpost on the wily Gerald: https://englishhistoryauthors.blogspot.com/2016/11/a-norman-frontiersman-in-wales.html.) 

Kari Maund and Susan Johns have both written important studies on Nest ferch Rhys. I also research the people around her and try to get a sense of the atmosphere of the Norman court that Nest found herself in. C. Warren Hollister and Judith Green’s biographies of King Henry I were invaluable and writing the character of the king in my novels was one of the most enjoyable parts of composing them. I also drew on David Crouch’s book on the Beaumont twins to think about the personalities and factions at court. Reading journal articles, such as Eleanor Searle’s study of the marriages of Norman conquerors to Welsh and Anglo-Saxon heiresses, often gives me key information or details to use. 

My research on the literature of the time, such as The Mabinogion and the poems of the Welsh bards, helps me find fragments of the authentic voice of that period that I can use. In The Anarchy, Breri the Welsh bard is a double agent, spying for both the Welsh and the Normans. Amanda Jane Hingst’s book on the medieval writer, Orderic Vitalis, also gave me valuable material. Vivid details of daily life can be drawn from manuscript illustrations and objects in museums, and I often use particular objects, such as goblet or a ring, as a significant motif in the story. 

In the opening chapter of The Anarchy, Nest, has been widowed from one Norman and is married unwillingly to another, Stephen de Marais. After the ceremony, she absconds, leaving her wedding ring on the table in the great hall. 

Fourteenth-century medieval finger-ring, probably a wedding ring. The inscription probably reads ‘I will serve you until I die’. https://commons.wikimedia.org/wiki/File:Medieval_finger_ring_(showing_internal_inscription)_(FindID_199291).jpgAttribution: The Portable Antiquities Scheme/ The Trustees of the British Museum, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

I walk the sites of the novel, visiting castle ruins. Even though there is rarely much to see surviving from the 12thcentury, site research gives me atmosphere, weather, birdsong, the lay of the land. I draw up my own chronology, genealogies, and maps to help me flesh out the fictional world of my characters so that it is imagined, but credible, built on a structure of recorded history.

(Historical references are listed below).

Brut y Tywysogion (Chronicle of the Princes). Written 681–1282. Thomas Jones transl. (1953) Caerdydd: Gwasg Prifysgol Cymru.

Ademar de Chabannes, Chronique, 3 vols., translated by Yves Chauvin and Georges Pon (2003) Turnhout: Brepols.

Cawley, Charles (2014) Medieval Lands, http://fmg.ac/Projects/MedLands/Search.htm.

Crouch, David (2008) The Beaumont Twins: The Roots and Branches of Power in the Twelfth Century, Cambridge: Cambridge University Press.

FitzStephen, William, Norman London. Written around 1183. Essay by Sir Frank Stenton & Introduction by F. Donald Logan (1990) New York: Italica Press. 

Gerald of Wales, The Itinerary Through Wales and the Description of Wales. Written 1191 and 1194. Lewis Thorpe, transl. (1978), Harmondsworth: Penguin.

Green, Judith A. (2009) Henry I King of England and Duke of Normandy, Cambridge: Cambridge University Press.

Hingst, Amanda Jane (2009) The Written World: Past and Place in the Work of Orderic Vitalis, Notre Dame, Indiana: University of Indiana Press.

Hollister, C. Warren (2001) Henry I, New Haven/London: Yale University Press.

Johns, Susan M. (2013) Gender, Nation and Conquest in the High Middle Ages: Nest of Deheubarth, Manchester: Manchester University Press.

Maund, Kari (2007) Princess Nest of Wales: Seductress of the English, Stroud: Tempus.

Richards, Gwyneth (2009) Welsh Noblewomen in the 13th Century, Lewiston, N.Y.: Edwin Mellen Press.

Searle, Eleanor (1980) ‘Women and the legitimization of succession’ in Brown, R. Allen, ed., (1981) Anglo-Norman Studies III: Proceedings of the Battle Conference, pp. 159-170.

Thank you so much for sharing your research with. It’s great to see all the resources you used. I also smiled because Kari Maund was one of my lecturers at university. Her books on the early Welsh period are wonderful.

Here’s the blurb:

Unhappily married to Stephen de Marais, the Welsh princess, Nest, becomes increasingly embroiled in her countrymen’s resistance to the Norman occupation of her family lands. She plans to visit King Henry in the hope of securing a life away from her unwanted husband, but grieving for the loss of his son, the King is obsessed with relics and prophecies.

Meanwhile, Haith tries to avoid the reality that Nest is married to another man by distracting himself with the mystery of the shipwreck in which the King’s heir drowned. As Haith pieces together fragments of the tragedy, he discovers a chest full of secrets, but will the revelations bring a culprit to light and aid the grieving King?

Will the two lovers be united as Nest fights for independence and Haith struggles to protect King Henry?

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The Daughter of the Last King (Book 1)

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Meet the Author

Tracey Warr (1958- ) was born in London and lives in the UK and France. Her first historical novel, Almodis the Peaceweaver (Impress, 2011) is set in 11th century France and Spain and is a fictionalised account of the true story of the Occitan female lord, Almodis de la Marche, who was Countess of Toulouse and Barcelona. It was shortlisted for the Impress Prize for New Fiction and the Rome Film Festival Books Initiative and won a Santander Research Award. Her second novel, The Viking Hostage, set in 10th century France and Wales, was published by Impress Books in 2014 and topped the Amazon Australia charts. Her Conquest trilogy, Daughter of the Last King, The Drowned Court, and The Anarchy recount the story of a Welsh noblewoman caught up in the struggle between the Welsh and the Normans in the 12th century. She was awarded a Literature Wales Writers Bursary. Her writing is a weave of researched history and imagined stories in the gaps in history.

Tracey Warr studied English at University of Hull and Oxford University, gaining a BA (Hons) and MPhil. She worked at the Arts Council, Institute of Contemporary Arts, Chatto & Windus Publishers, and edited Poetry Review magazine with Mick Imlah. She also publishes art writing on contemporary artists, and in 2016 she published a future fiction novella, Meanda, in English and French, as part of the art project, Exoplanet Lot. She recently published a series of three books, The Water Age, which are future fiction and art and writing workshop books – one for adults and one for children – on the topic of water in the future. She gained a PhD in Art History in 2007 and was Guest Professor at Bauhaus University and Senior Lecturer at Oxford Brookes University and Dartington College of Arts. Her published books on contemporary art include The Artist’s Body (Phaidon, 2000), Remote Performances in Nature and Architecture (Routledge, 2015) and The Midden (Garret, 2018). She gained an MA in Creative Writing at University of Wales Trinity St David in 2011. She is Head of Research at Dartington Trust and teaches on MA Poetics of Imagination for Dartington Arts School.

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Don’t forget to check out the other stops on The Anarchy Blog Tour with The Coffee Pot Book Club

Welcome to today’s stop on the blog tour for The Curse of Conchobar by David Fitz-Gerald

Today, I’m delighted to welcome David Fitz-Gerald to the blog. I asked him about the historical research he undertook to write his new book.

Research is my rabbit hole and full immersion is my favorite form. Sometimes, that’s easier said than done, especially during a worldwide pandemic, when travel is restricted and museums are closed. For some eras, there’s almost too much information available, whereas artifacts from distant historical periods are often scarce.

The Curse of Conchobar is set in New York State, long before written history reflects the “discovery” of North America. It is now more commonly believed that European people explored North America hundreds of years earlier than 1492. With each new scientific discovery, it seems, earlier new firsts become accepted.

My main character needed a rich back story. The one I invented for him was inspired by our family’s visit to Ireland in 2019. If we had known what was coming, I’ll bet we would have stayed much longer. My favorite part of our visit was the day that we spent at the Cliffs of Moher. I would love to have visited Skellig Michael, where Conchobar grew up among monks and learned to be a mason. As a hiker and mountain climber, I would love to have climbed the steps to see the ancient structures. Fortunately, I found this stunningly beautiful drone footage, by Peter Cox Photography, on youtube at: https://www.youtube.com/watch?v=SxU6kk24mho

I’ve also had the pleasure of visiting Stonehenge in England and I’ve always been fascinated by megalithic stone structures. There are many smaller stone structures in New York, New England, and Canada that make you wonder, who built this, when did they build it, and what motivated them to do so? When Conchobar returns to masonry in my book, he creates just such a structure. As I was writing the book, the image of a stone chamber in Leverett, Massachusetts, from The New England Historical Society’s (NEHS) website inspired me to imagine what Conchobar could build in his new home in Northern New York State. According to NEHS, “Speculation now runs rampant about the origins of the mysterious stone structures. Did medieval Irish monks, American Indians or Vikings build them? Or did the English colonists just build them as root cellars?” I choose to believe the first theory presented. Don’t miss the other pictures on this website, but the one I’m referring to is the first picture. https://www.newenglandhistoricalsociety.com/6-mysterious-stone-structures-new-england/

The civilization that Conchobar encounters along the banks of what will later be known as the Hudson River is a precursor to the Haudenosaunee, also known as Iroquois. I placed my fictional village for the people in my book, Wanders Far, featuring Conchobar’s descendants, on Garoga Creek, a tributary of the Mohawk River, based on archaeology. If you’d like to spend some time in my research rabbit hole, may I recommend this report, Three Sixteenth-Century Mohawk Iroquois Village Sites, from The University of the State of New York:  https://exhibitions.nysm.nysed.gov/publications/bulletin/503-14603.pdf

There is some debate about whether Native Americans inhabited the Adirondacks. I’m confident that they did and I think that science is proving it. If you’re curious about the evidence, you might be interested in this. The First Adirondackers: Part One and Part Two, from Curiously Adirondack.

The characters in The Curse of Conchobar and Wanders Far travel great distances and survive extreme situations in the wild. I have spent countless hours trying to make sure that the creatures I write about are indigenous. For example, I was tempted to write about honey bees, only to discover that they are not native and didn’t arrive in North America until the 17th century. Crisis averted! It is amazing how many bodies of water would not exist if it weren’t for dams built by modern man, and it is hard to find accurate maps from prehistoric times, so I tried to prove that each waterway existed in ancient times before I wrote about them. And I’ve spent countless hours researching what ancient foragers might have found in New York’s primeval forests. Are you curious about how Native Americans built canoes from materials found in the woods? Check out this historic video from 1946.

As for the wanderlust, on May 5, 2018, I set out from Plattsburgh, New York, and walked to Lake Placid, home of the 1932 and 1980 Winter Olympics. I made the 50-mile journey to commemorate the historic 1963 trek of Lake Placid postman, Denny Miller, and also to make sure that the great distances my characters travel are realistic. I set out at midnight and limped into Lake Placid at dark, almost twenty hours later. The next day, I could barely walk. I’m older than most of the distance hikers I have written about, so I figure they can handle 30-miles a day when they need to.

You know the kind of person that takes pictures of historical mile markers so they can reread them later? How about the guy that has to read every placard in the museum―the one that has to be kicked out at closing time because there’s too much to see in just one day? Or the one that irritates the family by going miles out of the way to see something that nobody else is interested in? That’s me!

Thank you for spending a few minutes with me in my rabbit hole.

Thank you so much for sharing your research with me. Good luck with the new book.

Here’s the blurb:

Banished by one tribe. Condemned by another. Will an outcast’s supernatural strengths be enough to keep him alive?

549 AD. Raised by monks, Conchobar is committed to a life of obedience and peace. But when his fishing vessel is blown off-course, the young man’s relief over surviving the sea’s storms is swamped by the terrors of harsh new shores. And after capture by violent natives puts him at death’s door, he’s stunned when he develops strange telepathic abilities.

Learning his new family’s language through the mind of his mentor, Conchobar soon falls for the war chief’s ferocious daughter. But when she trains him to follow in her path as a fighter, he’s horrified when his uncanny misfortune twists reality, causing more disastrous deaths and making him a pariah.

Can Conchobar defeat the darkness painting his steps with blood?

The Curse of Conchobar is the richly detailed prequel to the mystical Adirondack Spirit Series of historical fiction. If you like inspiring heroes, unsettling powers, and lasting legacies, then you’ll love David Fitz-Gerald’s captivating tale.

Buy The Curse of Conchobar to break free from the fates today!

Trigger Warnings: Violence

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Meet the Author

David Fitz-Gerald writes fiction that is grounded in history and soars with the spirits. Dave enjoys getting lost in the settings he imagines and spending time with the characters he creates. Writing historical fiction is like making paintings of the past. He loves to weave fact and fiction together, stirring in action, adventure, romance, and a heavy dose of the supernatural with the hope of transporting the reader to another time and place. He is an Adirondack 46-er, which means he has hiked all of the highest peaks in New York State, so it should not be surprising when Dave attempts to glorify hikers as swashbuckling superheroes in his writing.

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The Curse of Conchobar is available for free in exchange for signing up for David’s email list via BookFunnel: https://dl.bookfunnel.com/iwczowhp8q

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Welcome to today’s stop on the blog tour for The Steel Rose by Nancy Northcott

Today I’m delighted to welcome Nancy Northcott to the blog with a post about the research she undertook to write The Steel Rose.

Your book, The Steel Rose, is set in not one, but two historical time periods. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

Hi, MJ, and thanks for having me!

My research process starts with reading general histories of the relevant period, then narrows to the issues and conditions I intend to use in the story. I rely primarily on books but sometimes consult websites. When I feel that I have a reasonable understanding of the era, I refine the story to eliminate any misconceptions. Then I start writing. As I write, questions often arise. I keep a list and check those every week or two. 

I knew this book would be primarily set during the Napoleonic Wars, mostly in England. I’ve read quite a few books set during that period, but reading about it is very different from writing about it. This was a time of social codes that seem very elaborate to me, and I didn’t feel well versed in those rules. 

I read several books about England during this era, including Jenny Uglow’s In These Times, which is about life in Britain during the Napoleonic Wars, and Roy & Lesley Adkins’s Eavesdropping on Jane Austen’s England. I looked at several sourcebooks on Regency social activities and manners. Because they weren’t always consistent, I consulted two authors who’ve each written numerous Regency romances. They very generously answered my many questions and cleared up some inconsistencies. I did cut down on some of the requisite bowing and curtseying in the interests of moving the story along.

This is Hyde Park’s Rotten Row, where the Regency elite, the ton, rode out to see and be seen.

Characters need clothes, of course, and I’ve been interested in historical costume most of my life. I always like playing in a new era. The Art of Dress by Jane Ashelford and Dress in the Age of Jane Austen: Regency Fashion by Hilary Davidson were particularly useful for this book.

The action in The Steel Rose climaxes at the Battle of Waterloo. As you’re probably aware, there have been enough books written about that battle to fill a library, possibly with double or even triple shelving! I read enough to feel that I had a general sense of what happened. There seems to be some dispute about what actually was decisive in the battle’s final hour. I went with the option that best fit my story and gave a nod to the Prussians, who drew off Napoleon’s reserves at a critical time. They inspired the hero and heroine’s actions toward the end of the battle.

I also read Stephen Coote’s Napoleon and the Hundred Days, which focuses on the period between his escape from Elba and his defeat at Waterloo. Coote’s book and a similar one had a lot of useful information on conditions in France and the reactions to his return. Coote also included information about Napoleon’s time on Elba.

I consulted a number of books and a few websites about the different military units at Waterloo and their uniforms. There are people devoted to the customs of English Regency society, historical reenactors and others who pore over accounts of Waterloo, and people who immerse themselves in both. I wanted to do everything I could to get this right.

I’ve never been to Waterloo, but I did find commemorative art in the subway (passage under the street, for my fellow Americans) at Hyde Park Corner, the Tube stop for the Duke of Wellington’s residence, Apsley House.

Waterloo art from the subway

The second era that comes into play is the late medieval period, which we see briefly via the heroine’s seer vision. The trilogy follows the descendants of a wizard who unwittingly helped murder Edward IV’s sons, who’re known as the Princes in the Tower. He didn’t realize the agents he helped sneak into the Tower would murder the boys on the orders of his liege lord. Horrified by what he’d done, he threw himself on the mercy of the boys’ uncle, King Richard III. The king told him not to say anything until given leave, but King Richard met his fate at Bosworth Field before ever telling the wizard to reveal the truth.

The Tudors who came after Richard III blamed him for the boys’ deaths and anything else they could. Speaking up while they ruled would’ve been considered treason. The wizard would’ve been executed and his information suppressed. So he cursed the heirs of his line to not rest in life or death until they cleared the king’s name. After death, their souls are trapped in a wraith-filled shadowland between the worlds of the living and the dead. 

In each book of the trilogy, that generation’s heirs seeks the information that will lift the curse and release their kinsmen’s souls.

This is Middleham Castle, sometime home of Richard, Duke of Gloucester:

I’ve been reading about Richard III and the Wars of the Roses most of my adult life, so I was already pretty familiar with that part of the story and the period. One of my unpublished novels is set during the late 1400s. 

One of the women from that era, Lady Eleanor Butler, appears in The Steel Rose. Edward IV clandestinely married her before he wed Elizabeth Woodville, who became his queen. Lady Eleanor was still alive when Edward and Elizabeth wed, which meant this later marriage was bigamous. After his death, his prior marriage to Eleanor was revealed. His union with Elizabeth was declared invalid and their children deemed bastards. They were thus ineligible to inherit the throne. Richard III, then Duke of Gloucester, was the next male heir and became king.

That’s a long road to get around to saying I didn’t know a lot about Lady Eleanor and so did some research on her. I found only one book about her, Eleanor The Secret Queen by the late Dr. John Ashdown Hill, MBE, who was also a fellow of the Society of Antiquaries and the Royal Historical Society and a member of the Richard III Society in addition to other groups. 

Not to toss a cat among the pigeons, but I’ve come to believe Edward IV’s sons outlived their uncle. The Tower was not only a prison but a royal residence. If those boys had disappeared overnight, there would’ve been people to attest to that, people the Tudors would’ve trotted out on public display, which didn’t happen. Matthew Lewis’s The Survival of the Princes in the Tower is an excellent look at the various theories about their fates. He presents the evidence for each, notes the strengths and weaknesses of each theory, and lets readers draw their own conclusions. He also has published an excellent biography of Richard III, Richard III: Loyalty Bids Me.

This, of course, is the Tower of London, where so many of my characters’ troubles started!

A third historical era also figures in the book, again in the heroine’s visions, but discussing it would spoil part of the mystery for readers. I’ll just say I did some brief research in books and checked some aspects online.

As readers may have gathered from looking at the photos in this blog, all of which I took, I like to walk the ground where the story takes place, to stand in the places the characters do. Topography changes over time, of course, and landmarks disappear. Still, being in those settings helps me imagine what they would’ve been like during the story’s period with people moving through them. Sometimes those visits give me ideas, and sometimes they just make me feel closer to the characters.

Walking the ground isn’t always possible, of course. Travel is expensive and more complicated than it used to be. There are places I plan to use for books that I may never see. Books and travel websites can be satisfactory substitutes as sources.

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

I don’t mind sharing at all, but there isn’t really one book I turn to. What I keep close depends on what I’m writing. I’ve found books by Osprey Publishing invaluable sources for military uniforms and equipment of different eras. They’re written for military history buffs, so they include wonderful detail and color plate illustrations. www.ospreypublishing.com.

For The Steel Rose, I kept The Waterloo Companion by Mark Adkin, Waterloo: The Campaign of 1815, Volume 2, by John Hussey, Waterloo: Battle of Three Armies by Lord Chalfont, and the Osprey series on Waterloo handy. I was lucky to have most of this research done before the public health crisis shut down interlibrary loan.

The new series I’m starting is set in the world of the Boar King’s Honor trilogy. The first book ties into The Herald of Day, which is set during the reign of Charles II. Much of the action in this new book takes place at Whitehall Palace, so I kept Whitehall Palace: The Official Illustrated History by Simon Thurley by the computer with the Restoration era reconstruction bookmarked. I also relied heavily on Liza Picard’s Restoration London.

I  frequently turn to a National Trust book I’ve had for years, The Art of Dining: A History of Cooking & Eating by Sara Paston-Williams. It covers food preparation and dining from the medieval to the Edwardian periods. I’m not a foodie, so food isn’t a huge part of any book I write. The characters have to eat sometimes, though, and I want to feed them appropriate food.

As you can see, my main sources vary by the project. It’s fun to look at so many.

Thank you again for having me, MJ! I’ve enjoyed this.

Thank you so much for sharing your fascinating research. It is good to visit the places you’re writing about. Good luck with the new book. (All photographs are the property of Nancy Northcott.)

Here’s the blurb:

A wizard’s misplaced trust

A king wrongly blamed for murder

A bloodline cursed until they clear the king’s name

Book 2: The Steel Rose

Amelia Mainwaring, a magically Gifted seer, is desperate to rescue the souls of her dead father and brother, who are trapped in a shadowy, wraith-filled land between life and death as the latest victims of their family curse. Lifting the curse requires clearing the name of King Richard III, who was wrongly accused of his nephews’ murder because of a mistake made by Amelia’s ancestor.

In London to seek help from a wizard scholar, Julian Winfield, Amelia has disturbing visions that warn of Napoleon Bonaparte’s escape from Elba and renewed war in Europe. A magical artifact fuels growing French support for Bonaparte. Can Amelia and Julian recover the artifact and deprive him of its power in time to avert the coming battles?

Their quest takes them from the crowded ballrooms of the London Season to the bloody field of Waterloo, demanding all of their courage, guile, and magical skill.  Can they recover the artifact and stop Bonaparte? Or will all their hopes, along with Amanda’s father and brother, be doomed as a battle-weary Europe is once again engulfed in the flames of war?

The Steel Rose is the second book in the time-traveling, history-spanning fantasy series The Boar King’s Honor, from Nancy Northcott (Outcast Station, The Herald of Day).

This novel is available to read with #KindleUnlimited subscription.

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Meet the Author

Nancy Northcott’s childhood ambition was to grow up and become Wonder Woman. Around fourth grade, she realized it was too late to acquire Amazon genes, but she still loved comic books, science fiction, fantasy, history, and romance. She combines the emotion and high stakes, and sometimes the magic, she loves in the books she writes.

She has written freelance articles and taught at the college level.  Her most popular course was on science fiction, fantasy, and society.  She has also given presentations on the Wars of the Roses and Richard III to university classes studying Shakespeare’s play about Richard III. Reviewers have described her books as melding fantasy, romance, and suspense. Library Journal gave her debut novel, Renegade, a starred review, calling it “genre fiction at its best.”

In addition to the historical fantasy Boar King’s Honor trilogy, Nancy writes the Light Mage Wars paranormal romances, the Arachnid Files romantic suspense novellas, and the Lethal Webs romantic spy adventures. With Jeanne Adams, she cowrites the Outcast Station science fiction mysteries.

Married since 1987, Nancy and her husband have one son, a bossy dog, and a house full of books.

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Don’t forget to check out the other stops on The Steel Rose blog tour with The Coffee Pot Book Club.

Welcome to today’s stop on the blog tour for The Girl From Venice by Siobhan Daiko

Today, I’m excited to welcome Sioban Daiko to the blog with a post about the historical research undertaken to write The Girl From Venice.

Thank you for having me on your blog. I would say that, thus far, I have a huge connection to the places I write about in my historical fiction.

My parents bought an old farmhouse near Asolo in the Veneto in the mid-sixties. From then on, it became my second home, a place where I would spend the summers as a student and, then, later, where my husband and I would take time out from our busy lives to relax. 

Eventually, after our son had left home and I retired from teaching languages in a Welsh comprehensive school, we moved here permanently and I was able to indulge my love of writing. I’d been a fan of historical fiction for years and fascinated by how past events still resonate in the present. 

The first book I published was set in the Veneto of the 16th and 20th centuries, a homage to Asolo and Venice, Lady of Venezia.  

There are many references in Asolo to the Venetian noble woman, Caterina Cornaro, who was married to the King of Cyprus. She died in Venice on 10 July 1510, a year after the Barco, her villa of delights, was damaged by a fire set by the League of Cambrai troops. It was there that she had established a court of literary and artistic distinction and where Pietro Bembo set his platonic dialogues on love, Gli Asolani.

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Although “Lady of Venezia” is the first novel I published, it isn’t the first book I wrote. I was privileged to have grown up in Hong Kong during the post-war era, and I hope that my personal experience of a time and place which no longer exist has lent an authenticity to The Orchid Tree, my debut novel. My grandparents were interned in the Stanley Civilian Camp like the family in my story. Gran and Grandpa didn’t talk much about their harrowing time in the camp. When they were liberated, they were so thin they resembled walking skeletons, and both died relatively young due to post-starvation-related illnesses. Their lives were similar to those of the characters in The Orchid Tree, in that they lived on the Peak in a house with nine servants and shared some of the colonial attitudes of my expatriate characters, however that’s as far as the similarities go.

After writing an erotic novella, Veronica Courtesan, an imaginative take on the life of the infamous Venetian courtesan, Veronica Franco, I took a break from writing historical fiction to focus on contemporary romance, which I published as SC Daiko. It was fun for a while, but there was a tale I’d been wanting to tell for years. It needed a lot of research, but I finally got round to doing it and then wrote The Girl from Venice, my new release.

I’ll never forget my initial impression of the Avenue of Martyrs in Bassano del Grappa. The shock and the horror when I saw the trees where the Nazi-Fascists hung some of the young partisans who dared to confront them in 1944. I decided to weave those events into a story based on how many locals, such as the family of farmers next door to my parents’ place, hid Venetian Jews during the war. They inspired me to create the character of Lidia in The Girl from Venice.

Image Bassano del Grappa Shutterstock Standard License

The fictional village of Sant’Illaria is founded upon the villages at the foothills of Monte Grappa, all of which lost young men in horrific circumstances during that dark period of Italian history. I decided to create Sant’Illaria rather than use an actual place out of respect for the memory of those who lost loved ones. 

Photo of Monte Grappa

I read many books for inspiration and information, including:

Maria de Blasio Wilhelm, The Other Italy, The Italian Resistance in World War II

Luigi Meneghello, The Outlaws

Caroline Moorehead, A House in the Mountains, The Women Who Liberated Italy from Fascism

David Stafford, Mission Accomplished, SOE and Italy 1943-1945

H. W. Tilman, When Men & Mountains Meet

I only start writing once I’ve done enough research to jot down a timeline of events and thought about my characters so long and hard that I can hear their voices and they become real to me. I do a chapter-by-chapter outline so I have a clear roadmap of the story but allow myself to add or take away from it when necessary.

Thank you so much for sharing your research with us. Good luck with the new book.

Here’s the blurb:

Lidia De Angelis has kept a low profile since Mussolini’s racial laws wrenched her from her childhood sweetheart. But when the Germans occupy Venice in 1943, she must flee the city to save her life.

Lidia joins the partisans in the Venetian mountains, where she meets David, an English soldier fighting for the same cause. As she grows closer to him, harsh Nazi reprisals and Lidia’s own ardent anti-fascist activities threaten to tear them apart.

Decades later in London, while sorting through her grandmother’s belongings after her death, Charlotte discovers a Jewish prayer book, unopened letters written in Italian, and a fading photograph of a group of young people in front of the Doge’s Palace.

Intrigued by her grandmother’s refusal to talk about her life in Italy before and during the war, Charlotte travels to Venice in search of her roots. There, she learns not only the devastating truth about her grandmother’s past, but also some surprising truths about herself.

A heart-breaking page-turner, based on actual events in Italy during World War II

Trigger Warnings: Death, Miscarriage, PTSD, Rape

Available on Kindle Unlimited.

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Meet the author

Siobhan Daiko is an international bestselling historical romantic fiction author. A lover of all things Italian, she lives in the Veneto region of northern Italy with her husband, a Havanese puppy and two rescue cats. After a life of romance and adventure in Hong Kong, Australia and the UK, Siobhan now spends her time, when she isn’t writing, enjoying the sweet life near Venice. 

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