I’m delighted to welcome Mike Weedall and his new book, Escape to the Maroons, to the blog #HistoricalFiction #AmericanHistoricalFiction #AfricanAmericanHistory #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Mike Weedall and his new book, Escape to the Maroons, to the blog with an excerpt.

Excerpt

Nathanial On Arriving At Maroons Camp

Besides the people waiting here, more are coming. I’m the center of attention. People whisper and point at me. I don’t like what’s going on. No one looks friendly. They must think I’m a white man. Should I say something? Better leave that to Lincoln.

This place looks sizable. The ground is dry. Trees and thick brush are on all sides. We crossed smaller islands like this getting here. Moses called them hummocks. This appears to be much bigger. There must be different ways in and out of here. I’m exhausted and need to sit. Better stand until Lincoln says that’s okay.

How did this day lead me here? This morning, I planned to stand up in court and explain why they should grant me freedom. My stepfather said I’d be a fool to do that and better run if I got the chance. I wasn’t expecting that advice from a minister who preached we should always obey the law. When that lazy deputy got distracted, I took off. What choice did I have other than to flee? I pray they don’t punish my family for raising me as a freeman.

What’s next? Lincoln is waving for me to follow him.

Here’s the Blurb

In 1792, an escaped slave, raised and living as white, is discovered and forced to flee into the Great Dismal Swamp.

Barely escaping a bounty hunter, a Maroons community of fugitive slaves rescues him. Over time, Nathanial comes to accept his true identity while fighting to overcome the suspicions of his new community. Because of his pale skin, he becomes a conductor on the underground railroad, slipping runners onto ships going north. On one of his missions, fate intervenes and places Nathanial’s community at risk.

This little-known chapter in American history tells how escaped enslaved people gave their all to live free while creating a community and economy in one of the world’s most unforgiving environments.

Buy Link

Meet the Author

As the author of three books, Mike’s passion is finding the little-known stories of history and bringing them to life. History in school is too often events and dates. Mike seeks to discover the people who lived those events and reveal why those individuals made the decisions they did. Ultimately, there are stories to be mined, and who doesn’t love a good story?

In his historical novel “Escape To The Maroons,” Mike tells the little-known story of 1791 self-liberated slaves who chose to struggle for survival in The Great Dismal Swamp in their determination to live free. The term Maroons delineates areas where escaped slaves fled and could not be recaptured. It’s estimated that over 2,000 survived deep in the swamp around the turn of that century.

His first book “Iva: The True Story of Tokyo Rose” describes the tragic life of Iva Toguri. Trapped in Japan during World War II, this Japanese American woman was forced to work for Radio Tokyo. Although she never participated in propaganda, the racial animus of post-war America led to her being falsely labelled as Tokyo Rose and prosecuted for treason. Through her incarceration and the ongoing discrimination heaped upon her, Iva never lost her courage and determination.

“War Angel: Korea 1950” was his second book that followed a reservist nurse thrust into the carnage of The Korean War. Serving as an operating room nurse in a Mobile Army Surgical Hospital, the real MASH and strength of a woman is revealed. 

Mike resides with his family in the Pacific Northwest where they enjoy experiencing the outdoors.

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I’m delighted to welcome G.M. Baker and his book, The Wanderer and the Way, to the blog #HistoricalFiction #MedievalFiction #SantiagoDeCompostela #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome G.M. Baker and his book, The Wanderer and the Way, to the blog #HistoricalFiction #MedievalFiction #SantiagoDeCompostela #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome G.M. Baker and his book, The Wanderer and the Way, to the blog with a guest post.

Guest Post

Religion has always been a problem for historical fiction. It’s not just that many readers today are not religious and tend to shy away from religious characters or religious ideas. Readers who are religious tend not to recognize their own beliefs or their way of believing in the religious habits and practices of the past. And yet, if we want our historical fiction to be anything more than modern people in fancy dress, we have to deal with the religious lives of historical characters, almost all of whom would have professed one faith or another.

But I think that the religious opinions and practices of people in the past were not as different in character from the opinions and practices of modern people as they might seem at first. I think religious belief in, for example, the early medieval period in which my novel, The Wanderer and the Way, is set, was different in character from religious belief today, and in some ways closer in character, if not in content, to the beliefs of modern non-religious people.

What I mean is that there are certain beliefs that we hold unselfconsciously. These are the beliefs that we grew up with, the beliefs of our friends and our community. We learn these beliefs growing up and adopt them not because we have subjected them to rigorous philosophical examination, but because they are the beliefs shared by our community. We are a mimetic species, and so we tend to believe what everyone around us believes. This ensures that we are accepted by our society, by our tribe.

For most of the development of modern humans we lived in small bands of hunter-gatherers. Those members of the band held in the highest esteem earned a place close to the fire and the best cuts of the latest kill. Those who were quarrelsome and disruptive of the tribe were dangerous to its harmony and safety. If they were too disruptive, they were likely to be exiled from the tribe, which was tantamount to a sentence of death. Today, teenagers sometimes take their own lives because they have been bullied online by their peers. Though they have suffered no physical harm, the ostracism of the tribe is so traumatic that it can drive some to suicide. In our bones and in our genes we still have a profound fear of ostracism.

Thus humans of all periods, including our own, are strongly driven to believe what the tribe believes, including its religious beliefs, or its rejection of religious belief. Historically we can note that during the Reformation, when a prince became protestant, his people tended to become Protestant with him. If he remained Catholic, his people tended to remain Catholic with him. In each case, there were martyrs, people like Thomas More and Bishop Fisher, people who clung to their beliefs on principle and would not change them to go along with the tribe. People of this kind hold their beliefs in a self-conscious manner. They know that their beliefs are at odds with those of the tribe, and while they may not all be martyrs, the nature of their beliefs is very different from that of most people who hold a belief unselfconsciously.

In the late 8th century Europe, in which my Cuthbert’s People series is set, most people were Christians, but most of them would have been unselfconscious believers. They were Christian because their tribe was Christian. I don’t mean that their beliefs were insincere, any more than modern people are insincere in their unselfconscious beliefs. In some ways, unselfconscious beliefs can be fiercely held, since they are one of the threads that bind us to our tribe and earn us their fellowship and protection. What I do mean is that their method of belief was different from that of the modern religious believer, whose beliefs are almost always self-consciously held. The modern believer knows that their belief sets them apart from society at large. Thus modern religious fiction tends to be fiercely self-conscious in a way that appeals to the believer but repels the non-believer.

What I have tried to do in my Cuthbert’s People series, and in The Wanderer and the Way particularly, is to create a believable portrait of people who are unselfconsciously Christian. This is very different from modern books such as Brideshead Revisited or The Power and the Glory, where the characters are painfully self-conscious about their Catholic faith and how it sets them apart from their society.

Unselfconscious beliefs are not held lightly. They are the beliefs that we grew up with, things we have simply assumed to be true, and thus we hold to them very strongly and behave in accordance with them as far as we can. But they are not held defiantly or obstreperously by most people, who assume that all of the people around them believe as they do.

In The City of God, St. Augustine wrote that when the barbarians sacked Rome, those who fled to pagan temples were not spared, but those who fled to Christian churches were spared the wrath of the barbarians. It was therefore a bewildering shock to the people of Northumbria, and to the people of Europe, when the great Christian monastery of Lindisfarne was not spared in the great Viking raid of AD 793, the event that set in motion the wanderings of Elswyth of Twyford, the main character of my Cuthbert’s People series. The great scholar Alcuin, himself a son of Northumbria and a minister of Charlemagne, wrote a letter to the Christian people of Northumbria trying to reconcile this event with their belief that they were under the protection of God. That letter figures in The Wanderer and the Way.

Human beings tend not to trust people who do not share, and therefore challenge, their unselfconscious beliefs. Thus it is now, as it was in the 8th century, a fundamental element of diplomacy to demonstrate one’s orthodoxy on the issues of the day. In the period covered by The Wanderer and the Way, the Kingdom of Asturias in Northern Spain was the last major holdout against the Moorish invasion of the Iberian Peninsula. Alonso the Chaste, King of Asturias, sent several embassies to Charlemagne asking for recognition and aid against the Moors. I send my main character, Theodemir of Iria Flavia, as one of his ambassadors. There was at that time a controversy over the heresy of Adoptionism, originated by a Spanish bishop, which held that Christ acquired his divinity by adoption rather than being divine by nature. Thus I have Theodemir carefully instructed by Alonzo and Bishop Quendulf to demonstrate to Alcuin his knowledge of the controversy and his orthodoxy on the question.

In a book set today, I might have used a modern heresy, such as the rejection of vaccines or the denial of global warming, as an ideological purity test for an ambassador in the same way. Our fundamental tribalism and our insistence on adherence to orthodoxy as the basis for trusting one another has not changed much over the centuries, only what subjects we demand orthodoxy on.

This, I believe, is how historical fiction ought to treat religious belief in characters from the past, not by mocking it, nor by making an exemplary virtue of it, but by portraying it as the core unselfconscious belief that people of the past used to bind themselves together and explain themselves to themselves, in just the same way our unselfconscious beliefs bind us and help us explain ourselves to ourselves today. Whether such beliefs are true or false is, from an historical and fictional point of view, an entirely orthogonal question.

Here’s the Blurb

The Camino de Santiago de Compostela, now the most famous pilgrimage route in the world, was founded in the early ninth century, largely due to the efforts of Bishop Theodemir of Iria

Flavia. As with most people of this period, nothing seems to be known of his early years.

What follows, therefore, is pure invention.

Theodemir returns footsore and disillusioned to his uncle’s villa in Iria Flavia, where he meets Agnes, his uncle’s gatekeeper, a woman of extraordinary beauty. He falls immediately in love. But Agnes has a fierce, though absent, husband; a secret past; another name, Elswyth; and a broken heart.

Witteric, Theodemir’s cruel and lascivious uncle, has his own plans for Agnes. When the king of Asturias asks Theodemir to undertake an embassy on his behalf to Charles, King of the Franks, the future Charlemagne, Theodemir plans to take Agnes with him to keep her out of Witteric’s clutches.

But though Agnes understands her danger as well as anyone, she refuses to go. And Theodemir dares not leave without her.

Buy Link

Universal Link

Meet the Author

Born in England to a teamster’s son and a coal miner’s daughter, G. M. (Mark) Baker now lives in Nova Scotia with his wife, no dogs, no horses, and no chickens. He prefers driving to flying, desert vistas to pointy trees, and quiet towns to bustling cities.

As a reader and as a writer, he does not believe in confining himself to one genre. He writes about kind abbesses and melancholy kings, about elf maidens and ship wreckers and shy falconers, about great beauties and their plain sisters, about sinners and saints and ordinary eccentrics. In his newsletter Stories All the Way Down, he discusses history, literature, the nature of story, and how not to market a novel.

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Follow The Wanderer and the Way blog tour with The Coffee Pot Book Club

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It’s the first day of the blog tour for Warriors of Iron, the second book in the Dark Age Chronicles Trilogy. I’m sharing a recording of me ‘trying’ to say the character names correctly #newrelease #MenOfIron #WarriorsOfIron #histfic

It’s the first day of the blog tour for Warriors of Iron, the second book in the Dark Age Chronicles Trilogy. I’m sharing a recording of me ‘trying’ to say the character names correctly #newrelease #MenOfIron #WarriorsOfIron #histfic

How do you say that?

You can follow the Warriors of Iron blog tour

Bookish Jottings Review

Sharon Beyond the Books Review

Scrapping & Playing Review

Amy McElroy Review

Let us Talk of Many Things Review

Ruins & Reading Review

TBHonest Review

StoriedConvo Review

Listen to the beginning of Warriors of Iron

Curious about the trilogy? Check out my blog for more details below

Blog links

Image shows a map of Early England showing the places mentioned in the text of the book
The Dark Age Chronicles Map

Purchase Links (click on the images)


Posts

I’m excited to share the cover for The Pumpkin Pact by Charlie Dean #coverreveal #newrelease

Here’s the blurb

Welcome to The Pumpkin Patch at Pickle Grove.

Andi is worried that her relationship with Drew has become dull and boring. They never do anything exciting these days, in or out of the bedroom. So when a swoon-worthy stranger appears she is instantly swept off her feet.

When they unexpectedly meet again, they realise they have more in common than they thought possible so draw up a pact to spice up their lives! The plan they conjure up while working together at The Pumpkin Patch, to make their partners jealous, brings them closer than ever.

Andi plucks up the courage to finish with Drew but there are no signs of Andrew doing the same and she thinks she’s lost him forever.

With meddling exes, misunderstandings and miscommunication getting in the way, can The Pumpkin Pact bring them back together?

Purchase Link

 https://amzn.eu/d/iAh5Mtx

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I’m delighted to welcome D.C.Wilkinson and his book, Scents of Lavender, to the blog #HistoricalFiction #Romance #LGBTRomance #LGBTQ+ #IllustratedPoetry; #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome D.C. Wilkison and his book, Scents of Lavender: Queer Love Through the Ages – In Verse, to the blog with a snippet.

Snippet

Though they tried to vanquish us,

our love endures,

in the hearts of those

stirred by our flame

and undeterred by malice

and brutality.

From Hierocles

Book Trailer

Here’s the Blurb

Timeless and unwavering, love flows through a universal melody that echoes in every corner of the globe. Transcending borders and cultures, it sows the seeds of memories that sprout and blossom in Scents of Lavender, a collection of 25 illustrated poems that breathe life into evocative scenes where queer love proudly re-emerges from the depths of history, uncovering deep and everlasting bonds.

Each poem invites the reader to explore the narrator’s deeply personal and intimate perspective through pantheistic eyes. Written in the first person, every verse unfolds as both a reflection and a manifestation of a single universal mind and soul, drawing the reader into a shared understanding that love –in all its forms– is boundless, eternal, and permeates the cosmos.

Buy Link

Universal Link:

Meet the Author

D. C. Wilkinson is an award-winning novelist, poet, and lifelong voyager of inner and outer realms. His literary work centers on his passion for historical tales, portal fantasies, and dreams and visions often weaved into narratives that highlight LGBTQ+ experiences.

He began his career in the Midwest as a student of Language Arts before relocating to the East Coast in his early twenties. A graduate of Columbia University and former New York City public school teacher, he now calls Connecticut his home, where he resides with his spouse and their beloved beagle.

Connect with the Author

Follow the Scents of Lavender blog tour with The Coffee Pot Book Club

I’m delighted to share my review for The Players Act 1: All the World’s A Stage by Amy Sparkes #historicalfiction #bookreview

I’m delighted to share my review for The Players Act 1: All the World’s A Stage by Amy Sparkes #historicalfiction #bookreview

Here’s the blurb

How far would you go to save what you truly love?

England, 1715.
When society doesn’t understand you, and your family is out of the picture, a strolling theatre company could be your perfect home…


Ambitious lead actor Thomas is determined to reach Drury Lane and prove to his father that he is not a failure.

Fierce Caroline has a traumatic past and is determined to protect the company which saved her.

Kind-hearted Annie just wants to look after her found family.

So, when their heartbroken manager Robert is injured and decides to fold the struggling company, the players are resolved to change his mind, whatever the cost. Unfortunately for them, the odds are stacked against them. They’ve lost their stage, they still haven’t got a skull for Hamlet, and flamboyant ex-member Piero is hunting them down, with a spot of revenge on his mind…

Is it time for the final bow?

The Players Act 1: All The World’s A Stage gives voice to the forgotten strolling players of the 18th century in this fun, uplifting, and page-turning read.

WHAT TO EXPECT:

  • Energetic, accessible historical fiction
  • Working-class characters
  • Found family
  • Comedy and tragedy
  • Shakespeare
  • LGBTQ+
  • Neurodiversity
  • Mental health issues
  • Multiple POV
  • Heart and hope

Purchase Links 

https://www.kobo.com/gb/en/ebook/the-players-act-1

https://www.amazon.co.uk/Players-Act-All-Worlds-Stage-ebook/dp/B0DY8CM3LX

https://www.amazon.com/Players-Act-All-Worlds-Stage-ebook/dp/B0DY8CM3LX

My Review

The Players Act 1 follows our cast of strolling players from a hurried exit from their latest performance. Dejected and ejected, Thomas decides on a desperate course of action to save his dream of becoming an actor and treading the boards at Drury Lane. Still, he’s forgotten that not everyone in his family shares his dream.

And it’s not only Thomas. We’re treated to the thoughts and feelings of many of our cast, as they endeavour to make the seemingly impossible happen to reverse the strolling players’ bad fortune.

There’s much desperation for our characters, much hope and laughter, and even more disappointment as the storyline rumbles towards its conclusion. The reader, like the main characters, is desperately hoping for some stroke of fortune for our players. Will they earn it, or will this comedy end in tragedy? Read on to find out.

Meet the author

Amy was born in Eastbourne, England, where the sea and South Downs encouraged her love of the outdoors and nurtured her wildness. Her childhood was filled with folk music, caravans and imagination, and she was always dreaming up stories and characters – usually when she was meant to be doing something else. 

She enjoys stories that explore both comedy and tragedy. She is a New York Times bestselling author and her work includes THE HOUSE AT THE EDGE OF MAGIC series, and the picture books for BBC’s THE REPAIR SHOP. THE PLAYERS is her debut novel for adults. 

Amy now lives in Devon with her husband and six children. When she isn’t writing, Amy enjoys drinking tea, climbing trees and playing the piano, although disappointingly she is yet to master doing all three at once.

Image shows author Amy Sparkes

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I’m sharing my review for Death at the Village Christmas Fair by Debbie Young #cosycrime #newrelease #blogtour #DeathAtTheVillageChristimasFair

Here’s the blurb

It’s been a busy year for Alice Carroll, with her Curiosity Shop opening for business, and not one but two murders shaking things up in her quaint Cotswold village. She’s looking forward to her first countryside Christmas, complete with traditional Christmas Fair and Santa Run.

But her hopes for innocent festive fun are thwarted when one of the Santa Runners steals something from her mum’s knitting stall. His festive outfit makes him hard to spot, until he’s found fatally injured outside the village hall with the stolen item.

Despite what the police say, Alice suspects there’s more to his murder than meets the eye. She’s determined to solve the mystery – including why, once more, a stranger thought something from her Curiosity Shop was worth killing for.

With the help of her charming neighbour Robert Praed, can Alice find the killer before the bells ring out this Christmas?

Purchase Link

https://mybook.to/VillageChristmasFair

My Review

Death at the Village Christmas Fair is the third book in the Cotswold Curiosity Shop Mysteries by Debbie Young. I’ve read the previous title in the series.

Our main character, Alice, is gearing up for a quiet Christmas with her new beau and her mum, until a Santa is discovered, wounded on the school playing field, and Alice immediately suspects foul-play. From here, the storyline moves fairly quickly (it takes a while to get to the actual ‘death’ at the Village Christmas Fair, but the same happened in the previous book, so readers will be used to this), as we follow Alice and Robert as they endeavour to determine why the man met his death. They also have to convince the police the man’s death was indeed murder.

This is an engaging, light-read, stuffed with Christmas events and activities, in a picturesque location. The author does an excellent job of portraying a village gearing up for Christmas.

Meet the author

Debbie Young is the much-loved author of the Sophie Sayers and St Brides cosy crime mysteries. She lives in a Cotswold village, where she runs the local literary festival, and has worked at Westonbirt School, both of which provide inspiration for her writing.

Image shows author Debbie Young

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I’m delighted to welcome Sandro Martini and his book, Ciao, Amore, Ciao, to the blog #CiaoAmoreCiao #HistoricalFiction #WWII #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Sandor Martini and his book, Ciao, Amore, Ciao, to the blog with a piece written by Sandro Martini.

Sandro Martini Piece

Explaining of my writing routine means starting with what I don’t do. I don’t pre-plan, and I don’t have a structure or chapter guides. I use a weird amalgam of flashcards and stream of consciousness.

I know, weird.

Because I write historical fiction, the whole process begins with researching a topic that intrigues me. Half the time, the research—it can take upwards of five years—never gets written as I realise the story just isn’t there for me … but that’s another story (was that a pun?) for another day.

I’ll explore books, do interviews, and largely ignore the internet (except to get general overviews and timelines and so on) because I find that restrictive. Things like ChatGPT are an interesting addition to an author’s quiver, but it’s learning from sources that are all online and the whole point of search engines is to shrink everything to one ready answer. The truth of a thing—and the complexity of a life lived—is anything but singular, and the nuance that makes for a good novel is only found in scouring tons of primary sources.

I generally finish the research when I get bored of the topic, at which point I’m ready to begin the ugliest task in writing—going through all my notes to create flashcards. For Ciao, Amore, Ciao, the flashcards numbered somewhere in the region of 3,000, all handwritten.

That takes maybe six months or so. After that, the cards get arranged chronologically and/or by personage/event. And those cards then become my “guide”. Then they sit there as I begin to work out the one core essential—who will “tell” the story.

Once I figure out who that character is, it’s time for the fun part. The writing begins at around 3 a.m. every day, when I wake up and head straight for pen and paper. (No machine is involved in the first draft—I use a pen I bought years ago at a market in Zurich, a one-off, heavy, metal thing, and notebooks by, of course, Moleskine.)

I will already know which flashcards will be the “scene” that is getting written that day before I sit down to get it down on paper. Why 3 a.m.? Because in some ways I’m still asleep, and able to just write without a lot of self-awareness. It’s important for me to not be that conscious of the writing process.

The first draft is written this way, using a combination of the highly organised flashcards as prompts and stream of consciousness for the actual writing.

I’m also consistent with length, with first drafts generally coming in at around 70,000 words. The time I take to write a novel, though, differs considerably. For my first novel, Tracks: Racing the Sun, the first draft took about two years. Ciao, Amore, Ciao, written a week after my dad passed, took about three weeks.

Once the first draft is complete—I write the novel as a story, and I say this because I heard the other day that some writers will write intermittent scenes as if they’re shooting a movie and then splice it all together and that thought has not left my mind since!—it’s time for phase two: typing the damn thing out …

Sounds like a waste of time, but it’s a vital part of my method because this is when I “read” the book for the first time, and I start to see what’s working, what isn’t, what needs further exploration, which scenes will probably get cut, and so on. In essence, this is the first and most important edit I’m going to do to the new novel. It’s also a line edit, since I am now physically writing the book for a second time.

Once that’s done—it can take anywhere from a month to three months depending on how strong the handwritten draft is—I begin to edit the novel every morning. I’m a better editor than first-draft writer. That is, there will be paragraphs that will probably not change much from first writing, and there will be entire chapters that will be completely rewritten or even thrown out.

That editing phase can take anywhere between a year (for Ciao, Amore, Ciao) to three years for Tracks.

Once that’s complete (it’s complete when I get bored of it), I have my new novel which will now be left alone to age on my hard drive. After about three months, I will then print it out (in Garamond font) and read it not as a writer but as a reader, paying attention to one thing: the pacing. If I find myself lagging, I will judiciously begin to shorten scenes that are slowing down the tempo. This, for me, is the hardest part of my craft, and something that ruined my writing career as a young man.

Backstory: I was once asked to write a 20,000-word piece for a major publisher to appear in a top 5 young writers in the UK anthology. This was in the mid-’90s. Four of those writers went on to become names in the industry. And then there was me. When asked to cut my piece, I chose to walk away from the contract and didn’t submit anything to any publisher for the next 20 years. So when I say cutting judiciously is difficult, I literally mean I dumped a career because of it. That’s mostly because I see myself as a stylist. I value a beautifully written line far more than a story. That’s the thing I value most in my writing because style brings emotion and emotion is what my novels are all about.

And that’s the process.

Style is primary. Getting out of my own way when doing the first draft is essential. And being brave enough to cut beautiful prose for the sake of pacing is key.

Here’s the Blurb

An enthralling dual-timeline WWII family mystery, based on the heartbreaking true story of the massacre in a small town in Italy in July of 1945, from award-winning, bestselling novelist Sandro Martini.

“A gripping saga that roots excruciating betrayals in a nation’s tragic history.” –Kirkus Reviews

In the winter of 1942, an Italian army of young men vanishes in the icefields of the Eastern Front. In the summer of 1945, a massacre in Schio, northeastern Italy, where families grieve the dead, makes international headlines.

In present-day Veneto, an ordinary man is about to stumble onto a horrifying secret.

Alex Lago is a jaded journalist whose career is fading as fast as his marriage. When he discovers an aged World War II photo in his dying father’s home, and innocently posts it to a Facebook group, he gets an urgent message: Take it down. NOW.

Alex finds himself digging into a past that needs to stay hidden. What he’s about to uncover is a secret that can topple a political dynasty buried under seventy years of rubble. Suddenly entangled in a deadly legacy, he encounters the one person who can offer him redemption, for an unimaginable price.

Told from three alternating points of view, Martini’s World War II tale of intrigue, war, and heartbreak pulls the Iron Curtain back to reveal a country nursing its wounds after horrific defeat, an army of boys forever frozen at the gates of Stalingrad, British spies scheming to reshape Italy’s future, and the stinging unsolved murder of a partisan hero.

Ciao, Amore, Ciao is a gripping story of the most heroic, untold battle of the Second World War, and a brilliantly woven novel that brings the deceits of the past and the reckoning of the present together.

Balances action, suspense, and emotional depth to deliver a truly immersive, thought-provoking read with an unflinching look at the sins of the past and the lengths to which the powerful will go to keep them buried.” ~ Sublime Book Review

Buy Link

Universal Link:

This title is available to read on #KindleUnlimited

Meet the Author

Sandro Martini has worked as a word monkey on three continents. He’s the author of Tracks: Racing the Sun, an award-winning historical novel.

Sandro grew up in Africa to immigrant parents, studied law in Italy, chased literary dreams in London, hustled American dollars in New York City, and is now hiding out in Switzerland, where he moonlights as a Comms guy and tries hard not to speak German.

You can find him either uber-driving his daughter, chasing faster cars on the autobahn, or swimming in Lake Zurich with a cockapoo named Tintin.

His latest historical suspense novel, Ciao, Amore, Ciao, is now available.

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I’m delighted to welcome Jane Loftus and her book, The Herb Knot, to the blog #HistoricalFiction #medieval #Winchester #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Jane Loftus and her book, The Herb Knot, to the blog with some historical research behind The Herb Knot.

The Herb Knot Historical Research

This story was a dream to research because Winchester Library held the Holy Grail of information, otherwise known as The Survey of Medieval Winchester by Derek Keene.

The detail contained in the study is beyond meticulous and was based on innumerable deeds and rolls held in the British Library and Winchester archives. Not only is every single house documented – both inside the city and also covering the suburbs – but each tenant within each document is recorded, right down to the amount of rent they paid and to whom.

And the maps – oh, the maps! Having established who lives where and what they did, the author reconstructed the streets where they lived too. If you live in Winchester and suddenly see streets you know described and drawn as they would have been in the Middle Ages, it does send a shiver down the spine. I can walk past various shops on the High Street now knowing there used to be an Inn there, or a silversmith there and oh, the chandler was here.

Want to know what made up the bulk of industry in the city? This survey will tell you. Which industries were in decline, that too.

It didn’t even stop there. After gorging on this amazing detail, the final part of the survey is full of biographical information of many of the citizens. This was where the novel really started to take shape. Family trees, wealthy merchants marrying into other wealthy merchant families, their names and dates. Also interesting to see, even at a time when English was overtaking French as the language of the court, how many citizens (usually wealthy ones it has to be said) who still had a ‘le’ or ‘de’ in their names, like Hugh le Cran. His wife did not, and that’s only just struck me now as I write this.

The survey very kindly gave me Serlo, a butcher, and Thurstin, a clerk. I feel like a cheat in many ways for borrowing so many lovely names and professions, but I hope I did them justice.

Speaking of names, I came across many, many women called Petronilla, I’d had no idea how popular it was in 1350. I would have picked on that had it not been the name of the main character in The Miniaturist.

The other part of the research involved actually going into town and paying more attention. How long would it take for Edith to walk from Tanner Street to Knights Meadow? Getting into St John’s church and looking at the frieze over the door – properly looking at it, not just noting that it was there and was remarkable, but really paying attention.

There was also the local museum, of course, with the beautiful little misericorde which I promptly gave to Rafi. The records office also holds many treasures – including a deep dive into deeds and letters concerning Le Cran and his properties, and also money he owed or loaned to people, hence the £200 to the Earl of Arundel which I used as a plot point. The crowning moment came when the records office emailed me a photocopy of the seal of Hugh Le Cran. I remember opening it and literally gasping out loud. It is exactly as described, three rather chunky birds in triangle formation with a tree behind them. Rafi was quite right – they don’t look like cranes, they look like ducks, and thus his confusion over what they might be was born.

After that there were the endless videos about how to use egg white to bind paint, and making ink out of oak gall in your own kitchen, neither of which I tried.

 Can’t say I wasn’t tempted, though. Plenty of meringue opportunities with the leftovers.

Here’s the Blurb

The Hundred Years’ War comes to life in this spellbinding tale of love, betrayal and conspiracy … 

A quest born on the battlefield will change a young boy’s destiny… 

Rafi Dubois is five years old when his mother is murdered after the Battle of Crecy in 1346. Alone and lost, Rafi is given a token by the dying Englishman who tried to save his mother’s life: a half-broken family seal which he urges Rafi to return one day to Winchester. 

Years later, when Rafi saves a wealthy merchant’s wife from a brutal robbery, he is rewarded with the chance to travel to England, taking the seal with him. 

But when he reaches Winchester, Rafi finds himself in a turbulent world full of long-held allegiances, secrets and treachery. His path is fraught with danger and with powerful enemies working against him, Rafi falls in love with Edith, a market apothecary. But in doing so, Rafi unleashes a deadly chain of events which threatens to overwhelm them both… 

The Herb Knot is a sweeping and passionate novel set in one of the most tumultuous times in English history, from a powerful new voice.

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Meet the Author

Jane Loftus gained a degree in 16th Century European and British history from Surrey before taking a postgraduate degree in modern political history. As a lone parent, she worked in Winchester Waterstones before returning to IT once her son was older.

Hugely passionate about the Middle Ages, she drew inspiration for this novel from the medieval layout of Winchester which has been painstakingly documented.

Jane is originally from London but has lived in Winchester for over twenty years. When not writing, she is usually out walking or watching costume dramas on Netflix – the more medieval the better. She also plays far too many rpgs.

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Follow The Herb Knot blog tour with The Coffee Pot Book Club

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I’m delighted to welcome Carolyn Niethammer and her book, Everything We Thought We Knew, to the blog #HistoricalFiction #1970s #PoliticalProtest #Peace #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Carolyn Niethammer and her book, Everything We Thought We Knew, to the blog.

Here’s the Blurb

In 1970, Christie left behind the comforts of L.A. and joined a New Age commune in rural Arizona. With the Vietnam War raging and the counterculture movement in full swing, she hoped to find a community to create a better society. But building a new culture is no easy task, especially when free love, psychedelics, and a war protest gone horribly wrong are thrown into the mix. Important secrets follow them beyond the commune.

Put on your tie-dyed shirt and come to Bella Vida as the friends try to change the rules of modern society, then face the repercussions of when middle age sets in.

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Meet the Author

In the 1970s Carolyn Niethammer visited communes throughout the West and settled in an Arizona artists’ community for many years. Those years were important to who she became as she learned to gather wild foods and wrote several cookbooks centered on edible plants.

In “Everything We Thought We Knew” she hopes to shed light on an important part of American history where young people were advocating for peace in Vietnam War protests and fled to communes, seeking a lifestyle apart from the commercialism and isolation that had overtaken society.

Connect with the Author

Follow the Everything We Thought We Knew blog tour with The Coffee Pot Book Club

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