Carolyn Hughes is treating us to a fabulous blog post. Enjoy.
Writing what you don’t know…
One of the wonderful aspects of writing fiction – and perhaps especially writing historical fiction – is that your imagination will drive you to include scenes in which your characters engage in some activity or other that you know absolutely nothing about. So, you have to consult books, and the internet, and other resources, in order to fill in the yawning gaps in your knowledge.
In Squire’s Hazard, two such scenes involve my eponymous squire, Dickon de Bohun, in his struggle against a fellow squire, Edwin, who is making his life a misery with his bullying. Dickon knows he has to get the better of Edwin, but can’t bring himself to do anything dishonourable, or to snitch on Edwin and get him into trouble.
A wrestling scene arises when Edwin challenges Dickon to a match, to be held, in principle, away from the vigilant eyes of their masters. Edwin imagines he’ll trump Dickon easily, and make him look a fool in front of other squires. Though in the event it doesn’t go all his way. Dickon is somewhat caught off guard by Edwin’s challenge and, although he’s not keen to fight him, as he believes that clandestine wrestling would be frowned upon by their lord, he nonetheless agrees to the match, hoping that his own wrestling skills are good enough.
The second (extended) scene is that of a boar hunt. Hunting was something that the young squires engaged in, for entertainment, presumably, but also as part of their training. They learned about the process and ritual of the hunt, and practised skills that, as future knights, they might one day use in battle. I imagine they started out hunting small deer, and maybe foxes, but I wanted the hunting scene to have the potential for real danger. Thus I had the squires act as beaters in a hunt for boar – extremely dangerous animals. Powerful and fierce, and aggressive if cornered or protecting young, they could easily kill a dog and badly injure a man at the very least.
However, the purpose of the hunting scene is not simply to show this aspect of the squires’ life. It has a more sinister purpose: for Edwin intends to find a way of exploiting the danger of the hunt to deliver yet another of his “pranks” against Dickon. It is important to the progress of the story.
Needless to say, I knew nothing about either wrestling or boar hunting (or indeed hunting of any sort), and so I had somehow to discover enough about both to enable me to write reasonably convincing scenes. Of course, if I was a proper, “hands-on” researcher, I’d go out hunting boar, and challenge someone to a wrestling match, so that I could obtain first-hand experience. But I’m afraid I’m way past such energetic, not to say, risky, pursuits, so I confined myself to reading as much as I could about techniques, then using my imagination to round out the narrative.
In both cases I watched YouTube videos to see how things were done. I’ve done this for other activities I needed to know something about, such as charging at the quintain with a lance under your arm, and also the gentler pursuit of making cheese. YouTube is a wonderful resource: you might be surprised what you can learn from studying films produced by practitioners of all sorts of activities, and of course historical reenactors. It’s undoubtedly not quite as good as “doing-it-yourself”, but I hope I have made it work.
So, here are a couple of snippets of the result of my research and video-watching, the first a scene of the wrestling, the second, part of the boar hunt.
The wrestling match
Standing at the edge of the clearing, on the opposite side to Edwin, and some distance from the band of witnesses, he stripped off his belt and tunic and laid them carefully on the ground. Edwin then strode forward, his chest thrust out, to the grassy centre of the clearing. One or two of the onlookers cheered.
Dickon stepped forward too. Each of them took up a stance, legs tensed, arms out.
Then Edwin lunged, grasping Dickon’s wrist with one hand and his elbow with the other. He leered as he thrust a knee forward, clearly intending to unbalance Dickon. But Dickon flicked his free hand up and drove it hard against Edwin’s inner arm, making him let go. Unbalanced then himself, Edwin staggered, giving Dickon time to grab one of his flailing hands.
Squeezing it hard, he flipped it up and twisted it at the wrist, causing Edwin to cry out, then grabbed the rest of Edwin’s arm with his other hand. Quickly putting out a leg in front of Edwin’s and pushing hard against his arm, he threw Edwin over and he fell back onto the ground.
A collective groan rose from the group of bystanders, but Edwin recovered fast and, leaping up, he glowered at Dickon. ‘Right, de Bohun,’ he hissed, ‘now you’re really for it.’ He lunged again.
At first it felt an even match in terms of strength and skill. Dickon would trounce Edwin, then Edwin would do the same to him. But, as each of them tumbled onto the grass time and time again, Dickon realised that Edwin’s energy was waning: his grip was becoming weaker, and he was finding it harder to throw him over. Yet there was still power left in his own hands. When Edwin lurched towards him yet again, but with little vigour, Dickon threw up his hands to fend him off and caught him hard upon the nose.”
The boar hunt
At the outskirts of the wood, the master gathered the squires and dog handlers together.
‘Right,’ he said, ‘our master huntsman has already confirmed there’s a goodly number of boar here today, so it’s your job now to find them. You know the drill. Look for the signs: muddy wallowing hollows in the ground, areas of uprooted soil where the beasts have grubbed for food. And, of course, footprints: you know the shape you’re looking for, with the dewclaws at the back. When we’re confident we’ve found some, we free the dogs to scent them out. You follow on, fast but never recklessly, beating the animals forward towards the huntsmen.’
A mixture of exhilaration and anxiety set Dickon’s heart thumping. He knew what he had to do. But he’d not done it before and prayed he’d make no mistakes.
At first, it all went well. They found a number of fresh wallows, and trees nearby with muddy trunks, where the boars had scraped their mucky bodies clean. The ground was cratered with so many footprints, it seemed there might be several boar drifts in the forest. At length the hounds were set loose to pick up the scent. Quiet now, but with their tails still wagging, they scurried back and forth, sniffing at the tree bark and snuffling around the undergrowth. It wasn’t long before they were off, their handlers and the beaters chasing after them.
Thank you so much for sharing. It is a nightmare when you realise you want to write a scene and have no idea how it might actually have happened. Well done:)
Here’s the blurb:
How do you overcome the loathing, lust and bitterness threatening you and your family’s honour?
It’s 1363, and in Steyning Castle, Sussex, Dickon de Bohun is enjoying life as a squire in the household of Earl Raoul de Fougère. Or he would be, if it weren’t for Edwin de Courtenay, who’s making his life a misery with his bullying, threatening to expose the truth about Dickon’s birth.
At home in Meonbridge for Christmas, Dickon notices how grown-up his childhood playmate, Libby Fletcher, has become since he last saw her and feels the stirrings of desire. Libby, seeing how different he is too, falls instantly in love. But as a servant to Dickon’s grandmother, Lady Margaret de Bohun, she could never be his wife.
Margery Tyler, Libby’s aunt, meeting her niece by chance, learns of her passion for young Dickon. Their conversation rekindles Margery’s long-held rancour against the de Bohuns, whom she blames for all the ills that befell her family, including her own servitude. For years she’s hidden her hunger for retribution, but she can no longer keep her hostility in check.
As the future Lord of Meonbridge, Dickon knows he must rise above de Courtenay’s loathing and intimidation, and get the better of him. And, surely, he must master his lust for Libby, so his own mother’s shocking history is not repeated? Of Margery’s bitterness, however, he has yet to learn…
Beset by the hazards these powerful and dangerous emotions bring, can young Dickon summon up the courage and resolve to overcome them?
Secrets, hatred and betrayal, but also love and courage – Squire’s Hazard, the fifth MEONBRIDGE CHRONICLE.
Buy Links:
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The paperback is available to buy at Amazon, Barnes & Noble, and Waterstones.
Meet the Author
CAROLYN HUGHES has lived much of her life in Hampshire. With a first degree in Classics and English, she started working life as a computer programmer, then a very new profession. But it was technical authoring that later proved her vocation, as she wrote and edited material, some fascinating, some dull, for an array of different clients, including banks, an international hotel group and medical instruments manufacturers.
Having written creatively for most of her adult life, it was not until her children flew the nest several years ago that writing historical fiction took centre stage, alongside gaining a Master’s degree in Creative Writing from Portsmouth University and a PhD from the University of Southampton.
Squire’s Hazard is the fifth MEONBRIDGE CHRONICLE, and more stories about the folk of Meonbridge will follow.
You can connect with Carolyn through her website www.carolynhughesauthor.com and on social media.
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MJ Porter 
Thank you for hosting Carolyn Hughes today. What an interesting post! x
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