Today I’m reviewing Kelly Oliver’s fabulous new Golden-Age crime mystery, The Case of the Christie Curse #newrelease #cosycrime #blogtour

Today I’m reviewing Kelly Oliver’s fabulous new Golden-Age crime mystery, The Case of the Christie Curse #newrelease #cosycrime #blogtour #boldwoodbloggers @BoldwoodBooks #TheCaseofTheChristieCurse @KellyOliverBook @rararesources @theboldbookclub

Today I’m reviewing Kelly Oliver’s fabulous new Golden-Age crime mystery, The Case of the Christie Curse #newrelease #cosycrime #blogtour

Here’s the blurb

The BRAND NEW page-turning, historical cozy mystery series from Kelly Oliver 🏝️🏺☠️ 

Mesopotamia, 1930: When Agatha Christie invites fellow members of the Detection Club to witness the famous excavations at the ruins of Ur, Dorothy L. Sayers, her quick-witted assistant Eliza Baker, and Theo Sharp expect ancient wonders – not fresh corpses.

But when an archaeologist is found dead in the sand, whispers of a deadly curse sweep through the camp. Eliza suspects something far more dangerous than superstition. Amid glittering artifacts and fragile alliances, every guest harbors the Woolleys, whose marriage is shadowed by tragedy; a journalist hungry for scandal; even academic Max Mallowan, whose loyalties are not what they seem.

As theft, forgery, and coded messages surface, the line between archaeology and espionage blurs. And when Eliza and Theo find themselves in danger, they must face not only the truth about the murder – but also the truths they’ve long denied about each other. Can they uncover the killer before the desert claims another victim? Or will this dig unearth secrets too dangerous to survive?

Purchase Link

https://mybook.to/CaseChristieCurse

My Review

The Case of the Christie Curse is the third book in the Detection Club series of cosy historical crime novels, in which our beloved crime writers from the 1920s and 1930s feature as characters.

This time, we’re off to Mesopotamia to discover why Agatha Christie has summoned Dorothy, Eliza and Theo to assist her. And what they discover when they arrive is a tangled web of lies and conspiracy, which some suspect is really the Queen’s Curse from the excavation site.

I thought the mystery was trundling along at a reasonable rate to begin with, and I was enjoying it, but then, suddenly, the storyline really escalated in the second half of the book, and I just had to sit and read it until its conclusion.

The author often writes slightly flippant characters, but in this book, we do start to see something deeper from Theo and Eliza, which is a great change, and I do hope it might mean we get a little less ‘will they, won’t they’ and a whole lot more thrilling mystery to solve in future books.

A thrilling new addition to the series of historical, cosy mysteries. (I’ve also been rewatching all of the David Suchet Poirot series, and I must say, this reads very close to the episodes set in exotic locations – huzzah.)

Check out my review for The Case of the Christie Conspiracy and The Case of the Body on the Orient Express.

Check out my reviews for the Fiona Figg and Kitty Lane Mystery books Chaos at Carnegie Hall, Covert in Cairo, Mayhem in the Mountains, Arsenic at Ascot and Murder in Moscow by the same author.

Meet the Author

Kelly Oliver is the award-winning, bestselling author of three mysteries series: The Jessica James Mysteries, The Pet Detective Mysteries, and the historical cozies The Fiona Figg Mysteries, set in WW1. She is also the Distinguished Professor of Philosophy at Vanderbilt University and lives in Nashville, Tennessee

Connect with Kelly

Bookbub profile: https://www.bookbub.com/authors/kelly-oliver

Newsletter Sign Up: https://bit.ly/KellyOlivernews

The Dark Age Chronicles might be complete, but I imagine my readers still have questions. Check out this blog post about what comes before (and what came after) #TheDarkAgeChronicles#MenOfIron #WarriorsOfIron #LordsofIron #histfic

It’s happy release day to Lords of Iron, the third and concluding book in the Dark Age Chronicles Trilogy. Let’s talk about battle standards #newrelease #MenOfIron #WarriorsOfIron #LordsofIron #histfic

What comes after the events of the Dark Age Chronicles (as well as before)

In deciding on a date to set the Dark Age Chronicles, I was quite careful. I wanted it to be after the era of the legendary Arthur (the battle of Camlann is dated to 537 in the Annals Cambriae (the Welsh Annals)), but also before written sources start to make some references to what was happening in what would become Saxon England in the later 500s anywhere that wasn’t in the south/south-east. 

In the A version of the ASC there are 26 entries for the 500s. Eight are dated before AD540. These are mostly concerned with events in the south, Kent, the Isle of Wight, and Portsmouth, and their legendary Saxon founders. After 540, we’re treated to the genealogies for what would become Northumbria (547 and 560), Wessex  (552 and 597) as well as having references to the religions in Britain at the time, through accounts of Columba and the missionary activities in Kent from Pope Gregory. There are any number of battles between those forging a foothold in their newly forming kingdoms and the native Britons.

Our first real reference for anything happening in what would become the kingdom of Mercia is under the year 577 when we’re told Gloucester, Cirencester and Bath were taken from the ‘Britons’ by Cuthwine and Ceawlin (of Wessex). Gloucester would certainly be within the later kingdom of Mercia. Cirencester and Bath weren’t.

While I’ll repeat that the Anglo-Saxon Chronicle wasn’t begun until the 890s (so over 300 years later) and Bede, which much of the ASC is based on at this time, was writing in the 730s (so nearly two hundred years later), I still wanted almost a clean slate for my characters to inhabit. There was also the matter of plague to try and avoid, as well as a series of bad harvests, that are referenced but don’t form more than a background detail in the books.

I felt that to truly gain a ‘feel’ and an ‘understanding’ for what might have been happening at this time, it was necessary to step aside from any historical account and to rely on the archaeological record. The years 540 and 541 felt as though they provided a good opportunity to do just that. However, it’s always important to have an eye to what was going to happen, as well as what had happened before. And, as I wrote, a number of elements seemed to become very clear to me. While there are reports of battles amongst the Saxon invaders and the native populations (six of them in those eight entries before 540, although some of them are quite small), and while they feel quite overwhelming when simply listed because they form so much of the narrative, there aren’t a lot of them mentioned before AD540. The impetus certainly seems to gather pace after that date (of the remaining 18 entries, eight reference what seem to be quite large battles). Why this might have been, began to make sense as I explored the idea of no new iron production after the end of Roman Britain, until the skill was ‘rediscovered.’ Without the ability to easily overwhelm an enemy through new blades that weren’t made from recycled metals, would people who’d endured famine and plague, really want to risk it all when there was no chance of success? It felt unlikely. Would you? The need to fight isn’t always taken when you know you’ll succeed, sometimes it’s also desperation, but if these settlements were doing reasonably well, why take the chance? Surely, they needed to rebuild and form alliances to survive.

And so, as I’ve written the trilogy, what would come after – the increasing battles, the desire of the invaders to establish ‘kingships’ in Wessex, Kent, Northumbria, Mercia and the kingdom of the East Angles, began to make a lot more sense – with the rediscovery of how to forge sharpened blades (or indeed, to import them when the ‘invaders’ arrived (whether to intermarry or to make war), because unlike in Britannia, the ability to forge blades didn’t become lost in the homelands of the Saxon invaders) there were suddenly people who could start to dominate, and who would want to dominate. 

And yet, the archaeology couldn’t be forgotten either. There aren’t many battle sites known from this era. What can be said with more surety, is that there was a co-mingling – all sorts of crossovers are found in the burial record – and indeed, the burial rites of many changed during this undocumented sixth century. There was undoubtedly discord between peoples, but there was also accord. Until there wasn’t. So, something had to change to bring about the formation of the Saxon kingdoms. I’m not saying my ideas are correct, but they are intriguing, especially when played out in a fictional environment where I can endeavour to explain what might have been happening – both in terms of war, and peace. (And, some would argue not all iron production was lost – it certainly wasn’t – but it becomes much more difficult to ‘find’ – i.e. no nails to secure coffins in the burial record in the heartland of England – what was happening in Wales/Devon and Cornwall is very different). 

After the Dark Age Chronicles, we move into a period where identifiable kingships and kingdoms are forming – we’re moving into what would become Saxon England, and towards the events of the seventh century, which would be dominated by discord between Mercia and Northumbria, Wessex and the other kingdoms, and the reigns of the alleged ‘bretwaldas’ (wide rulers.) We’re moving towards what’s more immediately understood and known, but the sixth century is where these developments have their routes, as twisted, tangled, unexplainable and often, as baffling as they are. (And we don’t really need a legendary figure to explain what’s happening, do we, although the prevalence of Excalibur does perhaps answer to these questions as well?). We’re moving towards The Gods and Kings Trilogy.

Purchase Link

https://amzn.to/4qaRuy3

Check out the Dark Age Chronicles page for more information about the trilogy

Blog links

Image shows a map of Early England showing the places mentioned in the text of the book
The Dark Age Chronicles Map

I’m sharing my review The Wordsmith’s Guide to Planning the Perfect Plot by Elizabeth M Hurst #blogtour #nonfiction #writingadvice

I’m sharing my review The Wordsmith’s Guide to Planning the Perfect Plot by Elizabeth M Hurst #blogtour #nonfiction #writingadvice

The Wordsmith’s Guide to Planning the Perfect Plot

* DO YOU STRUGGLE TO FINISH WRITING A NOVEL?
* DO YOU RUN OUT OF MOMENTUM BECAUSE YOU DON’T KNOW WHERE YOUR STORY IS GOING?

The Wordsmith’s Guide to Planning the Perfect Plot is your trusted companion for turning story ideas into structured, compelling narratives. In this fourth instalment of the Wordsmith’s Guides series, Elizabeth M. Hurst takes you through popular plotting methods—including the Snowflake Method, Save the Cat Beat Sheet, and The Inside Outline—helping you choose the right approach for your writing style. You’ll also find practical advice on troubleshooting common pitfalls, crafting satisfying endings, and keeping your plan adaptable as your story evolves.

Inside, you’ll discover:

  • Clear explanations of proven plotting methods
  • Guidance on choosing the right structure for your novel
  • Tips for overcoming plot issues and staying on track
  • Advice on writing satisfying, well-rounded endings
  • A practical appendix full of tools and templates to support your planning process

Whether you’re a planner, a pantser, or somewhere in between, Planning the Perfect Plot will help you shape your novel with clarity and confidence.

Purchase Link

 https://geni.us/PlottingAmazon

My Review

Planning isn’t something I really do as a writer. But I was certainly curious to see how others might go about writing their stories. Elizabeth M Hurst gathers together many different techniques for planning a novel, and it is interesting to discover how I could be writing a novel, if my mind worked in that way. Mine, alas, does not. It thrives on the chaos. But, I do think the book is an excellent resource for those who plan before writing, and perhaps worry too much about sticking to their plan and the plot they thought they’d be writing when it goes awry and things starts to misbehave. I found it intriguing to read how people use ‘beats’ to craft their story as well as arcs and other techniques. I’m in awe of anyone who can think that far ahead:) I’m not a planner because I ‘feel’ my way through a story – but the author certainly nails my writing style in her explanations.

The author readily acknowledges that most people will use a variety of these techniques, and I was pleased to see that through it all, the delightful chaos of characters and plot misbehaving was never far from her thoughts.

The idea behind writing the novel, was, the author says, to encourage writers to finish their drafts using whatever techniques work for them. This is a worthy endeavour. Many people start writing a story and falter when things start to feel ‘off.’ This should provide opportunities to get writers writing again by thinking of their plot in different ways. I suspect it could be used as an effective diagnostic tool to discover where a plot is faltering, and once that’s been done, writers will learn what works and doesn’t work for them and in future, potentially, avoid the traps waiting to choke off the creativity.

A concise and interesting summary of the way writers write, providing suggestions for breaking free from processes that might not be working. I’m sure all writers will find their ‘type’ in the explanations.

Meet the author

Elizabeth was born and bred in the picturesque harbour town of Whitehaven in the northwest of England, where the long, wet winters moulded her into a voracious reader of fiction to escape the dismal weather.

She graduated with a degree in Business Studies and a string of jobs followed, after which she finally settled in the automotive industry, where she spent twelve happy years.

Having already started writing around the age of 40, she had begun to dream of a more creative lifestyle and set about creating her freelance editing and proofreading business, EMH Editorial Services. In 2018, she quit the corporate world and concentrated her energy full-time towards her love of the written word.

Elizabeth now lives with her husband in the warm and sunny south of France, where the wine is cheaper than the water, and the cats spend their days hunting lizards and dreaming of the birds that roost on the roof.

Connect with the author

https://elizabethhurstauthor.com/

Posts

Come with me to Great Witcombe Roman Villa #locations #newrelease #MenOfIron #WarriorsOfIron #histfic #nonfiction

Come with me to Great Witcombe #newrelease #MenOfIron #WarriorsOfIron #histfic

Great Witcombe Roman Villa

Great Witcombe Roman Villa is no longer open to the public, but it is managed by English Heritage, and it’s possible to get a glimpse of it, although you do need to be careful. I think it’s currently closed due to safety concerns, so be mindful, and stay behind all the barriers, especially as the location is pretty remote.

From what I could see of the remains of Great Witcombe Roman Villa, it does seem to have been set in a beautiful place, and it quite appealed to me. I relied heavily on the idea of the location when devising the home for one of the tribes that features in the Dark Age Chronicles. (It probably helped that I visited on a lovely sunny day.)

Listen to the beginning of Warriors of Iron

Curious about the trilogy? Check out the Dark Age Chronicles page or the blog posts below.

Blog links

Image shows a map of Early England showing the places mentioned in the text of the book
The Dark Age Chronicles Map

Purchase Links (click on the images)


Posts

It’s time for a new Bradecote and Catchpoll historical mystery. I’m reviewing Feast for the Ravens by Sarah Hawkswood #historicalmystery #bookreview

It’s time for a new Bradecote and Catchpoll historical mystery. I’m reviewing Feast for the Ravens by Sarah Hawkswood #historicalmystery #bookreview

Here’s the blurb

Worcestershire, September 1145: A Templar knight is found dead in the Forest of Wyre, clutching a bloodstained document naming a traitor. Undersheriff Hugh Bradecote, Serjeant Catchpoll, and Underserjeant Walkelin must uncover whether the killing was personal, political, or the work of outlaws. They are surprised to find that the locals believe the killer to be the Raven Woman, a mythical shape-shifter said to haunt the woods. Then the knight is identified as Ivo de Mitton – believed to have long ago murdered his own kin – and the mystery deepens.

As the trio dig through legend and lies, they must determine the truth and bring a cunning killer to justice.

Purchase Link

My Review

Sarah Hawkswood’s medieval mysteries are some of my favourite books. I wish I could savour them when they’re released once a year, but I find myself reading far too quickly.

Her main characters, Bradecote, Catchpoll and Wakelin are determined and intrepid in their desire to solve each mystery presented to them, and the same applies for Feast for the Ravens.

When our dead man is found in the woodlands, it seems impossible that any will recognise him, but slowly a devastating tale of treachery, revenge and cunning is revealed as our intrepid investigative trio work hard to determine who is being truthful, and who less so. The tale quickly turns quite dark and is filled with peril, although not, thankfully, for our sleuthing threesome. All the usual characters benefit from a brief mention, and this tale is firmly grounded in the political conspiracy of the reign of King Stephen and Empress Matilda. A great deal is at stake if the truth is not discovered.

I adore this series. I have long grown used to the author’s decision to have her characters speak and think in ‘ye olde worlde’ way, and it enhances the atmosphere of these books.

If you’ve not started the series, then you can start with this book, but I would highly recommend stepping back a few titles, if not to the very beginning of the series (which I think you can enjoy when you know the characters better) to fully immerse yourself in this twisty, dark and perilous medieval mystery.

Check out my reviews for other books in the series (I have read them all)

Too Good To Hang

A Taste For Killing

Wolf At The Door

Litany of Lies

Posts

#TheLastHorse is 5 years old, and for one day only, it’s FREE on Amazon Kindle. #bookbirthday #histfic #TheLastKing #Coelwulf #Mercia

https://amzn.to/4mzHQDd

https://amzn.to/4n5Eqbj (the less sweary version)

Limited hardback editions

There are also special edition hardback formats available directly from me for The Last King and The Last Warrior. Follow this link to discover them.


Check out all the details for The Mercian Kingdom: The Ninth Century.


Posts

Today I’m reviewing Kelly Oliver’s fabulous new Golden-Age crime mystery, The Case of the Body on the Orient Express #newrelease #cosycrime #blogtour

Here’s the blurb

Paris, 1928: Agatha Christie and fellow writer Dorothy L Sayers board the Orient Express, bound for Constantinople. Christie in particular is looking forward to a break from recent dispiriting events in both her work and private life – the finalisation of her divorce from her philanderous husband Archie, and the miserly reception of her latest book.

But before the duo can settle in to enjoy the luxuries of their first-class journey, their journey is derailed when a fellow guest drops dead during the dinner service. And as the last person to speak to the victim, Dorothy finds herself a prime suspect in his murder.

As the train hurtles East, Sayers’ resourceful assistant Eliza and her friend Theo must navigate a maze of suspects. But with each passing mile, the stakes rise, and when another body is discovered, their search to find the killer before they reach their destination becomes increasingly complicated.

Can Eliza and Theo stay one step ahead, crack the mystery and clear Dorothy’s name? Or will this be one journey too far for the amateur sleuths?

Purchase Link

https://mybook.to/CaseBodyOrientExpress

My Review

The Case of the Body on the Orient Express is a fun murder mystery, reuniting us with outspoken and headstrong Eliza, and her fellow sleuth, Theo, who, in true ‘tormented writer’ guise, has spent the last two years in France, roughing it in an attempt to escape the object of his torment, Eliza. What could be better than throwing them together on the Orient Express, with a host of mystery writers on their way to a writers convention?

As their journey gets underway, Eliza is aware of undercurrents from Dorothy, her employer, and she’s alert to the other passengers as well. She’s not about to accept that Ivan died of a heart attack. And so begins her sleuthing, with the aid, sometimes unwillingly given, of Theo. And the case becomes curioser and curioser as the train finally reaches Istanbul/Constantinople.

Another fab addition to Kelly Oliver’s sleuthing mysteries. I do love the little connections between this series and the Fiona Figg books. But, of course, you don’t need to have read them. I also enjoy the addition of the real-life mystery writers. Fans of the genre will thoroughly enjoy Eliza and Theo’s new escapade.

Check out my review for The Case of the Christie Conspiracy.

Check out my reviews for the Fiona Figg and Kitty Lane Mystery books Chaos at Carnegie Hall, Covert in Cairo, Mayhem in the Mountains, Arsenic at Ascot and Murder in Moscow by the same author.

Meet the Author

Kelly Oliver is the award-winning, bestselling author of three mysteries series: The Jessica James Mysteries, The Pet Detective Mysteries, and the historical cozies The Fiona Figg Mysteries, set in WW1. She is also the Distinguished Professor of Philosophy at Vanderbilt University and lives in Nashville, Tennessee

Connect with Kelly

Bookbub profile: https://www.bookbub.com/authors/kelly-oliver

Newsletter Sign Up: https://bit.ly/KellyOlivernews

Posts

I’m reviewing Casa Paradiso – 300 Years in the Life of a House, a beautiful collection of short stories all taking place in the same location #blogtour #histfic

Here’s the blurb

Lombardy, Northern Italy, 1637

Cristó Lovetta, a skilled stonemason, arrives in the rural village of Pieve Santa Clara to work on a nobleman’s house.

Haunted by a tragic past, Cristó wonders if he will ever find happiness again. However, as he immerses himself in his work, the warmth of the community and the beauty of the landscape convince him to begin a new life there.

Cristó designs and builds his own house, which he names Casa Paradiso. Over the centuries, Casa Paradiso becomes home to many generations, standing testament to lives beginning and ending, and witnessing the everyday challenges and triumphs of its inhabitants – from love lost and found, to the tragedies of war, the far-reaching consequences of political decisions made by powerful men and the evolving role of women in Italian society.

Casa Paradiso – the fourth instalment of the Paradiso Novels – is a shining, evocative saga spanning three hundred years in the life of a very special house, and a book that explores the enduring strength of the human spirit, contrasted with the transient nature of life itself.

Cover image for Casa Paradiso by Francesco Scanacapra

Purchase Link

https://geni.us/CasaParadiso

My Review

Casa Paradiso is such an engaging collection of stories, all interlinked, and all taking place with the same house as it’s main character.

The reader is swept through tale after tale, century after century, in the life of the house. Not all of our characters are immediately likeable, and not all of the tales are happy, and some of them truly make sense with the poignancy of retrospection for the next people to live within the property.

A truly charming collection of stories that drive you through the centuries, even though, sometimes, you might like to linger in one particular tale.

A fabulous idea, beautifully executed.

Meet the author

Francesca Scanacapra was born in Italy to an English mother and Italian father, and her childhood was spent living between England and Italy. Her adult life has been somewhat nomadic with periods spent living in Italy, England, France, Senegal and Spain. She describes herself as ‘unconventional’ and has pursued an eclectic mixture of career paths – from working in translation, the fitness industry, education and even several years as a builder. In 2021 she returned to her native country and back to her earliest roots to pursue her writing career full time. Francesca now resides permanently in rural Lombardy in the house built by her great-grandfather which was the inspiration for her Paradiso NovelsParadisoReturn to ParadisoThe Daughter of Paradiso and Casa Paradiso. Her novel The Lost Boy of Bologna was also published by Silvertail Books. 

Author Francesca Scanacapra

 

Connect with the author

It’s time for a new Bradecote and Catchpoll historical mystery. I’m reviewing Litany of Lies by Sarah Hawkswood #historicalmystery

Here’s the blurb

Midsummer, 1145. Walter, the steward of Evesham Abbey, is found dead at the bottom of a well pit. The Abbot, whose relationship with the lord Sheriff of Worcestershire is strained at best, dislikes needing to call in help. However, as the death appears to have not been an accident, he grudgingly receives Undersheriff Hugh Bradecote, Serjeant Catchpoll and Underserjeant Walkelin.

The trio know to step carefully with the contentious undercurrents at play. As the sheriff ‘s men investigate the steward’s death, they discover that truth is in short supply. With the tensions between the Abbey and the local castle guard reaching boiling point, another killing will force the investigation down a dangerous path.

Purchase Link

My Review

It’s a joy to be back with our ‘boys’, Bradecote, Catchpoll and Walkelin.

Another murder needs solving, and we know Bradecote, Catchpoll and Walkelin won’t rest until they find the culprit. This is a particularly twisty tale of long-standing grievances and newer ones as well. I didn’t guess the culprit, and I always appreciate a mystery where I can’t work out who ‘did it.’

I love this series. I came to it late, and I’ve now taken myself back to the first books, and they are also a true delight. If you’re looking for a new historical mystery series, I highly recommend this one set in the mid-twelfth century in England. I always appreciate the maps at the beginning of the books.

Check out previous reviews for the series.

Too Good To Hang

A Taste For Killing

Wolf At The Door

Posts

The History Quill Virtual Convention is back for 2024

The History Quill Convention has been running for a few years now, and in February 2024 it’s back, as a weekend-long convention (so shorter than others), focusing on two main themes, The Craft of Historical Fiction (3rd Feb) and The Business of Historical Fiction (4th Feb)- two topics that are very relevant to today’s author. I’ll be talking on day 2 with fellow authors, about different pathways in publishing, popping on my ‘indie’ head and my ‘traditionally published’ head.

If this sounds like your sort of thing, then check out the Convention webpage using this (affiliate) link, and do it before the Early Bird Discount runs out. Tickets are for each day so if only one topic interests you, you only attend that one day,

I really enjoy The History Quill Conventions – it’s always good to learn ‘new’ things, and sometimes, just to hear that what you’re doing is ‘right.’

Hope to ‘see’ you there.