Welcome to today’s stop on the blog tour for ‘Tho I Be Mute by Heather Miller

Today I’m delighted to welcome Heather Miller to the blog with an article about her new book ‘Tho I Be Mute.

Your book, ‘Tho I Be Mute, sounds absolutely fascinating. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

Thank you for saying so. Honesty, some people believe that it is not my story to tell because I am not Cherokee. It is something that weighs heavily on my heart. 

I have tried to write with sensitivity, research, persistence, perspective, and due consideration. Two “sensitivity” editors read the novel before and during the publication process. I asked myself whether I could construct this narrative through the eyes of both Cherokee, John Ridge, and his Caucasian wife, Sarah, with honesty and researched integrity. I followed the history as closely as possible. I kept the narrative’s theme very human, not singularly defined by ethnicity or identity.

David Marion Wilkinson, the author of Oblivion’s Altar (John’s father, Major Ridge’s story), said when I interviewed him, “This isn’t only a Cherokee story. It is one of courage. The Ridge family’s story is a human one, surrounded by corruption, evil, and greed.” He’s right. Although, the story is also one of love, not defined by race or cultural background. John and Sarah found a connection to one another’s character, not one another’s culture. 

So, to tell the tale, I research and continue to uncover new texts to illuminate the story from multiple perspectives. History advised each event within the novel’s pages. When there was little evidence, I worked backward from laws John Ridge submitted to the Cherokee Legislative Council. I asked myself what could have prompted him to present such and created a plausible event leading to the facts, working backward from effect to cause.  

My research began in a Special Collections Library on our local university campus during a “field trip” for a Researched Fiction course. I knew the character I wanted to begin with: an archetype of American Southern Fiction, the woman who lives alone in the hills offering medicine and life lessons to anyone who crosses her path. She is reminiscent of the “goat woman” from Charles Frazier’s Cold Mountain. She became Clarinda Ridge, John and Sarah’s daughter. 

Why was she alone? What could have happened to her to leave her with so much to teach and no one around her to share her wisdom? What kind of life could she have lived to gain such knowledge? So, I began to dig for gems and found her and her family on the pages of Thurman Wilkin’s text Cherokee Tragedy: The Ridge Family and the Decimation of a People. 

From there, I obsessed, as most historical fiction authors tend to do. I scoured the Internet and libraries for biographies, Ph.D. dissertations, archaeological reports, and historical texts on the political climate surrounding Cherokee’s removal from their ancestral lands. Several books were pivotal to plotting the manuscript: Thurman’s Cherokee TragedyCherokee Cavaliers by James Parins, John Rollin Ridge also by James Parins, Tiya Miles’ Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and FreedomLiving Stories of the Cherokee, collected and edited by Barbara R. Duncan, An American Betrayal by Daniel Blake Smith, Blood Moon by John Sedgwick, To Marry an Indian: The Marriage of Harriett Gold and Elias Boudinot, 1823-1839 edited by Theresa Strouth Gaul, The Heathen School by John Demos, Sovereignty: A Play by Mary Katharyn Nagle (a Ridge descendant), and Toward the Setting Sun by Brian Hicks. My latest read is Steve Inskeeps’ Jacksonland. I have also read extensively from Theda Purdue’s body of work. In all these texts, John Ridge’s own words, primary source documents filled my ears with his voice. The manuscript contains excerpts that are his exact words.

Legend and Myth also influence the narrative, so I have read and listened to many oral stories from Cherokee Treasured Members and listened to Cherokee Native Speakers and read from a pivotal primary source, Sacred Formulas of the Cherokee by James Moody. 

Chieftain’s Museum/Major Ridge Home Picture

Field trips are exceedingly fun and widen my circle of knowledge, not only of the people but of the era (and get me away from my computer screen). My first field trip was in September of 2019 to the Chieftain’s Museum/Major Ridge Home near Rome, Georgia. The visit made it all real. To stand where these very real people lived and worked, farmed and raised children was beautiful to my soul. I used my imagination to take in the landscape, to unwind time, to shrink the massive tree trunks on the property next to the Oostanaula River. Inside the museum, there are scale models of what renovations the home underwent through its lifetime and glass covering removed walls that reveal its original log structure.

One archeologic gem made me hold my breath. John Ridge’s shoe taps lay under glass, worn on one side from his persistent limp from hip scrofula. So taken aback by their presence, I wrote a scene where he leaves his shoes in a nearby field so they could be discovered by archaeologists nearly two centuries later. 

After uncovering so much that influenced the manuscript at Chieftain’s, I widened my field trip circle, visiting: New Echota, the once Cherokee Capital, the Vann House, Red Clay, Tennessee, Ft. Mitchell, Alabama, Horseshoe Bend, Alabama, the McIntosh Reserve in Whitesburg, Georgia, and the OconalufteeVillage and the Museum of the Cherokee Indian in Cherokee, North Carolina. I have learned many historical facts from each adventure, uncovered human anecdotes, and built visions of landscapes from the past. Each of these enriching experiences makes writing this world more realistic. 

On May 29th, 2021, I travelled to Indian Springs, home to Creek Chief McIntosh’s Tavern, where he signed the Treaty of Indian Springs, selling Creek land to the American Government. His signature on that document brought his assassination. During the tour, I was able to hold a flint-lock pistol. As I am sure your readers know, rarely do these guns shoot accurately. After firing the lead ball and likely missing its target, a shooter could hold the barrel in their hand and use the stock as a club. They are exceedingly heavy. 

With permission from Ridge descendants, each purchase of ‘Tho I Be Mute will fund a future scholarship for Cherokee students planning to pursue a law degree. My husband and I plan to travel to Cherokee Nation in Oklahoma this summer to celebrate the novel’s launch. Also, the trip is to continue research for Mute’s sequel, Yellow Bird’s Song. The Ridge family saga continues. 

Thank you so much for sharing your research with me. Good luck with the new book.

Here’s the blurb:

Home. Heritage. Legacy. Legend.

In 1818, Cherokee John Ridge seeks a young man’s education at the Foreign Mission School in Cornwall, Connecticut. While there, he is overcome with sickness yet finds solace and love with Sarah, the steward’s quiet daughter. Despite a two-year separation, family disapproval, defamatory editorials, and angry mobs, the couple marries in 1824.

Sarah reconciles her new family’s spirituality and her foundational Christianity. Although, Sarah’s nature defies her new family’s indifference to slavery. She befriends Honey, half-Cherokee and half-African, who becomes Sarah’s voice during John’s extended absences.

Once arriving on Cherokee land, John argues to hold the land of the Cherokees and that of his Creek neighbors from encroaching Georgian settlers. His success hinges upon his ability to temper his Cherokee pride with his knowledge of American law. Justice is not guaranteed.

Rich with allusions to Cherokee legends, ‘Tho I Be Mute speaks aloud; some voices are heard, some are ignored, some do not speak at all, compelling readers to listen to the story of a couple who heard the pleas of the Cherokee.

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Meet the Author

As an English educator, Heather Miller has spent twenty-three years teaching her students the author’s craft. Now, she is writing it herself, hearing voices from the past. 

Miller’s foundation began in the theatre, through performance storytelling. She can tap dance, stage-slap someone, and sing every note from Les Misérables. Her favorite role is that of a fireman’s wife and mom to three: a trumpet player, a future civil engineer, and a future RN. There is only one English major in her house. 

While researching, writing, and teaching, she is also working towards her M FA in Creative Writing. Heather’s corndog-shaped dachshund, Sadie, deserves an honorary degree.

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Don’t forget to check out the other stop on the blog tour for ‘Tho I Be Mute with The Coffee Pot Book Club.

Book Review – Daughters of Sparta by Claire Heywood

Here’s the blurb:

Two sisters parted. Two women blamed. Two stories reclaimed.

‘Required reading for fans of Circe . . . a remarkable, thrilling debut’ – Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue

‘Fluent and persuasive. I admire the ambition with which Heywood tackles the subject, to which she brings freshness and verve. I enjoyed it very much’ – Elizabeth Buchan, bestselling author of The Museum of Broken Promises

For millennia, two women have been blamed for the fall of a mighty civilisation – but now it’s time to hear their side of the story . . .

As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivalled beauty, they are the envy of all of Greece.

Such privilege comes at a high price, though, and their destinies are not theirs to command. While still only girls they are separated and married off to legendary foreign kings Agamemnon and Menelaos, never to meet again. Their duty is now to give birth to the heirs society demands and be the meek, submissive queens their men expect.

But when the weight of their husbands’ neglect, cruelty and ambition becomes too heavy to bear, they must push against the constraints of their sex to carve new lives for themselves – and in doing so make waves that will ripple throughout the next three thousand years.

Daughters of Sparta is that most wonderful of books – one that draws you in from the very first pages and won’t let go of you until the end. I read it in just over a day. I didn’t want to put it down.

The storytelling is engaging, the characters of Helen and her sister, beautifully sketched while everyone around them, apart from their mother, stays very much in the background. This is their story.

At times the reader will hate either or both of the sisters, at other times, the reader will understand their pain, their desire to be more than their birthright.

A beautifully evocative story that speaks of the loneliness of royal marriage, of the heavy, and life-threatening expectations placed on young women to become mothers, and you will be swept along by a tale you think you know but might not.

5 stars from me.

Thank you to Netgalley and the publisher for my review copy.

Daughters of Sparta is available now in ebook, hardback and audiobook.

Welcome to today’s stop on the blog tour for The Curse of Conchobar by David Fitz-Gerald

Today, I’m delighted to welcome David Fitz-Gerald to the blog. I asked him about the historical research he undertook to write his new book.

Research is my rabbit hole and full immersion is my favorite form. Sometimes, that’s easier said than done, especially during a worldwide pandemic, when travel is restricted and museums are closed. For some eras, there’s almost too much information available, whereas artifacts from distant historical periods are often scarce.

The Curse of Conchobar is set in New York State, long before written history reflects the “discovery” of North America. It is now more commonly believed that European people explored North America hundreds of years earlier than 1492. With each new scientific discovery, it seems, earlier new firsts become accepted.

My main character needed a rich back story. The one I invented for him was inspired by our family’s visit to Ireland in 2019. If we had known what was coming, I’ll bet we would have stayed much longer. My favorite part of our visit was the day that we spent at the Cliffs of Moher. I would love to have visited Skellig Michael, where Conchobar grew up among monks and learned to be a mason. As a hiker and mountain climber, I would love to have climbed the steps to see the ancient structures. Fortunately, I found this stunningly beautiful drone footage, by Peter Cox Photography, on youtube at: https://www.youtube.com/watch?v=SxU6kk24mho

I’ve also had the pleasure of visiting Stonehenge in England and I’ve always been fascinated by megalithic stone structures. There are many smaller stone structures in New York, New England, and Canada that make you wonder, who built this, when did they build it, and what motivated them to do so? When Conchobar returns to masonry in my book, he creates just such a structure. As I was writing the book, the image of a stone chamber in Leverett, Massachusetts, from The New England Historical Society’s (NEHS) website inspired me to imagine what Conchobar could build in his new home in Northern New York State. According to NEHS, “Speculation now runs rampant about the origins of the mysterious stone structures. Did medieval Irish monks, American Indians or Vikings build them? Or did the English colonists just build them as root cellars?” I choose to believe the first theory presented. Don’t miss the other pictures on this website, but the one I’m referring to is the first picture. https://www.newenglandhistoricalsociety.com/6-mysterious-stone-structures-new-england/

The civilization that Conchobar encounters along the banks of what will later be known as the Hudson River is a precursor to the Haudenosaunee, also known as Iroquois. I placed my fictional village for the people in my book, Wanders Far, featuring Conchobar’s descendants, on Garoga Creek, a tributary of the Mohawk River, based on archaeology. If you’d like to spend some time in my research rabbit hole, may I recommend this report, Three Sixteenth-Century Mohawk Iroquois Village Sites, from The University of the State of New York:  https://exhibitions.nysm.nysed.gov/publications/bulletin/503-14603.pdf

There is some debate about whether Native Americans inhabited the Adirondacks. I’m confident that they did and I think that science is proving it. If you’re curious about the evidence, you might be interested in this. The First Adirondackers: Part One and Part Two, from Curiously Adirondack.

The characters in The Curse of Conchobar and Wanders Far travel great distances and survive extreme situations in the wild. I have spent countless hours trying to make sure that the creatures I write about are indigenous. For example, I was tempted to write about honey bees, only to discover that they are not native and didn’t arrive in North America until the 17th century. Crisis averted! It is amazing how many bodies of water would not exist if it weren’t for dams built by modern man, and it is hard to find accurate maps from prehistoric times, so I tried to prove that each waterway existed in ancient times before I wrote about them. And I’ve spent countless hours researching what ancient foragers might have found in New York’s primeval forests. Are you curious about how Native Americans built canoes from materials found in the woods? Check out this historic video from 1946.

As for the wanderlust, on May 5, 2018, I set out from Plattsburgh, New York, and walked to Lake Placid, home of the 1932 and 1980 Winter Olympics. I made the 50-mile journey to commemorate the historic 1963 trek of Lake Placid postman, Denny Miller, and also to make sure that the great distances my characters travel are realistic. I set out at midnight and limped into Lake Placid at dark, almost twenty hours later. The next day, I could barely walk. I’m older than most of the distance hikers I have written about, so I figure they can handle 30-miles a day when they need to.

You know the kind of person that takes pictures of historical mile markers so they can reread them later? How about the guy that has to read every placard in the museum―the one that has to be kicked out at closing time because there’s too much to see in just one day? Or the one that irritates the family by going miles out of the way to see something that nobody else is interested in? That’s me!

Thank you for spending a few minutes with me in my rabbit hole.

Thank you so much for sharing your research with me. Good luck with the new book.

Here’s the blurb:

Banished by one tribe. Condemned by another. Will an outcast’s supernatural strengths be enough to keep him alive?

549 AD. Raised by monks, Conchobar is committed to a life of obedience and peace. But when his fishing vessel is blown off-course, the young man’s relief over surviving the sea’s storms is swamped by the terrors of harsh new shores. And after capture by violent natives puts him at death’s door, he’s stunned when he develops strange telepathic abilities.

Learning his new family’s language through the mind of his mentor, Conchobar soon falls for the war chief’s ferocious daughter. But when she trains him to follow in her path as a fighter, he’s horrified when his uncanny misfortune twists reality, causing more disastrous deaths and making him a pariah.

Can Conchobar defeat the darkness painting his steps with blood?

The Curse of Conchobar is the richly detailed prequel to the mystical Adirondack Spirit Series of historical fiction. If you like inspiring heroes, unsettling powers, and lasting legacies, then you’ll love David Fitz-Gerald’s captivating tale.

Buy The Curse of Conchobar to break free from the fates today!

Trigger Warnings: Violence

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Meet the Author

David Fitz-Gerald writes fiction that is grounded in history and soars with the spirits. Dave enjoys getting lost in the settings he imagines and spending time with the characters he creates. Writing historical fiction is like making paintings of the past. He loves to weave fact and fiction together, stirring in action, adventure, romance, and a heavy dose of the supernatural with the hope of transporting the reader to another time and place. He is an Adirondack 46-er, which means he has hiked all of the highest peaks in New York State, so it should not be surprising when Dave attempts to glorify hikers as swashbuckling superheroes in his writing.

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The Curse of Conchobar is available for free in exchange for signing up for David’s email list via BookFunnel: https://dl.bookfunnel.com/iwczowhp8q

Tour Schedule Page Don’t forget to check out the other stops on The Curse of Conchobar blog tour with The Coffee Pot Book Club

Welcome to today’s stop on the blog tour for The Steel Rose by Nancy Northcott

Today I’m delighted to welcome Nancy Northcott to the blog with a post about the research she undertook to write The Steel Rose.

Your book, The Steel Rose, is set in not one, but two historical time periods. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

Hi, MJ, and thanks for having me!

My research process starts with reading general histories of the relevant period, then narrows to the issues and conditions I intend to use in the story. I rely primarily on books but sometimes consult websites. When I feel that I have a reasonable understanding of the era, I refine the story to eliminate any misconceptions. Then I start writing. As I write, questions often arise. I keep a list and check those every week or two. 

I knew this book would be primarily set during the Napoleonic Wars, mostly in England. I’ve read quite a few books set during that period, but reading about it is very different from writing about it. This was a time of social codes that seem very elaborate to me, and I didn’t feel well versed in those rules. 

I read several books about England during this era, including Jenny Uglow’s In These Times, which is about life in Britain during the Napoleonic Wars, and Roy & Lesley Adkins’s Eavesdropping on Jane Austen’s England. I looked at several sourcebooks on Regency social activities and manners. Because they weren’t always consistent, I consulted two authors who’ve each written numerous Regency romances. They very generously answered my many questions and cleared up some inconsistencies. I did cut down on some of the requisite bowing and curtseying in the interests of moving the story along.

This is Hyde Park’s Rotten Row, where the Regency elite, the ton, rode out to see and be seen.

Characters need clothes, of course, and I’ve been interested in historical costume most of my life. I always like playing in a new era. The Art of Dress by Jane Ashelford and Dress in the Age of Jane Austen: Regency Fashion by Hilary Davidson were particularly useful for this book.

The action in The Steel Rose climaxes at the Battle of Waterloo. As you’re probably aware, there have been enough books written about that battle to fill a library, possibly with double or even triple shelving! I read enough to feel that I had a general sense of what happened. There seems to be some dispute about what actually was decisive in the battle’s final hour. I went with the option that best fit my story and gave a nod to the Prussians, who drew off Napoleon’s reserves at a critical time. They inspired the hero and heroine’s actions toward the end of the battle.

I also read Stephen Coote’s Napoleon and the Hundred Days, which focuses on the period between his escape from Elba and his defeat at Waterloo. Coote’s book and a similar one had a lot of useful information on conditions in France and the reactions to his return. Coote also included information about Napoleon’s time on Elba.

I consulted a number of books and a few websites about the different military units at Waterloo and their uniforms. There are people devoted to the customs of English Regency society, historical reenactors and others who pore over accounts of Waterloo, and people who immerse themselves in both. I wanted to do everything I could to get this right.

I’ve never been to Waterloo, but I did find commemorative art in the subway (passage under the street, for my fellow Americans) at Hyde Park Corner, the Tube stop for the Duke of Wellington’s residence, Apsley House.

Waterloo art from the subway

The second era that comes into play is the late medieval period, which we see briefly via the heroine’s seer vision. The trilogy follows the descendants of a wizard who unwittingly helped murder Edward IV’s sons, who’re known as the Princes in the Tower. He didn’t realize the agents he helped sneak into the Tower would murder the boys on the orders of his liege lord. Horrified by what he’d done, he threw himself on the mercy of the boys’ uncle, King Richard III. The king told him not to say anything until given leave, but King Richard met his fate at Bosworth Field before ever telling the wizard to reveal the truth.

The Tudors who came after Richard III blamed him for the boys’ deaths and anything else they could. Speaking up while they ruled would’ve been considered treason. The wizard would’ve been executed and his information suppressed. So he cursed the heirs of his line to not rest in life or death until they cleared the king’s name. After death, their souls are trapped in a wraith-filled shadowland between the worlds of the living and the dead. 

In each book of the trilogy, that generation’s heirs seeks the information that will lift the curse and release their kinsmen’s souls.

This is Middleham Castle, sometime home of Richard, Duke of Gloucester:

I’ve been reading about Richard III and the Wars of the Roses most of my adult life, so I was already pretty familiar with that part of the story and the period. One of my unpublished novels is set during the late 1400s. 

One of the women from that era, Lady Eleanor Butler, appears in The Steel Rose. Edward IV clandestinely married her before he wed Elizabeth Woodville, who became his queen. Lady Eleanor was still alive when Edward and Elizabeth wed, which meant this later marriage was bigamous. After his death, his prior marriage to Eleanor was revealed. His union with Elizabeth was declared invalid and their children deemed bastards. They were thus ineligible to inherit the throne. Richard III, then Duke of Gloucester, was the next male heir and became king.

That’s a long road to get around to saying I didn’t know a lot about Lady Eleanor and so did some research on her. I found only one book about her, Eleanor The Secret Queen by the late Dr. John Ashdown Hill, MBE, who was also a fellow of the Society of Antiquaries and the Royal Historical Society and a member of the Richard III Society in addition to other groups. 

Not to toss a cat among the pigeons, but I’ve come to believe Edward IV’s sons outlived their uncle. The Tower was not only a prison but a royal residence. If those boys had disappeared overnight, there would’ve been people to attest to that, people the Tudors would’ve trotted out on public display, which didn’t happen. Matthew Lewis’s The Survival of the Princes in the Tower is an excellent look at the various theories about their fates. He presents the evidence for each, notes the strengths and weaknesses of each theory, and lets readers draw their own conclusions. He also has published an excellent biography of Richard III, Richard III: Loyalty Bids Me.

This, of course, is the Tower of London, where so many of my characters’ troubles started!

A third historical era also figures in the book, again in the heroine’s visions, but discussing it would spoil part of the mystery for readers. I’ll just say I did some brief research in books and checked some aspects online.

As readers may have gathered from looking at the photos in this blog, all of which I took, I like to walk the ground where the story takes place, to stand in the places the characters do. Topography changes over time, of course, and landmarks disappear. Still, being in those settings helps me imagine what they would’ve been like during the story’s period with people moving through them. Sometimes those visits give me ideas, and sometimes they just make me feel closer to the characters.

Walking the ground isn’t always possible, of course. Travel is expensive and more complicated than it used to be. There are places I plan to use for books that I may never see. Books and travel websites can be satisfactory substitutes as sources.

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

I don’t mind sharing at all, but there isn’t really one book I turn to. What I keep close depends on what I’m writing. I’ve found books by Osprey Publishing invaluable sources for military uniforms and equipment of different eras. They’re written for military history buffs, so they include wonderful detail and color plate illustrations. www.ospreypublishing.com.

For The Steel Rose, I kept The Waterloo Companion by Mark Adkin, Waterloo: The Campaign of 1815, Volume 2, by John Hussey, Waterloo: Battle of Three Armies by Lord Chalfont, and the Osprey series on Waterloo handy. I was lucky to have most of this research done before the public health crisis shut down interlibrary loan.

The new series I’m starting is set in the world of the Boar King’s Honor trilogy. The first book ties into The Herald of Day, which is set during the reign of Charles II. Much of the action in this new book takes place at Whitehall Palace, so I kept Whitehall Palace: The Official Illustrated History by Simon Thurley by the computer with the Restoration era reconstruction bookmarked. I also relied heavily on Liza Picard’s Restoration London.

I  frequently turn to a National Trust book I’ve had for years, The Art of Dining: A History of Cooking & Eating by Sara Paston-Williams. It covers food preparation and dining from the medieval to the Edwardian periods. I’m not a foodie, so food isn’t a huge part of any book I write. The characters have to eat sometimes, though, and I want to feed them appropriate food.

As you can see, my main sources vary by the project. It’s fun to look at so many.

Thank you again for having me, MJ! I’ve enjoyed this.

Thank you so much for sharing your fascinating research. It is good to visit the places you’re writing about. Good luck with the new book. (All photographs are the property of Nancy Northcott.)

Here’s the blurb:

A wizard’s misplaced trust

A king wrongly blamed for murder

A bloodline cursed until they clear the king’s name

Book 2: The Steel Rose

Amelia Mainwaring, a magically Gifted seer, is desperate to rescue the souls of her dead father and brother, who are trapped in a shadowy, wraith-filled land between life and death as the latest victims of their family curse. Lifting the curse requires clearing the name of King Richard III, who was wrongly accused of his nephews’ murder because of a mistake made by Amelia’s ancestor.

In London to seek help from a wizard scholar, Julian Winfield, Amelia has disturbing visions that warn of Napoleon Bonaparte’s escape from Elba and renewed war in Europe. A magical artifact fuels growing French support for Bonaparte. Can Amelia and Julian recover the artifact and deprive him of its power in time to avert the coming battles?

Their quest takes them from the crowded ballrooms of the London Season to the bloody field of Waterloo, demanding all of their courage, guile, and magical skill.  Can they recover the artifact and stop Bonaparte? Or will all their hopes, along with Amanda’s father and brother, be doomed as a battle-weary Europe is once again engulfed in the flames of war?

The Steel Rose is the second book in the time-traveling, history-spanning fantasy series The Boar King’s Honor, from Nancy Northcott (Outcast Station, The Herald of Day).

This novel is available to read with #KindleUnlimited subscription.

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Meet the Author

Nancy Northcott’s childhood ambition was to grow up and become Wonder Woman. Around fourth grade, she realized it was too late to acquire Amazon genes, but she still loved comic books, science fiction, fantasy, history, and romance. She combines the emotion and high stakes, and sometimes the magic, she loves in the books she writes.

She has written freelance articles and taught at the college level.  Her most popular course was on science fiction, fantasy, and society.  She has also given presentations on the Wars of the Roses and Richard III to university classes studying Shakespeare’s play about Richard III. Reviewers have described her books as melding fantasy, romance, and suspense. Library Journal gave her debut novel, Renegade, a starred review, calling it “genre fiction at its best.”

In addition to the historical fantasy Boar King’s Honor trilogy, Nancy writes the Light Mage Wars paranormal romances, the Arachnid Files romantic suspense novellas, and the Lethal Webs romantic spy adventures. With Jeanne Adams, she cowrites the Outcast Station science fiction mysteries.

Married since 1987, Nancy and her husband have one son, a bossy dog, and a house full of books.

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Don’t forget to check out the other stops on The Steel Rose blog tour with The Coffee Pot Book Club.

Welcome to today’s stop on the blog tour for The Girl From Venice by Siobhan Daiko

Today, I’m excited to welcome Sioban Daiko to the blog with a post about the historical research undertaken to write The Girl From Venice.

Thank you for having me on your blog. I would say that, thus far, I have a huge connection to the places I write about in my historical fiction.

My parents bought an old farmhouse near Asolo in the Veneto in the mid-sixties. From then on, it became my second home, a place where I would spend the summers as a student and, then, later, where my husband and I would take time out from our busy lives to relax. 

Eventually, after our son had left home and I retired from teaching languages in a Welsh comprehensive school, we moved here permanently and I was able to indulge my love of writing. I’d been a fan of historical fiction for years and fascinated by how past events still resonate in the present. 

The first book I published was set in the Veneto of the 16th and 20th centuries, a homage to Asolo and Venice, Lady of Venezia.  

There are many references in Asolo to the Venetian noble woman, Caterina Cornaro, who was married to the King of Cyprus. She died in Venice on 10 July 1510, a year after the Barco, her villa of delights, was damaged by a fire set by the League of Cambrai troops. It was there that she had established a court of literary and artistic distinction and where Pietro Bembo set his platonic dialogues on love, Gli Asolani.

Image of Asolo Shutterstock Standard License

Although “Lady of Venezia” is the first novel I published, it isn’t the first book I wrote. I was privileged to have grown up in Hong Kong during the post-war era, and I hope that my personal experience of a time and place which no longer exist has lent an authenticity to The Orchid Tree, my debut novel. My grandparents were interned in the Stanley Civilian Camp like the family in my story. Gran and Grandpa didn’t talk much about their harrowing time in the camp. When they were liberated, they were so thin they resembled walking skeletons, and both died relatively young due to post-starvation-related illnesses. Their lives were similar to those of the characters in The Orchid Tree, in that they lived on the Peak in a house with nine servants and shared some of the colonial attitudes of my expatriate characters, however that’s as far as the similarities go.

After writing an erotic novella, Veronica Courtesan, an imaginative take on the life of the infamous Venetian courtesan, Veronica Franco, I took a break from writing historical fiction to focus on contemporary romance, which I published as SC Daiko. It was fun for a while, but there was a tale I’d been wanting to tell for years. It needed a lot of research, but I finally got round to doing it and then wrote The Girl from Venice, my new release.

I’ll never forget my initial impression of the Avenue of Martyrs in Bassano del Grappa. The shock and the horror when I saw the trees where the Nazi-Fascists hung some of the young partisans who dared to confront them in 1944. I decided to weave those events into a story based on how many locals, such as the family of farmers next door to my parents’ place, hid Venetian Jews during the war. They inspired me to create the character of Lidia in The Girl from Venice.

Image Bassano del Grappa Shutterstock Standard License

The fictional village of Sant’Illaria is founded upon the villages at the foothills of Monte Grappa, all of which lost young men in horrific circumstances during that dark period of Italian history. I decided to create Sant’Illaria rather than use an actual place out of respect for the memory of those who lost loved ones. 

Photo of Monte Grappa

I read many books for inspiration and information, including:

Maria de Blasio Wilhelm, The Other Italy, The Italian Resistance in World War II

Luigi Meneghello, The Outlaws

Caroline Moorehead, A House in the Mountains, The Women Who Liberated Italy from Fascism

David Stafford, Mission Accomplished, SOE and Italy 1943-1945

H. W. Tilman, When Men & Mountains Meet

I only start writing once I’ve done enough research to jot down a timeline of events and thought about my characters so long and hard that I can hear their voices and they become real to me. I do a chapter-by-chapter outline so I have a clear roadmap of the story but allow myself to add or take away from it when necessary.

Thank you so much for sharing your research with us. Good luck with the new book.

Here’s the blurb:

Lidia De Angelis has kept a low profile since Mussolini’s racial laws wrenched her from her childhood sweetheart. But when the Germans occupy Venice in 1943, she must flee the city to save her life.

Lidia joins the partisans in the Venetian mountains, where she meets David, an English soldier fighting for the same cause. As she grows closer to him, harsh Nazi reprisals and Lidia’s own ardent anti-fascist activities threaten to tear them apart.

Decades later in London, while sorting through her grandmother’s belongings after her death, Charlotte discovers a Jewish prayer book, unopened letters written in Italian, and a fading photograph of a group of young people in front of the Doge’s Palace.

Intrigued by her grandmother’s refusal to talk about her life in Italy before and during the war, Charlotte travels to Venice in search of her roots. There, she learns not only the devastating truth about her grandmother’s past, but also some surprising truths about herself.

A heart-breaking page-turner, based on actual events in Italy during World War II

Trigger Warnings: Death, Miscarriage, PTSD, Rape

Available on Kindle Unlimited.

Universal Link

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Meet the author

Siobhan Daiko is an international bestselling historical romantic fiction author. A lover of all things Italian, she lives in the Veneto region of northern Italy with her husband, a Havanese puppy and two rescue cats. After a life of romance and adventure in Hong Kong, Australia and the UK, Siobhan now spends her time, when she isn’t writing, enjoying the sweet life near Venice. 

Connect with the author

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Don’t forget to check out the other stops on The Girl From Venice blog tour. Tour Page

Welcome to today’s stop on the blog tour for The Golden City by A B Michaels

Today, I’m excited to welcome A B Michaels to the blog with a fascinating post about the series, The Golden City.

Bringing America’s Gilded Age to Life One Detail at a Time

My series, “The Golden City,” is set during America’s Gilded Age, which ran from the end of the Civil War to approximately the start of World War I.  To fit the story I had in mind for The Art of Love (Book One), my main characters had to be living in San Francisco around the turn of the twentieth century. The city was booming by then, flush with the wealth of not one but two major gold rushes (California and the Klondike).

I picked San Francisco because I knew the city well from having grown up near it, as well as attending graduate school there.  In addition, as a teenager, my grandfather had worked in Canada’s Yukon Territory (where the Klondike River gave up its riches) and I’d recorded his recollections a few years before he died.  What better place to start my research than with an eyewitness account!

Happily, that time and place has turned out to be a treasure-trove of fascinating history. The late 1800’s to early 1900’s was filled with breakthroughs in science, industry, medicine and social customs. America was on its way to becoming the global leader that it is today, and women were beginning to realize they had power of their own. 

 

Golfer

Primary source material abounds in print and online (e.g., Jack London’s reporting on the San Francisco earthquake of 1906) and there is ample scholarship about such (often arcane) subjects as the prostitutes of the Barbary Coast (the city’s Red Light district); the fight against the bubonic plague (which flared up in the city around 1900); and the notorious corruption scandal that saw the indictment of the mayor and the resignation of virtually all members of the city’s board of supervisors. As a result, I have, and continue to accumulate quite a library that covers my historical niche. 

Bookcase

For The Art of Love, I began with my grandfather’s recollections and expanded further to learn the details of placer gold mining. 

Miner

I knew my female lead was going to be an artist, so I immersed myself in the art trends of the time (luckily, San Francisco had a thriving art scene then).  And, because a story must have conflict, I looked into the roadblocks, such as restrictive divorce laws, that men and especially women faced during that time. Eventually I focused on a fictional young woman who is caught in a social bind and must pay a terrible price in order to help her sister and gain her freedom to become the artist she was born to be.  

Now that I am more familiar with the time period in which I write, I’ll skim my resources on hand to find a kernel for my next story.  Or, I’ll peruse the digital newspaper archives from way back then.  The San Francisco Call, for example, was one of the main periodicals of that era (it evolved into the San Francisco Examiner). 

Newspaper

About a year and a half ago, in a brief article from 1903, I found just the type of story I was looking for because it involved both Spiritualism and “insane” asylums, two movements I knew were important during the Gilded Age.  That short newspaper article formed the basis of my latest book, The Madness of Mrs. Whittaker.

What resources can I not live without?  Undoubtedly, the Internet! I use it to corroborate facts I’ve learned elsewhere, but even more so, I use it as a quick source to fill in all the details that I can’t otherwise find: prices of hotel rooms, for example, or the types of restaurant food popular back then. How about hair or clothing styles for both men and women (Did every man wear those horrid mutton chop whiskers?!). 

Man with mutton chops

Other important aspects: communication and transportation. How common were telephones back then? (Answer: not very.) What did train tickets cost and what train routes would my characters have taken?

One of the most important details, in my opinion, is the use of slang and when it made its way into the American lexicon.  I can’t have my characters exclaiming “Awesome!” back in 1900!

One fan recently asked when the term “car” was first used as slang for “automobile.” My novel (in this case, The Depth of Beauty) took place in 1903, a time when cars weren’t all that common except among the upper classes, so the use of the word sounded strange to him.  I knew the etymology of the word “car” dated back centuries (It comes from the Latin word carrus which means “wheeled vehicle.”).  I had to dig a little to find that the phrase “motor car” dates from 1895 (in Britain) so I feel confident that the word was shortened to “car” by 1903, at least in America. Had I found that the word entered our vernacular later than 1903, I would have quickly made the correction.

Readers care about such minutiae, and so do I. Perhaps it seems trivial but making sure I get such facts right is my pledge to readers.  I want them to know that the period details they read about in my stories are as accurate as I can make them. Sure, the stories and the characters are fiction (with a few historical figures thrown in to make things interesting), but by and large, readers are learning what life was like “back in the day,” whether it was living through a massive earthquake, suffering from bubonic plague, or getting stuck in a mental asylum with no easy way out.

One more note about historical research as it pertains to fiction: I try to follow the old adage “less is more.”  Recently a friend who loves historical fiction said to me, “I’d love doing the research—not the writing, just the research!” And I knew what she meant.  It’s completely engrossing to learn about a different place and time—what challenges men and women faced, what disadvantages they experienced, what everyday life was like.  And it’s so tempting to share much of what I’ve learned.  But I try very hard to make the historical detail serve the story.  I want readers to care about what’s happening within my fictional world; I can’t afford to bog them down with too much description or explanation (what writers sometimes call an “info dump.”) My goal is to have readers effortlessly merge into the Gilded Age as they follow characters they care about, picking up interesting details here and there, and knowing that when it comes to historical verisimilitude, I won’t lead them astray.

Thank you so much for sharing such a fascinating post. Good luck with all the books in the series.

                                                                       

Here’s the blurb

Your Journey to The Golden City begins here…

FORTUNESACRIFICE…PASSION…and SECRETS

A tale of mystery, social morality and second chances during America’s Gilded Age, The Art of Love will take you on an unforgettable journey from the last frontier of the Yukon Territory to the new Sodom and Gomorrah of its time – the boomtown of San Francisco.

After digging a fortune from the frozen fields of the Klondike, August Wolff heads south to the “Golden City,” hoping to put the unsolved disappearance of his wife and daughter behind him. The turn of the twentieth century brings him even more success, but the distractions of a hedonistic mecca can’t fill the gaping hole in his life.

Amelia Starling is a wildly talented artist caught in the straightjacket of Old New York society. Making a heart-breaking decision, she moves to San Francisco to further her career, all the while living with the pain of a sacrifice no woman should ever have to make. 

Brought together by the city’s flourishing art scene, Gus and Lia forge a rare connection. But the past, shrouded in mystery, prevents the two of them from moving forward as one. Unwilling to face society’s scorn, Lia leaves the city and vows to begin again in Europe.

The Golden City offers everything a man could wish for except the answers Gus is desperate to find. But find them he must, or he and Lia have no chance at all.

Buy Links: 

The Art of Love

The Depth of Beauty

The Promise: 

The Price of Compassion

Josephine’s Daughter

The Madness of Mrs Whittaker

Meet the author

A native of California, A.B. Michaels holds masters’ degrees in history (UCLA) and broadcasting (San Francisco State University). After working for many years as a promotional writer and editor, she turned to writing fiction, which is the hardest thing she’s ever done besides raise two boys. She lives with her husband and two spoiled dogs in Boise, Idaho, where she is often distracted by playing darts and bocce and trying to hit a golf ball more than fifty yards. Reading, quilt-making and travel figure into the mix as well, leading her to hope that sometime soon, someone invents a 25+ hour day.

Connect with A B Michaels

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Don’t forget to check out the other blogs on The Art of Love blog tour with The Coffee Pot Book Club.

Book Review – Camelot by Giles Kristian – historical fiction – now available in paperback

Here’s the blurb:

‘Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been these past ten years. But in a small, isolated monastery in the west of England, a young boy is suddenly plucked from his simple existence by the ageing warrior, Gawain. It seems he must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot. For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive.’

I’ve just reread the review I wrote for Lancelot nearly two years ago, and even I’m blushing about how effusive I was about it!

Camelot begins in much the same way. The lead character is a young man, about to take his vows to become a monk on the tor at Glastonbury when his world completely changes. The depiction of life on the tor is wonderfully evoked, and even if the author could have just written ‘bird’ ‘tree’ and ‘flower’ I’m sure many will appreciate the attention to detail. (I’ve never been ‘at one’ with nature).

The story starts quite slowly, drawing you back into the world of post-Roman/pre-Anglo-Saxon Britain with deft skill and then the story truly begins to take shape, secrets are revealed, and the ties to the previous book begin to be revealed.

I truly don’t want to give too much of the story away, but the ‘quest’, for that is what it becomes, takes readers from Cornwall to Anglesey and then further, the fear of what is to come in the future a palpable threat and even though we all know what’s going to happen, in the end (outside the scope of the book) I couldn’t help but hope that it would all be very, very different. The characters demand it from the reader.

And the end, is once more, where I have some small complaints about the story. It’s not that it doesn’t do what I want it to do, it’s just that the ending seems wrong for the story, but then, perhaps, it was always going to because that is the legend of Arthur.

But before that ending, the legends of Arthur and his knights are beautifully evoked, and I think a particular strength is the depiction of King Constantine, a bit part character, but immensely powerful and the very embodiment of a land falling to chaos all around him, and yet not prepared to give way and accept what seems to be the inevitable.

This book, once more, has its flaws, some scenes seem unnecessary, and others are skipped over too quickly, but it feels so true to the legends. There’s so much that’s only half-seen, hinted at but never actually known.

A welcome return to Giles Kristian’s ‘world’ first created in Lancelot, and, I think the author notes at the end of the novel explain a great deal. Now, give me the story of Arthur and his knights at the height of their prowess (please!).

Thank you to Netgalley and the publisher for my review copy.

Camelot is now available in paperback (Sorry I missed this on the 24th) 

Welcome to today’s stop on the blog tour for Sigurd’s Swords by Eric Schumacher

Today I’m delighted to welcome Eric Schumacher to the blog with a fantastic post about his new book (available for preorder now) Sigurd’s Swords.

Your book, Sigurd’s Sword, is set in a time period I love, but I don’t know as much about events in the land of the Rus as I’d like, or about Olaf Tryggvason’s early years. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

First of all, thank you for having me on your wonderful blog and for your interest in Sigurd’s Swords

My research isn’t as much of a process as it is a series of rabbit holes that I tend to climb down to gather information that I then convert to notes. I keep those notes in the writing program I use so that I can refer to them often as I write. That said, I often go back to the original sources for more information or for clarity. 

It is a bit tricky writing about Vikings, because they did not chronicle their events in writing. There’s was an oral culture. So what information we have comes from outside sources, and usually from sources who wrote their works decades or even centuries after the people lived and the events occurred. Thanks to the Byzantines, Sigurd’s Swords is the only book I have written that actually had a contemporary writer who chronicled some of the events in the book.

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

Yes! I usually start in the same place for all of my books. That place is the sagas, and in particular, Snorre Sturlason’s Heimskringla, or “The Lives of the Norse Kings.” That provides me with the guardrails and the general outline of the story. However, Snorre wrote his series of tales centuries after my character Olaf lived, so I cannot rely on him 100% for the details of my books. Nor does he get into the minutiae that help add flavour and depth to the story, such as weaponry, fighting styles, flora and fauna, food and beverages, the types of dwellings that existed, and so on. For those things, I rely more on individual books or research papers I find online. 

In the case of Olaf and his time in Kievan Rus’, I also turned to other sources that I found. The Russian Primary Chronicle, to which I found a reference on Wikipedia, was a tremendous help. Like the Anglo-Saxon Chronicle, it is broken down by year, so it provided me with a better sense of the timing of events and what events my characters may have experienced during their time in that kingdom. That, in turn, led me to other sources for more detailed descriptions of those events. The Byznatines were a great help for this. Civil servant John Sylitzes wrote his “A Synopsis of Byzantine History” in AD 1081, which covered the Siege of Drastar I have in my novel. Leo the Deacon, who was at the siege, also wrote about it in his Historia. The foreign policy of the Byzantines is described in The Grand Strategy of the Byzantine Empire, and was also helpful to provide larger context for why certain events might have unfolded the way they did, such as the Siege of Kyiv in AD 968. Having these sources also provided a secondary verification of the timing of things. 

All that said, there was still much I could not unearth about the Rus or Olaf during that time. So I tried to fill in the gaps with plausible plotlines and information based on the research I could find. I hope it all comes together in an enjoyable story for your readers!

Thank you so much for sharing your research with me. It sounds fascinating, and I will have to hunt some of it down. Good luck with the new book.

Here’s the blurb;

From best-selling historical fiction novelist, Eric Schumacher, comes the second volume in Olaf’s Saga: the adrenaline-charged story of Olaf Tryggvason and his adventures in the kingdom of the Rus.

AD 968. It has been ten summers since the noble sons of the North, Olaf and Torgil, were driven from their homeland by the treachery of the Norse king, Harald Eriksson. Having then escaped the horrors of slavery in Estland, they now fight among the Rus in the company of Olaf’s uncle, Sigurd. 

It will be some of the bloodiest years in Rus history. The Grand Prince, Sviatoslav, is hungry for land, riches, and power, but his unending campaigns are leaving the corpses of thousands in their wakes. From the siege of Konugard to the battlefields of ancient Bulgaria, Olaf and Torgil struggle to stay alive in Sigurd’s Swords, the riveting sequel to Forged by Iron

Pre-order link

Meet the Author

Eric Schumacher (1968 – ) is an American historical novelist who currently resides in Santa Barbara, California, with his wife and two children. He was born and raised in Los Angeles and attended college at the University of San Diego.

At a very early age, Schumacher discovered his love for writing and medieval European history, as well as authors like J.R.R. Tolkien and C.S. Lewis. Those discoveries continue to fuel his imagination and influence the stories he tells. His first novel, God’s Hammer, was published in 2005.

Connect with Eric

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Don’t forget to check out the other stops on the Sigurd’s Swords blog tour with The Coffee Pot Book Club.

Today, I’m reviewing The Fort by Adrian Goldsworthy (Roman historical fiction) as part of its new release blog tour

Here’s the blurb:

AD 105: DACIA

The Dacian kingdom and Rome are at peace, but no one thinks that it will last. Sent to command an isolated fort beyond the Danube, centurion Flavius Ferox can sense that war is coming, but also knows that enemies may be closer to home.

Many of the Brigantes under his command are former rebels and convicts, as likely to kill him as obey an order. And then there is Hadrian, the emperor’s cousin, and a man with plans of his own…

Gritty, gripping and profoundly authentic, The Fort is the first book in a brand new trilogy set in the Roman empire from bestselling historian Adrian Goldsworthy.

The Fort by Adrian Goldsworthy is good ‘Roman’ era fiction.

Set in Dacia in AD105, it is the story of ‘The Fort’ under the command of Flavius Ferox, a character some will know from Goldsworthy’s previous trilogy that began with Vindolanda.

Mistakenly thinking this was an entirely new trilogy with all new characters, it took me a while to get into the story. Everyone seemed to know everyone else apart from me. But Ferox is a good character, and he grounded me to what was happening in the immediate vicinity of the Fort, and apart from once or twice, it didn’t really matter what had gone before.

This is a story of suspicions, ambition and lies, and it rumbles along at a good old pace. This isn’t the story of one battle, but rather many, a slow attrition against the Romans by the Dacians.

Overall, this was an enjoyable novel, and some of the fighting scenes were especially exciting. Those with an interest in Roman war craft will especially enjoy it, although, I confess, I don’t know my spatha from my pilum (there is a glossary, fellow readers, so do not fear.)

About the author

Adrian Goldsworthy has a doctorate from Oxford University. His first book, THE ROMAN ARMY AT WAR was recognised by John Keegan as an exceptionally impressive work, original in treatment and impressive in style. He has gone on to write several other books, including THE FALL OF THE WEST, CAESAR, IN THE NAME OF ROME, CANNAE and ROMAN WARFARE, which have sold more than a quarter of a million copies and been translated into more than a dozen languages. A full-time author, he regularly contributes to TV documentaries on Roman themes.

Adrian Goldsworthy , Author , Broadcaster , Historical consultant .

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Don’t forget to drop by the other stops on The Fort Blog Tour.

Book Review – The Girl Who Died by Ragnor Jonasson (1980s’s Icelandic mystery)

Here’s the blurb:

Teacher Wanted At the Edge of the World

Una wants nothing more than to teach, but she has been unable to secure steady employment in Reykjavík. Her savings are depleted, her love life is nonexistent, and she cannot face another winter staring at the four walls of her shabby apartment. Celebrating Christmas and ringing in 1986 in the remote fishing hamlet of Skálar seems like a small price to pay for a chance to earn some teaching credentials and get her life back on track.

But Skálar isn’t just one of Iceland’s most isolated villages, it is home to less than a dozen people. Una’s only students are two girls aged seven and nine. Teaching them only occupies so many hours in a day and the few adults she interacts with are civil but distant. She only seems to connect with Thór, a man she shares an attraction with but who is determined to keep her at arm’s length.

As darkness descends throughout the bleak winter, Una finds herself more often than not in her rented attic space – the site of a local legendary haunting – drinking her loneliness away. She is plagued by nightmares of a little girl in a white dress singing a lullaby. And when a sudden tragedy echoes an event long buried in Skálar’s past, the villagers become even more guarded, leaving a suspicious Una seeking to uncover a shocking truth that’s been kept secret for generations.

I’m fascinated by Iceland’s history and that’s why I chose this book (even though it’s not strictly historical at all).I read The Girl Who Died some months ago, and it struck me as a particularly good winter read. Here’s what I had to say at the time.

The Girl Who Died toys with the reader – is it a murder mystery, a ghost story or the story of a woman before her murder? At one point, all of these seem to be possible.

I really enjoyed the story, it kept me up reading, under the covers, long into the night until I had to stop because I was a bit terrified. For a short book, it certainly packs a punch.

Thank you to Netgalley and the publisher for my review copy.

The Girl Who Dies is released today, 10th June 2021, and is available from here.

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