I’m welcoming Dreadnought by Robin Bennett to the blog #mystery #dystopian #excerpt

I’m welcoming Dreadnought by Robin Bennett to the blog

This extract comes as the narrative is beginning to expand to include characters from the Second World War on the promontory of Dreadnought. Grandm’ma Violet being perhaps the most striking, and whose influence is most felt amongst the modern day Delaval family. A Mrs Haversham character who still haunts Albermarle House in her own, indignant way and who, in part, holds the key to the biggest secret on the island.

Violet

This house is my prison, and I am also its gaoler, thought Violet Delaval as she stared through the rain, at the blurred fringes of the coastline before her.

And suppressed the urge to rage.

She would have liked nothing better than to tear through the house and systematically smash every window with her bare hands, squeeze the shards until her sliced fingers daubed blood on the heavy, mannish furniture … and stab the first person she met. Preferably Cook – who had surpassed herself this morning with porridge that had all the consistency of the bottom inches of a sink after doing the dishes.

Violet took several deep breaths through a nose pinched with cold, turning the turmoil inward. This seemed to work: her fury was already finding a convenient home deep within her bones, whilst outwardly she was constructing the granite-like façade that would house what others only suspected lay semi-dormant at her core.

She had tried up here and, so far, failed to instil some of that sense of decorum. For everything in this place seemed intent on remaining wild. And she was – for the most part – quite alone with a son who already felt like nothing to do with her somehow and a smattering of unsatisfactory servants.

Only the Wrelton Girl showed any promise. To that end, she had been instructing her on the finer points of what it was to be a proper lady’s maid. It turned out she was not as rough … or stupid compared to the cook and the elderly man whose name she stoutly refused to remember who Quintus employed part time to look after the garden and see to the more manual aspects of looking after the house.

Quintus’ visits were about the only thing she could bring herself to admit she looked forward to. During her courtship of Edward, the brief engagement and even briefer marriage, she had not seen much of her brother-in-law and when she did, he was nearly always drunk. Or pretending to be. Observing him at closer quarters, she had reached the conclusion that there was a lot more to him than met the eye. Unlike Edward, who could have been read like an open book to all and sundry. She believed she knew why he had not been conscripted, although he would never say. She also believed there was more to his attachment to Dreadnought than mere whimsy.

Of course, he had tried to seduce her.

One evening, after dinner, he had chosen to join her in the Drawing Room, instead of making for his cigars and brandy in his Study. Cook was cleaning the kitchen noisily, with ill-humour and the Wrelton Girl had gone up.

Quintus had no patience for chess or Contract Bridge, but he was happy to play Blackjack, betting matchsticks. In between hands, he had casually slid a hand up her dress, past her stocking top, all the way up to her inner thigh – a sanctuary even Edward had never fully had the chance to explore. He left it there for several seconds, whilst she – for her part in the montage – stared at him in cold incomprehension: as if he’d just done something mildly inexplicable, like donned a hat or whistled a sea shanty.

By and by, looking embarrassed, even chastened, he removed his hand from the soft skin inside her thigh and they carried on with the game. Nothing was said, but she knew she had just beaten him at something more than cards.

Later, lying in her room, she had wondered how it would have felt if she’d opened her legs, the merest fraction, and let him explore further.

Albemarle never slept she decided. In the quiet of the early hours, it seemed to have quite another set of occupants – the Once Weres she had started to call them in the back of her mind. They were a shadowy lot, who paced the corridors, tried doors and pushed milky faces that might be mist against windows. As a consequence, her sleep was troubled, and she rose tired and slightly hysterical more often than not.

One day Cook had screamed the house down (she had a good set of lungs, Quintus would say – whilst obviously hinting at her impressively lofty bust). The cause for the racket, which brought everyone running, had been that a door had opened. This was whilst Cook had been in the Pantry depositing jars of pickle.

‘What door?’ Violet asked between pursed lips (the scream – more of a heifer’s bellow – had given her quite the jump).

‘The door.’ Cook replied between sobs. Violet searched her hazy recollection of the Pantry and remembered a small embrasure that fitted the bill.

‘What of it?’

‘It was open!’ Violet waited for more information, but none seemed to be coming.

‘Open?’ At that point the Wrelton Girl appeared with some tea, which Cook grabbed with two meaty hands and slurped.

‘An’ there was something in there, an’ it were watching me. Not too nicely, neither.’

‘Oh, yes, the tunnels.’ Quintus had replied breezily when asked. ‘Smugglers’ cut-throughs from when rum was popular but not so much paying the duty. Though I’ve heard some are far older. Thought they were blocked. Never taken much of an interest.’ Violet scrutinised him and decided he was – as usual – not telling her everything.

‘Not all blocked. Evidently.’

Yet, even with the door in the pantry now firmly barred, the sense of being watched (on this she was in silent agreement with Cook) never quite went away: doors did open, a low hum sometimes came from deep below the boards and, one night, a shadow flitted across the mirror in Violet’s room when she was preparing for bed.

But Violet was not to be daunted – the answer was that for every problem there was a solution, and this was usually best deployed by an Englishman (or woman) in Violet’s estimation. If the house was haunted, then they would need a priest to put a stop to it all. ‘Sounds a bit Catholic,’ murmured Quintus from the other side of the dining room table.

‘No,’ said Violet firmly, ‘an Anglican priest will be quite up to the job, I think.’

Here’s the blurb

A child sees things she’s sure don’t exist. The adults call it trauma. They’re both wrong.

On a remote Yorkshire headland known as Dreadnought, seven-year-old Cass Delaval begins to glimpse figures and fragments tied to a past that refuses to stay buried.

As the world edges toward conflict, Cass is drawn into a family mystery stretching back to the Second World War: a missing boy, a hidden weapon, and a family secret.

Because whatever has lain dormant on Dreadnought goes deep into our past … and it isn’t finished with us yet.

Dreadnought is a story of loyalty and hope, where the courage of one small girl may be our last defence.

Book cover of 'Dreadnought' by Robin Bennett featuring dramatic dark clouds and a cliff landscape with intense eyes in the background.

Purchase Link

https://amzn.eu/d/0iKBv9i1

Meet the author

Robin Bennett is an author and entrepreneur who has written over twenty-five books for children. He has also written books on the swashbuckling world of business: How to Make a Good Living Running Your Own Business, Kicking the Property Ladder and Start up Smart, all published by Harriman House.

In 2024 Cracking was shortlisted for a Week Junior Book Award and Sunday Times Sports Book of the Year for Children. His YA novel ‘XII’ was shortlised for a British Book Award in 2023 and his very popular Monster Max Series is a Book Trust pick and won Coventry Inspiration Book Awards in 2022. Picus the Thief, won the Writer’s News Indie Published Book of the Year Award in 2012.

When Robin grew up he thought he wanted to be a cavalry officer until everyone else realised that putting him in charge of a tank was a very bad idea. He then became an assistant gravedigger in London. After that he had a career frantically starting businesses (everything from dog-sitting to cigars, tuition to translation)… until finally settling down to write improbable stories to keep his children from killing each other on long car journeys.

When not writing or starting companies, Robin plays most sports. Poorly.

Author Robin Bennett

https://www.instagram.com/robinbennettauthor

https://www.tiktok.com/@robinbennettauthor

A promotional graphic for the book 'Dreadnought' by Robin Bennett, featuring dark, stormy clouds and an abstract landscape. The text lists various book review dates and names associated with the release.

Happy release day to Stormlost, the second book in the Ice and Fire series, #historicalromantasy #booklaunch #romantasy

Happy release day to Stormlost, the second book in the Ice and Fire series, #historicalromantasy #booklaunch #romantasy

Meet Arrow and Skaldi (well, my cuddly versions of them)

I know Skaldi’s not green, but you can’t always get the right colour dragon.


The cover for Stormlost by MJ POrter shows a male and female figure, with a dragon in the background on a purple and blue background. The female figure has blond hair, elaborately styles, and wears a thick cloak. The male figure looks away from the femals one, towards the left.

Here’s the blurb

The storm is coming. Now the search begins.

Erann has vanished.

One moment he is standing beside Sereh on the ice fields of Vatna Jokull; the next, he is gone without a trace.

Refusing to abandon hope, Sereh follows the dragonpath to a hidden mountain sanctuary where ancient secrets, forgotten histories and dangerous prophecies lie buried beneath the stone.

But answers are hard to find, and with each day that passes, the memory of who Erann even is seems to fade.

As strange forces gather, Sereh and Erann must fight to find each other once more. But how can you search for someone when you keep forgetting who they are?

Available Now

Check out the dedicated website for the Ice and Fire Series and see the cover for Flamesworn, book 3 in the series.

Check out the Ice and Fire Series page on the blog

Buy directly from me

Posts

I’m welcoming Ancestral Virgins by Fiona J MacKintosh to the blog, with a fab guest post #historicalfiction #blogtour #nonfiction

I’m welcoming Ancestral Virgins by Fiona J MacKintosh to the blog, with a fab guest post #historicalfiction #blogtour #nonfiction

Why Write about the Past? 

Historical fiction has been around as long as there have been novels. In 1859, Charles Dickens published The Tale of Two Cities, which was set during the French Revolution. Thackeray’s Vanity Fair came out in 1849, 34 years after the historic events it portrayed including the Battle of Waterloo. And Walter Scott went even further back in his 1819 novel Ivanhoe to the reign of Richard the Lionheart in 12th century England.  

My recently published historical novel, Ancestral Virgins, is set in Britain a little over a century ago in the period before, during, and after the Great War. It was a time – like now – when new technologies were overturning the old realities at a rapid pace as the telephone, the car, and the airplane came into regular use. In one scene in the novel, the guests at a dinner party in a Sussex manor house rush outside to look up at the night sky, trying to spot a Zeppelin on a test flight above southern England. 

“Someone shouted ‘Look!’ and a long slim shadow moved out from behind a cloud and stole very slowly across the open sky, sliding out of sight behind another cloud. ‘How can there be people up there in that thing?’ Tessa whispered.”

Today, most of us see planes crisscrossing the sky every day, but for those people in 1914, who would never before have seen anything up there but birds, the sight of that metal tube bearing humans high above the earth must have been both amazing and terrifying. 

Capturing that lost sense of newness about things we now take for granted is one reason why I write historical fiction. 

Another reason is that as the Spanish-American philosopher George Santayana famously said, “Those who cannot remember the past are condemned to repeat it.” History can be reexamined just as legitimately by the novelist as by the non-fiction writer, because fiction can take us deep into the minds and emotions of people who lived through real events of the past. 

To take an example from Ancestral Virgins, George Ingham, a young British explosives expert working for the de Beers diamond company in South Africa, finds himself trapped in Kimberley during its long siege by the Boers. Food supplies run short, and soon the townspeople are barely getting by on “mealie pap, horseflesh, and the occasional vegetable from the de Beers kitchen garden.” Ingham and the woman with whom he’s in love lie awake at nights talking about the meals that they’re craving. 

“Ingham described the Sunday dinners his mother made on special occasions – roast beef, a little pink, with roasted potatoes, carrots, and parsnips in parsley and gravy, with warm yeasty bread crowned with knobs of melting butter. In the moonlight, he could see a gleam of saliva at the corner of Ottilie’s mouth.”  

The starvation during the siege is a historical fact; the fantasies of food are how I imagined that it was experienced by those who lived through it. 

But imagination alone is not enough when writing realist historical fiction. It must always build on what is already there – otherwise known as the facts. I can attest that my descriptions of the historical events in Ancestral Virgins are based on a huge amount of research. For that Kimberley chapter alone, I memorized the entire map of the town by heart as well as a week-by-week digest of what happened during the four-month siege and bombardment. It’s not the quickest way to write a novel, but you learn an enormous amount and the grounding that the research gives you is invaluable for imagining your way inside the heads of your characters and to experience the sights, sounds, and smells that they would have seen, heard, and smelled. 

I do this work because I hope that you, the reader, can also feel like you’re in that Sussex garden in 1914 looking up at the night sky or in that dusty South African wartime town in 1899. I want us to go back there together, right alongside the characters I’ve made up from my imagination. 

This is my overriding motivation for why I write historical fiction – so that, however briefly, we can feel the way our ancestors felt within their own lifetimes when they had no conception of all the history that was still to come.     

Promotional graphic for the blog tour of 'Ancestral Virgins' by Fiona J. Mackintosh, featuring a vintage-style portrait of a woman with a gold headpiece and delicate attire.

Here’s the blurb

In early 20th century Britain, society was changing rapidly, but not much was changing for women. From different ends of the social spectrum, Celia Mapperley and May Hallam wrestle with rules and circumstances beyond their control and must navigate love, sex, war, and the thin line between conformity and scandal. As they each bear the shame of a devastating family secret, their stories come together in ways that neither could have imagined.    

Book cover of 'Ancestral Virgins' by Fiona J. Mackintosh featuring a portrait of a young woman with long hair and ornate attire.

Purchase Link

https://books2read.com/rl/ancestralvirgins

Meet the author

Fiona J. Mackintosh is a Scottish-American author living in Washington D.C. whose fiction draws from both sides of the Atlantic. Her flash fiction collection, The Yet Unknowing World (Ad Hoc Fiction, 2021), was a runner-up for the 2021 Saboteur Award for best short story collection, and her debut novel Ancestral Virgins will be published on June 26, 2026. Her flashes were selected for Best Small Fictions in 2023 and 2019, and her short stories have been finalists in the Cairde Word, Colm Toíbín, Bristol, Galley Beggar, Exeter, and Fish Short Story Prizes. She is a proud recipient of an Individual Artist’s Award from the Maryland State Arts Council. www.fionajmackintosh.com

Image of author Fiona J Makintosh wearing a denim jacket andblack polo neck jumper

https://linktr.ee/Fionajanemack

Promotional graphic for the book 'Ancestral Virgins' by Fiona J. Mackintosh, featuring a woman in period attire, with publication dates listed for various book reviews from September 19th to 25th.

Happy release day to Dragonbound, the first book in the Ice and Fire series, #historicalromantasy #booklaunch

Happy release day to Dragonbound, the first book in the Ice and Fire series, #historicalromantasy #booklaunch

To be a writer, you first must write

Dragonbound has been a story so many years in the making that since I first set pen to paper (yes, you read that correctly) I’ve undergone a complete sea change in how I write, and probably, why I write as well.

But with the release of Dragonbound, I thought I’d share a throwback image of what a first story looks like, from the very beginning. Although that’s not quite right either, because this image is from when I first ‘properly’ started to write this story, and I can assure you I’d already discarded some even earlier ideas. (I had yet to discover my favourite inky pen).

A handwritten notebook showing the first page of what would become Dragonbound by MJ  Porter
A handwritten notebook showing the first page of what would become Dragonbound by MJ Porter

And now you can read the ‘cleaned up’ version of this opening of the book in Dragonbound, released today. A story, I am very proud to say, has taken me about 30 years to get to this stage. It’s a good job that I went on to write other stories in the intervening period.

Book cover for 'Dragon Bound' by MJ Porter featuring two central characters facing away from each other, with a majestic dragon in the background. The text reads 'WHERE HOPE ENDS, DESTINY AWAKENS.'

Here’s the blurb

The Long Night is ending. The dragon is waking.

Sereh is finally free — but the frozen wilds are just as deadly as the life she left behind. When she saves a mysterious stranger, she binds herself to a fate she doesn’t understand.

Erann has secrets. About the cold. About the land. About why the world is changing.

As the Long Night lingers and something ancient stirs beneath the frozen land, survival means staying together. And their fragile alliance turns into something neither of them can afford.

Because in a world of ice and fire, trust might be the spark that destroys them both.

This slow-burning Norse fantasy romance is perfect for fans of Robin Hobb, T. Kingfisher, S.L. Rowland and Anne McCaffrey.

Available Now

Check out the dedicated website for the Ice and Fire Series and see the cover for Stormlost, book 2 in the series.

Check out the Ice and Fire Series page on the blog

Buy directly from me

Posts

I’m reviewing The Crooked Medium’s Guide to Murder (The Crooked Medium 1) by Stephen Cox #blogtour #bookreview #historicalmystery

I’m reviewing The Crooked Medium’s Guide to Murder (The Crooked Medium 1) by Stephen Cox #blogtour #bookreview #historicalmystery

I’m reviewing The Crooked Medium’s Guide to Murder (The Crooked Medium 1) by Stephen Cox #blogtour #bookreview #historicalmystery

Here’s the blurb

London 1881. Can two crooked women stop a murder?

Extravagant medium Mrs Ashton and her lover, blunt working-class Mrs Bradshaw, run a spiritualist scam. Mrs Ashton secretly reads minds.

Believing that Mrs Ashton is genuine, grieving Lady Violet craves the truth behind her mother’s untimely death. But Lady Violet’s powerful husband Sir Charles hates spiritualists. Has he killed before?

Uncovering this MP’s wicked crimes will put all three women in terrible danger…

To solve a shocking murder, look both sides of the grave.

“I loved this book! Victorian murder mystery meets “ghost” story, with delicious sprinklings of compassion and mischief…”

Caroline Day, author of Sunday Times Bestseller Hope Nicely’s Lessons for Life

Purchase Links

https://www.amazon.co.uk/Crooked-Mediums-Guide-Murder-Victorian-ebook/dp/B0FLK68742/

https://www.amazon.com/Crooked-Mediums-Guide-Murder-Victorian-ebook/dp/B0FLK68742/

Exciting News: Book 2 in the Crooked Medium series is now available for pre-order!! – https://stephencox.co.uk/buy-terror/

My Review

The Crooked Medium’s Guide to Murder is an enthralling late nineteenth-century set mystery, with all the trappings we would expect from a story set in this era, complete with a spiritualist (or is she?), an angry husband and a desperate wife, told with a flair for the language of the time, and some quite amusing insults to boot.

The setting is well depicted, and the (initial) mystery quickly reveals itself as Mrs Ashton resolves to aid poor Lady Violet while she uncovers the truth about her mother’s death. And yet, not all is as it seems, and Mrs Ashton, with her own secrets as well, finds herself caught in the middle of something she’s desperate to understand. Having placed herself in terrible danger when the very man she’s investigating turns up dead himself, she’s implicated in his murder; only there’s something even more unsettling for Mrs Ashton to contend with (I don’t want to spoil what happens). This adds a whole new dimension to everything the reader thought they knew!

A rousing mystery, with plenty of pace and a sure-fire hit for those who love stories set in the era. And with a fabulous ‘well, I didn’t see that coming’ element about halfway through the book. This story kept me reading, and I was absolutely hooked. This is late nineteenth-century London (and further afield) splendidly told, never stinting on the harder sides of life, and with quite a shocking resolution. I am looking forward to book 2.

Meet the author

My grandmother told me I read too much.  I remember walking in the garden when I was small, telling myself stories. It was over thirty years of wanting to be a novelist before I tried… and succeeded. 

The Crooked Medium’s Guide to Murder arose because I wanted to write about Britishness and specifically about Englishness; about our complex relationship with the past; I wanted leads who were morally grayer but still capable of kindness. It was time for a novel with queer leads. And in quite desperate times, I needed to write something with some uplift. It’s the first book intended to start a series.

My first books, Our Child of the Stars and Our Child of Two Worlds are set in the 1960s USA. It’s about Gene and Molly, a childless couple, and Cory, the little boy from the stars that they adopt, under such challenging circumstances. The books got lovely reviews and are available on both sides of the Atlantic.  

I spent nearly all my childhood in Bristol, and I’m now an adoptive Londoner.   I live with my partner, and it’s the best thing our two adult children come back from time to time. Our garden rages wild.

Author Stephen Cox

https://stephencox.co.uk

https://stephens-newsletter-69af79.beehiiv.com

Giveaway to Win 4 x Signed Books by Stephen Cox (Open to UK Only)

https://gleam.io/gFE4O/win-4-x-signed-books-by-stephen-cox-open-to-uk-only

Prize includes – Our Child of the Stars, Our Child of Two Worlds, The Crooked Medium’s Guide to Murder and the Crooked Medium’s Guide to Terror. 

*Terms and Conditions –UK entries welcome.  Please enter using the Gleam box below.  The winner will be selected at random via Gleam from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data.  I am not responsible for despatch or delivery of the prize.