I’m welcoming Cliff Lovette and his new novel, Circus Bim Bom: A Cold War Adventure to the blog with a post about my favourite topic – research

THE RESEARCH NEVER ENDS

Circus Bim Bom: A Cold War Adventure
Bim Bom Books
by Cliff Lovette

In 1991, I was a young attorney at an entertainment law firm in Atlanta. In walks this long-haired road manager named Bobby Liberman. He’d just finished a tour and started telling me about his previous gig: road manager for a privately owned Soviet circus that had arrived in America in 1990—a hundred and twenty performers, crew, and families from the crumbling Soviet empire. I was hooked. More than three decades later, I’m still researching.

Following the Trail
The Circus Bim Bom saga barely made a ripple in national news—just a few newspaper articles and some local TV coverage—before the story vanished into thechaos of 1990. It was a year when the rubble of the Berlin Wall was still being cleared, Saddam invaded Kuwait, and the Soviet Union began its final unraveling. With so much history unfolding simultaneously, a Soviet circus touring America was easy to overlook. Yet fragments survived: newspaper clippings in library archives, a circus program printed in both Russian and English, photographs from a July Fourth picnic at Lake Lanier where Soviet performers celebrated America’s birthday with Georgia Rotarians. The challenge was finding these fragments—and the people who could provide them with meaning.

The Hunt for Living Memory
In 2010, I recruited a team of Emory Law students to help me organize the chaos. They compiled a fifty-four-page research packet that included contact lists for circus performers, American promoters, attorneys, and journalists who had covered the story. They created quote databases highlighting the most revealing moments fromdozens of newspaper articles, spanning publications from The Atlanta Journal-Constitution to The Washington Post to The Los Angeles Times. They transcribedinterviews that captured voices I might otherwise have lost to time. But documents only tell part of any story. I needed voices—living witnesses whocould fill in what the paper trail left out. I tracked down the Nashville promoter who had worked with the tour. I found theRoswell Rotarian who had hosted that Fourth of July party, and I listened as he described, with tears in his eyes, how a towering Russian strongman had put an arm around his shoulder during the fireworks and said, “Happy Birthday, USA.” That moment stayed with me. Here was an American patriot who’d opened his home to Soviet performers—strangers from the other side of the Iron Curtain—and three decades later, he still choked up remembering it.
Over the years, I interviewed more than a dozen people connected to the tour. Some welcomed the chance to share their memories, while others were initially reluctant, surprised that anyone still cared about events from so long ago. Each conversation unlocked new details, contradictions, and mysteries, reminding me why this story matters.

The Bigger Picture
Personal testimonies provided the human story, but I needed context—the
geopolitical forces shaping what these performers experienced while their empire teetered back home. What was happening in Moscow while they performed in American arenas? What pressures weighed on Soviet officials? What were American audiences thinking as they watched these artists from behind the Iron Curtain? I studied declassified State Department documents about the Washington Summit negotiations between President Bush and Mikhail Gorbachev—the high-level diplomacy that formed the backdrop for this circus tour. I traced connections between promoters on both coasts and dug through newspaper archives from Atlanta, Los Angeles, and New York. Every answer generated new questions. Every document pointed to another document I hadn’t yet found.

Why the Research Never Ends
M.J. Porter writes that we must “question everything and not just accept it… look at the why, the how, and everything in between, including the chance survival of the records we do have.” That philosophy resonates deeply with me.
Historical research isn’t about finding definitive answers; it’s about following threads wherever they lead, questioning assumptions even when the answers seem obvious, and accepting that some gaps can never be filled. The fragments that survive do so by chance—a newspaper clipping saved in a scrapbook, a photograph tucked in a drawer, a memory that someone chose to share before it was too late. What matters is honoring those fragments: the transcribed interviews, the faded newspaper clippings, the photographs of Soviet acrobats at a Georgia lake on the Fourth of July. Those fragments became Circus Bim Bom: A Cold War Adventure—a novel that weaves fact and imagination to bring this forgotten story back to life. The book took shape over years of drafts, each revision incorporating something new I had learned, some detail I had finally tracked down, or some connection I had made. But even now, with the book complete, I continue to find new details—a name I hadn’t encountered, a connection I hadn’t made, a question I hadn’t thought to ask. The research never ends. And I wouldn’t have it any other way.

Here’s the blurb

Soviet circus performers arrived in America hoping to build cultural bridges. Instead, they became unwitting pawns in a Cold War game of international intrigue.

When the first privately owned Soviet circus arrived in 1990 in America as the Soviet Union disintegrated, its elite performers expected to build cultural bridges through spectacular shows. Instead, this prestigious troupe faced a perilous journey through Cold War America.

Circus director Yuri had to navigate treacherous waters where American mobsters, Soviet agents, and political forces circled like predators. Young aerialist Anton dreamed of becoming a clown against his family’s wishes, while forbidden romances and unexpected connections bloomed between Soviet performers and Americans who saw past the ideological divide. As high-stakes conspiracies threatened to tear the circus family apart, they had to choose between the authoritarian chains of home and the uncertain promise of freedom.

As the Ringmaster reminds us, “The best Soviet stories are like vodka—they burn with suffering, intoxicate with conflict, keep you stewing in reflection, and yearning for your heart’s desire.” This genre-bending tale explores whether human connection can transcend ideology—and whether storytelling can bridge the divides that separate us.

Purchase Link

https://books2read.com/u/3Gj0B

https://www.amazon.co.uk/dp/B0G4FPKNPR

https://www.amazon.com/dp/B0G4FPKNPR

Join the Bim Bom Book Club – https://bimbombookclub.com/

Members receive:

✨ Discounts on Gifts and Merch

✨ Exclusive glimpses into the self-publishing journey

✨ Previews of historical curiosities about Soviet circus life that didn’t make it into the book

✨ Exclusive “Rabbit Hole” bonus stories and other literary surprises

✨ A front-row seat to the book’s development and launch

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YouTube Link to Book Club: https://www.youtube.com/watch?v=fafpTaJLD84

What Makes This Novel Different

Circus Bim Bom offers an innovative multimedia reading experience. The novel includes 45+ YouTube links to period music, historical speeches, and cultural moments embedded throughout—readers can listen to the actual songs characters dance to as they waltz, and watch Reagan’s Brandenburg Gate speech as it’s referenced in the text.

The companion website (www.bimbombookclub.com) extends the story beyond the page:

• Character Avatars: 25+ talking video introductions where characters speak directly to readers
• Re-Imagined Circus Posters
• Book Club Experience: Interactive forums, live chat, and community discussions
• Historians Room (under construction): A space for Cold War history buffs to fact-check the novel, explore primary sources, and debate historical accuracy

Meet the author

Father, storyteller, and dog lover living in Sandy Springs, Georgia, with London curled at his feet. Cliff Lovette is an entertainment lawyer who learned about the real Circus Bim Bom in 1991 when the circus’s American road manager became a client at his Atlanta law firm. Circus Bim Bom: A Cold War Adventure is the first book in his debut duology

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