I’m sharing my review for Death At the School of Translators, A Rebecca DeToledo Medieval Mystery by Esther Knight #bookreview #historicalmystery #histfic #blogtour
Here’s the blurb
Ivanhoe meets Phryne Fisher in this medieval adventure of a woman sleuth.
Toledo, 1193: A city of scholars, secrets, and simmering tensions. When Queen Eleanor of Aquitaine’s Jewish spy is found dead, whispers of treachery reach all the way to England.
Rebecca DeToledo, a gifted healer and wealthy Jewish heiress, arrives under royal orders to investigate at the School of Translators. Her mission quickly turns perilous as she faces threats to her life and a sudden battle over her inheritance.
Assigned to guard her is Sir John of Hampstead, a disillusioned crusader burdened with knowledge that could threaten King Richard’s release from captivity. Forced into this partnership, he must protect Rebecca while grappling with his own prejudices.
As they navigate Toledo’s complex alliances, where Christians, Jews, and Muslims coexist in fragile peace, they uncover a web of secrets reaching deep into the cathedral. Can Rebecca and John unearth the truth before they become the next targets?
For fans of historical sleuths, slow-burn tension, and secret missions cloaked in royal intrigue.
Death at the School of Translators is a medieval mystery told from two points of view: Rebecca, our Jewish heiress, and John, our disillusioned knight. They are thrust together in England by Queen Eleanor of Aquitaine, in somewhat confusing circumstances, and quickly embark on their journey to Toledo, where the real investigation quickly gets underway.
The author endeavours to bring together the many cultures within Toledo and the many interested parties at play. There is no end to the intrigue, as the appearance of Rebecca and John stirs up problems for those living in Toledo, while others have things they wish to keep hidden.
There are a few moments where the story falters slightly, but as it approaches the conclusion, it really excels, and I think the author finds her footing with these two characters, who will undoubtedly reveal more mysteries in the future. There are also one or two modernisms that detract from the depth of research the author must have undertaken to write the mystery, but they are only slight.
Overall, I found Death at the School of Translators to be a fine first story in this new mystery series, and I look forward to reading more of Rebecca and John’s mysteries.
Meet the author
Esther Knight writes historical mysteries featuring a bold heroine who challenges the norms of her time.
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I’m delighted to share my review for Adam Lofthouse’s Eagle and the Flame #historicalfiction #blogtour #Roman #bookreview
I’m reviewing Eagle and the Flame by Adam Lofthouse
Here’s the blurb
Rebellion is in the air at the far reaches of empire.
Wall of Hadrian, Britannia, AD 367. Tribune Sixtus Victorinus is scouting north of the Wall when he first sees the smoke. Riding south he finds a province in chaos, the local populace in flight, the soldiers absent.
Britannia is ablaze, overrun with barbarians and Valentia is the word on everyone’s lips. But no one seems to have the first clue what it means…
Victorinus may have let his life run to ruin and drunk his youth away, but now he must forge himself into the soldier he always wanted to be, the hero his children think he is.
Because his family are among the missing, and traitors lurk much closer than he could ever believe.
To save his family, he must first save an empire.
EAGLE AND THE FLAME will sweep you through the tumultuous years of the late Roman Empire.
The Eagle and the Flame by Adam Lofthouse is a fascinating reimagining of Britannia during the late 360s. This then is Roman Britain, complete with Roman soldiers and senators, Roman weapons and, of course, Hadrian’s Wall. But, this is also a world of Germanic warriors, Saxon invaders, the tribes from beyond the Wall, and even some pirates.
Historically, the end of Roman Britain might be a few years in the future, but this is a world on the brink, the reach of the Romans starting to fade, and the events in Eagle and the Flame tell of a people as yet unaware of the coming calamities, and, Adam describes it very well. We have abandoned Roman forts, discontented Roman soldiers who aren’t getting paid on time, and the tribes from across Hadrian’s Wall are more aware of what might be happening than the Romans. And the emperor is very far away in Rome.
Our two main characters, Tribune Sixtus Victorinus, and Felicius are opposites of the same coin; one jaded and drunk, the other, still a career Roman soldier. Between them, they must disentangle the unexplained events on the borderlands, and then they must rouse support from all that they can to defeat the coming rebellion.
Eagle and the Flame starts fantastically well, immediately sucking the reader into the world of the 360s. It’s really quite hard to put the book down as the tension ramps up. Tribune Sixtus is a sympathetic character; for all, he is perhaps to blame for many of his problems. The small group of warriors who make up his area of command are well-sketched, and there is tragedy in the offing. Felicius’ life is more regimented, and it is Felicius who gives us a glimpse of what it was to be a Roman in the waning years of the Empire.
I really enjoyed Eagle and the Flame. The book starts with a bang and builds nicely to its conclusion, introducing a great cast of characters along the way. If you’re a fan of stories set in Saxon England, then you’ll love this earlier glimpse of Britannia.
Adam has for many years held a passion for the ancient world. As a teenager he picked up Gates of Rome by Conn Iggulden, and has been obsessed with all things Rome ever since. After ten years of immersing himself in stories of the Roman world, he decided to have a go at writing one for himself. He lives in Kent, UK.
I’m resharing an interview I gave when I’d finished writing Lady Estrid, a novel of eleventh century Denmark #histfic #writingadvice #authorinterview
Why did you decide to write about Lady Estrid?
Lady Estrid has been a character that’s long fascinated me. She crops up as a ‘bit part’ character in another series I write, but as time has gone on, I’ve realised that she offers a lot more than I’ve been allowing her so far. And so, I hope at a suitable point in the other series, I decided to explore Lady Estrid for herself. It involves stepping away from my comfort zone of pre-Conquest England in the eleventh century, and allows me to write about Scandinavia at this time period, which has always been a huge area of interest for me.
I’ve written a few long story arcs before, but only two other books which cover such a huge amount of time (about four decades). Such a project allows me to focus on the bigger picture and to put historical characters into a much wider story-arc than writing just about them would allow.
By necessity, Lady Estrid must be a strong woman, able to manipulate the politics taking place around her. I think that there’s a huge and growing interest in such women, and of course, Denmark (and Scandinavia as a whole) at this time, isn’t something that I believe has been tackled before, potentially because of the lack of English Language books about the era.
What drew you towards the Early Medieval era in which you set your book?
I’m fascinated by everything pre-1066 in England, but also wider afield. It’s impossible to tell the story of just one of these later countries, inhabited by Northmen or Norsemen, without looking to what’s happening elsewhere. These characters didn’t abide by our current national boundaries.
What were the challenges you faced in researching this period of history and were there any unexpected surprises?
The biggest problem with writing about this time period is the sources. I’m not as familiar with the Saga material and the works of Adam of Bremen and Saxon Gramaticus, as I’d like to be. As such, I rely much more on secondary sources than I might when writing about the Early English period. And of course, it’s a period where written sources are quite scarce anyway. Not only is it difficult to ‘find’ Lady Estrid, but, as you might have noticed, many of the character share the same names – there are no ends of Swein/Svein/Sven’s and equally, just as many Gytha’s and Gunnhild’s.
I was surprised by just how little the women of the Danish royal family are mentioned in any secondary sources. I’ve recently been on a book buying spree, and even in a new monograph on Cnut, Lady Estrith is only cited in the index seven times, and in a 798-page book, she has about 3 words!
What do you think is the most challenging aspect of writing Historical Fiction?
I think this depends on how much history you want to put in your book. I’ve just written three books in The Ninth Century Series, and while they’re historical in nature, much of the day-to-day activity is actually fighting and swearing. Lady Estrid has a much weightier content. It has a cast of many more people; they all have to be placed in the right time period and at the right events, and there is not as much information about any of them as I’d like there to be. Obviously, The Ninth Century Series was easier to write once the time period was set. Lady Estrid was an altogether different project. It took much longer, and was more frustrating because I was trying to ensure it didn’t conflict with previous stories I’ve written, which have a very ‘Early English’ basis.
What advice do you have for aspiring Historical Fiction authors?
Know the time period you’re writing about, and not just what happens during it, but also what happens both before, and after, and in neighbouring countries as well. And, be aware of what ‘might have happened’ if certain events – normally births, deaths or wars – hadn’t happened. Remember, your characters don’t have the benefit of hindsight that you have as a writer. Everything to them would have been immediate, imminent and happening to them. Don’t fall into the trap of presenting everything as a fait accompli.
And, be prepared to be frustrated. There’s always some niggly little fact that is just not mentioned anywhere. The decision then has to be made as to whether to ‘make it up’ or write around it, and readers will somehow always know if you make it up.
And on a final note, be prepared to do something a little bit ‘different,’ be bold, be creative, do whatever has to be done to engage an audience with the time period.
I’m delighted to welcome Julia Ibbotson and her book, Daughter of Mercia, to the blog with a guest post.
Lady Mildryth of Mercia
It might surprise us to know that women in the Anglo-Saxon period, even early in their history, were regarded as equal in importance to their male counterparts. Women could hold their own wealth, land, possessions; they could inherit from their fathers or mothers on their own account and they could bequeath it to their children. They were not regarded as the property of their husbands or fathers. Their rights were protected in law and it seems that this applied across the social spectrum, from high-status families presumably to ealdormen to thegns to freedmen ceorls and grant-bearer geburs.
High-status women could be leaders of settlements / regions in the years following the immigration and settling of even the early tribes of Anglo-Saxons. They could be strategists and negotiators. Later, for example, Lady Ǣthelflaed of Mercia, the 10th century daughter of King Alfred, strategized battles to take Derby, Leicester, York, and of whom it is said that she was a “man in valour, a woman in name”. The Anglo-Saxon word cūning (king)applies to either male or female leaders, while the word queen (cwene) applies only to the wife of a king. The historical significance of strong female leaders goes right back to Boudicca of the Iceni in the first century AD. Post-Roman Britain was composed of many small kingdoms, and kingdoms fought to take over other kingdoms and thus wield greater power over a larger region. But our theories of this time of great change are beginning to recognise the way that stable everyday life and the quest for peace were also significant.
Lady Mildryth is a fictional character but is bred of such strong female leaders as these. I have based her on other Anglo-Saxon women who have a place in the history of Britain and I wanted her to represent an idea of the powerful yet peace-loving early settlers who wanted to create stable, secure communities, from the chaos and blood-shed of previous generations. Clearly, I have taken liberties with historical characters and events for the sake of my novel and it is not intended to be an accurate academic analysis of the time, but since archaeological excavation is only just gaining a clearer picture of the early Anglo-Saxon period and its domestic and cultural signigifance, maybe my imagination is not so far out!
Recent archaeological excavation and research has demonstrated that even back to the 5th century, high status ladies were buried with signifiers of their wealth in their grave goods: rich jewellery, gold artefacts, precious glass, beautiful fabrics.
Lady Mildryth, as the leader of a region, would have worn fabrics that were richly dyed and decorated: a chemise or shift, a long-sleeved kirtle (under-gown) often of expensive linen or wool, an over-gown trimmed with fur or braid, and an embroidered mantle(cloak). As a high-status woman, she would have eaten well, with home-grown meat, fish, dairy, vegetables, fruit (hedgerow berries but also imported dates, figs, almonds), and she would have drunk honeyed mead and imported wine, during her mead hall feastings.
Although her antecedents are pagan, and she accepts the duality of her people, she finds herself on the cusp of Christianity, yet still drifting to some of the pagan beliefs of her upbringing. Her late mother was from the Cornovii tribe from the people of Pengwern / Powys, Celtic-Brythonic pagans. She was hand-fasted to Mildryth’s father and died when Mildryth was young. Lady M’s character takes after her mother’s strength of will and determination to be on a par with her brothers (Crydda and Cynewald) – although she knows that she must earn this.
Her antecedents are historical (well, possibly legendary!) characters. Her grandfather is Icel, son of Eomer, of the Icinglas (or Iclingas), an Angle from across the seas in Jutland. He is said to have led his people across the North Sea in around 515 AD to the region we now call East Anglia, and is said to have moved westwards across the country, founding the kingdom of Mercia in the 520s AD. His son, Lady Mildryth’s father, is Cnebba who ruled after Icel from possibly around 535 AD.
We speak of the archetypes ‘Peace-weavers’ and ‘Shield-maidens’ in Anglo Saxon society and I see Lady Mildryth as a Peace-weaver. She is a strategist and commander of men, like Lady Æthelflæd of Mercia generations later. But she is also a negotiator and does not wish to conquer other lands or fight to subdue other tribes. She is dedicated to her settlement, her community, and my novel is more about domestic history than that of battles and high kings.
Lady Mildryth strives to make her settlement run smoothly and to encourage the cultural enrichment of her people: a culture taken from her Angeln ancestors as shown in her use of the scōp, the poet story-teller who regales the thegns of the mead-hall with tales of tradition, of warriors, family and legendary heroism. Peace-weavers were often encouraged, or chose, to make expedient marriages with other kingdoms to avert potential strife. There is evidence to suggest that there were battles for lands, yes, but also deals and negotiations so that tribes could coexist. In Daughter of Mercia, Lady Mildryth is certainly aware of this.
If you’d like to read more of life in Anglo-Saxon times, you may like to look at my blog on my website and the 7-part series ‘Living with the Anglo-Saxons’ athttps://juliaibbotsonauthor.comwhere there are also some reference texts.
Here’s the Blurb
Echoes of the past resonate across the centuries as Dr Anna Petersen, a medievalist and runologist, is struggling with past trauma and allowing herself to trust again. When archaeologist (and Anna’s old adversary) Professor Matt Beacham unearths a 6th century seax with a mysterious runic inscription, and reluctantly approaches Anna for help, a chain of events brings the past firmly back into her present. And why does the burial site also contain two sets of bones, one 6th century and the other modern?
As the past and present intermingle alarmingly, Anna and Matt need to work together to solve the mystery of the seax runes and the seemingly impossible burial, and to discover the truth about the past. Tensions rise and sparks fly between Anna and Matt. But how is 6th century Lady Mildryth of Mercia connected to Anna? Can they both be the Daughter of Mercia?
For fans of Barbara Erskine, Elena Collins, Pamela Hartshorne, Susanna Kearsley and Christina Courtenay.
This title is available to read on #KindleUnlimited
Meet the Author
Julia Ibbotson is fascinated by the medieval world and the concept of time. She is the author of historical mysteries with a frisson of romance. Her books are evocative of time and place, well-researched and uplifting page-turners. Her current series focuses on early medieval time-slip/dual-time mysteries.
Julia read English at Keele University, England, specialising in medieval language / literature / history, and has a PhD in socio-linguistics. After a turbulent time in Ghana, West Africa, she became a school teacher, then a university academic and researcher. Her break as an author came soon after she joined the RNA’s New Writers’ Scheme in 2015, with a three-book deal from Lume Books for a trilogy (Drumbeats) set in Ghana in the 1960s.
She has published five other books, including A Shape on the Air, an Anglo-Saxon timeslip mystery, and its two sequels The Dragon Tree and The Rune Stone. Her latest novel is the first of a new series of Anglo-Saxon dual-time mysteries, Daughter of Mercia, where echoes of the past resonate across the centuries.
Her books will appeal to fans of Barbara Erskine, Pamela Hartshorne, Susanna Kearsley, and Christina Courtenay. Her readers say: ‘Julia’s books captured my imagination’, ‘beautiful story-telling’, ‘evocative and well-paced storylines’, ‘brilliant and fascinating’ and ‘I just couldn’t put it down’.
Meet the author, MJ Porter. Five Things You Don’t Know About Me.
I once had thirty-seven rabbits and forty-three gerbils. (I now have no pets at all. Not even a fish). My daughters do have five dogs between the two of them, however.
I dislike my middle name, even though two of my friends use it as their first name. I was given it in case I didn’t like my first name, but I do. Also, my Mum got in a lot of trouble for not naming me after members of the family.
When I was a teenager, I worked in a local music shop, and as a result, I have a unique and detailed knowledge of the music scene during the early 1990s, as revealed to me when I recently watched an episode of Top of the Pops 2 for 1990. I knew the words to almost every song. (The music shop was called Tudor Tunes. Even when I was a teenager, I couldn’t get away from history.) I’ve just googled the shop, and discovered it shut a long time ago. Ah, I’m traumatised.
When I was much younger, I had my picture taken for the local paper wearing a NASA astronaut’s helmet. They had to put a bit of paper in the catch so it didn’t seal me in.
I almost didn’t study history at GCSE, A Level or as a degree. I changed my mind every time, causing many people a lot of problems. I’m not sure I’d get away with it any more. I decided to study history at GCSE rather than Drama after visiting my great-grandfather’s grave, who fought in the First World War. While one of the lucky ones who came home to his family, he died in 1924 from injuries sustained during the war. It made me really angry to think my lovely Grandad grew up without his Dad (he would have been 4 when his Dad died) because of the war, and I wanted to find out why! Admittedly, I’m not a huge fan of 20th-century history, because it’s so complicated. There are too many names to keep track of.
My last two bunny friends. Cor, they did love carrot tops.Yep, that’s me in there. Perhaps I was destined to go to space, or as a reader said, ‘to have my head in the clouds.’
I’m reviewing A Very Murder Murder by Kate Wells, a fabulous contemporary mystery set in the Malvern Hills #mystery #newrelease #blogtour #bookreview
I’m reviewing a Very Merry Murder by Kate Wells
Here’s the blurb
Mistletoe, mince pies… and murder
When Jude Gray inherited Malvern Farm, she never thought she’d become so used to farm life, let alone be good at it! But now a beloved national TV show is coming to film their Christmas special on her land, celebrating the charm of rural living and all Jude’s achieved so far.
At least, that’s the plan… until one of the crew is found dead in suspicious circumstances.
At first, it looks like a tragic accident, but when alibis start to crack, it seems like anything but. With a growing list of suspects and enough behind-the-scenes drama to rival anything the cameras are capturing, Jude must dig deep to uncover the truth.
Because someone on her farm is hiding a deadly secret – and this year, the season of goodwill may come with a killer twist…
A Very Merry Murder by Kate Wells is the sixth book in the Malvern Farm Mystery series and I’ve read five of them (see my reviews below). The series is very dependable, and each book is very well written with a good mystery for Jude to unravel. It’s a favourite series of mine.
A Very Merry Murder sees Jude playing host to a film crew on the farm, while also preparing for her sister’s wedding. It’s a busy time for her, and a real strength of these books is that the author rarely forgets Jude is a farmer first and only a sleuth second. We get a good idea of the relentless nature of farming, even though Jude loves it.
The film crew, of course, quickly start causing problems, from the slimy director to the acerbic runner to the two hosts. Are they happily married or not? When the first body is found, Jude immediately senses not all is as it seems, and she works with a recovering Binni to unravel the tangled threads of lies and misdirection from the suspects. And all while preparing for Christmas.
A Very Merry Murder is a festive treat, complete with some snow, and while I’ll be honest and say I did work out the twist in this one, it was still very enjoyable. I highly recommend this series to those who like a contemporary mystery without too much gore.
Kate Wells is the author of a number of well-reviewed books for children, and is now writing a new cosy crime series set in the Malvern hills, inspired by the farm where she grew up.
I’m sharing my review for The Atlantis Covenant by Rob Jones #actionandadventure #blogtour #bookreview
Here’s the blurb
The greatest mystery of all time is about to be revealed.
When world-famous archaeologist and ex-soldier Max Hunter finds a mysterious artifact in a tomb beneath the Gates of Nineveh, his lifelong dream of finding Atlantis comes one step closer.
But he’s not the only one looking for it…
His discovery unleashes a high-speed hunt for the lost civilization between a mysterious Swiss foundation, the FBI, and the world’s most secretive society.
From the dangers of the Iraqi desert to Cuba and the jungles of El Salvador to the enigmatic Valley of the Kings in Egypt, Hunter faces a race against time and murderous enemies who will stop at nothing to claim the greatest prize in history. As he fights for his life, it soon becomes apparent that his enemies are searching for something altogether more sinister than the lost city…
Hunter must use his unique ingenuity and knowledge to decipher the clues and find Atlantis – and its lethal treasures – before they fall into enemy hands.
The Atlantis Covenant is a rollercoaster of a ride, through the ruins of many of the worlds ancient civilsations, bringing us, hopefully, to the discovery of the mythical Atlantis, via a lot of guns, helicopters, ‘bad guys and gals,’ and the involvement of a number of government agencies.
While this is one of The Hunter Files, there are many more characters than just Max, and we get to hear from most of them with a little bit of head-hopping (alas, not my favourite literary device), discovering their back stories and working out how they all came to be hunting for mythical items in a modern-day adventure story.
It’s a lot of fun, if a little silly in places, filled with mostly irreverent characters who are very devil-may-care, but with some of those good old National Treasure vibes, which do certainly appeal to me. I love a good old-fashioned treasure hunt, and if it involves the Illuminati and some ancient Egyptian treasures, then all the better.
Meet the Author
Rob Jones has published over forty books in the genres of action-adventure, action-thriller and crime. Many of his chart-topping titles have enjoyed number-one rankings and his Joe Hawke and Jed Mason series have been international bestsellers. Originally from England, today he lives in Australia with his wife and children.
Who was Lady Estrid, and why did I write about her life? #histfic #TheEleventhCentury #England #Denmark #non-fiction
Lady Estrid, or Edith or even Margaret, daughter of King Swein Forkbeard of Denmark (and briefly England) is one of those beguiling characters who lived through momentous change.
I’ve long been drawn to her, and used her as a ‘bit’ part character in my The Earls of Mercia series, but I wanted to dedicate both more time to Lady Estrid, and also to Denmark. Even when I’ve written about Cnut, who was king of England and Denmark, much of the action has taken place in England. There’s simply not enough ‘space’ to fit everything in.
Lady Estrid, like similar royal women (Queen Eadgifu of England and Lady Elfrida in the tenth century), had the advantage of living a much longer life than many of her male family members (check out the family trees here). She was the ‘glue’ that held together the narrative of what was happening in Denmark. And because of her vast family, it also allowed me to weave the story of not just Denmark, but also Norway, Sweden, England, and Normandy, into the narrative.
She was the daughter of a king, the sister of three kings, the aunt of four kings, the mother of one king, and in time, the grandmother of three further kings.
Having written about Queen Eadgifu, Lady Elfrida, and King Edward the Elder’s daughters (in tenth century England), I wanted a new ‘woman’ to bring to life. I could have chosen Queen Emma, or even Queen Edith of England, but their stories are more well-known. I’ve long been fascinated by the Scandinavian countries during the Viking Age, and Lady Estrid was just too good a character to leave in her ‘bit’ part without adding anything further.
For all Lady Estrid’s claims as mother, aunt, sister and daughter, there’s very little that can be said about her, not even the order of her three marriages, if they occurred, can be confirmed. It’s only possible to say that her marriage to Jarl Úlfr took place because of the survival of her children. It’s the lack of ‘hard facts’ about her, and the potential to weave a story that includes so many of the other well-known women and men of the period, that made Lady Estrid so irresistible. When stories focus on Earl Godwine, or King Cnut, or even on King Harald Hardrada, it’s possible to lose sight of the bigger picture, and Lady Estrid certainly provides the potential to show the overarching events that occurred from AD1013-1050 within Denmark and England.
On the 1100th anniversary of King Athelstan’s coronation #histfic #OnThisDayInHistory #non-fiction
Who was Athelstan?
He was the oldest son of Edward the Elder, but who was his mother?
It’s been suggested his mother might have been Mercian, and this also made him acceptable for the Mercians to declare him as king- but it’s impossible to determine more about her. We don’t even know her name, although it’s suggested that it was Ecgwynn. She was soon replaced, either because of her death or because Edward, on becoming king of Wessex, needed to cement his position through marriage with a powerful ealdormanic family. Lady Ælfflæd was Edward’s second wife.
Later discussions abound about Athelstan’s suitability to become king of Wessex, with many casting doubt on the union, but it is evident that Alfred believed the union was a lawful one, and his grandson would one day become king, although of where, we don’t know.
Equally, we don’t actually know when Edward’s second marriage occurred, was it before or after his father’s death?
Athelstan’s early life
Athelstan and his younger half-brother, Ælfweard, who we must assume was the oldest son born to Edward and his second wife, begin to attest charters in 901 both as filius regis although Ælfweard is named above Athelstan despite being younger.
Athelstan attests eleven of his father’s charters (Sawyer, P.H. (ed.), Anglo-Saxon charters: An annotated list and bibliography, rev. Kelly, S.E., Rushforth, R., (2022). http://www.esawyer.org.uk/ S365, S366, S371, S375, S376, S377, S378, S379, S381, S382, S383), Ælfweard only eight, but again, the number is still small and so may not be representative – in 901, Athelstan witnesses 2 charters, but Ælfweard only one.
Only three of the eleven charters that Athelstan witnesses under his father are deemed to be authentic, and only one of those witnessed by Ælfweard and Athelstan together which is dated to 901, when they were both young children. This would have been very early in Edward’s reign, when his cousin, Æthelwold, was still alive and contesting the rulership of Wessex, something that wasn’t resolved until the decisive Battle of the Holme, in either 901 or 902. Edward may have wanted to labour the point that he was the father to two potential male heirs, or æthelings. (His brother, Æthelweard is also termed filius regis, and so Edward might have been highlighting that if something did befall him, he had a brother who could also succeed him, as opposed to two young children.)
However, there is a large gap in the charter evidence for Edward the Elder in the middle of his reign, and so it is difficult to track any developments.
But with all that said, I don’t find Athelstan’s charter witnessing very helpful when trying to determine his place at the Wessex royal court at this time, his position as a young man or even how he got on with his father’s second wife (as well as his third wife) and her many, many children, who would bedevil him when he became king.
Was Athelstan raised in Mercia by his aunt and uncle?
The fact Athelstan was declared king of Mercia does seem to corroborate a statement made by William of Malmesbury, in the later Gesta Regum Anglorum, or The History of the English Kings, that Athelstan was raised in Mercia by his aunt and uncle, alongside his full birth sister, who may have been called Edith.
Or, it could be that his mother was Mercian. It’s frustratingly difficult to find explanations when events are merely told us as supposed ‘fact,’ and William of Malmesbury’s assertion has been little questioned, other than by historian David Dumville, even though it dates to two centuries after the events. It seems to be the ‘easy’ explanation as to why Athelstan became king of Mercia after his father’s death.
What was happening in Wessex?
Ælfweard, his younger half-brother, was declared king, until his death, 16 days after his father.
How did Athelstan become king of Wessex?
So, once he was chosen as Mercia’s king, how did he then become king of Wessex on the death of Ælfweard so soon after that of Edward?
This period is as equally hazy as what happened to make Athelstan king of Mercia.
But, after Ælfweard’s death, there is another son of Edward’s second marriage who could have become king, Edwin. As could the sons of Edward’s third wife, Lady Eadgifu, who were very young at the time, perhaps no more than one and three years old.
Why Athelstan was chosen is difficult to rationalise, especially if the Wessex witan were so uneasy with him. Some suggest he reached an agreement with Lady Eadgifu (his father’s third wife) that her sons would be his heirs. Others think there was a period of unease where Wessex was kingless. We have no explanation for Edwin being overlooked, and certainly, it seems he went on to cause his older half-brother problems. We have reports of Edwin’s death in 933 – apparently from drowning, but it seems likely, it was some sort of rebellion against his half brother, the king. The Gesta Abbatum S. Bertini Sithiensium, reports his burial by his cousin in Flanders.
I find this period quite interesting as by now, another Eadgifu, a half sister of Athelstan, who had been married to King Charles III of the West Franks, might have been in Wessex. She had a young son, Louis, but Charles had been usurped and imprisoned and certainly Louis was at the Wessex court when his grandfather died. It’s possible Eadgifu was as well. Would she not have supported her full brother against Athelstan claiming the kingship? Equally, we don’t know if Edwin’s mother was still alive. It is all very perplexing.
What we do know is that Athelstan underwent his coronation in September 925, so over a year after his father’s and half-brother’s death. The coronation took place at Kingston upon Thames. This delay has been interpreted as showing he met resistance in Wessex to his rule, but it might not have been that unusual. His father’s coronation was not immediate, although, admittedly, his father was faced with the rebellion of Æthelwold, his cousin and the surviving son of Alfred’s older brother, Æthelred I. Alfred and his brother seem to have reached an accord about the succession before Æthelred I’s death, and Alfred then rode roughshod over it.
A coronation with a crown?
There is some discussion about whether the surviving Coronation ordo (ceremony) was devised for Athelstan or not, but he was crowned with a crown and not a helmet, as earlier kings had been. We have a famous image of Athelstan, (we only have two contemporary/near-contemporary images of the tenth century kings) presenting a book to St Cuthbert, and in this image, he is shown wearing a crown. This was a departure from earlier ceremonies.
Frontispiece of Bede’s Life of St Cuthbert, showing King Æthelstan (924–39) presenting a copy of the book to the saint himself. Public domain, via Wikimedia Commons
For more suggestions, and my fictional recreation of how Athelstan became king of Mercia, Wessex and the English, do check out my books, Kingmaker (the story of Lady Eadgifu), and King of Kings (which begins with the coronation of King Athelstan on 4th September 925).
Anglo-Saxon Chronicle quotations from M Swanton, The Anglo-Saxon Chronicles.
Check out the Brunanburh Series page on my blog for more information.
I’m delighted to welcome a returning Helen Golden to the blog with her new book, An Heir is Misplaced. #bookreview #cosymystery #blogtour #avidreader
Here’s the blurb
A missing heir. An out of sorts duchess. A Season in High Society that just became far more interesting…
London, 1891. With the gossip broadsheet The Society Page speculating that her husband is getting far too cosy with their female neighbour back at his country estate, Alice, Duchess of Stortford, is fed-up. And it’s raining! But when a flustered nobleman appears at her door, knowing of her reputation for managing discreet enquires, he begs her for help. His nephew, who is about to inherit an Earldom, has gone missing.
But the deeper Alice digs, the murkier things become. Why are the late Earl’s wife and his stepson so evasive? What really happened at The Carlton Hotel the night the heir was last seen? And who’s set to gain the Earldom if the heir ends up dead?
Aided by her loyal maid Maud, her quick-thinking footman George, and the ever-resourceful private investigator Ben Beaumont—not to mention a certain well-known detective with a pipe—Alice must untangle a web of secrets to find the missing heir before it’s too late.
The clock is ticking, the gossip is swirling—and only Alice can set things right.
An Heir is Misplaced sees Helen Golden creating a new feisty female sleuth, set in the later Victorian era. Alice, the Duchess of Strotford, clearly has some very interesting connections, as we learn through this first encounter with her.
Tasked with finding a missing heir, she calls on all the resources a well-born lady of high society has at her disposal, while remaining within the confines of what would have been acceptable. As ever, the mystery isn’t quite all it seems, and Alice quickly grows suspicious, as the tangled threads begin to make sense.
This is a fabulous introduction to Alice, and I’m excited to read more of her backstory, as well as her future sleuthing endeavours.
Check out my reviews for the books in Helen Golden’s Right Royal Mystery series, featuring one of Lady Alice’s descendants.
Helen Golden spins mysteries that are charmingly British, delightfully deadly, and served with a twist of humour.
With quirky characters, clever red herrings, and plots that keep the pages turning, she’s the author of the much-loved A Right Royal Cozy Investigation series, following Lady Beatrice and her friends—including one clever little dog—as they uncover secrets hidden in country houses and royal palaces. Her new historical mystery series, The Duchess of Stortford Mysteries, is set in Victorian England and introduces an equally curious sleuth from Lady Beatrice’s own family tree—where murders are solved over cups of tea, whispered gossip, and overheard conversations in drawing rooms and grand estates.
Helen lives in a quintessential English village in Lincolnshire with her husband, stepdaughter, and a menagerie of pets—including a dog, several cats, a tortoise, and far too many fish.
If you love clever puzzles, charming settings, and sleuths with spark, her books are waiting for you.
MJ Porter 