Today, I’m delighted to welcome M C Bunn to the blog. She’s going to share the secrets of her research with us all.
I’m a story teller first and foremost, not a historian or a trained researcher. While I have a love for history, my college major and master’s degrees are in English. It was a great excuse to read the sorts of books I love. Recently I attended the Historical Novel Society’s North American conference. The conversation rooms on various historical eras and related topics were some of the event’s most exciting offerings because of the participants’ passion for their subjects and their wealth of knowledge. I’d love to contact some of them for more information, especially as I work on my next book, which is set at the end of the Edwardian period and during World War I.
For advice about how to investigate a historical detail, I turn to knowledgeable friends for help, and librarians are goldmines for resource suggestions. I also do a lot of digging through bibliographies and end notes, and rely on contemporary texts. If they’re nonfiction, as opposed to literary, they’re mostly digital. Annotated books and older dictionaries are quite helpful. I try to avoid slang. It’s interesting how many expressions we use that Victorians didn’t, and vice versa.
My late father’s Clarkson N. Potter Annotated Sherlock Holmes and its notes never fail to lift my spirits when I think about the pitfalls awaiting writers. While Conan Doyle’s plots and dialogue are amazing, he made up London streets and includes all sorts of details in his stories that don’t hold up under the scholar’s close scrutiny. The Potter edition is full of references to research articles by other famous authors and fans that prove how some sort of chemical or cigar ash Holmes describes couldn’t have been used in such and such a way. But those intricacies aren’t the point of what Conan Doyle was doing. At least Dorothy L. Sayers won’t be looking over my shoulder. She minutely read Conan Doyle’s work! In the later drafts of Treasure, I tried to avoid glaring errors and anachronisms, but perhaps the ones that remain will amuse some reader or inspire another writer’s research.
I didn’t set out to write Where Your Treasure Is. It wasn’t inspired by researching the late-Victorian era, though that’s a time period that has exerted its fascination over me since childhood. Writing the story felt—not exactly like automatic writing, but there was definitely an element of feeling propelled along. There was no outline or notes. It was only after I’d written the entire plot from beginning to end that I added more historical details and checked those that had emerged organically.
I’d spent some time in London and Norfolk, and studied old and new maps of Treasure’s settings. What surprised me were details that, during the checking process, I thought I’d made up but hadn’t. I attribute some of that to the passage of time and forgetfulness. When you’ve read about a time period for as long as I have, you internalize a great deal. As for other details, I’ve no explanation.
For instance, Mena House was a name that wouldn’t leave me alone when I wrote about the heroine’s uncle traveling to Egypt. I looked it up and was surprised to find the hotel is famous though it wasn’t mentioned in any of the reading I’d recently completed on Egypt. I ordered several 19th century travel guides to confirm a few more details about the hotel’s history and its golf course. Another eerie instance was the way I imagined the façade of the character George’s Norfolk home, Hereford Hall. In my early twenties I stayed with a family in Norfolk, but we fell out of touch. Several years after I wrote Treasure’s first draft, I learned that one of my host’s sisters had died. Her obituary includes a picture taken in front of a structure that looks almost identical to George’s house. I’d never seen that picture before or visited the place. Believe me or not, but that’s the truth.
Thank you so much for sharing your research with me today. Good luck with your new book.
Here’s the blurb;
Feisty, independent heiress Winifred de la Coeur has never wanted to live according to someone else’s rules—but even she didn’t plan on falling in love with a bank robber.
Winifred is a wealthy, nontraditional beauty who bridles against the strict rules and conventions of Victorian London society. When she gets caught up in the chaos of a bungled bank robbery, she is thrust unwillingly into an encounter with Court Furor, a reluctant getaway driver and prizefighter. In the bitter cold of a bleak London winter, sparks fly.
Winifred and Court are two misfits in their own circumscribed worlds—the fashionable beau monde with its rigorously upheld rules, and the gritty demimonde, where survival often means life-or-death choices.
Despite their conflicting backgrounds, they fall desperately in love while acknowledging the impossibility of remaining together. Returning to their own worlds, they try to make peace with their lives until a moment of unrestrained honesty and defiance threatens to topple the deceptions that they have carefully constructed to protect each other.
A story of the overlapping entanglements of Victorian London’s social classes, the strength of family bonds and true friendship, and the power of love to heal a broken spirit.
Meet the author
M. C. Bunn grew up in a house full of books, history, and music. “Daddy was a master storyteller. The past was another world, but one that seemed familiar because of him. He read aloud at the table, classics or whatever historical subject interested him. His idea of bedtime stories were passages from Dickens, Twain, and Stevenson. Mama told me I could write whatever I wanted. She put a dictionary in my hands and let me use her typewriter, or watch I, Claudius and Shoulder to Shoulder when they first aired on Masterpiece Theatre. She was the realist. He was the romantic. They were a great team.”
Where Your Treasure Is, a novel set in late-Victorian London and Norfolk, came together after the sudden death of the author’s father. “I’d been teaching high school English for over a decade and had spent the summer cleaning my parents’ house and their offices. It was August, time for classes to begin. The characters emerged out of nowhere, sort of like they knew I needed them. They took over.”
She had worked on a novella as part of her master’s degree in English years before but set it aside, along with many other stories. “I was also writing songs for the band I’m in and had done a libretto for a sacred piece. All of that was completely different from Where Your Treasure Is. Before her health declined, my mother heard Treasure’s first draft and encouraged me to return to prose. The novel is a nod to all the wonderful books my father read to us, the old movies we stayed up to watch, a thank you to my parents, especially Mama for reminding me that nothing is wasted. Dreams don’t have to die. Neither does love.”
When M. C. Bunn is not writing, she’s researching or reading. Her idea of a well-appointed room includes multiple bookshelves, a full pot of coffee, and a place to lie down with a big, old book. To further feed her soul, she and her husband take long walks with their dog, Emeril in North Carolina’s woods, or she makes music with friends.
“I try to remember to look up at the sky and take some time each day to be thankful.”
Connect with M C Bunn
Don’t forget to check out the other stops on the Where Your Treasure Is blog tour with The Coffee Pot Book Club