It’s happy release day to The Last Deceit, book 10 in The Last King series, so I’m sharing a blog post about my decision to include a fictional character

Here’s the blurb

Deceit and ambition threaten to undo the most fragile alliance.

King Coelwulf of Mercia has unwillingly accepted the need to ally with the kingdom of Wessex under the command of King Alfred. But King Alfred of Wessex must still prove himself, and Coelwulf can’t remain absent from Mercia indefinitely.

Returning to London, a place holding more fascination for the West Saxons and the Viking raiders than Coelwulf and his fellow Mercians, Coelwulf sets about reinforcing the walled settlement so long abandoned by all but the most determined traders. But Coelwulf knows Jarl Guthrum has set his eyes on Canterbury, and he must protect the archbishop in Kent, nominally under the control of the West Saxon king, even if King Alfred is no warrior.

But deceit and lies run rife through the West Saxon camp and when Coelwulf believes he’s held to his oaths and alliances, an unexpected enemy might just sneak their way into Mercia. The future of Mercia remains at stake.

Purchase Link

https://www.amazon.co.uk/Last-Deceit-England-action-packed-historical-ebook/dp/B0DK3J8JVK

Available in ebook, paperback, hardback and the Clean(er) Editions, with much of the swearing removed.

The Last Deceit also includes a new short story.


If you’ve not discovered The Last King/The Mercian Ninth Century Series, then please check out the Series page on the blog.


Ealdorman Sigehelm and Cooling

In The Last Deceit, I’ve included a fictional character called Ealdorman Sigehelm, who is based on a later individual that we know existed, the father of Lady Eadgifu, third wife of Edward the Elder. (By based I mean I borrowed his name and landholding).

I’ve done this because it’s fun to play around with the information I’ve learned about later in the era. It’s often one of the biggest problems in writing historical fiction. You need to know what happens before the events you’re writing about, as well as what comes after, as well as the actual events you’re depicting. And Cooling, in Kent, has an incredibly detailed history throughout the later tenth century, which we know about because of a remarkable charter. The text of which is below (it’s quite long.)

‘Eadgifu declares to the archbishop and the community of Christ Church how her estate at Cooling came [to her]. That is, that her father left her the estate and the [land]book, just as he legally acquired them and his ancestors had bequeathed to him. It happened that her father borrowed thirty pounds from Goda, and entrusted the estate to him as security for the money. And [Goda] held it for seven ‘winters’. When it came about, at around this time, that all the men of Kent were summoned to the battle at the Holme, Sighelm [Sigehelm], her father, did not want to go to the battle with any man’s account unpaid, and he repaid Goda the thirty pounds and he bequeathed the estate to his daughter Eadgifu and gave her the [land]book. After he had fallen in the battle, Goda denied the repayment of the money, and withheld the estate until six years later. Then Byrhsige Dyrincg claimed it unceasingly for so long, until the Witan of that time commanded Eadgifu that she should purge her father’s possession by [an oath equivalent to] that amount of the money. And she produced the oath in the witness of all the people at Aylesford, and there purged her father’s repayment by an oath of thirty pounds. Then she was still not able to possess the estate until her friends obtained from King Edward [the Elder] that he prohibited him [Goda] the estate, if he wanted to possess any [at all]; and so he gave it up. Then it happened in the first place that the king so strongly blamed Goda that he was deprived of all the [land] books and property, all that he owned. And the king then granted him and all his property, with [land] books and estates, to Eadgifu to dispose of as she wished. Then she said that she did not dare before God to pay him back as he had deserved of her, and she restored to him all his land except the two sulungs at Osterland, and she refused to give back the [land] books until she knew how loyally he would treat her in respect of the estates. Then, King Edward died and Æthelstan [Athelstan] succeeded to the kingdom. When Goda thought it an opportune time, he sought out King Æthelstan and begged that he would intercede on his behalf with Eadgifu, for the return of his [land] books. And the king did so. And she gave back to him all except the [land] book for Osterland. And he willingly allowed her that [land] book and humbly thanked her for the others. And, on top of that as one of twelve he swore to her an oath, on behalf of those born and [yet] unborn, that this suit was for ever settled. And this was done in the presence of King Æthelstan and his Witan at Hamsey near Lewes [Sussex]. And Eadgifu held the land with the landbooks for the days of the two kings, her sons [i.e., Edmund and Eadred]. When Eadred died and Eadgifu was deprived of all her property, then two of Goda’s sons, Leofstan and Leofric, took from Eadgifu the two afore-mentioned estates at Cooling and Osterland, and said to the young prince Eadwig who was then chosen [king] that they had more right to them than she. That then remained so until Edgar came of age and he [and] his Witan judged that they had done criminal robbery, and they adjudged and restored the property to her. Then Eadgifu, with the permission and witness of the king and all his bishops, took the [land] books and entrusted the estates to Christ Church [and] with her own hands laid them upon the altar, as the property of the community for ever, and for the repose of her soul. And she declared that Christ himself with all the heavenly host would curse for ever anyone who should ever divert or diminish this gift. In this way this property came to the Christ Church community.’ S1211[i]

To explain:

Dating to around 959, the document provides the ownership history of an estate at Cooling in Kent. Eadgifu had inherited this land from her father, who had mortgaged it for a loan of £30, which he repaid before going on the campaign on which he died. However, Goda, the man who had made the loan, claimed not to have received payment and proceeded to take practical ownership of the estate. While Eadgifu retained the landbook, or freehold record, and tried various means of asserting her ownership, it was not until Edward the Elder intervened, presumably after their marriage, that the matter was resolved to some degree. Edward seized not only the estate in question but all Goda’s lands, handing their ownership and administration over to Eadgifu. The charter indicates that Eadgifu acted magnanimously, giving almost all of these back to Goda, though her primary consideration was likely to avoid creating a powerful political enemy. Sensibly, however, she retained possessions of the landbooks to ensure Goda’s loyalty, as well as a small estate at Osterland, in addition to her hereditary holdings at Cooling. The matter was fully resolved in Æthelstan’s [Athelstan] reign when the king interceded with Eadgifu on Goda’s behalf. Eadgifu returned the landbooks, but retained the estates at Osterland and Cooling, while Goda swore an oath in Æthelstan’s presence declaring that he considered the matter to be closed … Eadwig seized his grandmother’s landholdings and, in the case of the Cooling and Osterland estates, turned them over to Goda’s sons … After Eadwig’s death in 959, Edgar restored his aging grandmother’s possessions.[ii]

It’s unusual to have so much detail about a landed estate, and so, when I took Coelwulf and his allies to Kent in The Last Deceit, I couldn’t resist embroidering this character into the tale. I imagine you can see why. To read more about Lady Eadgifu, check out The Royal Women Who Made England.


[i] Sawyer, P.H. (ed.), Anglo-Saxon charters: An annotated list and bibliography, rev. Kelly, S.E., Rushforth, R., (2022). http://www.esawyer.org.uk/ S1211

[ii] Firth, M. and Schilling, C. ‘The Lonely Afterlives of Early English Queens’, in Nephilologus September 2022, https://doi.org/10.1007/s11061-022-09739-4, pp.8–9

Map of Early England taken from The Mercian Ninth Century Series.

It’s happy release day to The Last Deceit, book 10 in The Last King series, so I’m sharing a blog post about the Gaini

Here’s the blurb

Deceit and ambition threaten to undo the most fragile alliance.

King Coelwulf of Mercia has unwillingly accepted the need to ally with the kingdom of Wessex under the command of King Alfred. But King Alfred of Wessex must still prove himself, and Coelwulf can’t remain absent from Mercia indefinitely.

Returning to London, a place holding more fascination for the West Saxons and the Viking raiders than Coelwulf and his fellow Mercians, Coelwulf sets about reinforcing the walled settlement so long abandoned by all but the most determined traders. But Coelwulf knows Jarl Guthrum has set his eyes on Canterbury, and he must protect the archbishop in Kent, nominally under the control of the West Saxon king, even if King Alfred is no warrior.

But deceit and lies run rife through the West Saxon camp and when Coelwulf believes he’s held to his oaths and alliances, an unexpected enemy might just sneak their way into Mercia. The future of Mercia remains at stake.

Purchase Link

https://www.amazon.co.uk/Last-Deceit-England-action-packed-historical-ebook/dp/B0DK3J8JVK

Available in ebook, paperback, hardback and the Clean(er) Editions, with much of the swearing removed.

The Last Deceit also includes a new short story.


If you’ve not discovered The Last King/The Mercian Ninth Century Series, then please check out the Series page on the blog.


The who now? Who were the Gaini?

In The Last Deceit, reference is explicity made to a Mercian tribe known as the Gaini. It is from this obscure royal line that it’s said King Alfred’s wife, Lady Ealhswith, claimed descent. So, who were the Gaini?

The simple answer is that we don’t know. We don’t know where they were based. We don’t know any other known members of this tribe, but it’s certainly a name that survives from a period-specific resource, The Life of Alfred written by Asser in about 893, and so, some years after the events in The Last Deceit, in which he claims King Alfred’s wife was a descendant of this ruling family. Here are the details from The Royal Women Who Made England.

‘We are told by Asser, that Alfred ‘married a wife from Mercia, of noble family, namely the daughter of Æthelred “who was known as Mucil [Mucel]”, ealdorman of the Gaini. The woman’s mother was called Eadburh, from the royal stock of the king of the Mercians.’ It is possible, but cannot be confirmed that Ealhswith’s father was ealdorman in Mercia from the 820s onward when a man named Mucel is listed as attesting the surviving charters. The location of the tribal region of the Gaini has yet to be ascertained. Mercia was composed of many tribal regions; the most familiar being the Hwicce and the Mægonsate, both on the western borders with the Welsh kingdoms.

Whether Eahlswith’s mother was actually a member of the Mercian ruling family is difficult to conclude. Barbara Yorke determines she was related to King Coenwulf (796–821) and Coelwulf (821–823), two brother kings who ruled in the first quarter of the ninth century. It is impossible to confirm this either way due to a lack of available information. Mercia endured a string of kings throughout the ninth century, some more successful than others, and none of them able to offer the consistency and longevity that had been prevalent in the earlier eighth century during the long reigns of Æthelbald (716–757) and Offa (757–796).

Her possible father, Æthelred Mucel, witnesses two charters in the year of the marriage, S340, surviving in one manuscript, and S1201, surviving in two manuscripts, as well as S337, surviving in four manuscripts, in 867 and S349, surviving in two manuscripts, but deemed spurious, in 895.
What is known is that the union between Lady Eahlswith and Alfred was part of an arrangement with Mercia whereby Alfred’s sister, Æthelswith, married the then king, Burgred, and Ealhswith married Alfred. Little is known of Mercia’s King Burgred (852–74), other than that he fled from Mercia in the wake of sustained Viking raider aggression in the year 874.’

Why then might this royal connection to the Gaini onle be mentioned here? I’m not sure I need to labour the point, but Asser, writing our earliest life of a pre-conquest king, had a remit to follow, and no doubt that was to make much of King Alfred, and his wife. It would have looked a little odd if King Alfred had been married to a lesser woman of Mercia, when he was desperately trying to grow his repuation by having a ‘life’ written about him.

And Mercia is certainly a rich tapestry to either foist a previously unknown tribe upon, or to ‘borrow’ one for the intention of making more of someone. Mercia, ‘the kingdom on the border’ (although we don’t for sure which border this applies to), consisted of many smaller tribal areas, the names of which, if not often the location, have survived in the Tribal Hidage, an eighth-century source (which doesn’t mention the Gaini). More familiar names to travellers to the era are the Hwicce (around Gloucester), the Magonsæte (close to the Welsh border), the Tomsæte (close to Tamworth), to name but a few, have survived in charter documentation which names these distinctive areas and we often have ealdormen of these places, most famously my first historical recreation, Ealdorman Leofwine of the Hwicce of the Earls of Mercia Series.

And so, in The Last Deceit, it is Ealhswith brother, Lord Æthelwulf, who makes mention of the Gaini, as no doubt, he too would have made much of this alleged royal connection.

Map of Early England taken from The Mercian Ninth Century Series.

It’s happy release day to The Last Deceit, book 10 in The Last King series, so I’m sharing some photos of Old Sarum and Stonehenge

Here’s the blurb

Deceit and ambition threaten to undo the most fragile alliance.

King Coelwulf of Mercia has unwillingly accepted the need to ally with the kingdom of Wessex under the command of King Alfred. But King Alfred of Wessex must still prove himself, and Coelwulf can’t remain absent from Mercia indefinitely.

Returning to London, a place holding more fascination for the West Saxons and the Viking raiders than Coelwulf and his fellow Mercians, Coelwulf sets about reinforcing the walled settlement so long abandoned by all but the most determined traders. But Coelwulf knows Jarl Guthrum has set his eyes on Canterbury, and he must protect the archbishop in Kent, nominally under the control of the West Saxon king, even if King Alfred is no warrior.

But deceit and lies run rife through the West Saxon camp and when Coelwulf believes he’s held to his oaths and alliances, an unexpected enemy might just sneak their way into Mercia. The future of Mercia remains at stake.

Purchase Link

https://www.amazon.co.uk/Last-Deceit-England-action-packed-historical-ebook/dp/B0DK3J8JVK

Available in ebook, paperback, hardback and the Clean(er) Editions, with much of the swearing removed.

The Last Deceit also includes a new short story.


If you’ve not yet started The Mercian Ninth Century Series, then check out the series page on the blog.


A trip to Old Sarum

Earlier this year, I attended a virtual talk about Old Sarum which really inspired me. As such, I immediately decided I needed to take Coelwulf and his warriors there. I was really pleased to be able to visit the location on my way home from Devon earlier in the year, and it was even better than I’d imagined it. I hope the photos below will reveal it’s fabulous location and the height and width of the encircling embankments, as well as just how close it is to Salisbury, which was built to replace it.

The English Heritage information board from Old Sarum.

Old Sarum is an old Iron age hillfort, but it was repeatedly used until it was abandoned, and most people know of it because under the early Norman rulers a castle and a church were built there. But my interest is in the earlier period. Under the Romans it was called Sorviodonum, and was in use at points during the Saxon era. It did have one fatal flaw however, it relied on a single water source inside the two embankments.

As I can’t fly, and therefore couldn’t take a photo of the extent of Old Sarum, do check out the English Heritage website to see it in all its glory. https://www.english-heritage.org.uk/visit/places/old-sarum

You can also find the talk I attended on YouTube here.

A trip to Stonehenge

I’ve also taken Coelwulf to Stonehenge in The Last Alliance and The Last Deceit, and so I went to visit as well. I’ve had some fun deciding what my warriors think of the strange arrangement of stones. Personally, I much prefer the Ring of Brodgar and the Stones of Stenness on Mainland Orkney but that might be because you can get much closer to the stones there.

2024 – A Writing Year in Review

Check out my 2022 and 2023 posts.

So, what have I been writing/editing in 2024? As ever, it’s time to turn to my trusty diary to find out, but I’ve also been keeping a spreadsheet this year so it’s much easier to work out exactly what I’ve been writing, and when I was writing it. So here goes:

In January, I instigated my ‘new approach’ to writing, following a disappointing writing year in 2023. Was I harsh on myself with my assessment of 2023 ? I don’t think so, and certainly my new approach has ensured I wrote a lot more in 2024 than in 2023. So, my new approach is simple, I write at least 2000 words a day, every day. Did I manage every day? I certainly did not, but when I wasn’t working at my very seasonal job in the local school (or I must admit, on holiday), I managed to write at least 2000 words a day almost every day. This might sound a little crazy, but writing for me is a bit of a necessity. If I don’t exercise my creative mind, I am plagued (yes, plagued) by rather weird dreams. If I wasn’t writing, I would be really stuck.

In January, I began my new writing routine by finishing off the first draft for The Last Viking, and then swiftly moved onto the next Icel story. Somewhat bizarelly, it’s this book, Betrayal of Mercia, which is being released on 5th January 2025. I was very ahead of the game. I also spent a bit of time working on edits for Enemies of Mercia and Conflict of Kings. It was my sixth most productive month. Not a bad start. It was also the month that Clash of Kings was released, the third book in the Brunanburh series, as well as my first non fiction title, The Royal Women Who Made England.

Cover image for Clash of Kings

At this point, I’m also going to wax a little lyrical about another lifestyle change I made which was to start exercising every morning. This, I’ve found, wakes me up much better than caffeine and sets me up really well for the rest of the day. It can be anything from 10 minutes up to about half an hour, and I use an online app to decide what I’m going to do each day. I don’t complicate matters by trying to get to the gym, and my equipment is steadily growing at him. It’s made me much stronger, and now, like writing, I struggle if I don’t take the time to do a little bit each day.

The Royal Women Who Made England cover

In February, my fifth most productive writing month, I was working on six different projects – which is kind of crazy. I finished my first draft of Betrayal of Mercia, scooted back to the next Coelwulf book, The Last Alliance, and also started work on my Dark Ages series, the first book of which, Men of Iron, will be releasing in April 2025. Aside from that, I also had some work to do on The Last Viking, Protector of Mercia and Kings of Conflict. So, by now I was in the swing of things. I write in the morning and then in the afternoon I work on edits, either structural, copy or proofreads. It means my creative side gets all excited in the morning, and then I can buckle down in the afternoons and get on with the other very important processes for a self-confessed pantser (I plan very little about my writing).

March was my third most productive writing month. I wrote the vast majority of the first draft of what would become The Last Alliance, and also did some editing for Betrayal of Mercia and Kings of Conflict. March also saw the welcome release of The Last Viking, the first Coelwulf book for a few years. It was so much fun to be back with Coelwulf and his friends. He is my most favourite character to write because it’s just like releasing all the tension and stress through his language and general attitude to life. I wish I could be ‘more’ Coelwulf all the time.

Cover image for The Last Viking.

April was my seventh most productive writing month, with much of it taken up with work on Men of Iron, although I did start the month with the first 10,000 words of what became The Last Deceit. I didn’t realise I’d been playing with that book for quite so long. At this point, I was largely adhering to my 2000 words a day endeavour, although with a holiday and my time in school on the horizon, it was all about to come to a bit of a halt. It also saw the release of Enemies of Mercia, book 6 in the stories of young Icel.

Cover image for Enemies of Mercia by MJ Porter

May was my eighth most productive month of 2024, coming in at 29,000 words for the month, so very much below my intended target of 2,000 words a day. But, I was on holiday and busy with exams at the local school, and I was ahead of my schedule that I’d written at the start of the year, so I didn’t mind too much. I was finishing the first draft of Men of Iron, and I also started work on the sequel to Men of Iron, which should be called Warriors of Iron when it’s released in August 2025.

June was a write-off (literally). I managed a massive 1000 words all month. Not only was I just back from holiday and busy in school, but I ended up with my first official bout of ‘Covid’ which was a most odd experience. However, I was able to release The Last Alliance at the end of June, which I was very pleased about.

Cover image for The Last Alliance by MJ Porter

July was a muddled month with a holiday to Norfolk (yes, I made it to Suffolk and Sutton Hoo), but it was my tenth most productive month, so not very productive at all, as I reworked some of Men of Iron.

For August, I was back to it. It was my most productive month, coming in at just under 85,000 words written on a variety of projects, I had to make up for lost time. I was writing Warriors of Iron and The Last Deceit, and editing Betrayal of Mercia as well as Men of Iron. I don’t want you feeling sorry for me because September, I knew, was going to be a difficult writing month with my long-awaited trip to Devon and slow journey there and back to take in A LOT of historical sites I needed to visit for Men of Iron and other projects. 6th August saw the release of Kings of Conflict, the final book in the Brunanburh series.

Cover image for Kings of Conflict by MJ Porter

September was my eleventh most productive month, or second from last:) I worked on structural edits for Men of Iron, endeavouring to weave into the narrative some of the places I’d visited on my travels to and from Devon.

October was my fourth most productive month. My main tasks for the month were working on initial drafts for Warriors of Iron and The Last Deceit. I also worked on copyedits for Men of Iron and Betrayal of Mercia. This was the first time I managed to keep track of how many words I removed from the edited copy during the proofread. It was not that many words, but I faithfully recorded all of them, which gave me a net minus 3.

November is the month every year when I allow myself to write absolutely anything I want. This year saw me returning to a project from 2018 and starting to ‘fix’ many of the problems with it – the biggest one being there was simply too much story to fit into one book. I now intend to make it a trilogy, and using about 20,000 words from the first draft, I added a further 59,000 to it as well as working on some editing and structural edits of other projects. It was a busy month, but November is always really important to me. Deadlines and editing can really drain me of my creativity. November allows me to be excited about something entirely new and without deadlines (although, not so new this time as it was an older project). Watch this space to find out what I’m going to do with it.

For December, I was once more busy in the local school, and travelling to meet fellow Viking authors, and other authors more local to me. All the same, I’ve been busy writing, finally getting back to Icel, who I’ve neglected of late. That said, I’ve known where this new story would go ever since I finished working on the first draft Betrayal back in January. At the moment, my working title is Icel of Mercia, but I’m sure that won’t be the published title. December has been my ninth most productive writing month, but even as I write this, I know I have a few more writing days to go, so it will increase. December will also see the release of The Last Deceit. I’ve just managed to get the 3 Coelwulf books in, as promised.

All in all, I’ve enjoyed my writing in 2024. There are always moments when it’s an effort, and moments when it feels easy, but my new writing routine, or what I now call ‘minimising the stress around first drafts’ has really helped me. Ensuring I’m working on something while editing another project ensures I have time for my stories to settle before I edit them, and also allows me to plant all those lovely Easter Eggs I love to scatter through the many different series. I pity the person who tries to work out which book I was writing when in the future.

I have two newish projects under way, my November project, and also the beginnings of another nonfiction title. I also have two of my three Boldwood titles complete bar some of the editing, and Icel 8 is shaping up nicely as well. For next year, I want to continue my current practice of writing at least 2000 words each morning, and editing in the afternoon. It works really well with my writing style. Everyone has different styles. It’s important to determine what works, and when it stops working, to find something else. 2024 was the year I revamped what had been working for me for many years. It’s also allowed me to methodically plan, even if I didn’t always keep to the plan.

In terms of words written this year, it comes in at about 570k. It’s not my best year, which was 2019, but it’s so much better than in 2023, I’m really pleased.

Forthcoming releases for 2025 will be Betrayal of Mercia, Men of Iron, Warriors of Iron in August, Icel 8 in October and hopefully, a new Erdington Mystery (I have a title, which is a good sign for that series) and my November 2024 project which I need to finish but which will probably be released under a different author name. I also hope to return to Coelwulf, but I’m not promising 3 titles in the series as I did in 2024. That was almost too much for me. In terms of writing, I need to finish the Dark Age Chronicles (I’ve stated it will be a trilogy – I have too many characters as it is,) and continue with the lovely Icel.

A huge thank you to all my wonderful readers who allow me to spend my time with my characters. It is a privilege.

If you want to follow my writing journey, join my newsletter. I update readers each month.

I will be sharing my reading year in review soon.

To fellow writers, remember, to be a writer you first must write, but you also have to write the way that works for you. Good luck.

I visited the ruins of Shaftesbury Abbey in a torrential downpour but it was still beautiful

Shaftebury Abbey is a ruin, in private hands and run by a charity, and I was desperate to visit because it’s where King Alfred’s daughter, Æthelgifu, was an abbess, and where King Edmund’s first wife, Ælfgifu, was buried, (the mother of Eadwig and Eadgar/Edgar) and where the body of King Edward the Martyr was moved to after his murder (the oldest son of Eadgar/Edgar). You can read about these women in my The Royal Women Who Made England non-fiction title. And I’ve fictionalised many of them as well, especially Lady Elfrida, accused of murdering her stepston.

However, I was there on a day so biblically wet a few weeks ago, that sadly, they had to close (i.e. this is the first time I’ve been kicked out of a historical monument), but the volunteers were absolutely lovely and I’m grateful they let me look for as long as possible before making sure they got home safely on roads that were very, very wet. And, it made the whole experience very atmospheric. If you pop over to their website, there are fab images of it being sunny. https://www.shaftesburyabbey.org.uk I hope to be able to return on day when it’s not raining.

The lettering by the monument to Edward the Martyr
From memory, this is where it’s believed Edward the Martyr was originally buried when the abbey was in use

I finally visited Deerhurst, my fictional home for Ealdorman Leofwine in the Earls of Mercia series.

Back in the summer of 2011 (I think), I spent every evening when my children were in bed, trying to plot the possessions of the Earls of Mercia as revealed by the entries in Domesday Book (which I think is a totally normal thing to do).

It was a tedious process, which could be achieved much more quickly these days with Google Maps, but it was what I had available to me. Somewhat frustrated with the process because by that period many of the possessions of the Earls of Mercia and their family were not located in the original area of the Hwicce (roughly Gloucestershire), and aware that Deerhurst (which is in Gloucestershire) has a long history back to the Saxon period, I eventually plonked by ealdorman, Leofwine, (of the Hwicce) close to that location, and indeed, readers of the books will know that I have his family burials there. But, I’d never actually visisted Deerhurst before. Until now.

It is a beautiful location, and I’m sharing some photos from my visit, including The Angel, a surviving piece of Saxon sculpture, outside on the walls (my photos aren’t the best but it’s at a very awkward angle and quite high up the side of the building. You can find a much clearer image here https://www.flickr.com/photos/paulodykes/41119170111).

Deerhurst hosts an annual lecture each year (indeed, it’s on 21st September 2024 this year), and is also open for visitors, for anyone else who fancies visiting. If you can’t make it, you can visit their website, and also order printed copies of the lectures, which I’ve done before now. https://deerhurstfriends.co.uk

And, just around the corner is Odda’s Chapel, another Saxon survivor. I will also share photos from Odda’s Chapel in a few days.

Check out the Earls of Mercia series page.

Posts

The historical setting for The Custard Corpses #mystery #histfic #history

Setting for The Custard Corpses, my first foray into historical mysteries

The Custard Corpses is set during the 1920s, 1930s and 1940s. I wanted to make the book as authentic as possible, even though I’m not a historian of that time period. When I was first studying history at school, I always found it strange to think of it as history as I had grandparents who had lived through the 1920s, 1930s and 1940s (my old granny was born in 1901, my mother’s parents in 1920 and my father’s parents in 1926 and 1928). That’s probably why I’ve never written about the period before.

Getting the names right

I wanted to ensure I was using names and places that existed at the time, and I didn’t want to inadvertently make any silly mistakes – a few beta readers pointed out I was using metric measurements, when they should have been imperial in the 1940s. They thought it was sweet that I’d never known the world of imperial numbers (and money).

Maps and train routes

So, I spent quite a bit of time hunting down random facts; maps of the time period, tram and train routes (which you can find online, but I had some old maps), pictures of cars, police uniforms at the time, advertisements of the time and also editions of the Picture Post magazine. At one point, I wanted a celebrity scandal, and there it was, on the cover of a magazine. 

Map of Erdington from the era

Newspaper Archives

I was amazed by the information that I could find by accessing archives ( and also that which I couldn’t find), and I was especially impressed by the ‘history’ section on the Birmingham.gov website, and by those local newspapers that have archives available online – such as the Inverness newspaper and the Birmingham Mail. There’s also a whole aerial photo website that I could have used, but I couldn’t quite work it out. 

Family memories

I was also lucky in that I set the book somewhere I have childhood memories of, and also that a family member spent their early years in Erdington. It was funny to realise the parts that they especially remembered – such as the fact that some of the buses were still open-topped at the time, and the liveries that buses were decorated with. The Birmingham that I remember is very different to the one that exists now, and the one that existed in the 1940s. My memories of Birmingham consist of the dodgy car park we used, the train journey we used to take in the old carriages with individual doors (they were old in my day) and shopping for jeans.

I also made some use of the 1911 census records, and the Office for National Statistics spreadsheet which lists all the most popular names in decades. It made it easy to devise names for the characters. It also helped that while the 1940s is ‘history’ it’s much more relatable to me than the period before 1066, when I usually set my stories, so provided I didn’t use the internet in the story itself (and only as a research tool), or refer to cms, it was just about authentic, I hope. And did allow for the use of cars and telephones.

Check out The Erdington Mysteries page for more information.

(This is a blog post I wrote in 2021 and which I can’t find on my blog, so I’m sharing it.)

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The inspiration behind The Custard Corpses #histfic #mystery

The inspiration behind The Custard Corpses #histfic #mystery

The inspiration behind The Custard Corpses is a bit weird, even I admit that

My father had, for many years, bought and sold antique paraphernalia, mostly maps, but also other items as well – books, stamps, old vellum deeds, postcards – you get the idea. With the restrictions during Lockdown, he wasn’t able to sell as normal at his antique fairs, and having put off having an online presence, he finally decided to open an eBay shop – but needed tech support. And so, as ‘tech support’, he started sending me all sorts of fascinating items to list, but the one that really got my attention were the advertisements that ran in the Picture Post magazines for Bird’s Custard.

They’re bright, they’re inviting, they are, to put it bluntly, before their time. They have lovely catchphrases, such as ‘every little helps’ which Tesco use now. The black and white images on the coloured background ensure the readers eye is drawn to the happy child, and they do make you want to eat custard.

I wanted to share them with as many people as possible so that they could catch a glimpse of these old campaigns. There were other advertisements as well in the magazines, ones for Pepsi and for Shell, to name a few, but it was the Bird’s Custard ones that really captured my imagination. But how could I share them with people?

Well, my mind works in strange ways, and I began to consider a mystery that would somehow be relevant to the advertisements, so it needed to be set during the period the Picture Post magazine was produced from 1938 to the 1950s. And so, The Custard Corpses.

I set The Custard Corpses during the Second World War, but that was really because it fit with the adverts I’d seen, the added bonus that I could then use the well-known events of the war was a secondary consideration.

Where I set the book was entirely based on the fact that I had family members who’d lived in Erdington at the time. I was able to pick the brains of my Dad for the little details that I didn’t know or couldn’t remember, not that he was born in 1943, but not long after. 

It was all quite random, in the end, and there was a swell of little details that I uncovered that just, through pure happenstance, fitted together. It helped that I wanted to try my hand at something more modern than the eleventh century, but still historical. But I’m not an expert on any other time period, so I suppose it was an easy choice to decide on a setting that was just within living memory of some. I couldn’t visit anywhere due to Lockdown, so familiar was best.

Is this the weirdest reason to have written a book?

Check out The Erdington Mysteries page to discover more about the books.

Buy The Custard Corpses here, available in ebook, paperback, hardback and audio. Or, check out the signed editions page to get a copy directly from me. Book 3, The Secret Sauce, is available now, (as is book 2, The Automobile Assassination), and the Barrage Body is coming very soon.

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A free short prequel short story for The Brunanburh Series

Now we’ve reached the end, it’s time to go back to the beginning

If you’ve not yet had enough of the characters from The Brunanburh Series, then I have good news for you. I wrote a prequel short story from Athelstan’s point of view, and you can download it for free following this link below. You do have to give your email details and sign up for my Boldwood Books newsletters, but they are not at all aggressive with their marketing (I know – I follow myself to make sure) and you will hear from them only about new releases and book related news. And you get a free prequel short story via Bookfunnel. What’s not to love:)

https://BookHip.com/VJKKTJJ

A huge thank you to the Kings of Conflict blog hosts

Being a book reviewer is really hard work. I know because I do it myself. And so, I want to give a huge thank you to the book reviewers and bloggers who have helped launched Kings of Conflict throughout the last week, and to Rachel who organises them. (And also to my personal Street Team who are fabulous and so committed.) Everyone thinks that book reviewing must be great because you get to read books before everyone else, (and they’re free) but that overlooks the time and energy it takes to read and review every book and then make them look fancy on the internet. It can be very hard to juggle deadlines and then sometimes, you just don’t gell with a book/character and so, it’s not all free books and leisurely afternoons reading with a coffee (or beverage of choice). It can feel quite pressured. There is an overwhelming urge to want to help an author do really well with every new release. So, a huge thank you to these wonderful people, many of whom I have come to know really well, and I am so grateful to them. (You can check out the highlights from their reviews below – and you can also find the full reviews by typing their names in your search engine).

books2read.com/KingsOfConflict10th

Not started The Brunanburh Series yet?

Then pick up the free prequel story, and you can read book 1, King of Kings, free with Prime Reading and it’s also in Kindle Unlimited. The first chapter recreates King Athelstan’s coronation ceremony, and then the politics and chaos descends. Enjoy.

Check out The Brunanburh Series page on my blog, and meet the characters.

If you have finished the series, and you’re looking for something similar

Check out the series pages on the blog.

Gods and Kings (Pagan Warrior)

The Eagle of Mercia Chronicles (Son of Mercia)

The Mercian Ninth Century (The Last King – there are less sweary versions too)

The Tenth Century (The Lady of Mercia’s Daughter)

And it’s goodbye to the Brunanburh Series #histfic #newrelease

Why Brunanburh?

In 2014, I had the ‘amazing’ idea to write a novel about the events that led to the famous battle of Brunanburh in 937 – the greatest battle on British soil that few people have ever heard about (Or certainly hadn’t heard about back then – who knew Uhtred of Bebbanburg would be taking part in it).

My reasons were two-fold. I’d just read Sarah Foot’s monograph on Athelstan, and the UK was in the grip of a vote for Scottish Independence. It made me consider the union of the kingdoms of Wales, Scotland, England and Northern Ireland and the history behind it. But, it also stemmed from my own frustration with the way we’re taught history in the UK. ‘United’ it might say but if you go to school in England, Scotland, Wales or Northern Ireland you will be taught the ‘history’ of those kingdoms (and only those kingdoms)- that was when I was a kid, and I think it’s still true – very little ‘joined up’ thinking, and this is something that continues to cause problems today, and not just in the UK, but everywhere. Country-specific agendas fall down when looking at periods before these kingdoms actually existed – and the desire to see the ‘march’ towards unity as simple also misses the naunces.

Map of Britain in the 10th century showing the different kingdoms of England, The Scots, Strathclyde, the Welsh kingdoms and York/Jorvik

In the first book in what became the Brunanburh Series, I wanted to examine these kingdoms – to unpick the seeming ‘inevitability’ of it all – and it massively helped that despite what might come before, and after, and as little as it may seem – we do know a surprising amount about the kings who fought at Brunanburh. What we don’t know (although the Wirral is now almost ‘accepted’ as the correct location) is where Brunanburh took place, and what actually led to it. It was time for me to get writing.

1100th Anniversary of Athelstan becoming king of Mercia

2024 marks the 1100th anniversary of King Athelstan becoming king of Mercia (although his coronation as king of the English took place in 925 – so a year later (read my post about this period here). While he has been often overlooked between the alleged ‘greatness’ of King Alfred (871-899), and the alleged ‘failure’ of King Æthelred II (978-1033/1013-1016), Alfred’s great great grandson, more and more historical investigation is being undertaken on Athelstan, and indeed, his half-brother, Edmund, who is one of the other characters in the series. (It might also have helped that Athelstan features in Bernard Cornwell’s The Last Kingdom series). A spotlight is being shone on all Athelstan accomplished, and the move is also encompassing Edmund, (as well as Eadred, and Eadwig – these three often overlooked).

The family tree of King Alfred

Non-fiction books to read

And this investigation is also looking at events in what would be Scotland, Ireland and Wales, as well as the Norse kings of Jorvik. The approach I’ve taken, is one that historians are examining – Alex Woolf’s From Pictland to Alba and Claire Downham’s Viking Kings of Britain and Ireland (they did it before me – but their books have helped me massively), as well as Max Adams’ Ælfred’s Britain which focused on much more than just Alfred.

My conclusions from writing about this period?

What then can I say after four books considering this period? Quite simply, nothing is as easy to explain or account for as might be hoped. The sources that have survived come with so many explanations about translation (they are not written in English – and indeed we have Old English, Latin, Old Irish, Old Welsh etc) bias, survival, manipulation, and corroboration (one source is often used to corroborate another) that sometimes it feels easier to hold my hands up and say ‘who knows?’

Attempts to draw together a cohesive narrative are constantly thwarted. One historian may argue for one thing, another for another. Every person who studies the period will have their own levels of ‘acceptable’ when looking at the sources. I am always wary of Saints Lives – they were not intended, and can not be, accepted as historical ‘fact’ but they do tell us a lot about reputation – another interesting facet to consider. The Icelandic Sagas must also come with a host of caveats. I also have to rely on translations and therefore remove myself from the original intention of the scribe once more.

The joy of this period is in the nuances that can be exploited – it is also where most people are likely to argue. And indeed, readers may fail to comprehend these nuances – hence the ‘it’s too predicatable’ complaint- I imagine all of ‘my’ kings would have welcomed the preditability of knowing the eventual outcome.

Trying to explain concepts such as ‘this is the first king of the English,’ ‘Hywel’s a king of all the Welsh’ falter because my audience expect these places to be united and under one king – but alas, were rarely that. The other England-specific failure to teach history before ‘1066’ also adds to these problems. The Saxon period is deemed as ‘weird,’ (the names, oh the names). There is so much going on, that even I have fallen down and made mistakes, and only with a sort of ‘doh’ moment made the connection between the name Brunanburh and the element of most interest ‘burh.’ (Thank you Bernard Cornwell for that moment of understanding – I still feel very, very stupid about it – not his fault).

Team Norse, Team England, Team Wales or Team Scots?

To tell a story such as this involves standing on the shoulders of giants. I am indebted to them – and sometimes, a bit narked that they won’t give me any definites either – what I will say is this – I understand a lot more now. I hope others do as well. And whether you’re Team England, Team Norse, Team land of the Scots, or Team what would be Wales, I hope you enjoyed meeting these long-dead men and women and realising that they were just as shifty, ambitious and perhaps, blood-thirsty, as people are today. I really can’t ask for more than that, other than you read the non-fiction for the period as well, and hopefully, enjoy it.

Image showing the 4 covers for the Brunanburh series by MJ Porter

books2read.com/King-of-Kings

books2read.com/kingsofwar

books2read.com/clashofkings

books2read.com/KingsOfConflict10th

Check out the Brunanburh Series page for more information and lots more links to blog posts.