I’m sharing my review The Wordsmith’s Guide to Planning the Perfect Plot by Elizabeth M Hurst #blogtour #nonfiction #writingadvice

I’m sharing my review The Wordsmith’s Guide to Planning the Perfect Plot by Elizabeth M Hurst #blogtour #nonfiction #writingadvice

The Wordsmith’s Guide to Planning the Perfect Plot

* DO YOU STRUGGLE TO FINISH WRITING A NOVEL?
* DO YOU RUN OUT OF MOMENTUM BECAUSE YOU DON’T KNOW WHERE YOUR STORY IS GOING?

The Wordsmith’s Guide to Planning the Perfect Plot is your trusted companion for turning story ideas into structured, compelling narratives. In this fourth instalment of the Wordsmith’s Guides series, Elizabeth M. Hurst takes you through popular plotting methods—including the Snowflake Method, Save the Cat Beat Sheet, and The Inside Outline—helping you choose the right approach for your writing style. You’ll also find practical advice on troubleshooting common pitfalls, crafting satisfying endings, and keeping your plan adaptable as your story evolves.

Inside, you’ll discover:

  • Clear explanations of proven plotting methods
  • Guidance on choosing the right structure for your novel
  • Tips for overcoming plot issues and staying on track
  • Advice on writing satisfying, well-rounded endings
  • A practical appendix full of tools and templates to support your planning process

Whether you’re a planner, a pantser, or somewhere in between, Planning the Perfect Plot will help you shape your novel with clarity and confidence.

Purchase Link

 https://geni.us/PlottingAmazon

My Review

Planning isn’t something I really do as a writer. But I was certainly curious to see how others might go about writing their stories. Elizabeth M Hurst gathers together many different techniques for planning a novel, and it is interesting to discover how I could be writing a novel, if my mind worked in that way. Mine, alas, does not. It thrives on the chaos. But, I do think the book is an excellent resource for those who plan before writing, and perhaps worry too much about sticking to their plan and the plot they thought they’d be writing when it goes awry and things starts to misbehave. I found it intriguing to read how people use ‘beats’ to craft their story as well as arcs and other techniques. I’m in awe of anyone who can think that far ahead:) I’m not a planner because I ‘feel’ my way through a story – but the author certainly nails my writing style in her explanations.

The author readily acknowledges that most people will use a variety of these techniques, and I was pleased to see that through it all, the delightful chaos of characters and plot misbehaving was never far from her thoughts.

The idea behind writing the novel, was, the author says, to encourage writers to finish their drafts using whatever techniques work for them. This is a worthy endeavour. Many people start writing a story and falter when things start to feel ‘off.’ This should provide opportunities to get writers writing again by thinking of their plot in different ways. I suspect it could be used as an effective diagnostic tool to discover where a plot is faltering, and once that’s been done, writers will learn what works and doesn’t work for them and in future, potentially, avoid the traps waiting to choke off the creativity.

A concise and interesting summary of the way writers write, providing suggestions for breaking free from processes that might not be working. I’m sure all writers will find their ‘type’ in the explanations.

Meet the author

Elizabeth was born and bred in the picturesque harbour town of Whitehaven in the northwest of England, where the long, wet winters moulded her into a voracious reader of fiction to escape the dismal weather.

She graduated with a degree in Business Studies and a string of jobs followed, after which she finally settled in the automotive industry, where she spent twelve happy years.

Having already started writing around the age of 40, she had begun to dream of a more creative lifestyle and set about creating her freelance editing and proofreading business, EMH Editorial Services. In 2018, she quit the corporate world and concentrated her energy full-time towards her love of the written word.

Elizabeth now lives with her husband in the warm and sunny south of France, where the wine is cheaper than the water, and the cats spend their days hunting lizards and dreaming of the birds that roost on the roof.

Connect with the author

https://elizabethhurstauthor.com/

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I’m sharing my review for Desolation by Keith Moray, a brand new historical mystery #bookreview #blogtour #newrelease

I’m sharing my review for Desolation by Keith Moray, a brand new historical mystery #bookreview #blogtour #newrelease

Here’s the blurb

A BRAND NEW wickedly dark medieval mystery from Keith Moray. If you like your murder truely gruesome – this series is for you! 🩸☠️🗡️

The Black Rood of Scotland, stolen.

A coroner of York, murdered

An evil worse than plague itself, at large…

1361, York. As the country recovers from the war with France, and whispers that the pestilence has returned to England grow louder, fear is in the heart of every nobleman and commoner alike. Sir Ralph de Mandeville, ex-solider and newly appointed Justice of the Peace is sent to Langbarugh, just outside York, to investigate the murder of Coroner Sir Boderick de Whitby.

More deaths quickly follow, and while these are swiftly dealt with as plague victims, Sir Ralph and his two assistants Merek and Peter soon uncover something altogether more horrifying… A greater evil is at large in the northern wapentakes.

As panic escalates and the lines between plague and murder blur, Sir Ralph is thrust into a desperate race against time. Every shadow hides a potential killer, every cough could be a death knell. Can he unmask a murderer lurking in the terrifying shadow of the Black Death before they’re all consumed by a terror more sinister than any plague?

Purchase Link

https://mybook.to/desolationsocial

Here’s my review

Desolation is the first book I’ve read by Keith Moray. I think the cover is fabulous and very evocative.

The story is intriguing, with a wide cast and it takes quite some time until we finally meet Ralph de Manville because there are so many other characters to meet first. I do hope that in later books in the series, Ralph will enter the narrative a little quicker.

It is quite a complex plot, because the narrative switches between characters so much. The reader does have to work to make sense of what’s happening. We are told certain things, but not others – so we know what’s happening but not necessarily who is doing it. The body count is HUGE!

When Ralph finally begins to make sense of what’s happening, the resolution comes quite quickly, and the ending is certainly satisfying.

I read a lot of mysteries. If I don’t work out ‘who did it’ I am always impressed, although with Desolation there are so many people implicated, it does feel as though there are a lot of people to guess. I worked out some elements, but not others, and I did very much enjoy the mystery element of the story.

Meet the author

Keith is a retired GP, medical journalist and novelist, writing in several genres. As Keith Moray he writes historical crime fiction in the medieval era and in ancient Egypt, The Inspector Torquil McKinnon crime novels set on the Outer Hebridean island of West Uist, and as Clay More he writes westerns. Curiously, his medical background finds its way into most of his fiction writing.

Connect with the author

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I’m delighted to welcome Luv Lubker and her new book, Under The Sword, to the blog #HistoricalFiction #VictorianEra #KaiserWilhelm #QueenVictoria #Anti-Trafficking #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Luv Lubker and her new book, Under The Sword, to the blog #HistoricalFiction #VictorianEra #KaiserWilhelm #QueenVictoria #Anti-Trafficking #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Luv Lubker and her new book, Under The Sword, from The Rival Courts series, to the blog, with an excerpt.
 
Louischen sat on the broken branch of a tree which leaned over a little stream, gazing down into the water at the round face and big eyes of the little girl who seemed to look back up at her. Her face, too, was streaked with tears.
 
“Oh, Charlotta, I’m so glad I found you here,” she whispered. “You are Charlotta, but I must call you Charlotta the second, as Charlotta – the first – is gone forever. Papa – Papa killed her. I never thought he would do such a thing, but I saw her shatter into pieces with such a look of anguish! Oh, I can tell you everything, Charlotta.” She looked away and sighed. “Only, I can’t see you indoors. I can only see you here. Charlotta – the first – was with me so often. She was in the little glass over my bed. And – oh, Charlotta, I was so afraid. I couldn’t move, because there were bits of glass all over my bed, and I was afraid. But he can’t smash you. The wind can blow you away, into little bits, but you will still be there,” she whispered, as the wind blew and the face in the water rippled away for a moment.
 
Her little yellow voice seemed to float around Charlotta’s face, instead of hers. At first there had been waves of blue around the sides, but now, shimmering stars of deep, piney green fell over it. She sighed happily.
 
“I feel so peaceful here. But I wouldn’t dare to go to sleep here – the wind might blow me down and I wouldn’t want to sleep in your bed. No – I would rather sleep in the orchard, if I slept outside – in, or under, the cherry trees. It would be so nice to be buried in their petals, I think. But you will never know that, unless –” Louischen took a cherry pit out of her pocket, and looked at it. “Unless I planted one here, but the gardener says it would take years before it could rain down its pretty petals. But perhaps…” Louischen slipped carefully down from the branch, dug a little spot in the ground, next to the water, and covered it over. She bent down and kissed the spot. “Make a blanket for Charlotta, please,” she whispered.
 
She turned round and threw her arms around the pine tree, kissing it. “I have something for you, too,” she whispered. She took a bunch of pressed cherry blossoms from her pocket, and tucked it under the pine needles. “You belong together,” she whispered, turning her head on its side to look at the flowers peeking up, and smiled at them.
 
“Goodbye,” she whispered, and ran across the little island, carefully stepping across the fallen tree.
 

Here’s the blurb

From acclaimed Victorian historical author, Luv Lubker, the author of “Under His Spell” comes the continuing romance of the Princess Royal Victoria and Frederick III of Prussia.

Join Queen Victoria’s eldest daughter and her husband, future German Emperor Frederick III in this third installment of The Rival Courts family saga, as they climb the treacherous path to their dream of German unification in the Franco-Prussian war of 1870.

In the calm after the storm, Vicky and Fritz have it all: a devoted marriage, a growing family, and the promise of a bright future. But Fritz’s Uncle Karl lies in wait behind the scenes, hatching his newest plot. A shocking outcome of Vicky’s Royal duties will bring fresh doubts to Fritz’s heart, and his fatherhood.

As personal tragedy strikes and shakes them to their core, Fritz is forced to lead the largest battle history has ever seen. One which could change the face of Europe forever.

Vicky’s best friend struggles to shield her daughters from the sinister force that seeks to control them. The youngest shares her grandfather’s uncanny ability to know the truth behind others’ motives. But can she see the truth in him? In such a dangerous world, what heroic role will this small child play?

Can they escape the danger and betrayal that lurks in every corner as they travel to the icy expanse of Russia, the peaceful Mediterranean shores, and the vast Eastern deserts?

Will Vicky and Fritz’s love and marriage survive a mysterious illness, or will Uncle Karl’s conspiracies tear them apart for good?

Fans of Clare McHugh’s A Most English Princess, Mary Hart Perry’s The Shadow Princess, and Daisy Goodwin’s Victoria will be swept away by this gripping tale of love, war, and intrigue. With rich historical detail and deeply human struggles, Under the Sword, the third installment of The Rival Courts saga, brings to life the triumphs and tragedies in a fight against a nefarious trade which flourished in the shadows of the Royal court. A must-read for lovers of Victorian-era royal fiction.

Trigger Warnings: All non-graphic:

Sex trafficking/prostitution encouraged by villain (but anti-trafficking is a strong theme); Rape, drugged gang-rape (off-the-page); Implied (off-the-page) child abuse (physical, sexual); Childhood pregnancy; Trauma processing/PTSD in historical setting; Death of child, grief; Occasional racist remark (strongly DISapproved by main character); Coerced marriage; War/battle scenes; ED/sexual disfunction (Discreet/non-explicit discussion and frustration of spouse); Implied death of pet cat; Historical views expressed by characters about homosexuality

Buy Link

Universal Link

Meet the Author

Luv Lubker began life in the Animal World, researching creatures great and small since before she can remember, and earning her degree in chicken psychology by age twelve. Not long after, she immigrated to the Victorian era, where she has lived half her life in close company with the Brontë sisters and made friends with Queen Victoria’s extended family, whom she now knows quite as well as her own kin.

Born in a cattle trough in the Appalachian Mountains, Luv currently resides in Texas’ Great Plains when visiting the modern world. When she isn’t writing or reading, she delights in preparing and savoring gourmet raw food with her family and exploring nature on long bike rides. Her special abilities include researching in seven languages and riding a unicycle since age seven.

Luv’s research delves into the unwritten stories that history left behind. Through unpublished letters, altered manuscripts, and deeply buried secrets, she reveals emotional truths concealed beneath the era’s refined exterior. Her novels give voice to the silenced, reveal what Victorians were taught to suppress and what their biographers chose to omit, tracing invisible scars that shaped lives, choices, and history itself.

Connect with the Author

Website

Follow the Under the Sword blog tour with The Coffee Pot Book Club

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I’m delighted to welcome Christy Matheson and her book, The Boat on the Lake of Regret, to the blog #BoatOnTheLakeOfRegret #CastleInKilkennyFairyTales #HistoricalFantasy #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Chritsy Matheson and her book, The Boat on the Lake of Regret, The Castle in Kilkenny: Fairy Tales, to the blog with a snippet.

Snippet

Opening:

“Hannah!” Dylan calls. “Hannah?”

A shiver of worry runs up my spine. He never uses my real name.

“Here! I’m in the parlor!” Footsteps thunder down the hallway and Dylan bursts in. His hair is all mussed, his face is wild, and his jeans are in deplorable shape.

“What on earth happened? Come in and—”

“I’m fine. It’s yourself who needs to be careful.”

Fancy that, after barely making time for me for weeks, he bursts into my own home and orders me around!

He sees his mistake immediately. “I didn’t mean—look, I brought you this, Henny luv.”

Well, that’s a little better. He holds out his palm and I move close to look. He smells of campfire and sweat and rain, and I rest my hand on his arm just to feel the steady solid warmth of him.

“Oh, you didn’t have to buy me a ring! I’ve told you already that I’ll marry you, and we’re trying to save up.”

Despite my protests, the ring is lovely, and I reach for it, but Dylan closes his fist before I can touch it.

“It’s not that…I mean, of course we are. It’s just”—he takes my hand, his fingers cool and gentle—“there’s a whole story, but”—he slides the skin-warmed metal over my first knuckle—“first I want to —”

Here’s the Blurb

He has one last chance to be a fairy tale hero. 

But she didnt agree to be the damsel in distress.

When her longtime boyfriend unexpectedly slides a ring on her finger, Hannah is whisked from her everyday bedroom to a medieval ball. Hannah knew that Dylan would do anything to prove to her parents that he’s husband material, including going into the Fae world—but she never agreed to go through the Veil herself.

Now one of three princess sisters, Hannah is paired with now-Prince Dylan. But, homesick and blindsided, she pretends the Veil has wiped him from her memory.

As her prince scrambles in vain to be the right kind of hero, Hannah ignores her instincts and follows her new sisters onto a mysterious boat—which promptly sails them into a land of giants, magical traps, and enchanted pianos…and away from Dylan.


Read now to journey back to medieval Ireland, complete with the Fae and mythological monsters, in this fairy tale adventure and sweet “it was always you” romance.

Buy Link

Universal Link

Meet the Author

Characters you connect with. Adventure. Love. Family… And endings that are more than a sugar rush. 

When Christy Matheson is not throwing ordinary characters into fairy tales, she is busy raising five children. (Very busy.) She writes character-driven historical fiction with and without fantasy elements, and her “fresh, smart, and totally charming” stories have won multiple awards.

Christy is also an embroidery artist, classically trained pianist, and sews all of her own clothes. She lives in Oregon, on a country property that fondly reminds her of a Regency estate (except with a swing set instead of faux Greek ruins), with her husband, five children, three Shelties, one bunny, and an improbable quantity of art supplies.

Connect with the Author

Follow The Boat on the Lake of Regret blog tour with The Coffee Pot Book Club

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I’m delighted to share my review for Kalahari Passage by Candi Miller #histfic #blogtour #bookreview

I’m delighted to share my review for Kalahari Passage by Candi Miller #histfic #blogtour #bookreview

Here’s the blurb

Koba and Mannie have been in jail. Their crime, loving each other across the Apartheid colour bar in southern Africa. Koba escapes her captors and using her bush skills, finds her way across the semi-desert to her former tribal home. But adapting to a hunter-gatherer lifestyle after a decade away, has challenges. And her mortal enemy is on her trail.

Meanwhile Mannie absconds during his parole and sets off on a sub-continental road trip to find his beloved Koba. But will his new comrades persuade him to join them across the border for training in deadly guerrilla warfare? And what will that mean for his future with Koba?  

Under tragic circumstances the lovers meet, but the danger they are in means they face heart-breaking choices. 

Kalahari Passage is an action-packed story of a search for identity and love. Readers will be spellbound by Koba’s world where an ancient culture dances, trances and lives in harmony with the land.

Key ideas

●     Unique FMC from world’s oldest living culture, largely unknown outside anthropology. The lineage of Koba’s people goes back to the dawn of humankind. 

●     Dispossession – ancestral land, cultural identity, freedom

●     Interracial love – romantic and family  

●     Racial discrimination and defiance

●     Recent black history – Apartheid South Africa 1960s

Purchase Links

Kalahari Passage: https://mybook.to/7qAtkQA

Koba series:  https://mybook.to/T81RWsf

My Review

Kalahari Passage is the second book in the Koba books. I confess, I was a little perplexed to begin with. But, I took myself into another room, and just sat and read, and I’m so pleased I did (perhaps, my friends, start with the first book). It is a beautiful book, telling the story of people caught up in events they have little control over. It describes a time we should still be horrified to read about, yet it accurately reflects the beliefs of people at that time. It is a richly imagined and intricately recreated world that most of us in the Western world would fail to understand and comprehend, but we should.

The story is both complex and straightforward – will our divided lovers ever meet again, or will people, events and politics play their part in keeping them apart, as well as societal constraints? But all that pales into insignificance as we journey into the Kalahari with Koba. You can taste the sand, feel the heat and grow very thirsty reading this story.

While half of the cast are worrying about being overheard saying something they shouldn’t on ‘party telephone lines’, the other half are simply trying to find drinking water and enough food to eat. The contrast is stark, but essentially, concerns surviving in a harsh world where politics or the environment could see you in a great deal of trouble.

I loved this book. It opened my eyes, it made me think, and it taught me about a past I know very little about. Go read it.

Meet the author

Candi Miller was born in southern Africa and has spent more than twenty years researching the first peoples of the region, a group who have now adopted the exonym of San or Bushmen. She taught creative writing at UK universities. She now lives in Cornwall where she is writing the last book of the Koba trilogy. She is republishing her novels to support a school feeding scheme she co-founded for San children in 2017. 

Author Candi Miller

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I’m delighted to welcome Ken Tentarelli and his new book, The Blackest Time, to the blog #HistoricalFiction #Medieval #ItalianHistoricalFiction #Plague #BlackDeath #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Ken Tentarelli and his new book, The Blackest Time, to the blog with an excerpt.

Excerpt

Parishioners rise up in anger when a priest declares the Black Plague a divine punishment fortheir sins

.Those attending the morning mass included families living in the parish, lumbermen who had been logging forests in the nearby hills, The lumbermen clustered together near the front of the church, close to the altar. They formed the single largest group. Everyone, Gino included, studied the people nearby, fearful someone close by might show symptoms of the sickness: flushed faces, lumps, or darkened areas on the neck or arms.

While waiting for mass to begin, Gino listened to snatches of conversation. Men raised their voices enough to speak with other men, probably neighbors with whom they had sat elbow-to-elbow in a crowded tavern months ago, and now wouldn’t get within an arm’s length of each other. Women felt it imprudent to speak above a whisper in church, so they merely smiled at each other across the void.

Gino heard some families were absent from mass because they were mourning the death of family members. In one family, it was said, both the mother and father had succumbed, leaving behind three youngsters. No one knew what had become of those children. Stories circulated of entire families having been claimed by the sickness. Most surprising were reports of families fleeing the city to escape the pestilence. For the past two years, people had streamed into Florence from the countryside to seek salvation from the famine. Did the departure of these families mark a turnaround, the beginning of an exodus?

Although the lumbermen were far from him, he sensed hostility in their guttural outbursts. Many had left wives and children in the city while they logged in the hills, so death rampaging unchecked though the city threatened their families and they reacted with anger. They wanted something more tangible than bad air—possibly someone—to blame for the misery.

A small bell sounded when the sacristy door opened, and a priest emerged, followed by two altarboys. When they reached the altar, the priest spread his upraised arms and delivered the opening blessing. Near the midpoint of the service, the priest stepped to the pulpit to deliver his sermon.“We are all God’s children,” he began. “God loves us … all of us. He wants us to love Him, to heed His word, and to obey Him. Our Lord would not cause His children to suffer without reason.” Shifting from a tempered tone, the priest boomed, “This pestilence has been inflicted upon us because we have offended Him. There can be no other explanation.”

Shaken by the indictment, people glanced furtively at those around them as if they were all co-conspirators in a plot against God. “What could we have done to deserve this punishment?” they asked themselves.

Pleased his words had stunned his flock as he had intended, he continued, “We have sinned against God, and only by ending our sinful ways can we expect Him to end this scourge. You may not be an adulterer or a fornicator, but ask yourself, are you committing the sins of envy and pride?”

One lumberman’s face reddened. He bellowed, “My wife was a good, holy, God-fearing woman. She committed no sin worthy of this damnation; yet she suffered a horrible death. She cannot beheld to account for this misery.”

The outcry froze everyone. The priest gripped the lectern so tightly his knuckles turned white; his fingernails dug into the wood. Another lumberman shouted, “My son was barely old enough to walk. He was an innocent child. What sin could he have committed? But he was struck down.”

Family groups moved farther away from the bellicose woodsmen, who began grumbling in support of their comrades. A third man called out, “I wear my best smock when I come to church.” He pointed to its threadbare sleeve and its soiled shoulder. “This is my best! Look at it !It’s frayed and spotted. How could anyone who dresses like this be accused of being prideful?

“Do you know who is prideful?” he asked and raised an arm angled toward the priest. “Thepriests! Look at them. They don’t wear frayed vestments. Before the new bishop came, the priests in this diocese wore plain linen vestments. But now, linen isn’t good enough for them. They all wear expensive silk.” The eyes of all the parishioners shifted to the priest.

The man continued, “The bishop refused to serve communion from a pewter chalice. Now all chalices in the diocese are silver … all except the one used by the bishop. His is gold.” He spread his arms wide. “My wife spends nights in the dark to preserve her lone candle, while this church and others are lit up like brothels.”

He swept his gaze around the church to make eye contact with everyone. “For two years, when rain destroyed the crops, we all struggled to find food for our families. Beggars starved in the streets. But do you know of any priest who went hungry? None of them went to sleep with pangs of hunger. They made sure their bellies were filled.”

“If this terrible disease has been unleashed upon us by the sin of pride, it is the bishop and his minions who brought it upon us.” He ended his tirade in a booming voice, saying, “We need to make the bishop stop his prideful ways and walk in the humble shoes of Saint Francis. I say we go to him now.” He strode the length of the nave and out the door, followed by the other lumbermen.

Here’s the Blurb

Set in the 1300s during the devastating black plague, The Blackest Time is a powerful tale of compassion, love, and the human spirit’s ability to endure immense adversity.

Gino, the central character, is a young man who leaves his family’s farm to find work in a pharmacy in Florence. His experiences show us how people coped in the most horrific time in history.

Shortly after Gino arrived in the city, two years of incessant rain destroyed crops in the countryside, leading to famine and despair in the city. Gino offers hope and help to the suffering— he secures shelter for a woman forced to leave her flooded farm, rescues a young girl orphaned by the plague, and aids others who have lost everything.

The rains had barely ended when the plague hit the city, exposing the true character of its people. While some blamed others for the devastation, the story focuses on the compassionate acts of neighbors helping each other overcome fear and suffering. Doctors bravely risk infection to care for their patients. A woman healer, wrongly accused of witchcraft and driven from the city, finds a new beginning in a village where her skills were appreciated.

Despite the hardships, love blossoms between Gino and a young woman he met at the apothecary. Together they survive, finding strength in each other and hope in a world teetering on the edge.

The Blackest Time is a testament to the strength of the human spirit in overcoming unimaginable tragedy.

Buy Link

Universal Link

Meet the Author

Ken Tentarelli is a frequent visitor to Italy. In travels from the Alps to the southern coast of Sicily, he developed a love for its history and its people.

He has studied Italian culture and language in Rome and Perugia, background he used in his award-winning series of historical thrillers set in the Italian Renaissance. He has taught courses in Italian history spanning time from the Etruscans to the Renaissance, and he’s a strong advocate of libraries and has served as a trustee of his local library and officer of the library foundation.

When not traveling, Ken and his wife live in beautiful New Hampshire.

Connect with the Author

Follow The Blackest Time blog tour with The Coffee Pot Book Club

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I’m sharing my review for To Win Her Hand by Melissa Addey #regencyromance #blogtour #bookreview #festiveread

I’m sharing my review for To Win Her Hand by Melissa Addey #regencyromance #blogtour #bookreview #festiveread

Here’s the blurb


They’ve been engaged since they were children, so he sees no need to woo her. She wants a love match and is determined to find an alternative suitor. Perhaps a Christmas trapped together in snowy London will change both their minds. 

Lord Comerford has returned from the navy to claim his title, but ton life appears shallow after active service and the woman he has been promised to since birth seems a frivolous child, only interested in parties and clothes.

Lady Celia is hoping her betrothed will make her heart skip a beat – but dour Lord Comerford hardly fits the bill, so she’s planning to call off the wedding just as soon as she can find a better suitor.

Trapped in snow-covered London, the two patch together Christmas celebrations and in so doing find that actions speak louder than words and that an arranged marriage may turn out to contain a spark of romance. 

A seasonal Regency romance, full of historical detail and festive fun, as a couple find out that a dutiful promise might be joyful after all. The Season has begun, the ton is gathered… will Christmas work its magic for Alexander and Celia?

Purchase Links

https://mybook.to/RegencyOutsiders

My Review

To Win Her Hand adopts the old Regency romance storyline of both main characters being unable to speak their minds to one another. Instead, we hear their thoughts as they both manage to completely misunderstand the other, leading to Lady Celia deciding she can’t possibly marry the man she’s been engaged to since she was a child. This is a nice set-up for what comes next (although, I do find myself gnashing my teeth at these people. Grrr. Why can’t they just speak their minds:))

But, all this is to change when Celia and Lord Comerford find themselves ‘thrown’ together and unable to escape one another over the Christmas season. What follows are a charming collection of scenes where both begin to realise they’ve been too hasty. But, of course, it wouldn’t be a Regency romance without more miscommunication between our pair.

To Win Her Hand is another charming Regency romance from Melissa Addey. In her Regency Outsiders series, she offers readers something a little different, with her main characters constrained by a society that misunderstands them. It is quite refreshing, and I’ve thoroughly enjoyed all of the books in the series (although they are standalone novels – you don’t need to read the previous books as each one has new characters – but you would be missing out).

Check out my review for Lady for A Season, the first book in the Regency Outsiders series, and The Viscount’s Pearl (they are all standalone novels). And, check out my reviews for Melissa Addey’s Roman books, From the Ashes and Beneath the Waves.

Meet the author


Melissa Addey writes richly researched historical fiction inspired by what she calls “the footnotes of history” – forgotten stories and intriguing lives from the past. Her novels span Ancient Rome, medieval Morocco, 18th-century China, and Regency England. She has a PhD in Creative Writing, was Writer in Residence at the British Library, and lives in London with her family. Discover her books (and get a free novella) at www.melissaaddey.com

Connect with the author

Check out my review for From The Ashes, Melissa Addey’s Roman-era historical fiction set around the events of Vesuvius and the building of the Colosseum.

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I’m delighted to welcome Nancy Jardine and her new book, Tailored Truths, to the blog #HistoricalFiction #FamilySaga #WomensFiction #Victorian #Scotland #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Nancy Jardine and her new book, Tailored Truths, Book 2 in the Silver Sampler Series, to the blog with a guest post.

Guest Post – Mill Owner Benevolence

My character, Margaret, has a variety of jobs in Tailored Truths. Two of them are in different areas of one of the larger mills in Dundee (Scotland). The time period covered in the book is between 1855 and 1868 when Dundee mills were, at times, highly profitable though the situation was also volatile, markets and sales being unpredictable. Workers were hired when high production was needed and they lost their jobs when things weren’t so rosy in the world markets. Margaret finds herself lucky to have a job when she desperately needs one, even if it pays a pittance!

During the earlier part of the 19th Century, linen was the prime mill product in the Dundee area. Coarse linen weave was highly sought after for sailcloth; for canvas sacks and bags for transporting goods; and a coarse linen weave named Osnaburg was produced for sending to the American plantations to be made into rough clothing for slaves. The main drawback, however, was that the flax (raw product) tended to come from Baltic states. When Britain became embroiled in the Crimean War, between 1853-1856, the flax supplies from the Russian Baltic states were deemed as potentially unreliable. The larger mill owners in Dundee tended to work on a ‘six months’ system where supplies were ordered well in advance, since shipping from the Baltic also relied on an annual short-window of weather good enough for sailing ships. Not having continuous raw supplies presented a huge problem since linen was highly sought after during the Crimean War. The war office bought lots of linen products, the British army and navy requiring constant supplies and replacements to sails; uniforms; sacks; tents etc. Market prices fluctuated but some of the Dundee mills profited very well during the Crimean War, though there were the much leaner years afterwards when the War Office requisitions dwindled.

To offset potential losses from a lack of flax, some of those larger mill owners in Dundee turned to producing jute weaves. Jute wasn’t a new product around Dundee, since some of the smaller weavers had already been producing jute products for decades, but the profit margin for them was low. Initially, the raw jute was grown in Bengal (India) and shipped to Dundee via local Indian dealers but when the larger mill owners saw jute as being profitable they organised the shipping themselves.

The tradition in Bengal had been for jute products to be hand-woven. There were no powered-looms nor any steam machinery in Bengal for spinning and weaving till later in the 1850s and 1860s, so there was no real competition when the big Dundee mills began jute mass production.

The raw jute needed to be softened first before carding and spinning could happen. Whale oil was already known to be a good product for that process and it was highly convenient that the quaysides at Dundee were regularly frequented by the huge whaling ships.

Some of the mill owners weathered the unpredictable markets very well and their bank accounts swelled enormously. Many of them chose to use their wealth to build new mansions for their families in the nearby coastal town of Broughty, or around the city of Dundee. In doing this, they provided much needed construction jobs, and then jobs for inside and outside staff. I used this situation in Tailored Truths, giving Margaret a taste of the high-life when she is taken on as a lady’s maid in one of the new mansions. The ‘family’ are naturally only on the periphery of high society, with Margaret experiencing it from the point of view as an elevated servant, but her situation means a glimpse into how the nouveaux riche of Dundee were living.

Some of the Dundee mill owners took opportunities to use some of their wealth for the benefit of the citizens of Dundee. Whether this was true altruism, or expected of them, could be debated at length but the facts are that some public buildings and facilities would not have been built so readily without hefty donations coming from the mill owners. Some of the still-existing public parks in Dundee came about from extensive donations, Baxter Park being a fine example. The land was acquired, planted up and turned into beautiful walkways for the working people of Dundee to enjoy when freed from their long hours of work. Baxter Park also has a very fine pavilion, currently used as a multi-purpose venue with a tiny daytime café. One of the marvellous aspects of the sandstone pavilion in Baxter Park, designed by Sir Joseph Paxton – a renowned  architect and landscaper – is the grand rooftop balustrade. There is a fantastic view from there of the River Tay and the far bank of Fife. When the park was newly planted the view would have been much better than today. It’s still very good since the whole park site is ‘up-the-hill’ from the harbourside but today some of the original and very mature trees, and modern housing slightly obscure the views.

I couldn’t resist adding in a scene where Margaret meets some very handsome lads in my fictitious Baxton park. It didn’t feel authentic to give my Dundee mill family the genuine name of Baxter, but I chose something very close. My fictitious Mister Baxton is, in his own way, remotely instrumental in Margaret’s progress through her late teenage years and into her twenties. How?…Too many spoilers ruin the book (Shh.. I just made that up!)

Here’s the Blurb

An engrossing Victorian Scotland Saga (Silver Sampler Series Book 2)

Is self-supporting success enough for Margaret Law or will her future also include an adoring husband and children? She might secretly yearn for that though how can she avoid a repeat of relationship deceptions that disenchanted her so much during her teenage years?

Employment as a lady’s maid, and then as a private tutor in Liverpool in the 1860s bring thrilling opportunities Margaret could never have envisaged. Though when those posts end, her educational aspirations must be shelved again. Reliance on her sewing skills is paramount for survival when she returns to Dundee.

Meeting Sandy Watson means love, marriage and starting a family – though not necessarily in that order – are a striking development though it entails a move north to Peterhead. Yet, how can Margaret shed her fear of commitment and her independence and take the plunge?

Jessie, her sister-at-heart, is settled in Glasgow. Frequent letters are a life-line between them but when it all goes horribly wrong, the contents of Margaret’s correspondence don’t necessarily mirror her awful day-to-day realities.

Buy Link

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This title is available to read on #KindleUnlimited

Meet the Author

Nancy Jardine writes historical adventure fiction, historical saga, time travel historical adventure and contemporary mysteries. Research, grandchildren, gardening fill up her day in the castle country of Aberdeenshire, Scotland, when not writing or promoting her writing. Interacting with readers is a joy at Book and Craft Fairs where she signs/sells paperback versions of her novels. She enjoys giving author presentations on her books and on Ancient Roman Scotland.

Memberships include: Historical Novel Society; Scottish Association of Writers, Federation of Writers Scotland, Romantic Novelists’ Association and the Alliance of Independent Authors. She’s self-published with Ocelot Press.

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Follow Tailored Truths blog tour with The Coffee Pot Book Club

I’m welcoming Stephanie Cowell to the blog with a fascinating post about research for her new novel, The Man in the Stone Cottage: a novel of the Brontë sisters #Brontë #Yorkshire #Victorian #EnglishLiterature #WomenWriters #HistoricalFiction #TheCoffeePotBookClub #BlogTour 

I’m welcoming Stephanie Cowell to the blog with a fascinating post about research for her new novel, The Man in the Stone Cottage: a novel of the Brontë sisters #Brontë #Yorkshire #Victorian #EnglishLiterature #WomenWriters #HistoricalFiction @cathiedunn
@cowell.stephanie @thecoffeepotbookclub

Researching My Novel on the Brontë Sisters by Stephanie Cowell

I simply love research. The opportunity to know more about my beloved historical characters and their surroundings and daily world is thrilling. Researching Charlotte, Anne and Emily Brontë, I had a chance to go to their village in Yorkshire (Haworth) and to the Parsonage where they lived with their clergyman father and wrote their books and what is more thrilling than that?  I travelled there three times over many years.

In curated display cases, I could see the needles with which they sewed, the cup they drank from (imagine seeing Emily’s cup and knowing she might have paused in writing bits of Heathcliff to drink a sip of tea!), their clothing, their hand-written childhood magazines. I could walk around the house, climbing the steps they climbed every day. In the parlor/dining room, I marveled at the table where they wrote their books. (After a century or more of searching by scholars, the actual table was found in private hands and in 2015 it was brought back to the Parsonage. Someone has scratched “E” in the wood. Was it our Emily?) 

So, my first research was going to the Parsonage, but a great deal of research of course was from biographies and household advice books and letters which describes event and feelings and hopes and fears. They describe loneliness.

Letters are the best! Charlotte wrote the most. She wrote hundreds to her best friend Ellen, pouring out her frustration about working in a teaching job at a boarding school until exhausted. She wrote about her family. She wrote to her publisher’s reader about her sadness over her alcoholic brother who could not keep a job. She wrote her married Belgium professor of her adoration of him. We have these letters almost two hundred years. They are from the writer who penned Jane Eyre’s passionate words, “Do you think, because I am poor, obscure, plain and little, I am soulless and heartless?” 

Research! I have two bookshelves of biographies, literary analysis, life in Victorian England, books about the town of Haworth and the house, even a biography of the rather obscure man Charlotte eventually married. I just remembered that at one time my novel was not from the point of view of the two sisters, but only from his point of view. And like the larger part of stories I begin, it was not finished but eventually morphed into the final novel THE MAN IN THE STONE COTTAGE. 

I try to keep my research books together also in certain shelves but some wander over the house. When I was a beginning writer and rather poor, I used the library for everything. Now I am afraid I mostly use the internet to buy obscure second-hand books.

It was however in an actual bookshop one day that I glanced at a shelf and found THE book I wanted, THE book I must have. This was in the days before the internet. I gasped so that I am fortunate the salesperson did not come rushing over to see if I was okay. Perhaps he was used to having people gasp over discovered books. 

There is a problem with biographies. I went to a bookshop reading of one of Charlotte’s biographers, and someone asked her, “Have you written the definitive biography?” and she replied, “Oh no, I hope not. Every biographer sees her in a different way!” And that is true. Charlotte’s first biographer Mrs. Gaskell made Charlotte into a near saint.  Others have emphasized the prickly side of her personality. Who would not be prickly with all her losses and griefs and hardships? 

Emily and Anne have several biographies each, but less is known about them. These two sisters were more private and did not pour their heart out on paper, or perhaps fewer paper were kept.

Even when a novel is long finished and gone into the hands of readers, I love and long for the worlds where my beloved characters have walked. So, I go to wander in the streets of York or Paris or Florence, and if I wait, I will see one of my characters coming toward me. And likely he or she will smile and say, “There you are! Welcome back! We’ve been waiting for you!”

Here’s the blurb

“A haunting and atmospheric historical novel.” – Library Journal

In 1846 Yorkshire, the Brontë sisters— Charlotte, Anne, and Emily— navigate precarious lives marked by heartbreak and struggle.

Charlotte faces rejection from the man she loves, while their blind father and troubled brother add to their burdens. Despite their immense talent, no one will publish their poetry or novels. 

Amidst this turmoil, Emily encounters a charming shepherd during her solitary walks on the moors, yet he remains unseen by anyone else. 

After Emily’ s untimely death, Charlotte— now a successful author with Jane Eyre— stumbles upon hidden letters and a mysterious map. As she stands on the brink of her own marriage, Charlotte is determined to uncover the truth about her sister’ s secret relationship. 

The Man in the Stone Cottage is a poignant exploration of sisterly bonds and the complexities of perception, asking whether what feels real to one person can truly be real to another.

Praise for The Man in the Stone Cottage:

“A mesmerizing and heartrending novel of sisterhood, love, and loss in Victorian England.” – Heather Webb, USA Today bestselling author of Queens of London

“Stephanie Cowell has written a masterpiece.” – Anne Easter Smith, author of This Son of York

“With The Man in the Stone Cottage, Stephanie Cowell asks what is real and what is imagined and then masterfully guides her readers on a journey of deciding for themselves.” – Cathy Marie Buchanan, author of The Painted Girls

“The Brontës come alive in this beautiful, poignant, elegant and so very readable tale. Just exquisite.” – NYT bestseller, M.J. Rose

“Cowell’s ability to take readers to time and place is truly wonderful and absorbing.” – Stephanie H. (Netgalley)

“Such a lovely, lovely book!” – Books by Dorothea (Netgalley)

Purchase Link

https://books2read.com/u/mqLV2d

Meet the author

Stephanie Cowell has been an opera singer, balladeer, founder of Strawberry Opera and other arts venues including a Renaissance festival in NYC.

She is the author of seven novels including Marrying MozartClaude & Camille: a novel of Monet, The Boy in the Rain and The Man in the Stone Cottage. Her work has been translated into several languages and adapted into an opera. Stephanie is the recipient of an American Book Award. 

Author Stephanie Cowell

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I’m delighted to share my review for Murder in Trafalgar Square by Michelle Salter, the first book in a new historical mystery series #historicalmystery #cosycrime #highlyrecommended

I’m delighted to share my review for Murder in Trafalgar Square by Michelle Salter, the first book in a new historical mystery series #historicalmystery #cosycrime #highlyrecommended
#BoldwoodBloggers @BoldwoodBools #MurderInTragalgarSquare @rararesources @bookandtonic

Here’s the blurb

Discover a BRAND NEW page-turning cosy mystery series from Michelle Salter A murdered suffragette. A missing politician. A stolen artwork.

London, 1910

Coral Fairbanks is a contradiction. As well as a suffragette, she’s a bit-part actress and nude model, earning her the disapproval of her fellow suffragettes.

Guy Flynn is an artist. He’s also a detective inspector at Scotland Yard, who doesn’t always see eye to eye with fellow officers in the Metropolitan Police.

When Home Secretary Winston Churchill orders the police to terrorise the suffragettes during an afternoon of violence that becomes known as Black Friday, the battlelines are drawn – and Coral Fairbanks and Guy Flynn are on different sides.

But when a young suffragette is found murdered in the National Portrait Gallery and one of their paintings is stolen – Fairbanks and Flynn must put their differences aside and combine their knowledge to track down the killer.

Introducing an iconic detective duo in Fairbanks and Flynn, this is an exciting and gripping historical mystery, which will delight fans of Agatha Christie, Benedict Brown and T. E. Kinsey

 Purchase Link

https://mybook.to/MurderTrafalgarSquare

My Review

Murder in Trafalgar Square is the first book in Michelle Salter’s new mystery series, set in 1910, and what a fabulous first entry into a series it is.

For this series we have two main characters, Cora, a young widow who is a suffragette, works in a gallery and has also been an actress but is currently deemed, at 36, to be too old to play the ingenue on stage, and too young to be a harridan. (I sense we’re still not really that far beyond that even now). 

Guy Flynn, our detective inspector, is equally a many layered individual, also a widower with a daughter to raise alone, and he’s a painter too. The pair have some lovely facets to their characters and they make for an intriguing duo as we read chapters from alternative points of view. They’re flung together when a body is found at the National Gallery and it makes all the headlines, as opposed to the suffragette stunt with a most amusing painting (I’m not spoiling it).

The mystery unfolds at a good pace, as Cora and Guy endeavour to unpick the information they gain, while endeavouring to stay on the right side of the government.

This is such a fabulous new book, and I’m so excited to read more of Cora and Guy. I love the Iris Woodmore series by the author, but it’s possible I might love this one even more.

Check out my reviews for Death at Crookham Hall, Murder at Waldenmere Lake, The Body at Carnival Bridge, A Killing At Smugglers Cove, A Corpse in Christmas Close, and Murder at Mill Ponds House.

Meet the author

Michelle Salter writes historical cosy crime set in Hampshire, where she lives, and inspired by real-life events in 1920s Britain. Her Iris Woodmore 

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