If you’ve been with Coelwulf, Rudolf, Icel, Edmund and Pybba since the beginning, then you’re probably with me in trying to work out how five years have gone by since the first book’s release. There are now ten books in all, as well as a short story collection, Coelwulf’s Company, and the prequel series featuring a young Icel, the Eagle of Mercia Chronicles (check out the stories featuring a young Icel – if you know, you know, and if you don’t yet know, you’re going to want to find out.)
If you’ve not yet discovered The Mercian Kingdom: The Ninth Century series, then you’re in for a treat, as long as you’re not easily offended by foul language and violence – although if you are, there are Cleaner versions available without quite so much swearing. Follow this link, as they can be a bit tricky to find on Amazon.
The Last King books are available in ebook, paperback and hardback, and The Last King (book 1 ) is also available in audio.
Competition Time
I’ve gained some of the best fans ever by running competitions to win signed copies of my books, and this year is no different, although the prize keeps getting BIGGER.
To enter the competition to win all 10 books signed by me, complete this Google form. (Competition is open until 30th April 2025).
Entries are open to UK-based people only (because postage is very expensive elsewhere), but people outside the UK can still submit their details and receive a FREE copy of a short story collection featuring stories set in The Last King’s world (and check out another fabulous deal below).
You can also grab the first 3 books in the series for 99p/99c and equivalent worldwide for a very limited time
These are the less sweary-versions (I am having a bit of moment with hyphenated words so I am going with it for this).
I’m delighted to welcome Susan Lanigan and her new book, White Feathers, to the blog with guest post.
Guest Post
My Research Process
By Susan Lanigan
When I was constructing the narrative of White Feathers, I needed an outline, but I was not sure in advance of everything that would occur. The advantage of writing historical fiction is that you can use real events as the vines on the trees which my Tarzan plot could grasp onto and swing to the next tree. So, I looked up various battles of World War I – Loos, the Somme, Neuve-la-Chapelle – and threaded a narrative from them. Like many, I had been captivated by Vera Brittain’s memoir Testament of Youth, and while I think Brittain would probably have been a lot personally, my heart broke for what she endured, how her hope was destroyed and how she carried on regardless after hope was gone.
I owe Brittain a lot for the construction of Eva’s narrative, particularly when she was in Étaples working as a Voluntary Aid Detachment nurse. Brittain’s narrative of that time is captivating and contains so many details. I first learned of the stark tale of the sinking of HMHS Britannic in that book, and then did my own research on the subject. I also read the account of Mary Borden, who writes in a very modernist style. The section in White Feathers where the dying Canadian lieutenant begs for a drink is based on an account in her book The Forbidden Zone.
While my research on the battles was comprehensive, my true experience of researching was coming across random fascinating minutiae and feeling compelled to shoehorn them into the story. The pigeon van was one of these phenomena, discovered while wandering around the Musée de la Grande Guerre, built near Mons, with a monument to mark the battle there. It was the closest the Germans got to Paris. The white feather propaganda was fascinatingly horrifying, and I can only imagine what it was like to see those notices on every corner, how hard it must have been to maintain an ethical stance in the face of overwhelming institutional opposition to it. The priest who oversees the trial and confession of a particular character was a real person, as was the order to which he belonged.
The inevitable problem with research is that you must omit more than you include if you are to have a novel that approaches a publishable wordcount. I could have spent all day talking about the “Little Mother” letter quoted by Robert Graves in Goodbye to All That, or the internecine rivalry of the Pankhurst sisters. But in the end, it’s story that matters; it is the flowing dress with the pleasing detail and the research is the firm undergarment that keeps everything in shape beneath!
Here’s the Blurb
“Anti-war and anti-patriarchy without ever saying so – a bravura performance of effortless elegance” – Irish Echo in Australia
SHORTLISTED FOR THE ROMANTIC NOVEL OF THE YEAR AWARD 2015
In 1913, Irish emigrée Eva Downey receives a bequest from an elderly suffragette to attend a finishing school. There she finds friendship and, eventually, love. But when war looms and he refuses to enlist, Eva is under family and social pressure to give the man she loves a white feather of cowardice. The decision she eventually makes will have lasting consequences for her and everyone around her.
Journey with Eva as she battles through a hostile social order and endeavours to resist it at every turn.
Susan Lanigan’s first novel White Feathers, a tale of passion, betrayal and war, was selected as one of the final ten in the Irish Writers Centre Novel Fair 2013, and published in 2014 by Brandon Books. The book won critical acclaim and was shortlisted for the UK Romantic Novel of the Year Award in 2015. This edition is a reissue with a new cover and foreword.
Her second novel, Lucia’s War, also concerning WWI as well as race, music and motherhood, was published in June 2020 and has been named as the Coffee Pot Book Club Honourable Mention in the Modern Historical Book of the Year Award.
Susan lives by the sea near Cork, Ireland, with her family.
It’s happy release day to Men of Iron, the first book in the Dark Age Chronicles Trilogy #newrelease #MenOfIron #histfic
The Dark Ages?
As a bit of a history nerd, I’m not always comfortable with the term ‘Dark Ages’ for my books, mostly because the ‘real’ Dark Ages took place between about 410 and 600 in England, and so, until NOW, my books haven’t strictly fallen into that category. (Also, as a very literal child, I entirely mistook what was meant by the Dark Ages, and I was always perplexed as to why it was so damn dark.)
Admittedly, many apply the term to almost all of the period of Saxon England, which is somewhat incorrect (and indeed it was once applied to the entire Middle Ages). The idea of the Dark Ages stems from a belief there was no scientific or cultural advancement during this period (according to Wiki), but particularly in regards to England it references the lack of surviving written records from the period.
Archaeology is massively changing this interpretation, and there is now an accepted view that much can be understood about the era, just not in the way ‘historians’ might think – the merging of archaeology and history (and other sciences) is rewriting the period. We’re no longer entirely reliant on two written sources, Gildas, and his De Excidio et Conquestu Britanniae – On The Ruin of Britain (who may or may not have a cameo in Men of Iron), or Bede, (amongst historians often called ‘Bloody’ Bede) and his Historia ecclesiastica gentis Anglorum – History of the English People (as well as a few ‘odd’ earlier sources. Check out my blog post for more details.) It might be impossible to apply dates to developments, but it is possible to postulate what was actually happening during these ‘lost’ two hundred years, even if much of our knowledge must rely on finds from graves. It is also increasingly understood that this period was complex and that rarely does ‘one narrative’ adequately explain what was happening throughout England. This is a time before the major Saxon kingdoms, when much was in flux with cultures merging and endeavouring to survive with the loss of the Roman economy.
A new trilogy
And this is where my new trilogy enters stage left. This period fascinates me. I’ve been reading extensively about it for some time, and eventually managed to convince my editor (thank you) to let me tell ‘a‘ story of what ‘might‘ have been happening in this period. It can’t be based on any ‘named’ historical individuals (well, apart from one or two I’ve snuck in there as fictional creations) but it can attempt to populate this complex and little-understood period with people who lived and breathed, and I’m so excited to share it, with my readers. And guess what, it’s about what was ‘Mercia’ before it was ‘Mercia.’ (If you think you’re going to get me away from Mercia, you’re very mistaken.)
So how then to tell this story with so many cultures? I’ve taken the decision to offer a dual narrative, one from Meddi, my seeress in the west of England (close to Gloucester), and the other, Wærmund, my would-be-warrior from the east of England (the Fens). These two main characters allow me to explore the continuity and change taking place in what would become England. Their experiences as a seeress, as a warrior, and with the added complications of family discord driving their actions, ensure the characters from Men of Iron feel like ‘real people’ even in this distant, hazy landscape so similar and yet so different to everything we experience today. I really hope you’ll enjoy it. (I’m also very excited as I have dual narrators for this trilogy.)
Oscar’s Tale is that of a Saxon boy who sets out to find and rescue his father who has been taken by Viking slavers.
The story begins in 877, just prior to the Viking attack on Chippenham in which King Alfred was routed. Against this backdrop, Oscar is obliged to set out on his all but impossible quest and quickly becomes embroiled in all that’s going on in Wessex at this turbulent time, culminating in him playing a small but important part in the battle at Edington.
But this is not just a story about blood thirsty battles and fearsome warriors, it’s about a boy struggling to live up to his father’s reputation as a warrior and trying to find his place in a dangerous and uncertain world. For that, he is forced to confront many dangers and earn the respect of others who are far above his station. Along the way he also finds love – albeit at a cost far higher than most would have been willing to pay.
Chris was born in London in 1951. After a successful career as a Chartered Surveyor, he retired to concentrate on writing, combining this with his lifelong interest in Anglo Saxon history.
His first novel, Blood and Destiny, was published in 2017 and his second, The Warrior with the Pierced Heart, in 2018 followed by The Final Reckoning in 2019 and Bloodlines in 2020. Together they form a series entitled The Shadow of the Raven, the fifth and final part of which – The Prodigal Son – was published in 2023.
Chris has published numerous blogs about various aspects of Anglo Saxon history and is a member of the Historical Writers’ Association.
The Hero Virus tells the thrilling story of Chris Taylor, who is hanging on to life by a thread. Recently widowed, his only reason to carry on is his faithful Labrador, but even that doesn’t stop his willingness to gamble with death every day. When his companion suffers a violent demise, Taylor thinks he has nothing left to live for, until he discovers he has chanced upon a precious gift… when he gets very ill.
The sickness gives him powers and, fairly soon, the authorities are swooping on to the ever-increasing list of cases. The Hero Virus might be different to other illnesses, but it’s no less dangerous. The effect it has on the world, though, is wildly different to any other virus that has come before. The unique reaction of the human body to infection means that everyone wants it. And some will do anything to get it.
How do you stop a pandemic when there are people who will kill for the virus? How do you stop people getting infected when they’re willing to die for it? How do you stop the infected when they have abilities nobody has ever seen before?
The Hero Virus by Russell Dumper is an intriguing novel. Our main character is miserable and alone, aside from his faithful Labrador, but alas, our poor grief-stricken main character is soon to be bereaved again (and slight trigger warning, because the scene is not an easy read), but days later, he wakes very changed.
What follows is an action-packed tale sure to appeal to fans of the genre and with a very interesting premise. The pacing is great and I thoroughly enjoyed the novel.
Meet the author
The Hero Virus is the second novel from Russell Dumper, after releasing Britannia Rises to widespread acclaim last year, winning him three categories in the 2024 Bookstagram Awards, for Debut Author, Thriller and Historical Fiction. He lives in the east of England with his family and still has many more books in the pipeline. Next, he will be concentrating on The Britannia Series, more of which will be released in the near future.
A marriage of convenience to a scoundrel? Not if Augusta can help it.
The impoverished daughter of a baronet, Augusta has no intention of being bartered away like a prize horse. Instead, she flees to London, determined to forge her own path as a modiste.
But fate has other plans. On her very first day in the city, she crosses paths with a brooding earl—one burdened with a clubfoot and a reputation nearly as scandalous as the proposal she ran from. His captivating sister, Mariana, is not only Augusta’s employer’s best client but harbors a secret ambition of her own: to marry the one man society deems wholly unsuitable.
Drawn into Mariana’s reckless schemes of masquerades, cross-dressing, and Whig intrigue, Augusta soon finds herself entangled in more than just scandal—she’s losing her heart to a man who embodies everything she swore to escape.
But the earl has secrets of his own. Is he truly the rogue society believes him to be?
And when Augusta’s past comes calling, will her newfound independence—and her heart—survive?
A charming, fast-paced Regency romance perfect for fans of Bridgerton and the sweetly adventurous love stories of Maggie Dallen and Jenny Hambly.
The Dressmaker’s Secret Earl is a Regency romance with a difference. Our main female character, Augusta, is strong-willed and determined to live a life free from the marriage union her aunt has arranged for her with an awful man who only wants her for her money. Our male main character, George, is doing his best to live by his rules, which aren’t necessarily what society expects from him, and he does his utmost to avert suspicion that he’s not the rake they believe him to be.
Add to this Mari, the earl’s sister, and someone who fast becomes Augusta’s only friend in London, and we’re set for an exciting journey through London society and some of its less salubrious locations, as all three endeavour to forge the lives for themselves that they desire.
The Dressmaker’s Secret Earl is a fast-paced tale of Regency London with main characters the reader quickly feels invested in. Fans of the genre will certainly enjoy it, as will those who are looking for something a little different, perhaps with more historical detail and a more varied stage for our main characters to occupy than might be expected.
Meet the author
Susanne Dunlap is the award-winning author of over a dozen historical novels, as well as an Author Accelerator Certified Book Coach in fiction, nonfiction, and memoir. Her love of history began in academia with a PhD in music history from Yale. Her novel THE PORTRAITIST won first prize in its category in the 2022 Eric Hoffer Book Awards, and was a finalist in the CIBA Goethe Awards and the Foreword Indies Awards. THE ADORED ONE: A NOVEL OF LILLIAN LORRAINE AND FLORENZ ZIEGFELD, won first place in its category in the 2023 CIBA Goethe Awards for Late Historical Fiction. Today, she lives, coaches, and writes in beautiful Biddeford, Maine.
I’m delighted to share two treats with readers today, a short post about the author’s research, and also an excerpt for the novel. Enjoy.
Research, by Brigitte Barnard.
My research has spanned some 20+ years of obsessive reading about the Tudor dynasty. I am a homebirth midwife, so I decided to write a book from the perspective of a midwife serving the Tudors. My research is a combination of my own experience as a midwife helping women in a home setting as well as concrete research on the 16 Century. I have also learned a lot from excellent podcasts on Renaissance and late middle ages English history.
Here’s an excerpt
We receive a summons from Queen Katherine at the end of August, and we head over to Richmond Palace.
Richmond was built by King Henry VII, the father of our current King Henry. It is entirely made of red brick and is a magnificent castle that appears elegant and menacing in equal measure.
After the long trip downriver, we disembark and walk to the servants’ entrance. From there, we are escorted to the queen in her receiving room. Emunah and I sink into curtsies before her. Maria de Salinas is here too, and by the look on her face, she is none too happy to see me again.
“How can I be of service, Your Majesty?”
The queen dismisses her ladies and says, “I find I am once again with child, Sarah.”
“That is good tidings indeed! I am so happy to hear it, Your Majesty!” I say. “When was the last day of your courses?”
The queen immediately replies, “The fifth of January.”
I quickly calculate, “So that would make you nearly eight weeks along.”
“Yes,” replies the queen, stroking the silken head of a softly snoring russet spaniel asleep on her lap. “I know it is early days yet, and I hesitated to summon you, but… well… you know what happened last time… Is there anything you can give me to make this child grow strong in my womb so that he will not be born too early?”
“I will leave you a bag of red raspberry leaves, and I will instruct your servant on how to best prepare them for you. You must drink a draught of them every morning and every evening.”
“Thank you. And that will keep the baby from being born too soon?” asks the queen anxiously. The little dog stirs on his mistress’s lap and yawns, looking up quizzically at the queen.
“I hope so, Your Majesty. I have had good luck with it in the past, but as you know, these things are up to God.”
“Yes, of course,” the queen agrees.
We decide that she will contact me if she has any concerns. Otherwise, I would see her in three more months.
—
As the wherryman rows us back to our village, I can’t help but remember the last time we saw the queen and the sad circumstances surrounding the previous pregnancy. I hope this time will be different for her.
Back in Deptford, Emunah and I make our rounds on the local fishermen’s wives, who are in various stages of pre- and post-birth. One woman in particular has me worried. Her name is Ann, and this is her sixth pregnancy in only five-and-a-half years. She has had two miscarriages, is pregnant, and nursing a six-month-old baby.
All this with a two-and-a-half-year-old toddler and a small girl of five years.
We enter her home, a small ramshackle dwelling with dirt floors, two pallets of straw for beds, a rickety old table, and a fireplace in the middle of the house. A small hole is cut in the roof to allow the smoke out. A couple of low stools complete the furnishings. Her six-month-old baby is sitting on the floor with the five-year-old nearby, playing with some pebbles on the hard-packed dirt floor. The house smells rank, and the children’s faces are filthy. Ann is bent over a pot that she is stirring over the fire. I wonder how she keeps her little ones from getting burned by the open fire.
I had grown up in Spain, and there, we had proper fireplaces, which Jacob and I had replicated in our little cottage in Deptford. I had never seen fireplaces in the middle of the room until we moved to England. It doesn’t seem like a safe or effective way to utilize fire.
Ann looks up as we enter her house and gives us a wan smile.
I examine her and determine her to be approximately six months along. Her face, I notice, is already lined and weary looking for so young a woman. I see too that her teeth are much the worse for wear after so many births in such a short time When a woman has too many children too close together her body cannot recover the nutrients it needs. Instead, it will steal the nutrients out of her own teeth and bones. We chat for a bit, and I ask her if she needs a cradle for the new baby. She replies that they have always kept their new babies in bed with them, and it seems to work out just fine. I nod and ask her if there is anything else I can help her get in anticipation of the new arrival.
She is proud and doesn’t want to accept charity, so Emunah and I finish our exam and make our departure.
When we are out of earshot, Emunah says to me, “How can she bear to live like that? Did you see how dirty her children were? The poor things!”
“Yes, I agree,” I say, “but fortunately, most of the other people of Deptford live in better conditions. Just be grateful that you can read and write and are learning healing skills so that you never have to depend on a man for your income—not that there’s anything wrong with that, but you have knowledge of healing and midwifery and can make your own way. Women like Ann haven’t got much choice in this life. She’s dependent on her husband for everything she needs, and he is but a poor fisherman.”
Here’s the blurb
In the glamorous, glittering and dangerous court of king Henry VIII and his queen Katherine of Aragon, the desperate desire for a healthy male heir overshadows all. Plagued by a series of miscarriages the queen is left grappling with the weight of her singular duty to provide a son for the Crown. Amidst this turmoil the queen turns to Sarah Menendez, the most highly skilled midwife in England. Sarah, exiled from her homeland and concealing her true identity must serve the queen and battle her deepest fears. As Sarah strives to save the queen from the perils of childbirth, the specter of her own past threatens to unravel the carefully crafted identity Sarah has created for herself and her young daughter.
In a world where power, politics and religion collide, Sarah finds herself entangled in a web of intrigue and deadly danger. The fate of the queen’s unborn child, the survival of the midwife and her daughter, and the stability of the kingdom hang in the balance. Sarah Menendez must employ all of her skills, cunning and courage to protect those she holds dear as well as the life of the queen and her unborn child.
The Tudor Queens’ Midwife is a gripping tale of secrecy, sacrifice and religious turmoil amongst the most opulent court the world has ever seen.
Brigitte Barnard is an amateur historian of Renaissance English history and an author of the trilogy The Tudor Queens’ Midwife, of which the first book in the series is available. She is currently writing a non-fiction book about Tudor midwifery for Pen and Sword publishing house.
Brigitte is a former homebirth midwife, and she lives at home with her husband and four children. She also raises Cavalier King Charles spaniels.
I’m delighted to welcome back Helen Hollick with Kathy Hollick and their book, Ghost Encounters: The Lingering Spirits of North Devon, to the blog with an excerpt.
Excerpt
Almost everyone assumes that ghosts are hostile and frightening. An assumption perpetuated by intentionally scary stories, religious taboo, movies and TV docu-drama ‘haunted house’ shows. Non-believers – in many cases, correctly – maintain that supernatural experiences are caused by hallucinations of various kinds, the brain visualising something odd into something explainable. But there does not seem to be any explanation for the same ‘ghosts’ being seen in the same place at different times by different people. And actually, the majority of souls that are encountered by genuine Mediums and Spiritualists are not nasty spooks out to scare us. It’s about time that the Hallowe’en image of fear and superstition was firmly set aside. Most ghosts are non-threatening, friendly and indifferent to our presence – or even as unaware of us as most of us are of them.
Kathy was nine when she first mentioned ‘something odd’. We were at a re-enactment of the Battle of Hastings at the English Heritage site of Battle Abbey in Sussex where I was researching the history of 1066 for my novel. (Harold the King UK title / I Am The Chosen King US title.) She asked why one of the men was not getting up like the other re-enactors, and when would they remove the dead horse? I made some non-committal answer, but began to wonder when she made the same comments, pointing to the same spots at events in successive years, one of which had no horses in the organised display. As an adult Kathy saw the same ‘bodies’ on our last visit in 2012. She knows exactly where King Harold II fell. (English Heritage have got it wrong.)
Find out more – and meet a few ghosts – in Ghost Encounters: The Lingering Spirits of North Devon
Here’s the Blurb
Everyone assumes that ghosts are hostile. Actually, most of them are not.
You either believe in ghosts or you don’t. It depends on whether you’ve encountered something supernatural or not. But when you share a home with several companionable spirits, or discover benign ghosts in public places who appear as real as any living person, scepticism is abandoned and the myth that ghosts are to be feared is realised as nonsense.
It is a matter for individual consideration whether you believe in ghosts or not, but for those who have the gift to see, hear or be aware of people from the past, meeting with them in today’s environment can generate a connection to years gone by. Kathy and Helen Hollick have come across several such departed souls in and around North Devon and at their 18th-century home, which they share with several ‘past residents’.
In GHOST ENCOUNTERS: The Lingering Spirits Of North Devon, mother and daughter share their personal experiences, dispelling the belief that spirits are to be feared.
Ghost Encounters will fascinate all who enjoy this beautiful region of rural South-West England, as well as interest those who wish to discover more about its history… and a few of its ghosts.
(Includes a bonus of two short stories and photographs connected to North Devon)
cover design: Avalon Graphics cover artwork: Chris Collingwood
This title is available to read on #KindleUnlimited
Meet the Authors
ABOUT HELEN HOLLICK
Known for her captivating storytelling and rich attention to historical detail, Helen might not see ghosts herself, but her nautical adventure series, and some of her short stories, skilfully blend the past with the supernatural, inviting readers to step into worlds where the boundaries between the living and the dead blur.
In addition to her historical fiction, Helen has written several short stories, further exploring themes of historical adventure or the supernatural with her signature style. Whether dealing with the echoes of the past or the weight of lost souls, her stories are as compelling as they are convincing. Through her work, she invites readers into a world where the past never truly lets us go.
Helen started writing as a teenager, but after discovering a passion for history, was published in the UK with her Arthurian Pendragon’s Banner Trilogy and two Anglo-Saxon novels about the events that led to the 1066 Battle of Hastings, one of which, The Forever Queen (USA title – A Hollow Crown in the UK) became a USA Today best-seller. Her Sea Witch Voyages are nautical-based adventures inspired by the Golden Age of Piracy. She also writes the Jan Christopher cosy mystery series set during the 1970s, and based around her, sometimes hilarious, years of working as a North London library assistant.
Helen, husband Ron and daughter Kathy moved from London to Devon in January 2013 after a Lottery win on the opening night of the London Olympics, 2012. She spends her time glowering at the overgrown garden and orchard, fending off the geese, helping with the horses and, when she gets a moment, writing the next book…
ABOUT KATHY HOLLICK
Diagnosed as severely dyslexic when she was ten, Helen pulled Kathy out of school at fifteen to concentrate on everything equine.
When not encountering friendly ghosts, Kathy’s passion is horses and mental well-being. She started riding at the age of three, had her own Welsh pony at thirteen, and discovered showjumping soon after. Kathy now runs her own Taw River Equine Events, and coaches riders of any age or experience, specialising in positive mindset and overcoming confidence issues via her Centre10 accreditation and Emotional Freedom Technique training. EFT, or ‘tapping’, uses the body’s pressure points to aid calm relaxation and to promote gentle healing around emotional, mental or physical issues.
Kathy lives with her farmer partner, Andrew, in their flat adjoining the main farmhouse. She regularly competes at affiliated British Showjumping, and rides side-saddle (‘aside’) when she has the opportunity. She produces her own horses, several from home-bred foals.
She also has a fun diploma in Dragons and Dragon Energy, which was something amusing to study during the Covid lockdown.
A perfect sunny getaway with no drama. Or so they’d hoped…
BREAKING NEWS Woman Taken in for Questioning in Death of Actress’ Husband
Police in Portugal this morning told reporters that a woman is being questioned in connection with the murder of the film producer Jason ‘JT’ Kenda, who was married to award-winning actress Ariella St Gerome.
Mr Kenda, who was found dead in the swimming pool of the couple’s villa, was initially thought to have died following an accident, but now police believe the American was killed intentionally. The villa is next door to where Lady Beatrice, the Countess of Rossex, is currently holidaying with family and friends at the villa of TV’s Sir Hewitt and his wife, Lady Grace.
Who can say no to Lady Grace? When the daughter of Lady Grace’s housekeeper is suspected of murder, her ladyship requests that Bea and her friends prove the maid’s innocence. But with time running out, can they navigate the tangled web of lies, betrayal, and hidden motives before an innocent woman is imprisoned for a crime she didn’t commit? Because even on holiday, the sleuthing never stops!
I Kill Always Love You is a fun addition to Helen Golden’s Right Royal Investigation mystery series. I’ve read all the books in the series so far, including all the short stories. I adore spending time with Lady Bea and Perry, and this time, we also have help from Simon and Richard, not to mention Isla.
I’ve come to expect well-plotted stories from this series, and I Kill Always Love You doesn’t disappoint. Did I work out what had happened? Not quite all of it because there were many red herrings and interesting side stories alongside the mystery of what really happened. I certainly appreciated the careful plotting and piecemeal revelations, even if I do wish Perry would buy himself a decent pair of running shoes.
A firm addition to this charming series. New readers will not be disappointed.
Check out my reviews for the other books in this fabulous series.
Hello. I’m Helen Golden. I write British contemporary cozy whodunnits with a hint of humour. I live in small village in Lincolnshire in the UK with my husband, my step-daughter, her two cats, our two dogs, sometimes my step-son, and our tortoise.
I used to work in senior management, but after my recent job came to a natural end I had the opportunity to follow my dreams and start writing. It’s very early in my life as an author, but so far I’m loving it.
It’s crazy busy at our house, so when I’m writing I retreat to our caravan (an impulsive lockdown purchase) which is mostly parked on our drive. When I really need total peace and quiet, I take it to a lovely site about 15 minutes away and hide there until my family runs out of food or clean clothes
MJ Porter 