It’s happy release day to Men of Iron, the first book in the Dark Age Chronicles Trilogy #newrelease #MenOfIron #histfic
Listen to me waffle about it.
Listen to me (almost competently) introduce you to the Dark Age Chronicles and my two main characters, Meddi and Wærmund, or Wærmund and Meddi (you’ll have to listen to find out:)
Curious about the trilogy? Check out my blog post for more details below (or the really nerdy one below that)
During Britannia’s tribal age only the strongest prevail…
Britain AD541
Seeress Meddi has been restored to her rightful position of influence within the Eorlingas tribe. But a heavy cloud hangs over the tribe’s survival with the escape of the treacherous Elen who seeks to exact a bloody vengeance following Meddi’s reinstatement and her downfall.
Meddi knows Elen will return to settle the blood feud and the tribe must be ready to face this deadly threat with iron. They must toil day and night to harness the power of the lost magiks to make the weapons needed to overpower Elen.
Meanwhile, Wærmund, a warrior of Saxon descent, has escaped his enforced captivity and vows vengeance against his captors. He too hungers for the promise of sharp blades and travels West to find those who can fashion iron into blades sharp enough to kill. But when a lone woman befriends the band of warriors, promising him even more than that, he’s beguiled by her tale of deceit amongst her own tribe, so reminiscent of his own.
Unbeknown, Meddi and Wærmund share a common enemy and one who is just as belligerent as they are…
If you’ve been with Coelwulf, Rudolf, Icel, Edmund and Pybba since the beginning, then you’re probably with me in trying to work out how five years have gone by since the release of The Last Warrior, which from memory has a bit of a shocking ending (but no other spoilers here).
There are now ten books in all, as well as a short story collection, Coelwulf’s Company, and the prequel series featuring a young Icel, the Eagle of Mercia Chronicles (check out the stories featuring young Icel – if you know, you know, and if you don’t yet know, you’re going to want to find out.)
Fans of the series each have their own favourite, from the somewhat difficult Haden (Coelwulf’s horse), to Edmund, young Rudolf and the difficult-to-please Icel, as well as Pybba. I also think many love Edmund’s brother, Hereman, who is someone who thinks after the punches have been thrown:) The Viking raider enemy also have a few fans, and I did very much enjoy recreating these characters.
If you’ve not yet discovered The Mercian Kingdom: The Ninth Century series, then you’re in for a treat, as long as you’re not easily offended by foul language and violence – although if you are, there are Cleaner versions available without quite so much swearing. You’re never going to get away from the violence with this band of miscreants. Follow this link, as they can be a bit tricky to find on Amazon.
The Last King books are available in eBook, paperback, and hardback formats, and in eBook only for the version without the swearing. Or, check out the box set below, which also contains the versions with the language dialled down by a factor or about 450 (yes, I do run a check to ensure my characters have been as foul-mouthed as readers expect). You can hear me discussing the series and the swearing on the Rock, Paper, Swords podcast with Matthew Harffy and Steven A. McKay.
During Britannia’s tribal age only the strongest prevail…
Britain AD541
Seeress Meddi has been restored to her rightful position of influence within the Eorlingas tribe. But a heavy cloud hangs over the tribe’s survival with the escape of the treacherous Elen who seeks to exact a bloody vengeance following Meddi’s reinstatement and her downfall.
Meddi knows Elen will return to settle the blood feud and the tribe must be ready to face this deadly threat with iron. They must toil day and night to harness the power of the lost magiks to make the weapons needed to overpower Elen.
Meanwhile, Wærmund, a warrior of Saxon descent, has escaped his enforced captivity and vows vengeance against his captors. He too hungers for the promise of sharp blades and travels West to find those who can fashion iron into blades sharp enough to kill. But when a lone woman befriends the band of warriors, promising him even more than that, he’s beguiled by her tale of deceit amongst her own tribe, so reminiscent of his own.
Unbeknown, Meddi and Wærmund share a common enemy and one who is just as belligerent as they are…
Curious about the trilogy? Check out my blog post for more details below
On this day in history….. Pagan Warrior, then titled Hædfeld first hit the ‘shelves,’ as it were. Until the release of Men of Iron earlier this year, Pagan Warrior had been the furthest back in time I’d written about. So, what prompted me to write about Penda, the mighty pagan king of Mercia?
Well, I think you all know by now that I’m a Mercian by birth. But my plans for Penda actually started with the desire to tell the story of the battle of Maserfeld, which is the second major battle Penda fought against the Northumbrians, nine years after Hædfeld. For the sake of my readers, and because it was too good an opportunity to miss, I decided to start with the earlier battle of Hædfeld.
And what a revelation it was. I’ve said before there are certain periods in the history of Saxon England that feel as though we know more about them – Pagan Warrior and the whole Gods and Kings Trilogy is one of those periods. We have the names of Penda’s many allies and his enemies. The island of Britain so often segregated into neat little kingdoms that too often fall into the now established England, Scotland and Wales (and Northern Ireland) feels alive with the earlier, smaller kingdoms stretching from Dumnonia all the way to the Pictish kingdom, taking in Wessex, Mercia and the Welsh kingdoms along the way. And of course the family dynamics between the Mercian brothers and the Northumbrian children also offered a fascinating angle to explore. On top of all that there was the pagan/Christian element as well. What a delight.
At the heart of it, Hædfeld is a story of a single battle, and the events that led to it, so often the case, years in the making. So, if you’ve not tried Pagan Warrior now is the perfect opportunity. The ebook is currenly 99p/99c on all good platforms (not just Amazon), and to celebrate, I’ve created a special edition matte covered hardback with foiled writing, (exclusively available sirectly from my SumUp store) AND a boxset of the whole trilogy. (It’s also available in audio but I can’t do any special offers for that).
Thanks to some spectacular archaeological finds, we can visualise how a Saxon warrior might have looked. The reconstructions of the Sutton Hoo helm, and that found with the Staffordshire Horde (as well as a few others), present us with elaborate helmets crested with dyed-horse hair in a way very reminiscent of the Roman era. They glitter, and they seem to be festooned in gold and silver work, but whether these were actually worn in battle or not is debatable. Firstly, they would have made the kings or noblemen very noticeable to their enemy. Secondly, they were so valuable it’s impossible to consider the loss of one of them should they fall and their goods be taken by their enemy. Bad enough for their king and leader to die in battle, but to also lose such precious wealth as well seems unlikely. That said, of course, the Sutton Hoo helm was buried, and the fragments of the Staffordshire Hoard helmet were buried and lost. An image of the Staffordshire Helmet can be found here: https://www.stokemuseums.org.uk/pmag/collections/archaeology/the-staffordshire-hoard/
But there is another reason why these helmets might have existed, and that’s because they were for ceremonial purposes. Kings, before the reign of Athelstan (925-937) are not known to have undergone consecration with a crown but rather with a helmet. After all, they were warrior kings. Perhaps then, these survivals are more akin to that worn by a warrior-king when appearing before his people or for ceremonial reasons.
The cheek guard from the Staffordshire Hoard. Attribution below. Flickr user “Portable Antiquities Scheme”, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
What then might have been the more usual garb for a warrior of the Saxon era, which at nearly six hundred years is bound to offer some variations? Shield, spear, seax, sword and byrnie. We get a feel for these items and how valuable they were from wills that survive from the later Saxon era, hundreds of years after the events of Pagan Warrior. Ealdormen had horses, both saddled and unsaddled, shields, spears, swords, helmets, byrnies, seax, scabbards and spears. The will of Æthelmær, an ealdorman in the later tenth century, records that he’s granting his king, ‘four swords and eight horses, four with trappings and four without, and four helmets and four coats of mail and eight spears and eight shields,’[1] as part of his heriot, a contentious term for something that some argue was an eleventh-century development, and others argue, is merely reflecting earlier practice on the death of a man.
There would also have been thegns and king thegns, who had their own weapons, as well as the men of the fyrd, the free-men who could be called upon to perform military service each year, as and when required. It’s often assumed they would have been less well-armed, although this begs the question of whether kings and their warrior nobility were prepared to sacrifice those they relied on to provide them with food to gain more wealth. They might have found themselves with the money to pay for food but without the opportunity to do so.
There are very few representations of warriors, but the surviving strands of the Gododdin, a sixth-century lament to the fallen of Catraeth gives an idea of how these warrior men thought of one another. There is much talk of killing many enemies, drinking mead, and being mourned by those they leave behind.
Battle tactics from the period are impossible to determine fully. Before writing my books which are blood-filled and violent, I read a fascinating account, by a military historian, on how he thought the Battle of Hastings might have been won or lost. The overwhelming sense I came away from the book with was that local features, hillocks, streams, field boundaries even perhaps the path of a sheep track might well be the very thing that won or lost a battle for these opposing sides. The land that kings chose to go to war on was incredibly important,
When trying to reconstruct the battlefield for the battle of Hædfeld, which concludes Pagan Warrior, I encountered a problem that will be familiar to writers of the Saxon era. The place where the battle is believed to have taken place, on the south bank of the River Don (although this has been disputed and work continues to discover whether the other location could be the correct one), has been much changed by later developments. It was drained in the 1600s and therefore, it doesn’t look today as it would have done when the battle took place.
I had very little information to work on. The River Don, the River Idle, the River Ouse, the belief that the ground would have been marshy, and that many men fell in the battle. And the words of Bede in his Ecclesiastical History, ‘A great battle being fought in the plain that is called Heathfield.’[2] Much of the rest is my imagination.
If you’ve been with Coelwulf, Rudolf, Icel, Edmund and Pybba since the beginning, then you’re probably with me in trying to work out how five years have gone by since the first book’s release. There are now ten books in all, as well as a short story collection, Coelwulf’s Company, and the prequel series featuring a young Icel, the Eagle of Mercia Chronicles (check out the stories featuring a young Icel – if you know, you know, and if you don’t yet know, you’re going to want to find out.)
If you’ve not yet discovered The Mercian Kingdom: The Ninth Century series, then you’re in for a treat, as long as you’re not easily offended by foul language and violence – although if you are, there are Cleaner versions available without quite so much swearing. Follow this link, as they can be a bit tricky to find on Amazon.
The Last King books are available in ebook, paperback and hardback, and The Last King (book 1 ) is also available in audio.
Competition Time
I’ve gained some of the best fans ever by running competitions to win signed copies of my books, and this year is no different, although the prize keeps getting BIGGER.
To enter the competition to win all 10 books signed by me, complete this Google form. (Competition is open until 30th April 2025).
Entries are open to UK-based people only (because postage is very expensive elsewhere), but people outside the UK can still submit their details and receive a FREE copy of a short story collection featuring stories set in The Last King’s world (and check out another fabulous deal below).
You can also grab the first 3 books in the series for 99p/99c and equivalent worldwide for a very limited time
These are the less sweary-versions (I am having a bit of moment with hyphenated words so I am going with it for this).
It’s happy release day to Men of Iron, the first book in the Dark Age Chronicles Trilogy #newrelease #MenOfIron #histfic
The Dark Ages?
As a bit of a history nerd, I’m not always comfortable with the term ‘Dark Ages’ for my books, mostly because the ‘real’ Dark Ages took place between about 410 and 600 in England, and so, until NOW, my books haven’t strictly fallen into that category. (Also, as a very literal child, I entirely mistook what was meant by the Dark Ages, and I was always perplexed as to why it was so damn dark.)
Admittedly, many apply the term to almost all of the period of Saxon England, which is somewhat incorrect (and indeed it was once applied to the entire Middle Ages). The idea of the Dark Ages stems from a belief there was no scientific or cultural advancement during this period (according to Wiki), but particularly in regards to England it references the lack of surviving written records from the period.
Archaeology is massively changing this interpretation, and there is now an accepted view that much can be understood about the era, just not in the way ‘historians’ might think – the merging of archaeology and history (and other sciences) is rewriting the period. We’re no longer entirely reliant on two written sources, Gildas, and his De Excidio et Conquestu Britanniae – On The Ruin of Britain (who may or may not have a cameo in Men of Iron), or Bede, (amongst historians often called ‘Bloody’ Bede) and his Historia ecclesiastica gentis Anglorum – History of the English People (as well as a few ‘odd’ earlier sources. Check out my blog post for more details.) It might be impossible to apply dates to developments, but it is possible to postulate what was actually happening during these ‘lost’ two hundred years, even if much of our knowledge must rely on finds from graves. It is also increasingly understood that this period was complex and that rarely does ‘one narrative’ adequately explain what was happening throughout England. This is a time before the major Saxon kingdoms, when much was in flux with cultures merging and endeavouring to survive with the loss of the Roman economy.
A new trilogy
And this is where my new trilogy enters stage left. This period fascinates me. I’ve been reading extensively about it for some time, and eventually managed to convince my editor (thank you) to let me tell ‘a‘ story of what ‘might‘ have been happening in this period. It can’t be based on any ‘named’ historical individuals (well, apart from one or two I’ve snuck in there as fictional creations) but it can attempt to populate this complex and little-understood period with people who lived and breathed, and I’m so excited to share it, with my readers. And guess what, it’s about what was ‘Mercia’ before it was ‘Mercia.’ (If you think you’re going to get me away from Mercia, you’re very mistaken.)
So how then to tell this story with so many cultures? I’ve taken the decision to offer a dual narrative, one from Meddi, my seeress in the west of England (close to Gloucester), and the other, Wærmund, my would-be-warrior from the east of England (the Fens). These two main characters allow me to explore the continuity and change taking place in what would become England. Their experiences as a seeress, as a warrior, and with the added complications of family discord driving their actions, ensure the characters from Men of Iron feel like ‘real people’ even in this distant, hazy landscape so similar and yet so different to everything we experience today. I really hope you’ll enjoy it. (I’m also very excited as I have dual narrators for this trilogy.)
Back in 2020, I finally wrote a book I’d wanted to write for a long time – the story of Mercia’s last king, Coelwulf II (although, I think I should have spelt his name as Ceolwulf but hey ho). The book I eventually wrote has spawned my most successful series to date and has also given readers The Eagle of Mercia Chronicles, featuring a younger version of Coelwulf’s very outspoken fellow warrior Icel.
The book I wrote was also very different to how I thought it would be. Indeed, it’s not one book, but a series 10 books long, and featuring a cast of lovable, foul-mouthed rogues who are as loyal to one another as they are to the horses they ride. I’ve spoken before about why the characters are so sweary, and I know not everyone enjoys that element of the books, but hey, these men are who they are. But, thank goodness for Coelwulf’s aunt, who keeps a wary eye on them all and can occasionally make them a little more polite.
The Last King/The Mercian Ninth Century
I’ve long wanted to celebrate the occasion of five years since releasing the book, and I’ve had many thoughts about it over the last few years, but when it finally happened, it was very unexpected, and the cover design came from someone I’d asked to work on some sprayed edges to jazz the cover up a little. It is very understated, but I think that makes it all the more special. BookVault can incorporate sprayed edges, a design on the endpapers, super high-quality white printing paper, as well as a ribbon to keep track of your reading. There are also new chapter headings, but at heart, this is The Last King, as it was released on 23rd April 2020, at a time when we were all looking for the means to distract ourselves from the horrors of the Pandemic and distract us we all did, even me. I find writing Coelwulf and his allies (and enemies) enormous fun and also very comforting. I know these characters, and they do live in my head rent-free, and I really don’t mind at all.
So, let’s check out the designs for this special edition, which will only be available directly from me. I don’t plan on releasing it widely, and depending on demand, I will limit it to 100 printed copies.
The jacketThe jacket againMock-up of the front cover and sprayed edges designThe new chapter heading imagesThe amended map to fit the endpapers of the book
What it looks like in ‘real’ life
The front coverThe original coverThe inside jacketTitle pageOriginal mapThe prologue with chapter heading imagesThe sprayed edgesThe back coverThe inside back cover jacketThe original coverSide-by-side comparison with the original hardback version
Each book will be signed by me, and I’ll include some goodies with it as well. But to get a copy, you must order it via my SumUp shop. I will be offering discount codes to readers who order The Last King for The Last Warrior edition, too.
MJ Porter 