It’s nearly happy release day to Lords of Iron, the third and concluding book in the Dark Age Chronicles Trilogy. Let’s talk about Meddi , the seeress of the Eorlingas #newrelease #MenOfIron #WarriorsOfIron #LordsofIron #histfic
Meddi, the seeress of the Eorlingas
When I was thinking about writing this trilogy, set in the undocumented and little-understood ‘true’ Dark Ages, it was Meddi’s character that came to me most forcefully. I had thought she appeared pretty fully formed, but I’ve actually found a very early attempt which doesn’t mention her (it was only about 250 words, admittedly). After that, she evidently developed quite quickly in my mind. Of the two main points of view characters, Meddi and Wærmund, she is the one who was the most different to what I’ve written before, so I was surprised by how strongly she manifested and became ‘real’ to me. I ran a few elements of her character passed a number of trusted early readers. I wanted her to be strong and determined, but also broken and healing from a terrible trauma, a terrible trauma even I can only imagine. But I also didn’t want her to be stereotypical. I needed to make her realistic and both a product of what had happened to her, and also not. Don’t worry, it was a confusing mix for me, too.
Making her a seeress allowed me to give her an influential position amongst her people. But of course, it brought some problems. What sort of seeress should she be? What magiks should she possess? And how to make those more ‘fantastical’ elements work in what was intended as a piece of archaeological fiction (yes, historical, but so much is based on archaeological finds, it seems wrong to misname it).
I am, and no doubt, will always be a ‘pantser’ (someone who doesn’t plan their stories but just writes them – perhaps in many wats somewhat similar to Meddi when she reaches out to communicate with her ‘god’ only I’m reaching out for my muse and a story that plays out on the page). As such, some elements of Meddi’s personality just appeared for me, and others had to be worked at. I was also conscious of not making her too similar to the wonderful Wynflæd in The Eagle of Mercia Chronicles, or indeed, the Wolf Lady, who also features (both of them healers). Yet, a seeress would possess the abilities to tend to the sick. It was tricky to get it just right. It was really only when I heard her words brought to life by her fabulous narrator, Antonia Breamish, that I truly appreciated that Meddi was a creation I could be very satisfied with (you can listen to her below). I believe, and I hope my readers will agree, that she’s fully rounded, entirely understandable, and if she does things we wouldn’t, then we can be sympathetic to what drives her.
The symbolic adorning of her face and hair with chalk or charcoal as she conducts her magiks was based on little more than my imagination, and yet the imagery is stark. She is sometimes cast from shadow, and sometimes from light. She is a character who loves and hates with equal fierceness, and sometimes, her love shows itself in ways that are perhaps more akin to hatred. But she is certainly most critical of herself. She is driven by ambition, and in this final book, I think we see her at her most vulnerable and also at her strongest. Enjoy.
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2025 has been a challenging reading year for me. I’ve failed to hit my reading target of 100 books (although I’m not worried about that because hey, it’s just a bit of fun to even set a target), and there have been a few months where I barely read anything at all because ‘life’ got in the way. I’ve also noticed this year that my reading preferences have changed, moving even more towards mysteries and away from my writing genre of action and adventure historical fiction. I have also, however, joined my local book club, and so I’m reading one book each month to discuss in the group, and this means I’m not necessarily always reading books I would usually choose. This has been a bit of an eye-opener. In our book club, we do read the books, and we do talk about them. If you can find a book club like that, then I highly recommend it. It’s a great experience.
Goodreads (and The Storygraph) tell me I’ve read 82 books this year (as a point of note, I don’t usually put my audiobooks on multiple times (I listen to the same few audiobooks at night to help me sleep and I am almost word perfect on some of them these days)). As last year, I’ve not included my own books in this, which get read repeatedly while writing and editing.
My most read category (a third of all books) has been historical mysteries – (some of these might also be classified as cosy). I’ve read anything from The Rush by Beth Lewis, about the dash to Dawson City to mine for gold at the end of the nineteenth century, to Desolation by Keith Moray (set in the 1300s) and Monstrous Murder by Elizabeth R Andersen (also set in the aftermath of the Black Death) to a huge collection of early twentieth century mysteries, including Michelle Salter’s new series, Murder in Trafalgar Square. I think my favourite (and most surprising read) was The Bookseller of Inverness by SG MacLean (our first book club read, and my recommendation (there were opinions about it – which was brilliant – and I would warn it certainly helps if you know something about the Battle of Culloden and its aftermath). Click on the images to visit the reviews (if I’ve reviewed on the blog).
Behind historical mysteries in my reading year are just plain old contemporary mysteries. Again, some of these are also cozy reads. I don’t like my murder mysteries to be too graphic (when I was much younger, I read all the Scarpetta and Jonathan Kellerman novels and freaked myself out), and I’ve discovered that my preference is for a style known as ‘police procedural’ even when there are no police involved. I started the year with Death on Ice, which was a slow build but delightfully engaging, and ended with the equally brilliant The Retired Assassin’s Guide to Orchid Hunting – a fabulous New Zealand-based mystery (I’m going to read book 1 now), and Simon Whaley’s Flaming Murder (reviews to follow for these two books in Jan 2026). I also discovered Antony Johnston’s lovely Dog Sitter Detectives Series. These are such great books – quick reads but with compelling mysteries.
You can also check out my three favourite reads of 2025 over on Shepherd.
I do want to give a huge shout out to Kalahari Passage (which I’m classifying as historical fiction as its set in the 1960s (I think). This is a beautiful story, if sometimes a hard read. Do check it out.
What I’m classifying as thrillers came next – from the new Harlan Coben to the rather brilliant Dolos by a debut author, LH Fox, which almost had me understanding how cryptocurrency works, and is also my most visited review on the blog.
Six titles were historical romance. Jane Dunn, Melissa Addey and Susanna Dunlap all kept me entertained with their Regency romances, while The Ladies Road Guide to Utter Ruin could also be classified as a Regency romance, but I’ve popped it into the historical mystery category, as it certainly crosses over more into a mystery with the romance element in the background. (If you’ve not read Alison Goodman’s Dark Days Club books, then you’re missing a treat, my Regency fans – a hint of fantasy in the Regency era – what is not to love (still not convinced – I would compare it with Cassandra Claire’s Victorian trilogy).
I also read a couple of romance novels (one for Book Club) and certainly enjoyed some more than others:)
I didn’t read (or at least finish) many non-fiction titles in 2025 (I am still reading Max Adams’ Mercian Chronicles and I have his new title on Northumbria to read as well). My only complete historical non-fiction title for the year was that by Amy McElroy on Mary Tudor – a great depiction which I found very inspiring. Mary is so often overlooked.
The title I enjoyed the most out of the other non-fiction reads was You Know the Drill, an account of a dentist’s life. I made myself read it because I’m so terrified of the dentist. Has it helped? Maybe.
I also read a writing guide, which I enjoyed. It’s always intriguing to discover how other people write their stories. Check out Planning the Perfect Plot.
I’ve also half-read many other titles (apologies to those authors). Hopefully, I’ll get back to them when I have time in 2026. Every year I explain I’m a ‘mood’ reader, and if something isn’t working for me at that moment, it doesn’t mean I won’t come back to it when I fancy something different.
One genre I’ve really neglected is fantasy (aside from the Discworld audios), although I have managed a few short story collections (reviews to follow). I will need to get back to it. I have a few series I need to finish. Maybe the problem is, I don’t want to finish them. We shall see.
Our local book club started in August 2025, and so far we’ve read four very different titles. The Bookseller of Inverness was my choice, and I’m slowly gathering all of Shona’s other titles, including her new release for Feb 2026. Next, we tried Joanne Harris’ Five Quarters of the Orange (which I didn’t like for very different reasons to the ones I thought when I started reading). We then tried The Christmas Postcards by Karen Swan, and most agreed the one element of the story was much better than the other. We ended the year with Before I Go to Sleep by SJ Watson – a novel that was incredibly slow, with something of a predicatable ending (and no, I hadn’t seen the movie). I’m excited to see what we read in 2026. And as you can see, there’s a great variety of titles there. When it’s my turn to pick again I will be championing some of my fellow indie/Boldwood authors.
Here’s to 2026 and all the reading I hope to enjoy.
I read a lot of books by my fellow Boldwood authors, and I’m also a host for a couple of blog tour organisers. This means I often get to read books before everyone else. Yay.
I’m sharing my review for Death of a Stranger, the first book in John Pilkington’s Elizabethan mysteries featuring Matthew Cutler #histfic #historicalmystery #bookreview #blogtour #TheRufflersChild #boldwoodbloggers @BoldwoodBooks @rararesources @theboldbookclub
Here’s the blurb
BE YE HUNTER OR PREY?
Introducing Thomas Finbow – falconer to Sir Robert Vicary and Lady Margaret of Petbury, Berkshire. He keeps his mind sharp and his body primed as he goes about his duties with the diligent confidence of one who once served Queen and country.
When Nathaniel Pickering, Lady Margaret’s older brother is found murdered, Thomas takes her away to London, in search of gryfalcons. Lady Margaret being a keen lover of the sport of falconry herself, Thomas hopes it will help distract his mistress from her grief, however once they reach the city it becomes apparent that much bigger things are at play – and the murder of Master Pickering was just the beginning…
Thomas’s astute mind is unable to ignore the clues, and in uncovering some dark secrets, he places himself – and his mistress – in grave danger. Now a target himself, Thomas must face some of London’s most notorious criminals, in a battle of both brain and brawn.
The Ruffler’s Child is an atmospheric Elizabethan mystery, set around the time of Mary Queen of Scots’ trial and subsequent execution. It is a time of unrest, and Thomas finds himself, a good country lad, thrust into the murk of a busy London. There are many unsavoury characters, and the mystery itself is quite complex, and not without peril for him.
I do love a good historical mystery and this one really intrigued me. Thomas and Lady Margaret have an unusual relationship, and he does seem to be trusted with a great deal of familiarity with the lords and gentry he comes into contact with, while also being just about able to hold his own in London’s Elizabethan underworld of crime, trugging houses and petty theft.
I really didn’t guess the resolution for this one, and very much enjoyed journeying along with Thomas as the elements of the mystery slowly clicked into place. The start of the series, I’m looking forward to reading my way through the books featuring Thomas the Falconer.
A writer for over forty years, John Pilkington was born in Lancashire and worked at many jobs including laboratory assistant, farm worker, weaver, shipping clerk, picture frame-maker and cabaret musician before taking a degree in Drama and English and finding his true 2 vocation. He has since written plays for radio and theatre, television scripts for a BBC soap, a short-lived children’s series and numerous works of historical fiction, concentrating now on the Tudor and Stuart eras. He also ventured into speculative fiction with his biography of Shakespeare’s famous jester, Yorick.
He now lives in a village on a tidal estuary in Devon with his long-term partner Elisabeth; they have a son who is a psychologist and musician. When not at the desk he walks, swims, listens to music and tinkers with d.i.y. projects, and is enjoying being a grandfather.
I’m welcoming The Falconer’s Lost Baron by Susanne Dunlap to the blog #blogtour #RegencyRomance #bookreview
Here’s the blurb
A sweeping Regency tale of identity, devotion, and unexpected romance.
Lady Antonella thought she knew who she was—until a shattering family secret strips her of her name, her place in society, and her future. Cast adrift in Cornwall, she finds an injured goshawk in a poacher’s net and begins to nurse it back to health. But the hawk belongs to the war-scarred Lord Atherleigh—a man haunted by loss, determined to dismantle his mews, and certainly not expecting a spirited young woman to upend his solitude.
In London, her twin sister Belinda—radiant, poised, and newly on the marriage market—has only one goal: to find a worthy match… for Antonella. But when Hector Gainesworth, a charming rogue with laughter in his eyes and secrets of his own, turns his attention to Belinda instead, her heart begins to spin in an altogether unexpected direction.
As the sisters navigate betrayal, desire, and the demands of their hearts, two men must decide whether to risk everything for love. And Antonella’s goshawk may be the wild, winged thread that binds their fates.
The Falconer’s Lost Baron is the third of Susanna Dunlap’s Regency romances I’ve read, and I’ve enjoyed all of them (see my reviews below for the previous two books). Every book offers something a little different, while still delivering on what we all expect from a Regency romance.
This new title will delight fans of the genre (there is no need to have read the previous two titles, although you will be missing a treat.)
Susanne Dunlap is the award-winning author of over a dozen historical novels, as well as an Author Accelerator Certified Book Coach in fiction, nonfiction, and memoir. Her love of history began in academia with a PhD in music history from Yale. Her novel THE PORTRAITIST won first prize in its category in the 2022 Eric Hoffer Book Awards, and was a finalist in the CIBA Goethe Awards and the Foreword Indies Awards. THE ADORED ONE: A NOVEL OF LILLIAN LORRAINE AND FLORENZ ZIEGFELD, won first place in its category in the 2023 CIBA Goethe Awards for Late Historical Fiction. Today, she lives, coaches, and writes in beautiful Biddeford, Maine.
I’m sharing my review for Pilgrim’s War by Michael Jecks #newrelease #histfic #blogtour #bookreview
Here’s the blurb
The tale of a journey that will shape the world for centuries to come…
France, 1096. Crowds gather in Sens, Northern France, to hear the Hermit speak. He talks of a great pilgrimage to Jerusalem, a quest filled with promise for those Christian soldiers who march with him.
Sybill knows the perils of the road ahead, but follow it she must. Her husband is a reckless gambler, easily swayed by the Hermit’s words. For Odo, the pilgrimage provides the chance to demonstrate his unshakeable piety, while his brother Fulk craves adventure and excitement.
Jeanne and Guillemette have been mistreated by the men in their lives and are desperate for this chance of redemption and a brighter future – but for the two women alone on the journey, life on the road will be full of perils…
As the lines between love and hate, virtue and sin, good and evil become blurred, each must survive as best they can. Who will live to reach the holy city, and will the sacrifices they make to get there be worth the price they all must pay?
Pilgrim’s War is a multiple-character story of the First Crusade, told through the eyes of those seeking something on their journey to the Holy Land. Some are swept away with the promise of better things to come, some by the promise of redemption, others are simply leaves in the wind, taken on the way by events outside their control. Not many of them, admittedly, are actually ‘in it’ to serve their God. As a result of this, few of the characters are actually very ‘nice’. Indeed, quite a few of them are quite awful as the journey begins – but of course, if they’re to suffer any sort of epiphany, they need to be bad eggs from the beginning. The narrative doesn’t shy away from depicting the hatred between Christians and any other faith encountered on the journey to the Holy Land, and the hypocrisy of these seemingly ‘holy’ knights as they venture towards their destination.
Two main journeys are undertaken: one heading towards Rome, featuring a collection of knights, and another towards Byzantium, which follows Sybill, Odo, Jeanne, and Guillemette. That way lies peril. But so too is the route through Rome, where politics are once more at play. The cast is vast and from all reaches of society. It will not end well for them all.
The Crusades are far from an easy topic to cover, and the author is at pains to reveal the motivations behind the actions of those the story follows. It’s not always an easy read, or a particularly fast-flowing one with so many characters, but it shouldn’t be an easy read. I do appreciate the determination to show the event for what it was – a war perpetrated in the name of religion, but really, at the heart of it, something else altogether.
Meet the author
Michael Jecks is the author of over 50 novels inspired by history and legend. He is the founder of Medieval Murderers, and has served on the committees of the Historical Writers’ Association, the CWA and he Detection Club. He was International Guest of Honour at the Bloody Words festival in Toronto, and Grand Master of the first parade in the New Orleans Mardi Gras.
I’m delighted to share my review for Murder at the Wedding by Anita Davison #bookreview #blogtour #historicalmystery #newrelease
Here’s the blurb
Hannah Merrill is about to marry the love of her life…
The couple are determined their low-key celebration will go without a hitch, but there can’t be an ‘I do’ while the vicar is missing. And when he’s found dead – a victim of a poisoning – in the crypt behind the church, Hannah knows only she and Aunt Violet can find out who did it.
Hannah’s beloved thinks she shouldn’t interfere. But if he fails to remember that an independent woman in 1918 doesn’t do what she’s told to by a man, the dead vicar may be the least of his worries…
Then the vicar’s own fiancé appears on the scene, even though nobody knew he was engaged. And suddenly it becomes clear someone has a secret, one shocking enough to kill for.
Will the intrepid pair of amateur sleuths catch the murderer before they kill again? Or will it be til death parts them all?
Murder at the Wedding is a fabulous new mystery in the Miss Merill and Aunt Violet mystery series.
Hannah is finally married but no sooner has she said, ‘I do,’ than she finds a body. (What a horror on her wedding day). What they determine is a matter of suicide becomes something much worse as murder is soon suspected. Hannah and her aunt determine to find the solution because the new police inspector isn’t up to the task.
It’s good to see Hannah and Violet working together in this book. They’re a great team (I felt in the previous book that there wasn’t quite enough of Aunt Violet). The mystery is well structured, seemingly impossible to solve for much of the novel and I didn’t guess the resolution, which I always appreciate.
This is another enjoyable read in the on-going historical mystery series.
I’m sharing my review The Wordsmith’s Guide to Planning the Perfect Plot by Elizabeth M Hurst #blogtour #nonfiction #writingadvice
The Wordsmith’s Guide to Planning the Perfect Plot
* DO YOU STRUGGLE TO FINISH WRITING A NOVEL? * DO YOU RUN OUT OF MOMENTUM BECAUSE YOU DON’T KNOW WHERE YOUR STORY IS GOING?
The Wordsmith’s Guide to Planning the Perfect Plot is your trusted companion for turning story ideas into structured, compelling narratives. In this fourth instalment of the Wordsmith’s Guides series, Elizabeth M. Hurst takes you through popular plotting methods—including the Snowflake Method, Save the Cat Beat Sheet, and The Inside Outline—helping you choose the right approach for your writing style. You’ll also find practical advice on troubleshooting common pitfalls, crafting satisfying endings, and keeping your plan adaptable as your story evolves.
Inside, you’ll discover:
Clear explanations of proven plotting methods
Guidance on choosing the right structure for your novel
Tips for overcoming plot issues and staying on track
Advice on writing satisfying, well-rounded endings
A practical appendix full of tools and templates to support your planning process
Whether you’re a planner, a pantser, or somewhere in between, Planning the Perfect Plot will help you shape your novel with clarity and confidence.
Planning isn’t something I really do as a writer. But I was certainly curious to see how others might go about writing their stories. Elizabeth M Hurst gathers together many different techniques for planning a novel, and it is interesting to discover how I could be writing a novel, if my mind worked in that way. Mine, alas, does not. It thrives on the chaos. But, I do think the book is an excellent resource for those who plan before writing, and perhaps worry too much about sticking to their plan and the plot they thought they’d be writing when it goes awry and things starts to misbehave. I found it intriguing to read how people use ‘beats’ to craft their story as well as arcs and other techniques. I’m in awe of anyone who can think that far ahead:) I’m not a planner because I ‘feel’ my way through a story – but the author certainly nails my writing style in her explanations.
The author readily acknowledges that most people will use a variety of these techniques, and I was pleased to see that through it all, the delightful chaos of characters and plot misbehaving was never far from her thoughts.
The idea behind writing the novel, was, the author says, to encourage writers to finish their drafts using whatever techniques work for them. This is a worthy endeavour. Many people start writing a story and falter when things start to feel ‘off.’ This should provide opportunities to get writers writing again by thinking of their plot in different ways. I suspect it could be used as an effective diagnostic tool to discover where a plot is faltering, and once that’s been done, writers will learn what works and doesn’t work for them and in future, potentially, avoid the traps waiting to choke off the creativity.
A concise and interesting summary of the way writers write, providing suggestions for breaking free from processes that might not be working. I’m sure all writers will find their ‘type’ in the explanations.
Meet the author
Elizabeth was born and bred in the picturesque harbour town of Whitehaven in the northwest of England, where the long, wet winters moulded her into a voracious reader of fiction to escape the dismal weather.
She graduated with a degree in Business Studies and a string of jobs followed, after which she finally settled in the automotive industry, where she spent twelve happy years.
Having already started writing around the age of 40, she had begun to dream of a more creative lifestyle and set about creating her freelance editing and proofreading business, EMH Editorial Services. In 2018, she quit the corporate world and concentrated her energy full-time towards her love of the written word.
Elizabeth now lives with her husband in the warm and sunny south of France, where the wine is cheaper than the water, and the cats spend their days hunting lizards and dreaming of the birds that roost on the roof.
Come with me to Great Witcombe #newrelease #MenOfIron #WarriorsOfIron #histfic
Great Witcombe Roman Villa
Great Witcombe Roman Villa is no longer open to the public, but it is managed by English Heritage, and it’s possible to get a glimpse of it, although you do need to be careful. I think it’s currently closed due to safety concerns, so be mindful, and stay behind all the barriers, especially as the location is pretty remote.
From what I could see of the remains of Great Witcombe Roman Villa, it does seem to have been set in a beautiful place, and it quite appealed to me. I relied heavily on the idea of the location when devising the home for one of the tribes that features in the Dark Age Chronicles. (It probably helped that I visited on a lovely sunny day.)
What languages were being spoken in Post-Roman Britain? #newrelease #MenOfIron #WarriorsOfIron #histfic
What languages were being spoken in Post-Roman Britain?
As with everything to do with this period of the ‘Dark Ages,’ much was in flux. It’s believed that many languages were spoken by the inhabitants of the island of Britain. From the native Brythonic (also often termed British) who would have spoken a version of Welsh, to the Latin of the Christians, the Old Norse (or even older versions of Old Norse) being spoken by those emigrating to Britannia, as well as Pictish, and potentially other languages as well.
Our only written source commonly believed to be from this period, that of Gildas’ On The Ruin of Britain, was written in Latin, but then, he’s said to have been an educated Christian, raised in the ways of both Rome and Christianity. If he spoke Latin on a day to day basis, I’m unsure. I know scholars complain about his grasp of the written Latin language being somewhat convoluted, but whether that’s due to him, or the way his writings have been transmitted to us through the years, I’m unsure.
How then might these people have communicated with one another if so many different languages were being spoken? There must have been translators who could facilitate trade between the tribes. It would be amazing to discover one of these individuals in the archaeological record, but it seems unlikely.
I’ve worked hard to find names for my characters which feel authentic for the period. The Eorlingas have Brythonic names, Meddi has been shortened from Meddiwysti for fear it was impossible to pronounce, whereas Wærmund and his warriors, while having names that feel very Saxon, are, I hope, ones I’ve not used before, and according to the resource I used, are deemed as ‘early’ Saxon names. Other characters also have Latin names, and some have slightly made-up Latinised names i.e. Terricus who was named after one of my readers, who wanted to be a warrior, but became a blacksmith instead. I think he’s still one of my readers:)
I’ve also used different names for the settlements, again to reflect the mix in language. The Eorlingas, Gyrwe and other tribal names are from the Tribal Hidage a contentious (later and difficult to date) source but one believed to document the very small tribal affiliations that might have existed at this time. Uriconium/Viriconium has its Latin name, although I used a version of the name I found that’s not the most commonly used one. Corinium (Cirencester), Glevum (Gloucester) and Verulamium (St Albans) have their Roman-era names. The River Severn, has its Old Welsh name, Habren, and so, as I was writing the trilogy I was being mindful of reflecting the hodgepodge of names and languages my characters might have known and heard being spoken.
It also added to the drama to make it difficult for my characters to easily communicate with one another.
I’m reviewing A Very Murder Murder by Kate Wells, a fabulous contemporary mystery set in the Malvern Hills #mystery #newrelease #blogtour #bookreview
I’m reviewing a Very Merry Murder by Kate Wells
Here’s the blurb
Mistletoe, mince pies… and murder
When Jude Gray inherited Malvern Farm, she never thought she’d become so used to farm life, let alone be good at it! But now a beloved national TV show is coming to film their Christmas special on her land, celebrating the charm of rural living and all Jude’s achieved so far.
At least, that’s the plan… until one of the crew is found dead in suspicious circumstances.
At first, it looks like a tragic accident, but when alibis start to crack, it seems like anything but. With a growing list of suspects and enough behind-the-scenes drama to rival anything the cameras are capturing, Jude must dig deep to uncover the truth.
Because someone on her farm is hiding a deadly secret – and this year, the season of goodwill may come with a killer twist…
A Very Merry Murder by Kate Wells is the sixth book in the Malvern Farm Mystery series and I’ve read five of them (see my reviews below). The series is very dependable, and each book is very well written with a good mystery for Jude to unravel. It’s a favourite series of mine.
A Very Merry Murder sees Jude playing host to a film crew on the farm, while also preparing for her sister’s wedding. It’s a busy time for her, and a real strength of these books is that the author rarely forgets Jude is a farmer first and only a sleuth second. We get a good idea of the relentless nature of farming, even though Jude loves it.
The film crew, of course, quickly start causing problems, from the slimy director to the acerbic runner to the two hosts. Are they happily married or not? When the first body is found, Jude immediately senses not all is as it seems, and she works with a recovering Binni to unravel the tangled threads of lies and misdirection from the suspects. And all while preparing for Christmas.
A Very Merry Murder is a festive treat, complete with some snow, and while I’ll be honest and say I did work out the twist in this one, it was still very enjoyable. I highly recommend this series to those who like a contemporary mystery without too much gore.
Kate Wells is the author of a number of well-reviewed books for children, and is now writing a new cosy crime series set in the Malvern hills, inspired by the farm where she grew up.
MJ Porter 