Murder at Raven’s Edge(An English Village Mystery Book 1)
When Milla Graham returns to her childhood home of Raven’s Edge after eighteen long years away, she finds the perfect English village looks much the same – all rose-covered cottages, nosy neighbours, and quaint teashops full of scones and gossip.
But her nostalgic visit takes a dark turn when the body of a local woman is discovered in an abandoned manor house on the edge of the forest. The murder scene is chillingly close to that of Milla’s own mother, whose death was never solved. As she begins to investigate the connection, Milla realises this adorable village is guarding some dark secrets.
Handsome, grumpy local police detective Ben Taylor doesn’t believe in coincidences, and he doesn’t think mysterious newcomer Milla Graham is as blameless as she seems. Why is she really here in Raven’s Edge, and how come she keeps turning up at his crime scenes, causing trouble? Can he solve this murder case without losing himself – or his heart – to the rather distracting Ms Graham?
When another body is found, everyone becomes a suspect – from the barmaid at the local pub to Milla Graham herself. It seems that in Raven’s Edge, not everybody is as friendly, or as innocent, as they first seem.
This picture-perfect English village is full of rumour, romance… and murder! A gripping, funny, absolutely unputdownable murder mystery, which is perfect for fans of Faith Martin, Fiona Leitch and M.C. Beaton.
Murder at Ravenswood House(An English Village Mystery Book 2)
A gruesome murder in charming Raven’s Edge sends Milla Graham sleuthing to catch a killer, win back her detective ex, and dig up a decades-old secret along the way…
When a shocking murder rocks the picture-perfect English village of Raven’s Edge, erstwhile amateur detective Milla Graham finds herself right at the centre of the mystery. Still reeling from her recent breakup with local police officer Ben Taylor, Milla sets her sights on solving the case, hoping to win Ben back.
But when the evidence begins to point to Milla’s old friend and former paramour Lorcan Black, she must choose between her loyalties to the past and the possibilities of the future. Meanwhile, Ben is on a different trail – he’s begun to suspect that the murderer could be someone from his own family’s dark history.
Further complicating matters are Milla’s meddling grandmother, Ben’s no-nonsense police partner Harriet, and David the surprisingly young and sexy new vicar. With shocking twists around every cobblestone corner, the truth refuses to stay buried for long in this quaint village, whose picture-postcard façade hides decades of buried grudges, plots, and betrayal.
Will Milla solve the mystery in time to rescue her relationship with Ben? Can Ben face the skeletons in his family’s closet before one of his own relatives meets the same bloody end?
Brimming with drama, intrigue, romance and quirky characters, this addictive tale will have cosy mystery fans racing through the pages long into the night. Fans of M.C. Beaton, Faith Martin and Fiona Leitch will love this book!
Louise Marley writes murder mysteries and romantic comedies. She is lucky enough to live in a village where there is a famous library and TWO ruined castles. (Her husband still thinks they moved there by accident.)
Her first published novel was Smoke Gets in Your Eyes, which was a finalist in Poolbeg’s ‘Write a Bestseller’ competition. She has also written articles for the Irish press and short stories for women’s magazines such as Take a Break and My Weekly. Previously, Louise worked as a civilian administrative officer for the police.
I’m delighted to welcome Katharine Quarmby and her new book, The Low Road, to the blog, with searching for The Low Road in Historical Sources.
Searching for The Low Road in Historical Sources
Katharine Quarmby
The search for the story that became The Low Road started around seven years ago now, when I came across a description of one local area in my Norfolk, England, hometown. It mentioned in passing an area at the end of the town called Lush Bush, where a local woman, Mary Tyrell, had been buried on the parish boundary in 1813. I started to dig further, through local newspaper articles and found that the Norfolk Chronicle had reported in that year that she had taken poison and died after being investigated for infanticide. She was then staked through the heart after death in an archaic punishment called felo de se. A daughter, then only described by her initials, A.T., had survived and had been sent to a refuge in London.
It wasn’t a lot to go on, but I really wanted to know more, so I started by guessing that her first name was Ann and was lucky enough to find an Ann Tyrell, (called Hannah in my novel) who had lived at the Refuge for the Destitute in Hackney, East London. I then looked her up in the Hackney Archives, in East London, just a bike or bus ride away from my home, in the great Minute Books that noted in copperplate handwriting the history of the Refuge and of the lives of the young people, known as Objects, who lived there. No traces of the physical building exist now – all that is left is writing. There is just one painting that shows the Refuge as well, looming above some local almshouses.
I walked up and down the Hackney Road in search for it, and found the rough location of the institution where she had been admitted, after being banished from the hometown we shared and being found to have understood, or be ‘sensible’ that her mother had committed an “Iniquity”. It was near a scruffy car park, there were dark alleys nearby and I did my best to imagine Ann living there, using the brilliant Layers of London historical maps to go back in time.
In real life, just as in my novel, Hannah met another destitute there, Annie Simpkins. The girls forged a friendship that I imagined deepened into love and in December 1821 they took a risky decision which then dictated the course of their lives from then on. The Minute Books revealed that on a winter evening in 1821 the girls ran away with stolen goods from the Refuge – perhaps to make a life for themselves, who knows – and were apprehended by the Superintendent of the Refuge.
I traced Hannah and Annie onwards, to the National Archives at Kew, West London, and also through the Old Bailey Online Proceedings, which have been digitised and provide a unique insight into the British criminal justice system. The Old Bailey records show that the girls – just fifteen and eighteen at the time – stood trial for ‘grand larceny’, or thieving, on January 10, 1822. They were sentenced to seven years’ transportation.
But as I found, when I visited the National Archives in Kew, West London, they didn’t go immediately. It was six years later when our Ann was transported. So what happened in between? I kept looking. First of all, they went to the Millbank Penitentiary, now buried underneath the Tate Britain gallery. A stone buttress by the Thames nearby states: “Near this site stood Millbank Prison which was opened in 1816 and closed in 1880. This buttress stood at the head of the river steps from which until 1867, prisoners sentenced to transportation embarked on their journey to Australia.” There are few other traces, except some prison walls, unmarked, and a trench which had been dug around the prison which is now used to dry washing for nearby houses.
Later, the archives also revealed that the girls had even been sent to a prison hulk on the Thames. At the National Archives I was handed a document, done up with red ribbon, about their life on the hulks. Had anyone else ever untied this, I wondered, as I pulled on the ribbon, then unfolded the document. There were the names of my girls and others, resident on the prison ship on the Thames – and there was a signature at the bottom from the then Home Secretary, Robert Peel, pardoning them, and so it was that in 1825 the girls were set free and ended up working at the Ship Inn in Millbank, near the Houses of Parliament.
The last traces of my Ann, in UK history, were back in the Hackney Archives. She had asked for money so she could return to Harleston, Norfolk, but found that all her friends were dead; she had then been granted a stay in the temporary part of the Refuge…and then she vanished. All I knew was that the Superintendent of the Refuge had written back to a lawyer in my hometown to let him know that Ann had been transported to ‘Botany Bay’ in 1828.
I could find no record of her in Australian archives and so at this point I had to pivot and tell the story as fiction, rather than non-fiction. I novelised what happened to them in Australia, taking as my guide the history of other girls and women who were exiled, and was lucky enough to receive a grant from the UK Society of Authors so I could visit both the Hunter Valley and Tasmania, landscape into which I imagined the story of my two girls, exiled, as part of the 26,000 women who were transported to mainland Australia and Tasmania – the largest forced migration of English, Scots, Welsh and Irish people, numbering some 162,000 convicts in all, between 1767-1868. Telling that part of the story – part of the story of these islands, also meant paying attention to, and honouring, the Indigenous communities whose lives were desecrated by the British arriving.
From a trace of a story, then, The Low Road became a novel that uncovered lost histories: the stories of poor women from rural areas, the stories of convicts sent to penal colonies because of poverty and political activism, the stories of people who often left no records behind as a result of illiteracy and hardship, and the largely overlooked history of same sex relationships between convict women. This was a story from the bottom up, of how three generations of girls and women from one family were caught up in political times, from the fall-out of the Napoleonic wars and the poverty after, to the rise of the agricultural workers, the Swing Rioters, and other political dissidents and beyond the seas to Australia.
When I go back to Harleston to visit my family we go on a walk that takes us through the town, past the inn where a jury of men held an inquest on Mary’s body, past the green where the pond used to be where the baby was found, and all the way down to Lush Bush, where Mary is buried in an unmarked grave. I think of Mary and Hannah every time, and I hope I’ve done them justice.
Heres’s the blurb
In 1828, two young women were torn apart as they were sentenced to transportation to Botany Bay. Will they ever meet again?
Norfolk, 1813. In the quiet Waveney Valley, the body of a woman – Mary Tyrell – is staked through the heart after her death by suicide. She had been under arrest for the suspected murder of her newborn child. Mary leaves behind a young daughter, Hannah, who is later sent away to the Refuge for the Destitute in London, where she will be trained for a life of domestic service.
It is at the Refuge that Hannah meets Annie Simpkins, a fellow resident, and together they forge a friendship that deepens into passionate love. But the strength of this bond is put to the test when the girls are caught stealing from the Refuge’s laundry, and they are sentenced to transportation to Botany Bay, setting them on separate paths that may never cross again.
Drawing on real events, The Low Road is a gripping, atmospheric tale that brings to life the forgotten voices of the past – convicts, servants, the rural poor – as well as a moving evocation of love that blossomed in the face of prejudice and ill fortune.
Katharine Quarmby has written non-fiction, short stories and books for children and her debut novel, The Low Road, is published by Unbound in 2023. Her non-fiction works include Scapegoat: Why We Are Failing Disabled People (Portobello Books, 2011) and No Place to Call Home: Inside the Real Lives of Gypsies and Travellers (Oneworld, 2013). She has also written picture books and shorter e-books.
She is an investigative journalist and editor, with particular interests in disability, the environment, race and ethnicity, and the care system. Her reporting has appeared in outlets including the Guardian, The Economist, The Atlantic, The Times of London, the Telegraph, New Statesman and The Spectator. Katharine lives in London.
Katharine also works as an editor for investigative journalism outlets, including Investigative Reporting Denmark and the Bureau of Investigative Journalism.
Since moving to Raven Creek, Phoebe Winchester has had a lot on her plate.
She’s renovating the Victorian manor she inherited from her Aunt Eudora, running a tea shop (and secret magical apothecary), and learning to be a witch. But when she discovers a dead body at an estate sale, and suspicion falls on her, even Phoebe wonders if this is simply too much.
Forced to take action to clear her name, Phoebe enlists Rich Lofting, handsome private detective and childhood friend, to assist with her investigation, all while sorting out her unresolved feelings for him.
Is there something more sinister lurking in the shadows of this small tight-knit town? And does Phoebe really want to find out?
Spellbound is a cosy crime featuring our main character, Phoebe, who is a book-shop owner, bread-baker, owned by a cat, and a little bit of a modern-day witch. This isn’t spell-casting witchcraft, but rather a woman with some additional powers with which to imbue her teas and cakes.
When not baking, fixing up her house, being a general ‘good-egg’ and deciding whether or not to risk a romance with a new man, Phoebe manages to embroil herself in a crime, which somehow, finds her, and her cat implicated.
What ensues is a small-town, feel-good, crime busting episode, as Phoebe, determined to clear her name, gets into one or two scrapes before finally finding the true culprit.
This is an enjoyable, light-hearted read, with enough intrigue to keep the reader intrigued.
Meet the author
Gretchen Rue lives in the Canadian prairies, which affords her ample time to read during six months of winter. She plays cat mom to four mostly indifferent fur children, and plant mom to roughly 100 very demanding flora. When she isn’t sipping tea and working on her next novel, she enjoys swimming, hiking, and watching baseball.
I’m delighted to welcome Katherine Kayne and her new book, Bound in Roses, to the blog.
Here’s the blurb
A red-hot Hawaiian romance blooms for a buttoned-up botanist who must learn to let go and embrace the ancient voice within her.
After a failed engagement to a high-society suitor in San Francisco, Lokelani “Lucky” Letwin returns home to Hawaii, leaving her beloved rosebushes behind. She’s desperate to establish a life of her own-a daunting task for any unmarried female in the early twentieth century but particularly for one passionate about the science of plants. A stubborn, song-filled girl now grown into an accomplished woman Lokelani is haunted by a family tragedy. She is as reluctant to acknowledge her past as she is to accept the supernatural force building inside her, strong and inevitable. She is a mākāhā, a Gate, ever connected to the power of the islands . . . if only she will admit it.
In her quest to retrieve her roses, Lokelani is reunited with Artemus Chang, a childhood friend, who’s now a handsome and successful lawyer. As the spark between them grows, Artemus agrees to help her recover her roses, only to discover her kisses leave him literally breathless. When a mystical teacher enters her life, Lokelani’s embrace of the voice of ancient power bubbling up within her takes on new urgency and new apprehensions.
Will Lokelani continue to be bound by guilt and fear? Or will she learn to reconcile her gifts – as both a practical botanist and a mystical Gate – to sing once more and claim her love?
Buy Link:
This title is also available to read on #KindleUnlimited
Award winning author Katherine Kayne writes deeply romantic historical fantasy set in old Hawaii. Her critically acclaimed debut novel BOUND IN FLAME delivers myth, magic and all the sparks promised by the title. The next installment in her Hawaiian Ladies’ Riding Society series, BOUND IN ROSES, is available for preorder now.
Katherine’s novels are filled with horses and history and happily ever after . . . and heroes strong enough to follow their heroine’s lead. She spends a part of each year on Hawaii Island immersing herself in Hawaii’s past. Aided of course by the occasional mai tai. Katherine created the world of the Hawaiian Ladies Riding Society to tell the stories of the fearless horsewomen of the islands’ ranches. Because who doesn’t love a suffragist on horseback? With a bullwhip? Wearing flowers?
If you come along for the ride, be prepared for almost anything to happen. Katherine can promise you fiery kisses, charming cowboys, women who ride like the rainbow to save the day, and that rarest of beasts-handsome men who like to dance.
I’m delighted to welcome Linda Lappin and her new book, Signatures in Stone, to the blog, with a snippet.
Snippet
Finestone paused on the threshold, as if waiting to see my reaction, then stepped in behind me, seized my arm, and began my guided tour: “In the mid-sixteenth century,” he began, “when this place was created, parks and gardens were meant to offer more than just an aesthetic experience, a pleasant promenade in the shade or a showcase for flowerbeds. They were models of the cosmos and also tools for altering one’s consciousness, possibly for changing one’s destiny. Entering a place like this was like succumbing to a dream. Every detail was intended to produce a specific effect on the mind and body, to excite and soothe the senses like a drug. To awaken the unconscious self.”
The sculptures came at you helter skelter, truly like images in a dream. Wherever a crest of rock or boulder protruded from the ground, there had the sculptor’s chisel captured another frenzied spirit of the underworld.
Strewn around us were river gods, pouting putti, lustful Pans; ogres, nymphs and beasties; creatures shaken free from the bowels of the earth by some cataclysm, ready to sink back in at a moment’s notice if the earth should heave again.
“The park may conceivably contain an encoded message. Its statues and sculptures may spell out a formula for making gold, or for what gold symbolized to the alchemists: Immortality. Redemption. Eternal Love. Wisdom. Something of a sort dissimulated by private pictograms,” said Finestone.
“So the Monster Park is a sort of book,” I ventured, “a book of emblems hewn in stone, conveying a message, telling a story, revealing an enigma. “
“You mean,” he said, “concealing one.”
Here’s the blurb
Captivating critics and readers, SIGNATURES IN STONE, was the OVERALL WINNER in the DAPHNE DU MAURIER AWARDS for Excellence in Mystery and Suspense Writing – best mystery of 2013
Rome, Italy – November 2023 – Pleasure Boat Studio is thrilled to announce the release of the second edition of Linda Lappin’s celebrated novel, SIGNATURES IN STONE: A BOMARZO MYSTERY. This captivating suspense tale takes readers on a thrilling journey through the enigmatic Monster Park of Bomarzo, also known as the Sacred Wood, an extraordinary Baroque sculpture garden in Italy. With the 500th anniversary of the park’s creation, this edition is accompanied by a magnificent new cover and a series of Tarot card illustrations by Santa Fe artist Carolyn Florek.
In SIGNATURES IN STONE, readers are transported to the atmospheric setting of the Monster Park of Bomarzo, a sixteenth-century garden adorned with mythical creatures believed to represent a terrifying journey into the realm of nightmares. Against this backdrop, four travelers find themselves intertwined in a fate-driven Italian holiday. Daphne, a British writer of occult mysteries, her down-on-his-luck aristocratic publisher Nigel, the aspiring artist and American gigolo Clive, and the art historian Professor Finestone, all converge in a dilapidated villa near the park. They are attended by rustic servants who harbor secrets of their own.
Professor Finestone has made a groundbreaking discovery, revealing that the garden was designed by one of Italy’s greatest artists as a transformative experience that delves into the shadow side of life. Over the centuries, the park’s meanders continue to influence the minds and destinies of those who venture within. As the group explores their heart’s desires amidst the haunting sculptures, they become entangled in a web of intrigue and danger. When Daphne, renowned for writing cozy murder tales, becomes the prime suspect in a shocking homicide, she must confront her own darkness and rely on her sleuthing skills to uncover the terrifying truth.
Linda Lappin’s gripping tale presents an intriguing exploration of gardens in Renaissance Italy, where they were regarded as tools for altering consciousness and changing destiny. The Monster Park of Bomarzo becomes the backdrop for a “Gothic-in-Wonderland” phantasmagoria, immersing readers in a suspenseful and thrilling journey.
New Edition of Linda Lappin’s Award-Winning SIGNATURES IN STONE: A BOMARZO MYSTERY Commemorates the 500th Anniversary of the Monster Park.
Praise for Signatures in Stone:
“Layers of mystery are woven into Linda Lappin’s beautifully written and atmospheric historical novel set in Bomarzo, Italy’s enigmatic park of stone monsters.”
~ Gigi Pandian, author of The Accidental Alchemist.
“Deftly mixing fascinating art history and murder with an exotic atmospheric setting (the Bomarzo garden actually exists), dramatic historical period (1928 fascist Italy), and fully fleshed characters, Lappin (The Etruscan) has written a hallucinatory gothic mystery in which no one is as they appear. Daphne is a most memorable, if a bit unreliable narrator. Readers looking for an intelligent summer mystery will find much to savor here.”
Linda Lappin, poet, translator, novelist, and travel writer is the prize-winning author of four novels: The Etruscan (Wynkin deWorde, 2004); Katherine’s Wish (Wordcraft, 2008), dealing with the last five years of Katherine Mansfield’s life; Signatures in Stone: A Bomarzo Mystery (Pleasureboat Studio, 2013,2023), overall winner of the Daphne Du Maurier award for best mystery novel of 2013; and Loving Modigliani: The Afterlife of Jeanne Hébuterne (Serving House Books, 2020), 2021 Daphne Du Maurier award finalist and shortlisted for the 2021 Montaigne Medal for Books of Distinction.
She is also the author of The Soul of Place: Ideas and Exercises for Conjuring the Genius Loci, (Travelers Tales, 2015), winner of a Nautilus Award in the category of creativity in 2015.
A former Fulbright scholar to Italy, she has lived mainly in Rome for over thirty years. She is at work on a second Daphne Dublanc mystery novel, Melusine, set in Bolsena. The second edition of Signatures in Stone (2023) has been issued to commemorate the 500th anniversary of the Monster Park.
‘Angelica had always known her lack of high birth, fortune or influence debarred her from being presented as an eligible young woman worthy of marriage. To cap it all, being an actress assured she was utterly beyond the pale of respectability.’
Nightly at the Covent Garden Theatre in London, an enchanting actress is wowing the crowds with her affecting portrayal of Ophelia. Preyed on by rakes and opportunistic young bucks, feted by dukes and earls, even the Prince Regent himself, Angelica Leigh is a sensation.
But in Regency England, beauty and talent are not enough to be considered marriage material, so when the eminently eligible Lord Charles Latimer sets his heart on Angelica, his uncle is sent to intervene.
As a highly respected, hard-working and wealthy lawmaker, The Honourable Ivor Asprey, is himself seen as desirable husband material, but widowed with an eleven-year-old daughter Elinor, he has forsaken all thoughts of romance. Lord Latimer’s mother, the Duchess of Arlington, despairs of her son, despite being reassured by Ivor that his infatuation with the actress will pass. But there is something about Angelica Leigh that demands attention, and even the austere and upstanding Mr Asprey isn’t immune to her charms.
Sunday Times bestselling author Jane Dunn brings the Regency period irresistibly to life. Perfect for fans of Jane Austen. Janice Hadlow, Gill Hornby, and anyone with a Bridgerton-shaped hole in their lives.
A Scandalous Match returns us to Jane Dunn’s wonderful reimagining of Regency England. Our heroine this time is Angelica, our hero Ivor. Both of them are very different characters. The chemistry between them takes some time to develop, but when it does, it is quite explosive.
A Scandalous Match contains all the elements of a Regency romance we would expect, including the stubborn heroine and equally stubborn hero, their failure to speak plainly, and the reach of society that endeavours to keep them apart. But, as with Jane’s previous books, there is the fascinating element of ‘other’ in there as well. The servants aren’t faceless and nameless. The conventions of the times are laid bare, and the peripheral characters also ‘buck’ against the trends we might expect. It all adds a delicious quantity to the books, which I adore, from the ‘cant’ of the servants to the slightly risqué relationship of Angelica’s mother and her ‘keeper.’ I also adore how the obsession with horses is constantly explored, just as in today’s day and age, we might brag about our high-end cars.
Another thrilling and enthralling read. Readers of Regency Romance, and romance in general, will delight in travelling to Jane’s Regency England.
Jane Dunn is an historian and biographer and the author of seven acclaimed biographies, including Daphne du Maurier and her Sisters and the Sunday Times and NYT bestseller, Elizabeth & Mary: Cousins, Rivals, Queens. She comes to Boldwood with her first fiction outing – a trilogy of novels set in the Regency period, the first of which is to be published in January 2023. She lives in Berkshire with her husband, the linguist Nicholas Ostler.
‘Runs at breakneck speed through a dark and dangerous universe populated with characters who are never what they seem’ KATHLEEN KENT, author of Black Wolf ‘A perfect thriller – page-turning excitement, expert plotting, a good dose of wit, and above all a fierce heroine you can’t get enough of.’ ASIA MACKAY, author of Killing It
Meet Elsa Zero: Bad neighbour. Single mother. Ex-deep cover agent. And right now, the most dangerous person on Earth.
When Elsa’s dull but dedicated boyfriend proposes in a packed restaurant, she doesn’t think her evening can get any worse. But as the clock strikes midnight, her world is turned upside down.
Suddenly Elsa is running for her life, trying to keep her children safe, and desperate to discover what the hell is going on.
Every intelligence agency in the world wants her dead because she’s in possession of a deadly secret – she just has to stay alive long enough to figure out what it is.
But this is Elsa Zero we’re talking about. And it’s a very bad idea to get on her wrong side.
Bursting with tension, twists and humour, this is a brilliantly unique action-thriller perfect for fans of Killing Eve, Lee Child and people who loved watching Nobody and Hunted.
Zero Kill has a fabulous premise, dropping the reader immediately into a scene filled with unexpected violence. It’s not often a character spirals from a proposal to flinging a hot frying pan at the head of her fiancé.
The story gets a little crazy from there. Our main character, Elsa, has no idea why she’s being targeted. Admittedly, we quickly learn she’s a former deepcover agent, but retired for 9 years, why is she suddenly a person of interest once more?
The story fluctuates between two timelines, and also between a few other characters, but Elsa remains the focus as she tries to gather enough intelligence to determine what’s happening and why she should trust anyone apart from her old pal, now a drunk and a bit of a mess.
Zero Kill builds well to its conclusion, and if it doesn’t quite match the rather brilliant premise (I’m not entirely sure how it could), it’s still a really fun read and sure to appeal to fans of Mission Impossible and Jack Reacher.
Meet the author
M.K. Hill worked as a journalist and an award-winning music radio producer before becoming a full-time writer. He’s written the Sasha Dawson series, Ray Drake series and the highly-acclaimed psychological thriller One Bad Thing. He lives in London. Visit him at http://www.mkhill.uk or find him on Twitter @markhillwriter
I’m delighted to welcome RW Meek and his new book, The Dream Collector, to the blog, with an excerpt.
“Meeting Sabrine”
The warming, pleasant effects of the cognac had Sigmund sorting through the photographs with greater leisure; he started to savor them as if paintings—until one particular pose troubled him. She was photographed curled into a corner of the bed, her back pressed against the wall, and her head thrust forward with a swollen and distended neck, barring teeth like a vicious animal. It was frightening to behold someone less than human. He gulped what remained of the drink.
“She threatens,” Dr. Charcot explained. “I call this attitude, Le Menace.”
Before Sigmund could respond with a reasonable question, whispering sounds outside the door of the library caused him to turn. He heard quick retreating footsteps, watched the door latch click open and instinctively recoiled at her sudden appearance. She wore a white smock identical to the photograph in his trembling hands and he braced himself for whatever menace she might express.
The princess of the hysterics walked forward, wearing a most natural smile, presenting such uncommon composure and confidence that he could not believe that this woman had spent the past five years of her life confined in an institution for the diseased and insane.
When she offered her hand, specifically to him, he tried to assure himself that she must be in the state Charcot labeled, l’Ėtat Normal.
Here’s the blurb
The Dream Collector immerses the reader into the exciting milieu of late 19th Century Paris when art and medicine were in the throes of revolution, art turning to Impressionism, medicine turning to psychology. In 1885, Julie Forette, a self-educated woman from Marseilles, finds employment at the infamous Salpêtrière, hospital and asylum to over five thousand disabled, demented and abandoned women, a walled city ruled by the famed neurologist and arrogant director, Dr. Jean-Martin Charcot.
Julie Forette forms a friendship with the young, visiting intern Sigmund Freud who introduces her to the altering-conscious power of cocaine. Together they pursue the hidden potential of hypnotism and dream interpretation. After Freud receives the baffling case of the star hysteric, Sabrine Weiss, he is encouraged by Julie to experiment with different modes of treatment, including “talking sessions.” Their urgent quest is to find a cure for Sabrine, Princess of the Hysterics, before Dr. Charcot resorts to the radical removal of her ovaries.
In Paris, Julie finds a passion for the new art emerging, Impressionism and Post-Impressionism, and forms friendships with the major artists of the period, including Pissarro, Monet, and Degas. Julie becomes intimately involved with the reclusive Cezanne only to be seduced by the “Peruvian Savage” Paul Gauguin. Julie is the eponymous ‘Dream Collector’ collecting the one unforgettable, soul-defining dream of the major historical figures of the period.
Praise for The Dream Collector:
“Meek never fails to stun and impress with his evocation of scenes and events, of sights and dialogue, and of peoples’ reactions to them.”
~ HFC Reviews
“Tribute must be paid to the obvious and clear literary skills of the author R.w. Meek and to his ability to invoke historic personages and the Belle Époque he so evidently adores.”
~ Julian de la Motte, award winning author of Senlac
R.w. Meek has a Master’s degree in Art History from the American University in Washington, D.C., his areas of expertise are Impressionism and Post-Impressionism, with a particular interest in Vincent van Gogh. He has interned and conducted tours at the National Museum of American and the National Gallery of Art. In 2022 and 2023 five of his chapter excerpts from his soon to be published novel “The Dream Collector” were either finalists or published in various literary journals. The author has also won the Palm Beach Book Festival Competition for “Best Writer in Palm Beach’ his manuscript judged by a panel of NYT Best Selling authors. “The Dream Collector” also received gold and silver medals in the Historical Fiction Company literary contest and earned runner-up for the “Best Historical Fiction Novel’ of 2022.
The author was born in Baltimore, adventured in Europe for many years, and recently moved from Delray Beach, Florida to Santa Clarita, California. His wife is a psychologist, sculptress, playwright and stand-up story teller. His daughter Nora is a story board artist in the animation world and resides in Hollywood, California. His favorite writers are Dostoevsky, John Fowles, and Antoine de Saint-Exupery.
Cocktails, chaos, and an unexpected twist. Can Perry and his hens unveil the truth before time runs out?
Death at Prestigious Hotel and Spa, Chasingham House
We are hearing reports that a young woman has been found dead at Chasingham House, the exclusive venue in the Cotswolds. She has not been named, and the cause of death is unknown at this time. This will no doubt cast a cloud over the bachelor weekend being hosted there by Lady Beatrice (36), the Countess of Rossex, for her business partner Perry Juke (34) ahead of his wedding to bestselling author and celebrity chef Simon Lattimore (40). Also staying at Chasingham House are top models Camile Redmaine (35) and Mel Parks (35), who are celebrating newly-single Cammy’s birthday with a group of friends.
When one of the birthday girls is found dead in her room, it’s clear Bea plans for her, Perry, and their friends to chill around the pool, have a few treatments, and generally relax, seem to have gone down the drain. When the local police are quick to dismiss the death as an accident, Bea is determined to help investigate anyway, along with the rest of Perry’s party.
Can Perry and his hens catch the killer before the weekend is over and the trail goes cold?
A Cocktail to Die For is a fabulous addition to the Right Royal Cozy Mystery series.
Taking us away from any of the more usual ‘royal’ residences, we are in the Cotswolds, attending Perry’s stag do. But of course, our intrepid gang don’t seem to be able to go anywhere without someone turning up dead.
Bea, Perry and Adler try to solve the mystery of who and how our victim might have been murdered while contending with an officious and ineffectual local detective.
As always, these stories are well-plotted and engaging. While a few of the main characters might be missing from this tale, Adler as a main character more than compensates. It’s also reassuring to know that now the ‘big’ mystery has been solved which has rumbled through many of the previous books, this series has still go ‘legs’, and I hope there will be many more books.
Thoroughly enjoyable and highly recommended.
Check out my reviews for the other books in this fabulous series.
Hello. I’m Helen Golden. I write British contemporary cozy whodunnits with a hint of humour. I live in small village in Lincolnshire in the UK with my husband, my step-daughter, her two cats, our two dogs, sometimes my step-son, and our tortoise.
I used to work in senior management, but after my recent job came to a natural end I had the opportunity to follow my dreams and start writing. It’s very early in my life as an author, but so far I’m loving it.
It’s crazy busy at our house, so when I’m writing I retreat to our caravan (an impulsive lockdown purchase) which is mostly parked on our drive. When I really need total peace and quiet, I take it to a lovely site about 15 minutes away and hide there until my family runs out of food or clean clothes
On the night that Trudy Asp discovers her ex is engaged to the same dental hygienist who’s been picking at her teeth for ten years, her daughter, Madison, suddenly announces that she too is getting married, in Europe.
Frumpy, floundering, and forced to live with her martini-swilling mother, Trudy is swamped by these revelations. And on top of it all, she’ll be wearing the second most scrutinized gown at the wedding.
Having packed on the pounds during the demise of her marriage, the idea of being eyeballed by her ex and his scrawny fiancée Zelda, is truly horrifying. To make matters worse, there’s the paralyzing fear of a transatlantic flight — something Trudy has avoided for decades.
When Zelda offers to stand in for her, Trudy is forced to confront the forces that stole her marriage and threaten to steal her daughter’s wedding too. With three months until the ceremony, Trudy must get to Europe, squeeze herself into a gown, and claim the role she wants more than anything: Mother-of-the-Bride.
Will this Odd Mom Out sink or swim? Or will she drown in a sea of humiliation?
Odd Mom Out is not my usual read, but wow, I’m so glad I picked it up and gave it a go.
Our main character, Trudy, is quite frankly a mess. Recently divorced, massively unhappy, all but estranged from her daughter and forced to live with an overbearing mother, she’s also deeply unhappy with her weight and general well-being, not helped by the fact she runs and bakes for the local bakery. Our first meeting with her reveals a woman often angry with every one else, but not necessarily herself. To be honest, I didn’t really connect with her to begin with, but she certainly grows and develops into a very likeable character.
Determined to do something different when she hears her ex-husband is about to get remarried, while her daughter is also about to marry, Trudy eventually decides to turn her life around. It takes a while. For about 30% of the book, she isn’t prepared to face her demons, and she doesn’t want to do anything about it.
But from 30% in, Trudy is a woman transformed, all be it, one who still struggles. Her battles are very relatable, and while the reader might be a little frustrated with the lack of information concerning her daughter’s upcoming wedding, Trudy presses on with her plans to be the best Mother of the Bride she can be. Along the way, she makes some new friends, and reconnects with some old ones, and even her relationship with her mother improves, as does her business. She comes to terms with her husband’s decision to divorce her, and reconnect with her daughter, eventually.
The story has some unexpected twists and turns, which all build into it being a relatable story, and I powered through the last 50%, keen to know how everything would work for our main character.
A really engaging story. It will certainly appeal to fans of the genre, and those who wouldn’t usually read something like this, like me:)
Meet the author
Sandy Day is a recovering chatterbox and writer of riveting slice-of-life poetry, memoir, and fiction. She has authored five books to date, with two in the works. A graduate of Glendon College, she studied creative writing under Michael Ondaatje and bp nichol. A lover of cheese, coffee shops, and illustrations, she lives on the shore of Lake Simcoe in Georgina, Ontario, Canada. You can find and follow her on Substack and sandyday.ca – it rhymes!
MJ Porter 