How can a man who’s already dead be wanted for murder?
This is the question sports agent Myron Bolitar asks himself when two FBI agents visit him in New York.
The man they are looking for is Myron’s former client and rival, Greg Downing. Greg’s DNA has been found at the scene of a high profile double-murder, and he is now the FBI’s main suspect.
But Greg died three years previously, Myron says. He went to his funeral and gave the eulogy.
The FBI are disbelieving, and Myron knows he has to find some answers – and quickly.
Could Greg Downing still be alive?
The more Myron and his close friend Win dig into what really happened, the more dangerous their world becomes . . .
Secrets, lies and a murderous conspiracy that stretches back into the past lie at the heart of Harlan Coben’s blistering new thriller.
It’s been a while since I last read a Myron Bolitar book. In fact, it’s been far too long. Discounting Home and Win, the last Myron book was released in 2011. I probably read it that year, which means it’s been 13 years – 13 years since the last book featuring Myron and Win. I’ve growled every time a new release was announced from the author, wishing he’d not been ‘wasting’ his time (I know what he’s been doing), writing standalone novels, and generally having every one of his titles made into a TV series. But, I fear I may have to take all that back. 13 years is too long, but in the interim, Harlan Coben has upped his game with this book. If I have to wait another 13 years for the next book (please let there be one), I will grumble and complain, but I will devour it when I get it (please).
To return to Think Twice. This begins as very much a ‘typical’ (from my memory), Myron book. Myron’s past rears its head. The mystery is intriguing. We go to Vegas on Win’s private jet. Win is there to protect our favourite Sports/Entertainment rep. There is sass. There is violence. There is Myron thinking he’s doing the right thing. Win is not so sure. (We also see Big Cindi and Esperanza). Oh, and Myron’s mum and dad have discovered edibles in their 80s:)
But just as the reader is relaxing into this very familiar, very comforting scenario (revisiting much-loved literary characters is a real treat), last read 13 years ago, something happens. We hit 40% through the novel, and the storyline veers to something else. (I don’t want to give any spoilers here.) At 60%, we get another huge veer. At 80%, you can’t put the book down until you reach the end, which is breathless and filled with peril until the last moments.
Our two main characters have been given somewhat updated viewpoints—particularly in regard to the female characters. This is done really well and doesn’t rewrite what we’ve read before—it’s a nod to the sea changes since Me-Too. It is a refreshing approach, and indeed, there are many little nods to events that have happened in the ‘real world’ as opposed to in the fictional world of Myron and Win.
This is a fabulous and much-delayed return to the world of Myron. By the time you turn the last page—or rather, turn your Kindle off—it is easily a 5-star read.
We need more Myron. Please.
Think Twice is available now.
Check out my reviews for other thrillers using the side menu, and if you’re in the mood for something almost as sassy, then do check out my historical fiction series, The Last King, the story of Mercia‘s last king in Saxon England (violence and foul-language included, although you can also get the books without the foul-language).
I’m delighted to be sharing a guest post by Juliet Greenwood about how she researched the historical elements of her new book, The Secret Daughter of Venice.
Researching the experience of women in WW2
I found the hardest part of my research for The Secret Daughter of Venice, as with all my books, was finding events described from the point of view of the women who survived WW2, both in the UK and in Europe. There is getting to be more information now about ‘ordinary’ people, as well as the soldiers, the generals, the heads of state and the politicians who have always been at the centre of the story, but it is still difficult to find first-hand accounts and to really gauge how people lived, how they thought, how they survived.
I can remember as a child instinctively noticing the difference, without being able to put it into words, between the films about the war that generally focused on the heroics of battles, while at the same time hearing my parents and their generation re-living their experiences of everyday life under the shadow of shortages, of the possibility of death at any moment and the fear of what would happen should the UK be invaded. What I remember from the French side of the family, along with my teachers who had arrived in the UK as refugees from France and Germany, is the silence. I think, even then, I understood that all they had lived through, and were still living with, such as family lost in the gas chambers and memories of the firestorm in Hamburg, were too traumatic to express.
That was when I began to feel that I wanted to know more about the invisible, every day, experience of war. That’s not to say that the experience of those fighting evil in any way they could, or surviving the obscenity of concentration camps, is any less vital. It’s just that those have the information readily, and have been written about at length, while the women and children still remain largely silent.
The research I found most challenging involved the experience of women, and children and civilians in Europe during the war. Kate, the heroine of The Secret Daughter of Venice, experiences the war largely in Cornwall where, despite the shortages and the fear, and the anxiety for those at the front, life is ordered and purposeful, focused on growing food and looking after orphaned children in a place safe from the bombing of UK cities. It is only after the war has ended that she sees the utter destruction in Naples, the traumatised children left alone and fending for themselves, vulnerable to anyone wishing to prey on the desperate. Sofia, the second main character in the book, survives the war in Venice, where there is not the physical destruction experienced in the surrounding countryside, but the fear, along with shortages and hardship, seep into all parts of life, particularly once the Italians overthrow the fascist Mussolini and join the allies in the fight against Hitler, leading to Venice being occupied by the German army.
Like with my previous novel for Storm, The Last Train from Paris, I tried to glean from snippets of information what it must have been like to live through such terrifying times. How do you live when your country has been invaded by an alien force, when your existence, and those of your children, is meaningless, to be snuffed out on a whim? The Europe left after WW2 was very similar to the utter destruction we now see on our TV screens, with cities decimated, leaving no housing, no hospitals, no way of making a living, and, even if you have money, no food to buy, not even safe water to drink? I can see why reporters focus on the horrors, but we still have relatively little information of the quiet heroism of surviving day to day, when all the benefits of modern life have been stripped away.
I did find some first-hand accounts that gave me clues, including local newspapers and the oral histories contained in the BBC’s WW2 People’s War. But, in the end, I found myself going back to my memories of those I had heard talk – or not speak at all – of living through such times to try and get under the skin of what it must have been like. I can just hope that, in some measure, it helps to break the silence.
Thank you so much for sharing.
Here’s the blurb
The paper is stiff and brittle with age as Kate unfolds it with trembling hands. She gasps at the pencil sketch of a rippling waterway, lined by tall buildings, curving towards the dome of a cathedral. She feels a connection deep in her heart. Venice.
England, 1941. When Kate Arden discovers a secret stash of drawings hidden in the pages of an old volume of poetry given to her as a baby, her breath catches. All her life, she has felt like an outsider in her aristocratic adoptive family, who refuse to answer any questions about her past. But the drawings spark a forgotten memory: a long journey by boat… warm arms that held her tight, and then let go.
Could these pictures unlock the secret of who she is? Why her mother left her? With war raging around the continent, she will brave everything to find out…
A gripping, emotional historical novel of love and art that will captivate fans of The Venice Sketchbook, The Woman on the Bridge and The Nightingale.
Juliet Greenwood is a historical novelist published by Storm Publishing. Her previous novel, The Last Train from Paris, was published to rave reviews and reached the top 100 kindle chart in the USA. She has long been inspired by the histories of the women in her family, and in particular with how strong-minded and independent women have overcome the limitations imposed on them by the constraints of their time, and the way generations of women hold families and communities together in times of crisis, including during WW2.
After graduating in English from Lancaster University and Kings College, London, Juliet worked on a variety of jobs to support her ambition to be a full-time writer. These ranged from running a craft stall at Covent Garden to running a small charity working with disadvantaged children, and collecting oral histories of traditional villages before they are lost forever. She finally achieved her dream of becoming a published author following a debilitating viral illness, with her first novel being a finalist for The People’s Book Prize and her first two novels reaching #4 and #5 in the UK Kindle store.
Juliet now lives in a traditional quarryman’s cottage in Snowdonia, North Wales, set between the mountains and the sea, with an overgrown garden (good for insects!) and a surprisingly successful grapevine. She can be found dog walking in all weathers working on the plot for her next novel, camera to hand.
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In the opening pages of The Lost Women of Mill Street, sisters Clara and Kitty Douglas each work a pair of power looms in a Roswell, Georgia, cotton mill. The Civil War has been raging for more than three years and will soon find its way to their village.
Like (fictional) Clara and Kitty, most mill workers in the antebellum South came from small, struggling farms, and their income was needed to make ends meet. Mill owners often recruited families who could provide several workers, as is the case with Clara and Kitty, whose mother, now deceased, had come with them to the mill years earlier.
At the Roswell mills and others throughout the South, employees went to work at sunrise and labored for ten to twelve hours, six days a week. Working conditions were poor: the noise was deafening, the ever-present dust and lint caused health problems, and the heat and humidity could be overwhelming. Working the rapidly moving spinning frames and power looms was dangerous: fingers, long hair, or clothing could become entangled in the machinery, causing severe injury or even death.
Some antebellum mill owners were slaveowners, and a small number of them put enslaved men to work in the mills doing the heaviest work: moving large bales of cotton, loading wagons with finished goods, and working in the pickers room, where raw cotton was cleaned of dirt and seeds. Black women were generally excluded from mill work.
While a small number of white men were employed by the mills, working as loom fixers or supervisors, the labor of poor white women and children was the cheapest. Women held jobs in the spinning and weaving rooms. Children worked entry-level jobs such as spinner or doffer. The spinner’s job was to move quickly up and down a row of machines, repairing breaks and snags. A doffer removed bobbins holding spun fiber from a spinning frame and replaced them with empty ones.
The mills featured in my novel are owned by the Roswell Manufacturing Company. Founded in 1839, the company became one of the largest textile mill operations in Georgia. Though the mills thrived, the mill workers did not. They were paid in scrip, which they spent at the company store for goods and supplies, after rent for factory housing was deducted from their pay. If they became sick or injured from the hazardous working conditions, there was no employer-provided health care or sick pay.
A source that was invaluable to my research on textile mills of the era, Neither Lady nor Slave: Working Women of the Old South, states that despite the Roswell mills’ success, the owners showed little concern for their employees’ welfare: “When new state legislation required operatives’ working hours be limited to from sunup to sundown, the board members voted that all Roswell employees, the majority of whom were women and children, could either work under the new laws but suffer reduced wages or work the old, longer hours for the same pay.”
During the Civil War, the Roswell mills produced gray woolen cloth for Confederate uniforms, as well as military supplies such as tent cloth, candlewick, and rope. When Federal troops arrived in Roswell during General Sherman’s 1864 advance through Georgia, it wasn’t surprising that they destroyed the mills. What was surprising was that the mill workers, mostly women and children, were arrested and sent hundreds of miles north.
In The Lost Women of Mill Street, Clara and Kitty’s experiences are based on actual events, and their troubles at the mill are just the beginning.
Here’s the blurb
1864: As Sherman’s army marches toward Atlanta, a cotton mill commandeered by the Confederacy lies in its path. Inside the mill, Clara Douglas weaves cloth and watches over her sister Kitty, waiting for the day her fiancé returns from the West.
When Sherman’s troops destroy the mill, Clara’s plans to start a new life in Nebraska are threatened. Branded as traitors by the Federals, Clara, Kitty, and countless others are exiled to a desolate refugee prison hundreds of miles from home.
Cut off from all they’ve ever known, Clara clings to hope while grappling with doubts about her fiancé’s ambitions and the unsettling truths surrounding his absence. As the days pass, the sisters find themselves thrust onto the foreign streets of Cincinnati, a city teeming with uncertainty and hostility. She must summon reserves of courage, ingenuity, and strength she didn’t know she had if they are to survive in an unfamiliar, unwelcoming land.
Inspired by true events of the Civil War, The Lost Women of Mill Street is a vividly drawn novel about the bonds of sisterhood, the strength of women, and the repercussions of war on individual lives.
Kinley Bryan’s debut novel, Sisters of the Sweetwater Fury, inspired by the Great Lakes Storm of 1913 and her own family history, won the 2022 Publishers Weekly Selfies Award for adult fiction. An Ohio native, she lives in South Carolina with her husband and three children. The Lost Women of Mill Street is her second novel.
I always love to hear how authors research their historical characters and events. KJ McGillick shares how she researched for her new book, Whispers Through the Canvas.
Howard Dynasty
To study the powerful Howard dynasty of Tudor England, I consulted a variety of digitized primary sources available online such as wills, letters, court records, and literary works from the era. Searching through these collections, I found references to key Howard figures like the poet Henry Howard, Earl of Surrey and his ill-fated relatives. Contemporary accounts provided glimpses into the scandals, romantic entanglements, and power dynamics playing out at the royal court and aristocratic estates. Family correspondence shed light on inheritance disputes among the duke’s children. Literary pieces like Surrey’s poems and writings by other Howards offered additional perspectives on their remarkable century – chronicling their ascent, arts patronage, and the perils their elite status invited.
Levina Teerlinc To learn about Levina Teerlinc, one of the earliest professional female artists in Renaissance England, I turned to digitized primary sources and secondary analyses available online. High-resolution images of Teerlinc’s exquisite miniature portraits hosted by museums revealed her skill at capturing likenesses. I searched literature databases for any mentions of Teerlinc from writings of her era, finding scattered records confirming her lifelong court employment. While limited biographical details survive, historians have reconstructed some context about her Flemish origins and artistic training based on fragments of evidence. Scholarly articles also examined her pioneering role as an art tutor to noble pupils.
Witchcraft 16th Century
To investigate 16th century England’s witchcraft accusations and trials, I immersed myself in digitized primary sources and scholarly research available online. This allowed me to examine the social tensions, religious upheaval, and cultural forces behind the deadly persecution of alleged witches. I accessed sensationalized literature published during the witch-hunting frenzy, providing window into the paranoia around women supposedly consorting with the devil. Legal records and transcripts illuminated how flimsy the evidence used to condemn the accused often was – a person’s reputation, a death, or unexplained misfortune could prompt charges. Scholarly journal articles analyzed the complex sociopolitical tensions of the Reformation era that enabled witchcraft hysteria to take hold, from anxieties over female autonomy to ruling elite distrust of the peasantry.
16th century Occult Symbols
To explore the fascinating world of occult symbols and their place in 16th century English society, I delved into a range of digitized primary source materials and secondary scholarship available online.
One key resource was literature databases containing published works from the era. I examined texts on astrology, alchemy, magic, and esoteric philosophies for insight into the symbolic languages and imagery employed by occult practitioners and their beliefs. Engravings and woodcuts accompanying these works provided a visual catalogue of seals, sigils, and emblems.
I also searched through digitized diaries, letters, and accounts of the time for references to the use of occult symbols and coded markings in both elite and folk traditions. Correspondence between royals, nobles, and scholars sometimes mentioned encrypted communications or arcane symbolic meanings.
Court records, witness depositions, and transcripts from witchcraft trials offered a window into societal suspicion surrounding the perceived nefarious use and misuse of symbols and markings associated with magic and the supernatural. The language and suspicions revealed in these documents shed light on prevailing attitudes.
Additionally, I consulted digitized archaeological reports, inventories of home goods, and material culture studies to trace actual artifacts and objects bearing occult symbols that survived from 16th century England – whether tools, talismans or architecture.
By synthesizing evidence from these various sources, I could begin mapping the complex cosmological, mystical, and coded symbolic vernacular of the Renaissance era and how it manifested in art, writings, personal practice, and dangerous accusations.
Intrigued? Here’s the blurb.
Here’s the blurb
Murder… Across The Fractured Corridors of Time.
Plunged into a centuries-old conspiracy, unconventional art historian Rowan Southeil must race against time to stop an ancient evil from rewriting history. When a young artist is murdered in a chilling echo of medieval violence, Rowan finds herself drawn to a seemingly unrelated clue – a 16th-century painting drenched in arcane symbols. Aided by the victim’s haunting presence, Rowan delves into the painting’s mysterious past, uncovering a dark conspiracy that stretches back generations.
Teaming up with the pragmatic Detective Lancaster, the intuitive Rowan follows a daring journey through time, from the storied halls of 16th-century Tudor London to the secretive 17th-century Vatican. As she awakens powerful elemental forces within herself, Rowan must decipher the painting’s secrets – and the connection to the medieval-style murder – before Lev Rubilov, a dark centuries-old occultist, can harness its magic to rewrite history and restore a twisted vision of the past.
For fans of genre-blending thrillers like A Discovery of Witches and Outlander, this captivating novel weaves together mystery, the supernatural, and high-stakes time travel in a race against the clock to stop an ancient evil. Whispers Through The Canvas is a crime story, filled with action and adventure, within a historical fantasy milieu. If you love kick-ass heroines who have a bit of life experience and walk on the wild side of magic, this book is for you.
From the bustling courtrooms of Atlanta to the vibrant tapestry of 16th-century England, Kathleen McGillick’s life and career have been a captivating blend of legal expertise, artistic passion, and a thirst for adventure.
Fueled by an undergraduate and graduate degree in nursing, Kathleen built a foundation of compassion and care. This dedication to service later led her to pursue a Juris Doctorate, allowing her to navigate the intricacies of the legal system for nearly three decades. Her courtroom experience now breathes life into the intricate details of her legal thrillers, ensuring every courtroom scene crackles with authenticity.
But Kathleen’s story doesn’t end there. A deep fascination with art history led her to delve into the world of renowned artists and captivating eras. Her particular passion for 16th-century British history allows her to transport readers to richly detailed historical settings, immersing them in the culture, politics, and societal nuances of the time.
Driven by an unwavering dedication to her craft, Kathleen has independently published eleven legal thrillers since 2018. Her commitment extends beyond solo creation, as she actively engages with the writing community, honing her skills through workshops and courses led by renowned authors.
And when she’s not crafting captivating narratives, Kathleen embarks on international journeys, soaking in diverse cultures and experiences that further enrich her writing. This global perspective adds another layer of depth and realism to her stories, allowing readers to connect with characters and settings that transcend geographical boundaries.
To delve deeper into Kathleen’s world and explore her captivating legal thrillers, visit her website at kjmcgillick.com.
A delightfully heartwarming and funny story that proves it’s never too late to change the habits of a lifetime, perfect for fans of Judy Leigh, Hazel Prior and Maddie Please.
Something old, something new, something stolen…?
Gina Knight is looking forward to the prospect of retirement with her husband of forty-three years. Until, to her surprise, said husband decides he needs to ‘find himself’ – alone – and disappears to Santa Fe, leaving divorce papers in his wake.
Now Gina needs a new role in life, not to mention somewhere to live, so she applies for the position of Companion to elderly Dorothy Reed. At eighty-three, ‘Dot’ needs someone to help her around the house – or at least, her family seems to think so. Her companion’s first role would be to accompany Dot for a week-long extravagant wedding party.
But when Georgina arrives at the large Norfolk estate where the wedding will take place, she quickly discovers Dot has an ulterior motive for hiring her. While the other guests are busy sipping champagne and playing croquet, Dot needs Georgina to help her solve a mystery – about a missing painting, which she believes is hidden somewhere in the house.
Because, after all, who would suspect two old ladies of getting up to mischief?
Old Girls Behaving Badly is a fun read with elements of mystery, which I wasn’t expecting and was very pleased to discover.
Our two main characters (and we get both of their POVs), Gina and Dorothy, are coming to terms (or not) with recent changes in their lives. While neither of them thinks they necessarily need one another, they soon discover that, in fact, they do, and they also like one another.
As the events of Dorothy’s big family wedding swirl around them, Gina and Dorothy are somewhat distanced from it. Both are trying to uncover the truth surrounding Dorothy’s husband’s death about a year ago. With the addition of a more fleet-footed granddaughter, our duo pursues the matter to the bitter end, and yes, it does feature a quad bike ride.
This story is really enjoyable. I read it in two days:)
Meet the author
Kate Galley writes UpLit and Bookclub fiction full of heart and humour. The older generation are at the centre of her stories and are usually wrapped up in a mystery.
She lives with her family in Buckinghamshire and works part time as a mobile hairdresser in the surrounding Chiltern villages.
In her spare time she crochets blankets, knits jumpers and also disappears into her workshop to play with kiln formed glass.
Kate is the author of The Second Chance Holiday Club – which has been optioned for TV – and The Golden Girls’ Road Trip.
A brace of corpses. A bone-crunching machine. A new recruit.
Now employed by an Inverness organised crime gang, former petty thief Relic Black is teamed up with hitman Ali McKay, the man he almost killed a few weeks earlier. As the team tidy up the loose ends after the shooting, gang member and bent cop DI McKenzie must investigate the disappearance of two people, knowing Relic and Ali have already disposed of the bodies.
Meanwhile, Rebecca’s unpopular colleague DI Swinney, suspects her of involvement in the shooting. Knowing one of the bodies currently taking up space in the mortuary remains anonymous, he discovers the man’s identity. Can Swinney uncover the truth, dig the dirt on McKenzie and regain his former status with the DCI, or will the gang step in to stop him?
Warning – strong language and adult situations throughout.
Crucial Black is book #2 in the Relic Black Thriller series set in Inverness, Scotland.
NB book #2 is not a standalone – the series must be read in order.
Crucial Black is book 2 in Colin Garrow’s hard-hitting adult-themed thriller (that just means it’s violent and sweary), reuniting us with Relic Black from book 1 (check out my review below).
As ever, Colin takes us on a thrilling journey, using Inverness and its surrounding area as a canvas upon which to paint the violence and double-dealing of the tale.
It’s a quick, fast-paced read, pitting our bent coppers against our slightly less bent coppers, almost making our gang of violent thugs seem more civilised. Relic is our eyes on all this, fairly innocent of everything that’s happening, he is slowly becoming embroiled within the group and has a few ideas of his own that involve some piggies.
There are any number of bodies to dispose of in weird and wonderful ways, as well as a great deal of misdirection.
A really well-devised plot ensures the story passes by quickly, and the reader is left wondering just who is going to surprise them next.
I’ve said it before, and I’ll say it again, Colin excels in the many genres he writes in, and this is no exception. An entertaining, if violent and slightly-twisted tale complete with authentic Scottish accents, you ken.
Colin Garrow grew up in a former mining town in Northumberland. He has worked in a plethora of professions including taxi driver, antiques dealer, drama facilitator, theatre director and fish processor, and has occasionally masqueraded as a pirate.
His short stories have appeared in several literary mags, including SN Review, Flash Fiction Magazine, Word Bohemia, Every Day Fiction, The Grind, A3 Review, 1,000 Words, Inkapture and Scribble Magazine. He currently lives in a humble cottage in Northeast Scotland where he writes novels, stories, poems and the occasional song.
I’m always fascinated to discover the secrets of how authors write their stories. I asked Becky some questions about her writing routine. Read on to find out more.
Can you tell me about your writing process, please – do you have a set routine?
Unfortunately not, I’m still balancing writing around work and family so it can a bit ad hoc…definitely prefer mornings if I can grab them though.
Are you an earlier morning writer, or do you prefer writing late at night?
See above – morning, that hazy phase where you can tune in to other worlds before the day’s obligations take hold.
Do you have a writing drink/food of choice?
Tea. Earl Grey. Strong, not a lot of milk.
Do you write with a pen or on a laptop/desktop?
Laptop. Though I will do desktop too if I’m not in bed.
Where do you get your inspiration from?
With Janet, it’s being a bit of a magpie, certain real life incidents that stick with me because they’re unusual or funny or tough, that I think others might relate too. Other bits are pure imagination once you get writing it’s surprising what arrives.
Do you find the humour comes easily or is it more difficult? (I always worry that I have a very strange sense of humour)
Humour is definitely subjective, however I’ve worked in comedy on Tv for a long time and you do learn to recognise jokes and ways of constructing stories that leads toward punchlines or reveals I suppose. I’m surprised by what people find funny sometimes, it’s all good, as long as people are enjoying it.
Do you have any advice for people wanting to write humour?
Can you make the people around you laugh? That’s an indication that you can construct stories, one liners etc that will give you confidence about what works and watch great comedy – learn from the masters – how are they doing it?
Perhaps most importantly, are you a pantser, a plotter or in between?
I have loose direction and have scenarios/ notes that loosely plot out 3 chapters ahead – lots of room manoeuvre once the characters get chatting.
What are you working on next?
Something darker, set in Yorkshire with a fantastical element.
Thank you so much for answering my questions. Good luck with the new book.
Here’s the blurb
Lavender Cottage, Yorkshire’s finest B&B, is owner Janet Jackson’s pride and joy. Now, after a year of running it and coming out alive, she’s set her heart on becoming a Superhost. For that Janet will need a bloomin great tsunami of 5 star reviews- despite the many obstacles that stand in her way.
Number one, of course, is the guests themselves. Their strange requests, habits and lasting damage to her garden, the cottage and her sanity, are a non- stop challenge.
Add in the piles of laundry, sleepless nights, scary spreadsheets, sneaky neighbours, and sex with no strings . . . and her goal seems far away.
Yet despite an endless run of dramas, and thanks to her passion for hospitality and home baking, Janet may find she is just a Lemon Drizzle cake or two away from a 5-star life.
Becky Papworth has been writing since she was seven, when she won a prize for her Mother’s day poem from Bradford’s Telegraph & Argus. With further writing credits on CBBC and BBC Radio. Her play ‘Miscreant Mothers’ for BBC Radio 3 was nominated for the prestigious Tinniswood award. She has an MA with distinction in Scriptwriting from Salford University. Her career as a TV Exec has kept her busy over the last few years, working on shows like; ‘Citizen Khan’, ‘Rab C Nesbitt’, ‘Gavin & Stacey’, ‘The Royle Family’ and ‘I love the 80’s’.
Rebecca was the first woman to produce ‘Have I Got News For You’ and is responsible for ‘Steph’s Packed Lunch’, Channel 4’s landmark daytime series.
In her spare time Rebecca kills houseplants and attempts to control two teenage daughters.
Now she’s sixty-one, and everything has gone horribly wrong.
Husband Greg has abruptly upped and left leaving Maggie bewildered. But there’s no time to question his departure because her ancient parents are all-consuming.
Once fondly referred to as the Golden Oldies, they’re now the BOBs – Bad-Tempered Old Buggers.
Sister Freya is never available to help, and Maggie is rapidly reaching the end of her tether.
She wants her life – and husband – back.
Instead, she’s trapped in what has been coined the Sandwich Generation – supporting both children and parents – except this particular sarnie is in danger of falling apart.
Maggie needs to learn that when life is like a club sandwich, it needs the best ingredients – and that includes lashings of love and some knee-trembling romance!
Wow. What a simply charming and delightful tale, not without some harrowing scenes. I’ve read a few of these sorts of novels recently, and this one is by far my favourite to date. Told with genuine warmth, just the right touch of ‘reality’ and real laugh-out-loud moments, I loved Maggie in the Middle.
Our main character, Maggie, is at an unexpected crossroads. No matter what she does, she can’t seem to win the help of her sister or even the respect of her ageing parents. Her adult children are much more understanding. What Maggie needs is a companion of the four-legged variety, and what comes with it is very unexpected.
I don’t want to spoil this delightful story. Instead, I will say that this takes quite a brutal look at the problems of caring for ageing parents, one with dementia and one who is also starting to struggle, leaving Maggie feeling helpless and worried. It very much addresses the guilt of caring for parents and not being able to do more for them, mostly because they won’t accept that assistance. As the author says, she’s embroiled in such a situation and the scenes feel vivid and real – there is, alas, no magic solution. However, interspersed with these difficult scenes are much warmer ones, offering readers hope that not all is as hopeless as we might think.
This is such a genuinely uplifting story. It doesn’t shy away from the realities it describes, but it will still fill you with hope and joy, and the humour will make you giggle out loud. Go and read it.
Meet the author
Prior to turning her attention to writing, Debbie Viggiano was, for more years than she cares to remember, a legal secretary. She lives with her Italian husband, a rescued pooch from Crete, and a very disgruntled cat. Occasionally her adult children return home bringing her much joy… apart from when they want to raid the fridge or eat her secret stash of chocolate. Tweet @DebbieViggiano or follow her on Facebook!
A culinary Sloane, a take-away cook and a food journalist.
Add in:
A handsome host
Season with:
A celebrity chef
Bring to the boil:
At a luxurious cookery school in France!
Waltho Williams has no idea what he’s letting himself in for when he opens the doors of La Maison du Paradis, his beautiful French home. But with dwindling funds, a cookery school seems like the ideal business plan.
Running away from an impending divorce, super-snob Caroline Carrington hopes a luxurious cookery holiday will put her back on her feet. Blackpool fish and chip café owner Fran Cartwright thinks she’s won the lottery when her husband Sid books her on a week working alongside a celebrity chef. Meanwhile, feeling she is fading at fifty, journalist Sally Parker-Brown hopes her press week covering the cookery course will enable her to boost her career.
But will the eclectic group be a recipe for success, or will the mismatched relationships sink like a souffle?
Whip out an apron, grab a wooden spoon and take a culinary trip to La Maison du Paradis, then sit back and enjoy The French Cookery School!
The French Cookery School is a life-affirming story of second chances for our cast of 50+ characters set in the heat of Franch in the mid-summer, as well as the heat of the kitchen. Our main characters, and there are really four of them (Fran, Sally, Caroline and Waltho), all have their own struggles to overcome or ambitions to achieve, which sets the scene for a story of facing grief and loss and moving beyond the comfort of how lives have been led for so many years.
It is an engaging, quick read that is sure to appeal to fans of cookery, France, and second-chance stories who are looking for a more ‘serious’ take on the genre.
Meet the author
Caroline James always wanted to write, but instead of taking a literary route, followed a career in the hospitality industry, which included owning a pub and a beautiful country house hotel. She was also a media agent representing celebrity chefs. When she finally glued her rear to a chair and began to write, the words flowed, and several novels later, she has gained many bestseller badges for her books.
The French Cookery School is Caroline’s tenth novel. Previously, The Cruise, described as: ‘Girl power for the over sixties!’ was an Amazon Top Ten Best Seller. Caroline’s hilarious novels include The Spa Break and The Best Boomerville Hotel, depicted as ‘Britain’s answer to the Best Marigold Hotel’.
She likes to write in Venus, her holiday home on wheels and in her spare time, walks with Fred, her Westie, or swims in a local lake. Caroline is a member of the Romantic Novelists Association, the SOA, ARRA and the Society of Women’s Writers & Journalists. She is also a speaker with many amusing talks heard by a variety of audiences, including cruise ship guests.
London, 1954. Zina Pavlou, a Cypriot grandmother, waits quietly in the custody of the Metropolitan police. She can’t speak their language, but she understands what their wary looks mean: she has been accused of the brutal murder of her daughter-in-law.
Eva Georgiou, Greek interpreter for the Met, knows how it feels to be voiceless as an immigrant woman. While she works as Zina’s translator, her obsession with the case deepens, and so too does her bond with the accused murderer.
Zina can’t speak for herself. She can’t clear her own name. All she can do is wait for the world to decide…
IS SHE A VICTIM? OR IS SHE A KILLER?
A compelling historical crime novel set in the Greek diaspora of 1950s London – that’s inspired by a true story – The Unspeakable Acts of Zina Pavlou is perfect for fans of Erin Kelly, Sara Collins, and Jessie Burton.
Eleni Kyriacou is an award-winning editor and journalist. Her writing has appeared in the Guardian, the Observer, Grazia, and Red, among others. She’s the daughter of Greek Cypriot immigrant parents, and her debut novel, She Came To Stay, was published in 2020. Her latest novel, The Unspeakable Acts of Zina Pavlou, is inspired by the true-crime story of the penultimate woman to be executed in Britain. Follow her on and http://www.elenikwriter.com.
MJ Porter 