Blog Posts from MJ Porter, author and reviewer

Kings of Mercia in the early ninth century – the brother kings, Coenwulf and Coelwulf/Ceolwulf

Welcome to my release day post for Protector of Mercia. I’m going to talk about the kings who preceded all the chaos of the series.

Readers of the Eagle of Mercia Chronicles will have encountered the names of kings Coenwulf and Coelwulf, although the kings in the first book, Son of Mercia, ruled after both Coenwulf and Coelwulf. But, having written about Coelwulf II in the Mercian Ninth Century books – which feature an older, and wiser Icel, I was eager to return to an equally unsettled period in Mercia’s history. And this, helped by the fact that Icel would just have been old enough at this period to be involved, very much helped set the scene. However, the aftermath of the reigns of these two men, brothers, are very much at the heart of political affairs during the Eagle of Mercia Chronicles.

So, who were Coenwulf and Coelwulf or Ceolwulf?

Coenwulf, the first and only of his name, was king of Mercia from 796 until his death in 821. He claimed descent, not from the previous king Offa (of Offa’s Dyke fame), and his son, but instead from Pybba, who is believed to have been the father of both Kings Penda and Eowa (read about them in my Gods and Kings trilogy) who ruled in the seventh century. You might have heard of Penda. Although the connection isn’t sound, he is often referenced when talking about the Staffordshire Hoard.

It does seem as though the crisis of the late 820s/830s and the slow decline of Mercian power have overshadowed all that King Coenwulf achieved, not helped by the fact that his son, who was to succeed him, died before his father (if he existed at all), so that on Coenwulf’s death, the kingship passed to his brother, Coelwulf, and he in turn was overthrown at some point in 823-826. The brother kings seem to have shared another brother as well, who may have been king of Kent, after Mercia annexed the kingdom to its own domain.

But Coenwulf was a successful ruler. He claimed the kingship after the death of Offa’s son, Ecgfrith, not long after his father’s death, (Offa is said to have been keen to eliminate all rivals to the kingship which is why, when his son died, the kingship had to pass to a more obscure branch of the ruling line), and while he suffered reverses in Kent and the kingdom of the East Angles, he does seem to have exercised control in both places, and was also aggressive against the Welsh kingdoms throughout his reign. Mercia, at this time, was NOT confined to the current English Midlands, it was a much vaster kingdom although it’s firm boundaries are difficult to establish.

Map design by Flintlock Covers

While the Anglo-Saxon Chronicle is sparse about our brother kings, that didn’t stop the later Norman writers, embellishing the story of them. But first, what do we hear about these kings from the Anglo-Saxon Chronicle?

‘Ceolwulf, king of Mercia, ravaged over the inhabitants of Kent as far as the Marsh, and [they] captured Præn, their king, and led him bound into Mercia.’ 796 [798[ (A)

´Here Coenwulf, king of Mercia, passed away, and Coelwulf succeeded to the kingdom.’ 819 [821] (A)

´Here Ceolwulf was deprived of his kingdom.’ 821 [823] (A)

´And the same year King Egbert and King Beornwulf fought at Ellendynm and Egbert took the victory; and a great slaughter was made there…. And that year the East Angles killed Beornwulf, king of the Mercians.’ 823 [825[ (A)

´Here Ludeca, king of Mercia, was killed, and his 5 ealdormen with him, and Wiglaf succeeded to the kingdom.’ 825 [827] (A)

´Here Wiglaf obtained the kingdom of Mercia again.’ 828 [830] (A)

Henry of Huntingdon, one of the Anglo-Norman author, writes of Cenwulf, our Coenwulf

‘Not long afterwards, Cenwulf, king of Mercia, beating and ravaging his way through the Kentish province, captured their king Præn, who could not match his strength and was lurking in the coverts and isolated places, and victoriously took him back in chains.’ p.259 

Coenwulf’s brother, Coelwulf, succeeded him, but not for long, until he was usurped. Henry of Huntingdon in summarising affairs in Mercia adds.

‘Cenwulf reigned peacefully for twenty-six years, and died the common death.

Ceolwulf possessed the kingdom for three years, which the fierce Beornwulf then wrested from him.’ p.271

The Chronicle of John of Worcester adds similar details.

‘[821] Ceolwulf, king of the Mercians, was driven from his kingdom, and Beornwulf was raised to the kingship.’p241

There is some confusion regarding children born to either brother, and indeed, much that is known of that later Coelwulf II stems from the fact he shared a name with one of the two brothers, and as such, his connection with that ruling family can be supposed by experts in the field (not me). It appears that Coenwulf had a son and a daughter, the daughter well known as an abbess at a local nunnery, and possibly, two wives. King Coelwulf is known to have had one daughter, Ælflæd, who married Wigmund, the son of King Wiglaf. But there is a distinct lack of information regarding these individuals. We don’t know when the usurped King Coelwulf died. We don’t know when his daughter died, for certain, and obviously, other children are unknown.

The Chronicle of John of Worcester, another Anglo-Norman writer, informs us that.

‘[819] St Cenwulf, king of the Mercians, after a life devoted to good deeds, passed over to the eternal blessedness which is in heaven, and left his 7-year-old son St Kenelm heir of his realm. But when a few months had passed, by the treachery of his own sister Cwenthryth, whose cruel spirit had been roused by an awful lust for power, he was secretly done to death with cruel outrage by Æscberht, his most bloodthirsty tutor, in the shade of a thorn tree in a deserted wood. But he who was slain with heaven alone as witness, was later revealed by heaven’s witness through a column of light. Kenelm’s head was cut off, milk-white in the beauty and innocence of birth, and from it a milky dove with golden wings soared to heaven. After his happy martyrdom, Ceolwulf received the kingdom of the Mercians.’ P239-241

Henry of Huntington adds. ‘At Winchcombe you will read of the secret martyrdom of Kenelm. He was the son of Cenwulf, the Mercia king, who died in the year of grace 819, having reigned for twenty-four years. The martyrdom of his son Kenelm was revealed from heaven to Pope Silvester II at Rome.’p691

However, Coenwulf and Coelwulf I do seem to have enjoyed military successes. Coelwulf’s attacks on Wales are mentioned in the Annales Cambriae.

‘818 Cenwulf [Coenwulf] devastated the Dyfed regio.

822 The fortress of Degannwy is destroyed by the Saxons and they took the kingdom of Powys into their own control.’ p48

The Anglo-Saxon Chronicle is not helpful about the reigns of either brother, other than referencing their accession and either death or deposing. We don’t know the date that Coelwulf I died, although he clearly lived after being deposed.

Increasingly, scholarship is looking at Mercia during this period – if the answers can’t be found in the surviving written sources they can be found elsewhere. When King Alfred began his revival in education, many of the scholars he turned to were Mercians, highlighting Mercia’s accomplishments in all spheres – and the correlation has been made that the same happened in Mercia after the end of Northumbria’s Golden Age. There is also a wealth of Mercian sculpture dated to this period which hints at the power and influence of the kingdom, perhaps even of artistic centres at the heart of certain designs.

This doesn’t yet help us truly appreciate the power these kings could wield – so often overshadowed by what happened after their reigns, but it certainly shows we should be wary of accepting this absence in the written sources as indicative of their failure. Indeed, we should be wary of any Wessex-centred source from later in the same century (the Anglo-Saxon Chronicle) that might not only suffer from Wessex-bias, but may also reveal a desire to overshadow Mercia in order to proclaim Wessex’s kings as the more powerful. This is something that is certainly at the heart of the revival in interest in the descendant of these two kings, King Coelwulf II, or Mercia’s last king, written about as a ‘foolish king’s thegn’ in the Anglo-Saxon Chronicle but clearly very far from being that.

It’s intriguing to realise that our Norman writers only had access to much the same information that we do in order to offer an account of what was happening in Mercia at this time. But they do seem to have enjoyed embellishing the words of the Anglo-Saxon Chronicle, and while arguments are often made that they may have had access to local sources not written about in the Anglo-Saxon Chronicle, especially for John of Worcester, who wrote at one of the most important Mercian centres, until their words can be entirely unpicked, we must be wary of using their additions as historical ‘fact,’ in much the same way that we need to be wary of the Anglo-Saxon Chronicle(s).

Quotations are taken from the following translations. Darlington, R.R. & McGurk, P. ed. The Chronicle of John of Worcester Volume II The Annals from 450 to 1066(Clarendon Press, 1995). Greenway, D. ed. and trans. Historia Anglorum, The History of the English People, Henry of Huntingdon, (Clarendon Press, 1996. Morris’ translation of Nennius and the Welsh Annals and Swanton’s The Anglo-Saxon Chronicles.

Protector of Mercia is released TODAY.

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If you’ve not yet started The Eagle of Mercia Chronicles, then check out this introduction to the series.


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Happy Release Day to Protector of Mercia #TheEagleofMerciaChronicles #YoungIcel #histfic

Today is the day, book 5 in The Eagle of Mercia Chronicles is released into the wild.

Here’s the blurb:

A deathbed oath leaves the lives of two infants hanging in the balance.

Tamworth AD833 After successfully rescuing her husband from the Island of Sheppey, Icel hears the deathbed confession of Lady Cynehild which leaves him questioning what he knows about his past, as well as his future.

In the unenviable position of being oath sworn to protect their two atheling sons when Lord Coenwulf is punished and banished for his treason against the Mercian ruler, King Wiglaf, Icel is once more torn between his oaths and the secret he knows.

When the two children are kidnapped, Icel, good to his word, and fearing for their safety, pursues their abductors into the dangerous Northern lands, fearing to discover who is behind the audacious attempt on their lives: the queen, the king’s son, or even Lady Ælflæd, a friend to him in the past, but now wed to the king’s son and aunt to the two abandoned children.

Alone in the Northern lands, Icel finds himself facing his worse fears. Can he rescue the children from their captor, or will he fail and lose his life in the process?

https://books2read.com/protectorofmercia

Available now in ebook, paperback, hardback and audio.

Read my release day post about travelling into the north-west of England in the 830s and about the brother kings, Coenwulf and Coelwulf.


If you’ve not yet started the Eagle of Mercia Chronicles, check out the release day posts for

Son of Mercia

Wolf of Mercia

Warrior of Mercia

Eagle of Mercia


Read all about Protector of Mercia over on my publisher’s Facebook account.


Protector of Mercia is on blog tour. My thanks to Rachel at Rachel’s Random Resources for organising and all the hosts for taking part. I will add the links each day.

Check out the reviews below. I’ll be updating as the blog tour progresses.

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Sharon Beyond the Books

Rajiv’s Reviews

David’s Book Blurg

Ruins & Reading

Bookish Jottings

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The Strawberry Post

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Come to Saxon Northampton with me and Coelwulf from The Last King/Mercian Ninth Century Series

Mapping Saxon Northampton

Much of the action in a few of The Last King/The Mercian Ninth Century series takes place in my recreated Northampton.

‘There’s a large hall, visible above another row of low-roofed buildings, and the sides of the ancient rampart can be glimpsed behind the buildings, but not so close that I feel confined.

It seems the Raiders, when they came here twenty-five years ago, planned on keeping a vast area safe behind the rampart. The space is at least double that at Repton, if not treble, and a feeling of unease flickers down my back.

To the front of Northampton, out of sight, the rampart now runs to the water’s edge, and again, a ditch is once more deep enough to prevent easy access. If people want to take a ship along the Nene to reach Northampton, they’ll find no easy places to climb ashore. Even the wooden bridge has been reinforced. Ealdorman Ælhun’s men will guard it from the side of Northampton, a thick gateway nestling there now, only to be opened when sure of the person asking for admittance. Along the length of the bridge, a few surprises have been placed that few know.’

So, how did I create or recreate this image of Northampton? As so often the case, I turned to antique maps. And here, I was certainly helped by the work of John Speed, a cartographer working in the early 1600s. (The only earlier maps are by Saxton).

As you can see below, Speed’s maps, this one is of Northamptonshire, are highly decorative and a bit of a joy to explore. While we might turn to Google Maps these days, I find it easier to look at the older maps to see what was included. It helps me to try and get the ‘landscape’ of the era. (I also adopted the same approach when writing my twentieth-century mysteries – and there, it’s easier as you can still get your hands on maps from that era – via eBay or second-hand bookshops).

John Speed’s Northamptonshire (Map in my possession)
Close up of Northampton

Speed also added detailed maps of two of the county towns to his county maps. So, above is Northampton. Admittedly, I did need to pretend the later castle wasn’t there. But, it certainly provides an idea of how the settlement might have appeared over seven hundred years earlier, although I think, from memory, that I had to use it turned on its side.

If you want to discover more about the history of Northampton then do check out the details here. https://www.british-history.ac.uk/rchme/northants/vol5/pp27-71

And, I’ve just found this fabulous Zoomable map of Great Britain, by Speed, at Cambridge University. https://cudl.lib.cam.ac.uk/view/PR-ATLAS-00002-00061-00001/1

The Ninth Century Mercian series covers for all 9 books

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I’m delighted to welcome to the blog a returning Helen Hollick and her new mystery, A Meadow Murder #CosyMystery #CozyMystery #Devon #BlogTour #TheCoffeePotBookClub

Here’s the blurb:

“As delicious as a Devon Cream Tea!” ~ author Elizabeth St John

“Every sentence pulls you back into the early 1970s… The Darling Buds of May, only not Kent, but Devon. The countryside itself is a character and Hollick imbues it with plenty of emotion” ~ author Alison Morton

***

Make hay while the sun shines? But what happens when a murder is discovered, and country life is disrupted?

Summer 1972. Young library assistant Jan Christopher and her fiancé, DS Lawrence Walker, are on holiday in North Devon. There are country walks and a day at the races to enjoy, along with Sunday lunch at the village pub, and the hay to help bring in for the neighbouring farmer.

But when a body is found the holiday plans are to change into an investigation of murder, hampered by a resting actor, a woman convinced she’s met a leprechaun and a scarecrow on walkabout…

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Meet Helen Hollick

First accepted for traditional publication in 1993, Helen became a USA Today Bestseller with her historical novel, THE FOREVER QUEEN (titled A HOLLOW CROWN in the UK) with the sequel, HAROLD THE KING (US: I AM THE CHOSEN KING) being novels that explore the events that led to the Battle of Hastings in 1066. 

Her PENDRAGON’S BANNER TRILOGY is a fifth-century version of the Arthurian legend, and she writes a nautical adventure/fantasy series, THE SEA WITCH VOYAGES

She has also branched out into the quick read novella, ‘Cosy Mystery’ genre with her JAN CHRISTOPHER MURDER MYSTERIES, set in the 1970s, with the first in the series, A MIRROR MURDER incorporating her, often hilarious, memories of working as a library assistant. The front cover of episode #4 A MEADOW MURDER is Helen’s actual hay meadow on her Devon farm.

Her non-fiction books are Pirates: Truth and Tales and Life of A Smuggler. She lives with her family in an eighteenth-century farmhouse in North Devon and occasionally gets time to write…

Connect with Helen

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Follow the A Meadow Murder blog tour with The Coffee Pot Book Club

Check out Helen’s post for book 3 in the Jan Christopher Mystery series.

Check out Helen’s 30th Anniversary publication post.

I’m delighted to welcome Catherine Kullmann to the blog with a post about her historical fiction research and new book, The Husband Criteria, #RegencyRomance #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Catherine Kullmann to the blog with a post about her historical fiction research.

Writing Historical Fiction—The Research

Whether we talk about fictionalised history or fictional biography where the story of real-life characters is told, or genre fiction such as historical romance or historical mystery where fictional characters are placed in an historical setting, the onus is on the author to transport the reader to an unfamiliar society recreated partly from familiar facts and partly from a myriad of tiny, new details so that it seems as real as the world of today. The setting must ring true and the characters’ actions must be determined by the laws, mores and ethics of their time, not ours. Sometimes this may horrify us; at other times we find it liberating and long for more romantic, more adventurous, perhaps simpler bygone days.

Except where a real-life character such as one of the patronesses of Almack’s is introduced for authenticity, my Regency novels are pure fiction. I create the characters and the story arc but to make them and their world come to life, I must know the period inside out; not only the main facts and important dates but also the minor ones and the trivia of daily life. It is essential that I know the social structures, ethics, mores and beliefs of the period, constraints which add conflict and tension to the story and enable readers to step into the setting as easily as they step out of their front doors,

But where do I get this information? Primarily by reading. I have a large research library and a huge database of historical facts and trivia. Everything is grist to my mill—contemporary memoirs, diaries, letters, novels, plays, poetry, newspapers and magazines, etiquette and letter-writing manuals, cookery books, etc. etc. These all help me absorb peoples’ thoughts, attitudes, vocabulary and phrasing, as well as informing me first-hand about the way they lived.

Apart from the written legacy, the Regency has left us a rich legacy of images—paintings, portraits, engravings, cartoons, caricatures, fashion prints, book illustrations. I was amazed at the wealth of contemporary, hand-coloured engravings that can still be purchased at reasonable prices and that show rather than tell what Regency society was like. And finally, buildings, furniture and fittings, sculptures, gravestones and church and other monuments bear living witness to the past.

As an author, you must ask yourself constantly, if we do it this way today, how was it done in the past? You must read widely, covering every aspect of life at the time and take every opportunity to visit museums and period houses. Keep your eyes open everywhere  you go to identify what was there then. I live in Dublin which is very much a Georgian city; I went to school in Georgian houses and later worked in many of them so you could say the city architecture of the time is in my bones. Remember too that then as now, older buildings will have co-existed with new one. Guidebooks from the period are very useful as they describe places as your characters will have seen them, and frequently have maps and other illustrations that will help you plan your character’s journeys.

Image of author’s desk and bookshelves. Private photo

All this is general research that feeds into your descriptive writing without your really being aware of it. Over and above this, there is the particular research that every new work calls for. The very first thing I do is create a public time-line for the years in which a new book is set. Here I enter every date and event I find including those of Easter, university, school and law terms, parliamentary sessions, the queen’s drawing-rooms, theatre and concert dates, publication dates of new works, and any notable public events, scandals or anything else newsworthy. These are the things that shape my characters’ lives, that they talk about. They help add verisimilitude and also frequently inspire plot twists.

I start this research on the internet. Frequently I get the information I want there and sometimes it points me in the right direction e.g. to little known diaries that help me flesh out my narrative. In Lady Loring’s Dilemma, I wanted to base my main characters in Paris and Nice in 1814/15 and was delighted to discover the Diary of the Times of George the Fourth, published in 1838 by an anonymous lady who had been in Paris and Nice at just those times. Lady Loring’s Dilemma  opens in Harrogate, a well-known spa at the time, and I was thrilled to find a contemporary guide to taking the waters there which included a description of the sights in the surrounding area.

Don’t be afraid to ask the experts. For The Husband Criteria, I discovered that the Royal Academy provides a lot of information online about the years the Academy was based at Somerset House where its annual exhibition was a highlight of the Season. When I needed further information, I emailed the RA and received a prompt and helpful reply from the librarian. Similarly, when I need details of the laws of Cricket in 1814 for A Suggestion of Scandal, a query to the Marylebone Cricket Club was answered immediately and in detail by their Research Officer.

I trawl antique fairs, charity shops, second-hand book sales and flea markets for research material, whether it is books, newspapers, or old prints and engravings. As well as being a source of inspiration, I use antique prints and engravings from my collection for the covers of my books. This is generally cheaper than paying a licence fee for a stock image, it saves me hours of searching for just the right one and I have the freedom to use the image without restrictions.

All this sounds like a lot of work, but I love it. I started writing about the Regency because the period fascinates me and it still does. There is still so much to learn, I love the thrill of the hunt when I find just the right piece of trivia to spur me on.

© Catherine Kullmann 2023

Thank you so much for sharing. Good luck with your new book.

Here’s the blurb

London 1817

The primary aim of every young lady embarking on the Spring frenzy that is the Season must be to make a good match. Or must it? And what is a good match? For cousins Cynthia, Chloe and Ann, well aware that the society preux chevalier may prove to be a domestic tyrant, these are vital questions. How can they discover their suitors’ true character when all their encounters must be confined to the highly ritualised round of balls, parties and drives in the park?

As they define and refine their Husband Criteria, Cynthia finds herself unwillingly attracted to aloof Rafe Marfield, heir to an earldom, while Chloe is pleased to find that Thomas Musgrave, the vicar’s son from home, is also in London. And Ann must decide what is more important to her, music or marriage.

And what of the gentlemen who consider the marriage mart to be their hunting grounds? How will they react if they realise how rigorously they are being assessed?

A light-hearted, entertaining look behind the scenes of a Season that takes a different course with unexpected consequences for all concerned.

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Meet the author

Catherine Kullmann was born and educated in Dublin. Following a three-year courtship conducted mostly by letter, she moved to Germany where she lived for twenty-five years before returning to Ireland. She has worked in the Irish and New Zealand public services and in the private sector. Widowed, she has three adult sons and two grandchildren.

Catherine has always been interested in the extended Regency period, a time when the foundations of our modern world were laid. She loves writing and is particularly interested in what happens after the first happy end—how life goes on for the protagonists and sometimes catches up with them. Her books are set against a background of the offstage, Napoleonic wars and consider in particular the situation of women trapped in a patriarchal society.

She is the author of The Murmur of MasksPerception & IllusionA Suggestion of ScandalThe Duke’s RegretThe Potential for LoveA Comfortable Alliance and Lady Loring’s Dilemma.

Catherine also blogs about historical facts and trivia related to this era. You can find out more about her books and read her blog (My Scrap Album) at her website. You can contact her via her Facebook page or on Twitter.

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Why did I decide to tell the story of King Coelwulf II of Mercia?

Why did I decide to tell the story of King Coelwulf II of Mercia?

The Last King is set in Mercia in the Ninth Century, one of the ancient kingdoms of England. Mercia, at that time, is perceived as being on the decline – no more the mighty King Penda of the seventh century (who I’ve written about in Pagan Warrior) or King Offa of the eighth century (who I do want to write about), but instead Wessex, on Mercia’s southern border, just waiting to pounce when Mercia is already weak and further destabilised by the Vikings of the Great Heathen Army. It seems inevitable that Mercia will be subsumed by Wessex.

Mercia’s king in the early 870’s was Burgred, brother by marriage to King Alfred and with King Alfred himself married to a Mercian, I think we can all decipher the intentions of the House of Wessex towards Mercia. This alliance seems to have been powerful, persuasive, and long lasting, until abruptly, Wessex gave up on Mercia, and refused to assist in the battle against the Vikings. It is this Mercia that Coelwulf lived in, and lived through.

The historical Coelwulf was allegedly a member of a family who had ruled as kings in the early 800’s. King Coelwulf II (as he was known) was accepted by the Mercians as their king. This is ‘proved’ by the few charters which survive from the time period, which are ‘witnessed’ by the three bishops of Mercia, and her ealdormen as well. In the past, these documents have been taken to show that all of the Mercian nobility bowed down before the Vikings and accepted them as their ‘overlords.’ This view is only now being challenged, and I’m enjoying challenging it.

Mercia, unlike the kingdoms of Northumbria and Wessex, had no one who wrote propaganda for her. Northumbria had the Venerable Bede, Wessex had the Anglo-Saxon Chronicle, but for Mercia, there is a dearth of information. Perhaps there was a record, it is hinted at in something known as the Mercian Register incorporated in one version of the Anglo-Saxon Chronicle, but it is presumed that much of the record was burned by the Vikings. 

I’m thriving on looking at the possibilities for what might have happened in Mercia. There are surprising omissions in the Anglo-Saxon Chronicle, a few things that don’t make too much sense when you examine them further, and so ‘my’ version of the time period is a little bit different to anything people might read about in older books. It doesn’t make it right, but, and this is what is so appealing about the time period, it also doesn’t make it wrong.

Check out The Last King/The Mercian Ninth Century Series page for more information.

The Ninth Century Mercian series covers for all 9 books

I’m delighted to share my review for Murder in the Bookshop by Anita Davison #bookreview #historicalmystery #newrelease

Here’s the blurb:

Someone’s been read their last rites…

1915, London: Working in the dusty bookshop that her Aunt Violet mysteriously inherited, Hannah Merrill is accustomed to finding twists in every tale. But discovering her beloved best friend Lily-Anne – with a paperknife through her heart – in the middle of the bookshop, is not a plotline she saw coming.

The case is anything but textbook. With the discovery of a coded German message, and Hannah’s instinct that Lily-Anne’s husband is keeping secrets, she determines to get to the bottom of it.

She can’t do it alone though. To crack this case, Hannah will need to enlist the help of her outrageous, opinionated, only-occasionally-objectionable Aunt Violet.

They think they’re making progress until one of their chief suspects is found dead. And Hannah realises that she is herself now in the murderer’s sights. Will the final chapter be the ending of a killer… or just a killer ending?

A totally addictive, WW1-set cozy mystery, perfect for fans of Verity Bright, T.E. Kinsey, and Agatha Christie.

My Review

Murder in the Bookshop is a cosy historical fiction story set in 1915 in London, England.

Well grounded in the events of the day – the Great War hasn’t been as easy to win as all believed – there are fears of bombs being dropped by the Germans via Zeppelin – the realities of the war are starting to make themselves known with food shortages – this is a really well-envisioned study of the period. Added to which, we have a Murder in the Bookshop.

Our main character is Hannah, who having lost her fiance during the war, now lives with her aunt and helps her run a bookshop. She’s a fiesty character, very much a woman of her day. Aunt Violet is a suffragette and that’s just the beginning of the scandals that surround her. Hannah’s mother wants her to marry, but Hannah isn’t at all interested in doing what her mother wants, and indeed, her mother never actually makes an appearance in the story – which is probably for the best.

Instead, Hannah finds herself determined to discover the culprit behind the murder, and this forces her to come to terms with some truths she’s never known about her friends.

What follows is a really well-constructed story of murder, conspiracy, suspicion and indeed, some peril for our main characters as well.

I read this book in about 2 sittings. I thoroughly enjoyed the setting, the mystery and the resolution, which I didn’t guess at all.

A fabulous war-time mystery sure to thrill fans of the historical mystery genre.

Meet the author

Anita Davison is the author of the successful Flora Maguire historical mystery series. Previously published by Aria, she is writing a new cosy mystery series for Boldwood, the first title of which, Murder in the Bookshop, will be published in August 2023.

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Today, I’m sharing my review for Death Comes to Santa Fe by Amanda Allen #histfic #historicalfiction #blogtour

Here’s the blurb

Former New York darling turned amateur sleuth Madeline Vaughn-Alwin is once again thrown into a colourful yet deadly web of secrets, lies and soirees to die for!

It’s the week of Fiesta in Santa Fe and Maddie is looking forward to enjoying the celebrations. But as ‘Old Man Gloom’ Zozobra goes up in flames, so too do Maddie’s hopes for a carefree life . . . Human remains are found in the dying embers of Zozobra, and then Maddie and her dashing beau Dr David Cole find a body washed up in the arroyo at the edge of town.

Soon identified as Ricardo Montoya, a wealthy businessman and head of one of the most affluent families in Santa Fe . . . the plot starts to thicken. While his beautiful wife Catalina and her complicated children seem less than heartbroken at his untimely demise, and with many disgruntled locals crawling out of the woodwork, Maddie is surrounded by suspects.

With the celebrations of Fiesta continuing around them, Maddie and her ‘Detection Posse’ get busy infiltrating the best parties and hobnobbing with old and new faces – but can they bring the murderer to justice before they strike again?

Purchase Links 

https://www.amazon.com/Death-Comes-Santa-Revival-Mystery-ebook/dp/B0BXPZ9C8P

https://www.amazon.co.uk/Death-Comes-Santa-Revival-Mystery-ebook/dp/B0BXPZ9C8P

My Review

Death Comes to Santa Fe offers a detailed and descriptive view of life in Santa Fe in the 1920s, with its speakeasies, artists’ circle and of course, Fiesta. As the third book in a series, it took me a while to get into the novel and the characters, and it also took some time for our ‘body’ to appear. However, once the murder had actually occurred the flow of the novel improved, and the resolution of the mystery was well brought about, and it kept me guessing until the final ‘big reveal.’

Our main character, Maddie, is an interesting woman, if perhaps a bit too likely to wax lyrical about converting every view she sees into a painting. She divides her time between dancing, drinking, painting, and generally having a good time while slowly falling in love with Dr. David and determining to solve this new murder that’s rocked her town. The supporting cast is equally colourful and offers a lovely depth to the story.

A charming historical mystery stuffed with historical details.

Meet the author

Amanda wrote her first romance at the age of sixteen–a vast historical epic starring all her friends as the characters, written secretly during algebra class (and her parents wondered why math was not her strongest subject…)

She’s never since used algebra, but her books have been nominated for many awards, including the RITA Award, the Romantic Times BOOKReviews Reviewers’ Choice Award, the Booksellers Best, the National Readers Choice Award, and the Holt Medallion.  She lives in Santa Fe with two rescue dogs, a wonderful husband, and far too many books and royal memorabilia collections. 

When not writing or reading, she loves taking dance classes, collecting cheesy travel souvenirs, and watching the Food Network–even though she doesn’t cook. 

Connect with Amanda

Website Instagram Facebook    TikTok

Follow the Death Comes to Santa Fe blog tour with Rachel’s Random Resources

Amanda Allen also writes as Amanda McCabe. Check out my review for Flora Flowerdew.

I’m excited to be revealing the covers for The Drumbeats trilogy by Julia Ibbotson on the blog today #histfic

Here’s the blurbs

Drumbeats

It’s 1965, and 18 year old Jess escapes her stifling English home for a gap year in Ghana, West Africa. But it’s a time of political turbulence across the region. Fighting to keep her young love who waits back in England, she’s thrown into the physical and emotional dangers of civil war, tragedy and the conflict of a disturbing new relationship. And why do the drumbeats haunt her dreams?

This is a rite of passage story which takes the reader hand in hand with Jess on her journey towards the complexities and mysteries of a disconcerting adult world.

This is the first novel in the acclaimed Drumbeats trilogy: Drumbeats, Walking in the Rain, Finding Jess.

For fans of Dinah Jefferies, Kate Morton, Rachel Hore, Jenny Ashcroft

Purchase Link

https://books2read.com/Drumbeats1


Walking in the Rain

Jess happily marries the love of her life. She wants to feel safe, secure and loved. But gradually it becomes clear that her beloved husband is not the man she thought him to be. 

She survived war and injury in Africa, but can she now survive the biggest challenge of her life?

Purchase Link 

https://mybook.to/WalkingintheRain1


Finding Jess

On the brink of losing everything, and still haunted by her past and the Ghanaian drumbeats that haunt her life, Jess feels that she can no longer trust anyone but herself. Then she’s mysteriously sent a newspaper clipping of a temporary job in Ghana. Could this be her lifeline? Can she turn back time and find herself again? And what, exactly, will she find?

Finding Jess is a passionate study of love and betrayal – and one woman’s bid to reclaim her self-belief and trust. It’s a feel-good story of a woman’s strength and spirit rising above adversity.

This is the finale of Jess’s story.

Purchase Link

https://myBook.to/FindingJess1


Meet the author

Award-winning author Julia Ibbotson herself spent an exciting time in Ghana, West Africa, teaching and nursing (like Jess in her books), and always vowed to write about the country and its past. And so, the Drumbeats Trilogy was born. She’s also fascinated by history, especially by the medieval world, and concepts of time travel, and has written haunting time-slips of romance and mystery partly set in the Anglo-Saxon period. She studied English at Keele University, England, specialising in medieval language, literature and history, and has a PhD in linguistics. She wrote her first novel at age 10, but became a school teacher, then university lecturer and researcher. Her love of writing never left her and to date she’s written 9 books, with a 10th on the way. She’s a member of the Romantic Novelists Association, Society of Authors and the Historical Novel Society.

Connect with the author

Author website: Facebook Author page: Twitter:

Pinterest page: includes boards with pics and images that inspired each book

Goodreads author page: Instagram:

RNA (Romantic Novelists Association) website author page

I’m delighted to welcome Stella Riley and her new book, The Shadow Earl to the blog. HistoricalRomance #HistoricalMystery #BlogTour #The CoffeePotBookClub

I’m delighted to welcome Stella Riley and her new book, The Shadow Earl to the blog. Read on for an excerpt.

An incident between Messrs Selwyn & Shelbourne at the Cocoa Tree Club

Daniel immediately noticed two things.  Basil Selwyn and his idiotic friends sitting near the Hazard table … and a footman about to serve them a steaming bowl of punch.  Opportunity and temptation coincided. One very slight movement was all it took. The footman tripped, lurched, fumbled with the bowl … and a couple of pints of rum punch cascaded over Mr Selwyn.

What the – ?’  Basil leapt from his seat in a sticky shower, whirled to deliver a blistering tirade … saw Daniel and froze.  

You!’ he spat. ‘You did that, you bastard.’

Several gentlemen at the Hazard table stopped playing to watch.

‘What?’ asked Daniel. ‘Don’t be ridiculous. The poor fellow tripped, that’s all.’

‘Not without help,’ raged Basil, dripping and trying to drag off his ruined coat. ‘You tripped him. Deliberately.’

‘And risk the stuff being spilled over me?  Hardly. Dare I mention that you have a slice of lemon in your hair?’

Basil hurled his coat aside, groped blindly for the lemon and glared at the footman. ‘You.  Tell me the truth. He tripped you, didn’t he?’

The poor man hesitated, swallowed and stammered that it had been an accident. 

‘Calm down, Selwyn,’ advised Daniel as the footman fled. ‘Your imagination is running away with you.  It’s been doing that a lot recently, hasn’t it?’

More heads turned, somebody sniggered and play at the Hazard table ceased.

Ignoring this, Basil growled, ‘I know what you did!’

‘You don’t because I didn’t.’ Daniel smiled sympathetically,  ‘You should try Mrs Baxter’s Elixir.  My great-aunt swears by it when her nerves are – ’ 

‘There’s nothing wrong with my nerves, damn you!  You tripped the footman. Admit it!’  And when Daniel shook his head, ‘Then you’re a bloody liar!’ 

The gasp of shock that rippled through his audience was lost on Basil, as was the voice advising, ‘Take that back while you still can, Selwyn.’

Here’s the blurb

At the end of his Grand Tour, somewhere between Athens and Constantinople, Christian Selwyn, the young Earl of Hazelmere, vanished – seemingly without a trace.

Time passes.  In London, his uncle and cousin move into his home … while his unofficial fiancée, Sophia, is left desolate and in limbo.  Finally, his friends – loyal and close as brothers – set out to search in person.  

Christian’s startling re-appearance at a grand ball takes society by storm and fuels endless speculation. Where has he been during these three missing years? What happened to him?  

And more importantly, how did it happen?  

Only one thing is clear.  The earl who left England five years ago, has returned a changed man.  A man with secrets.

Buy Links:

Audiobook narrated by Alex Wyndham

Universal Link

Amazon UK:   Amazon USAmazon CAAmazon AU

Barnes and NobleKoboSmashwords

Meet the author

Winner of four gold medals for historical romance (Readers’ Favourite in 2019, Book Excellence Awards in 2020, Global Book Awards in 2022 and Book Excellence Award in 2023) and fifteen B.R.A.G. Medallions, Stella Riley lives in the beautiful medieval town of Sandwich in Kent.

She is fascinated by the English Civil Wars and has written six books set in that period. These, like the 7 book Rockliffe series (recommended in The Times newspaper!) and the Brandon Brothers trilogy, are all available in audio, narrated by Alex Wyndham.

Stella enjoys travel, reading, theatre, Baroque music and playing the harpsichord.  She also has a fondness for men with long hair – hence her 17th and 18th century heroes.

Connect with Stella

Website:   Twitter: 

FacebookInstagramPinterest

Book BubAmazon Author PageGoodreads:

Follow The Shadow Earl blog tour with The Coffee Pot Book Club

MJ Porter

Author of Saxon historical fiction, 20th-century historical mysteries, and Saxon historical non-fiction. Book reviewer and blog host.

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