I’m sharing my review for Death of a Stranger, the first book in John Pilkington’s Elizabethan mysteries featuring Matthew Cutler #histfic #historicalmystery #bookreview #blogtour #TheRufflersChild #boldwoodbloggers @BoldwoodBooks @rararesources @theboldbookclub
Here’s the blurb
BE YE HUNTER OR PREY?
Introducing Thomas Finbow – falconer to Sir Robert Vicary and Lady Margaret of Petbury, Berkshire. He keeps his mind sharp and his body primed as he goes about his duties with the diligent confidence of one who once served Queen and country.
When Nathaniel Pickering, Lady Margaret’s older brother is found murdered, Thomas takes her away to London, in search of gryfalcons. Lady Margaret being a keen lover of the sport of falconry herself, Thomas hopes it will help distract his mistress from her grief, however once they reach the city it becomes apparent that much bigger things are at play – and the murder of Master Pickering was just the beginning…
Thomas’s astute mind is unable to ignore the clues, and in uncovering some dark secrets, he places himself – and his mistress – in grave danger. Now a target himself, Thomas must face some of London’s most notorious criminals, in a battle of both brain and brawn.
The Ruffler’s Child is an atmospheric Elizabethan mystery, set around the time of Mary Queen of Scots’ trial and subsequent execution. It is a time of unrest, and Thomas finds himself, a good country lad, thrust into the murk of a busy London. There are many unsavoury characters, and the mystery itself is quite complex, and not without peril for him.
I do love a good historical mystery and this one really intrigued me. Thomas and Lady Margaret have an unusual relationship, and he does seem to be trusted with a great deal of familiarity with the lords and gentry he comes into contact with, while also being just about able to hold his own in London’s Elizabethan underworld of crime, trugging houses and petty theft.
I really didn’t guess the resolution for this one, and very much enjoyed journeying along with Thomas as the elements of the mystery slowly clicked into place. The start of the series, I’m looking forward to reading my way through the books featuring Thomas the Falconer.
A writer for over forty years, John Pilkington was born in Lancashire and worked at many jobs including laboratory assistant, farm worker, weaver, shipping clerk, picture frame-maker and cabaret musician before taking a degree in Drama and English and finding his true 2 vocation. He has since written plays for radio and theatre, television scripts for a BBC soap, a short-lived children’s series and numerous works of historical fiction, concentrating now on the Tudor and Stuart eras. He also ventured into speculative fiction with his biography of Shakespeare’s famous jester, Yorick.
He now lives in a village on a tidal estuary in Devon with his long-term partner Elisabeth; they have a son who is a psychologist and musician. When not at the desk he walks, swims, listens to music and tinkers with d.i.y. projects, and is enjoying being a grandfather.
Haunted by the memory of a secret love affair in Nazi-occupied Prague, American intelligence officer Julius Orlinsky is caught in a deadly web of espionage when a routine assignment in Washington, D.C., disintegrates into murder, attempted murder, and blackmail.
Determined to uncover the truth, Orlinsky’s quest takes him from the halls of the Pentagon to a prisoner-of-war camp in Maryland, and, finally, to the city of Budapest under siege. It’s a shadow world where a lifetime of loyalty can be undone by one secret revealed. Orlinsky soon learns the personal stakes couldn’t be higher. His investigation threatens to expose a betrayal by the woman he believed was the love of his life.
But Orlinsky has no choice. Charged with an assignment critical to ensuring America’s safety, he must confront the ghosts of his past as he navigates a terrain of double agents, war-hardened German and Russian soldiers, and fanatics who will stop at nothing to silence him.
Praise for Red Snow in Winter:
“Red Snow in Winter is a gripping, ingenious cat-and-mouse political thriller. A young U.S. Army Intelligence officer finds himself caught up in a deadly espionage battle involving Americans, Nazis, and Russians that he can only survive by finding out who to trust–and also by finally uncovering the truth about long-buried secrets from his own shadowy intelligence past. Smart writing, a high stakes plot, and fascinating historical background. Author Max Eastern really delivers the goods in this must-read page-turner of a novel.“
— R.G. Belsky, author of the Clare Carlson mystery series
“I found a great new-to-me author in Max Eastern. I love how he brought his characters to life and made the situations in this novel seem as though they were happening in front of me.”
— Terrie Farley Moran, national bestselling co-author of the Jessica Fletcher Murder She Wrote mystery series
“Red Snow is a well-paced thriller capturing the paranoia and moral complexity of WWII’s twilight hours. This is spy fiction that respects its readers’ intelligence, offering a nuanced exploration of loyalty, betrayal, and a little romance.“
–Emilya Naymark, author of Behind the Lie
“A masterclass in espionage and moral ambiguity, it’s an atmospheric ride of a thriller with plot twists worthy of Hitchcock.“
–Mally Becker, author of The Turncoat’s Widow
“This is a fast-moving, page-turning espionage thriller set just after the war. Highly recommended for anyone who wants to be kept up at night!“
–Deborah Swift, author of The Shadow Network
“Max Eastern attacks his story with dry aplomb and a stripped-down journalistic surety, yet it’s got more switchbacks than San Francisco’s Lombard Street, and every curve is taken with his foot on the gas.“
— Timothy Miller, author of The Strange Case of the Pharaoh’s Heart
This title is available to read on #KindleUnlimited.
Meet the author
The stories his father told him about his time as an intelligence officer in World War II inspired Max Eastern to write Red Snow in Winter. He has written about history for several magazines and online publications, with subjects ranging from Ulysses Grant and Benedict Arnold to Attila the Hun.
His modern noir novel The Gods Who Walk Among Us won the Kindle Scout competition and was published by Kindle Press in 2017.
A lawyer specializing in publishing, he resides in New York State. To learn more, go to maxeastern.wordpress.com.
Every day a different deal, from price reductions to free books. Check out this week’s deals and remember, each deal is only for 24 hours (Kindle Countdown deals are on Amazon UK/US but FREE deals are in every territory). Click the images for a link to the books:)
I’m welcoming The Diva’s Daughter by Heather Walrath to the blog HistoricalFiction #RomanticFiction #TheCoffeePotBookClub #BlogTour @HeatherWalrath
@heatherwalrathwrites
Here’s the blurb
Munich & Vienna, 1932.
Aspiring opera singer Angelika Eder thought she had it all — a cultured life in Vienna, along with the guidance of her glamorous mother, a world-famous soprano. But when tragedy strikes and her mother dies amidst a swirling family scandal, eighteen-year-old Angelika finds herself uprooted to Munich, where civil unrest is rife and leaders of the increasingly powerful Nazi Party seek to use her voice as propaganda.
When a figure from her mother’s past offers Angelika the chance to study and sing at an elite Viennese university, she decides to fight for her dream while evading the vile Nazis she despises. But the Nazis aren’t relenting in their demand that Angelika support their party and sing for Hitler himself. Can Angelika find her voice and stand against evil, even if it means risking not only her dreams of fame, but also the safety of herself and everyone she loves?
Any Triggers: Mentions of off-page death by suicide; grief; violence surrounding the rise of the Nazis during the 1930s; open-door love scenes
Heather Walrath is an author crafting new stories while celebrating the release of her debut historical novel, The Diva’s Daughter. Whether they are standing against evil in fractious 1930s Europe or solving a sticky bootlegging mystery in Prohibition-era America, Heather’s relatable heroines make the past accessible and engaging for modern readers.
She holds a master’s degree in publishing and a bachelor’s degree in journalism.
I’m sharing my review for No Oil Painting by Genevieve Marenghi #blogtour #bookreview #newrelease #giveaway
Here’s the blurb
A respectable septuagenarian steals a valuable painting and later tries to return it, with a little help from her friends.
Bored National Trust volunteer, Maureen, steals an obscure still life as a giant up-yours to all those who’ve discounted her. The novice fine art thief is rumbled by some fellow room guides, but snitches get stitches, camaraderie wins out and instead of grassing her up, they decide to help.
Often written off as an insipid old fart, Maureen has a darker side, challenging ingrained ideas of how senior citizens should behave. Her new set of friends make her feel alive again. No longer quite so invisible, can this unlikely pensioner gang return the now infamous painting without being caught by the Feds?
I wrote this after hearing a radio interview in which an art detective revealed how a stolen Titian was dumped at a bus stop outside Richmond station. In a red, white and blue plastic bag! I just couldn’t shake such a compelling image. I volunteered at Ham House for many years, and my passion for this Jacobean gem, together with the volunteers’ indomitable spirit, gave birth to my unlikely anti-hero.
With over five million members, the National Trust is a huge British institution. Yet, next to nothing has been written about it in terms of contemporary fiction. Until now.
While No Oil Painting explores themes of insignificance and loneliness in older age, particularly for women, it is mainly intended to entertain and offer a small haven in dark, uncertain times.
No Oil Painting follows Maureen, a National Trust volunteer, who decides to combat her boredom by plotting the theft of her favourite painting from Ham House, rather than see it go to Scotland on loan to another stately home. Only, once the painting is in her possession does Maureen then realise it must be returned by fair means or foul to prevent her crime being discovered, or someone she knows, being implicated for the theft.
I did find the story a little slow to get going, and there is a lot of backstory for Maureen, which I found a little too in-depth. I was keen to get on with her predicament of first stealing the painting and then returning it. I did enjoy the elements of bickering and general discord between the group of very different individuals, all volunteering at Ham House, and their interactions with the paid staff members.
This wasn’t quite the fun, light-hearted read I expected, as there are darker elements in Maureen’s backstory and the theft of the painting and it’s return, while driving the narrative, are simply the means by which the found friendships are created. An engaging read, all the same. It’s sure to appeal to readers of deeper narratives, with a slower pace.
Meet the author
With a BA in English and Philosophy, Genevieve worked for eleven years at the Weekend FT, where she helped create and launch How To Spend It magazine.
She volunteered for years as a National Trust guide at Ham House. This became the setting for her debut art heist novel, No Oil Painting, which was listed for the inaugural Women’s Prize Trust and Curtis Brown Discoveries, and was published by Burton Mayers Books on 10th October 2025.
Her writing uses dark humour to probe the difference between our perception of people and their true selves. The gulf between what is said and what is meant. She considers people watching an essential skill for any writer; overheard snippets of conversation or a bonkers exchange at a bus stop are like gold nuggets. She’s been known to follow people to catch the end of a juicy conversation or argument. Women aged over fifty are essentially invisible anyhow and she views this as a kind of superpower.
Unlike her protagonist Maureen, she hasn’t used this to commit art theft. Yet.
*Terms and Conditions –UK entries welcome. Please enter using the Gleam box below. The winner will be selected at random via Gleam from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.
I’m sharing my review for Death of a Stranger, the first book in John Pilkington’s Elizabethan mysteries featuring Matthew Cutler #histfic #historicalmystery #bookreview #blogtour #TheRufflersChild #boldwoodbloggers @BoldwoodBooks @rararesources @theboldbookclub
Here’s the blurb Haunted by the memory of a secret love affair in Nazi-occupied Prague, American intelligence officer Julius Orlinsky is caught in a deadly web of espionage when a routine assignment in Washington, D.C., disintegrates into murder, attempted murder, and blackmail. Determined to uncover the truth, Orlinsky’s quest takes him from the halls of…
I’m delighted to welcome Marcia Clayton and her new book, Annie’s Secret, to the blog #Victorian #Historical Fiction #Romance #Saga #HistoricalRomance #BlogTour #TheCoffeePotBookClub @MarciaC89111861 @cathiedunn @marciaclayton97 @thecoffeepotbookclub
I’m delighted to welcome Apple Gidley and her new book, Annie’s Day, to the blog with a guest post.
Guest Post
Keeping Out of the Rabbit Warrens
If, like me, you are fascinated by the minutia of past times and lives, then you too are in danger of getting lost in the gar hole of research. It is that interest that draws me to historical fiction as both a reader and a writer. To make a historical novel come alive even the smallest details are important. Or that’s what I tell myself after I have spent the better part of an afternoon tracing a snippet that might not even make it into the first draft.
The internet has without doubt made the writer’s life easier, but with ease come potholes filled with blind faith. AI can be a starting point, but it is up to the novelist to always dig deeper and wider.
After the publication of my first book way back in 2012, my husband gave me the coolest desk imaginable. Styled after a huge old steamer trunk, it is covered in studded leather and, even more appealing, has lots of drawers. Some are filled with maps, some with files full of random bits of information, such as yellowed and curling bus and train timetables from obscure places that might one day be useful—as are site visits.
The downside of writing historical fiction is that sometimes it is difficult to justify those site visits, as places do tend to change! It was fortunate that for Annie’s Day, I already knew the countries about which I would write, having been educated in Australia, lived in Singapore as a child and an adult, then in Papua New Guinea, and had visited Berlin before the wall came down. Towns might have grown and changed, but a visit still provides a sense of place—the smells, the sounds of the voices in the market, if not the sights.
Gleaned from my mother’s Australian Army Nursing Service records, courtesy of the Australian War Memorial Archives, Annie’s Day follows the timeline but not the story of Mum’s war years. I know she also spent time as a nanny in Berlin during the Blockade, but apart from the odd comment she did not speak about those years and I, to my regret, never pushed.
With some of the writing barely legible on Mum’s army records, I began Annie’s roadmap around those basic facts, and made up the rest, with the addition of actual people—Matron Drummond of the AANS; Captain Selwyn Capon of the Empire Star; Lieutenant Gail Halvorsen of the US Air Force, aka ‘the candy bomber’, who brought moments of joy to the starving children in Berlin by dropping chocolates from his plane window as he flew in to deliver desperately needed supplies. Real people who added depth to the fiction.
Even before becoming a writer, I loved maps, and maps underpin any book written about the war, particularly when the area in question might be off the usual travel path. In a pub quiz, with a little head scratching, most can come up with the five Normandy beaches in Operation Overlord, but names like Lae, or Scarlet Beach, where the Australians landed in the fight to retake the Huon Peninsula in New Guinea, are not so easy to place. And maps are vital in not just locating a spot, but showing the terrain—the rivers to be forded, the mountains climbed, the beaches waded onto. So, maps surround me not just in the research phase but when I’m writing.
One lovely surprise when Annie’s Day began to really bubble was an idle online search for Mum. Writing had been a slow churn—some days are like that—and so I typed in Ida Arundel Morse and up she popped. A number of times. Photos that were not in her papers or albums but that were, again, in the Australian War Memorial Archives. It sent me into a spin, and the rest of the day was lost in tears as I mulled over the mother whose early life I had known so little about. (Mum is #2).
The Imperial War Museum at RAF Duxford is just down the road from where I live and I spent many happy hours wandering around, and sometimes clambering into Lancasters, Dakotas, York Avros, all planes used during the Berlin Airlift.
And books. Lots of books. A few included Giles Milton’s Checkmate in Berlin which tells history in a wonderfully relatable way. Singapore Burning by Colin Smith put me on the island in 1942. For the Pacific theatre, Philip Bradley’s D-Day in New Guinea was invaluable. Patsy Adam-Smith, and Rupert Goodman have both written fascinating books about Australian women at war, the latter focusing on nurses. Peter Ryan’s Fear Drive My Feet is the classic memoir of an Australian operative behind enemy lines in the New Guinea mountains.
Unless you are fortunate enough to find letters in your research, it is impossible to get first-hand data for earlier historical fiction, but for background and general information, I have found that people are incredibly willing to answer questions. One of the characters in Annie’s Day is a former RAF padre. After asking our local vicar interminable theological questions, she put me onto a memoir, Life and Death in the Battle of Britain, written by Guy Mayfield who had been a padre at RAF Duxford during the war. It was a goldmine, and I shamelessly stole one of his anecdotes and gave it to my fictional character, naturally with an acknowledgement in the book.
Another character, Samira, is a Hindu woman destined for an arranged marriage. My friend, Pooja Vacchani, endured countless questions about Hindu culture—she too is thanked!
It truly takes a global village to research, write, then get the final draft into the publisher’s hands, where another village takes over. The author? Well, she moves onto to the next deep dive into research!
Here’s the Blurb
War took everything.Love never had a chance. Until now.
As an Australian Army nurse, Annie endures the brutalities of World War II in Singapore and New Guinea. Later, seeking a change, she accepts a job with a British diplomatic family in Berlin, only to find herself caught up in the upheaval of the Blockade. Through it all, and despite the support of friends, the death of a man she barely knew leaves a wound that refuses to heal, threatening her to a life without love.
Years later, Annie is still haunted by what she’d lost—and what might have been. Her days are quiet, but her memories are loud. When a dying man’s fear forces her to confront her own doubts, she forms an unexpected friendship that rekindles something she thought she’d lost: hope.Annie’s Day is a powerful story of love, war, and the quiet courage to start again—even when it seems far too late.
Anglo-Australian, Apple Gidley’s nomadic life has helped imbue her writing with rich, diverse cultures and experiences. Annie’s Day is her seventh book.
Gidley currently lives in Cambridgeshire, England with her husband, and rescue cat, Bella, aka assistant editor.
I’m sharing my review for Death of a Billionaire by Tucker May #mystery #blogtour #bookreview @tuckermaymysteries @rararesources @rachelsrandomresources
Here’s the blurb
Ever dream of killing your boss? Alan Benning knows how you feel.
The problem: his billionaire boss actually winds up murdered. And the whole world thinks he did it.
When globetrotting tech billionaire Barron Fisk is found dead on the floor of his swanky Silicon Valley office, all evidence points to Alan.
Alan must venture into the glitzy, treacherous world of tech billionaires to clear his name by sorting through a long list of suspects with motive aplenty. If he can’t find the real culprit, Alan’s going down. The clock is ticking.
Who killed Barron Fisk? The truth will shock— and change— the entire world.
Fans of Richard Osman’s The Thursday Murder Club series, Carl Hiaasen’s tales of high-stakes hijinx, or Ruth Ware’s page-turning mysteries will love Death of a Billionaire.
Death of a Billionaire is indeed a fun mystery, with a varied cast of characters, some of them not very nice, as they live their uber-rich lifestyles. It is a story told with irreverence and an eye to what’s currently happening in the world of tech. It is a very enjoyable, fast-paced mystery that you will power your way through.
I was drawn to the title by the mention of Carl Hiaasen, and while it’s been far too long since I read a Carl Hiaasen book that I can’t definitely make comparisons, the humour certainly reminded me of one of Carl’s books.
For a debut novel, Death of a Billionaire is very accomplished, and I do recommend it to fellow readers who love a good contemporary mystery (well, actually, it’s slightly futuristic) and like to have a little giggle along the way.
Meet the author
Tucker May was raised in southern Missouri. He attended Northwestern University where he was trained in acting and playwriting. He now lives in Pasadena, California with his wife Barbara and their cat Principal Spittle. He is an avid reader and longtime fan of the Los Angeles Rams and Geelong Cats. Death of a Billionaire is his debut novel.
Every day a different deal, from price reductions to free books. Check out this week’s deals and remember, each deal is only for 24 hours (Kindle Countdown deals are on Amazon UK/US but FREE deals are in every territory).
I’m sharing a fab post from Robert Whanslaw to celebrate the release of his new novel today, Dark Orchid Affair (there’s a competition too) #blogtour #thriller #newrelease #blogpost
Elizabeth Chadwick, historical fiction author, helped me craft my first sex scene…
There is nothing more satisfying than writing the final words of a book. Whatever the genre—crime, historical fiction, romance, or epic fantasy—anyone who reaches that moment has my full admiration. My advice to anyone planning to write a book is simple: begin, keep going, and finish. Ideas are wonderful, but persistence is what fills the pages.
It was fifteen years ago that I first conceived Dark Orchid Affair. Back then it had a different working title, and the concept was little more than a skeletal outline. During those intervening years, I completed creative writing courses, experimented with countless short stories, and wrote one-and-a-half novels that never saw the light of day. Those abandoned projects were not failures—they were apprenticeships. That, I think, is a truth shared by writers of every genre and every era. Even the chroniclers of medieval courts, whose works survive to this day, were honing their craft long before any parchment bore their name.
If I could offer any advice about improving your writing, it would be this: write, and write often. It sounds obvious, almost simplistic, but developing a voice takes time—just as a medieval scribe took years to perfect a steady hand and a beautifully flowing script. The second essential is to read widely. And I mean widely. I have a deep appreciation for historical fiction and tremendous respect for those brave enough to venture into its demanding terrain. It is a genre where the past must be honoured, and where readers often know their Plantagenets from their Picts. Get the century wrong, or describe a weapon not yet invented, and your reader will spot it instantly.
As a crime writer, I sometimes envy the historian’s burden of accuracy—while simultaneously being relieved that my stories are not tethered to real timelines. Noir and suspense allow more invention, more shadows in which to hide. But all writers, regardless of genre, learn from one another. The joy lies in borrowing the best techniques from across the literary spectrum and melding them into your own voice. Art, after all, has always been a dialogue with the past. Medieval poets borrowed from the troubadours; the noir writers of the 1930s borrowed from the classics; and contemporary authors continue the tradition of artistic inheritance.
I used to dread writing sex scenes. Not because they weren’t relevant to my stories, but because I knew most of my readers were women, and I was anxious about striking the right tone from a male perspective. Strangely enough, it was historical fiction that helped me overcome that fear. Elizabeth Chadwick—whose novels vividly bring the twelfth century to life—offered lessons in writing intimacy with subtlety, restraint, and emotional depth. Drawing inspiration from her approach, I crafted my first sex scene in a short story. To my astonishment (and relief), it went on to win a competition.
To Elizabeth Chadwick, should you ever read this: thank you for the early guidance. I promise I now have my own polished method, but you gave me the confidence to enter a terrain that once felt daunting.
Dark Orchid Affair will be published on 1 December 2025. Whether you are a writer yourself or a devoted reader of historical fiction, perhaps you might consider giving it a place on your reading list—if only to step momentarily from the medieval courts and battlefields into a contemporary world tinged with noir.
And who knows? One day I may gather the courage to test the waters of historical fiction myself. If that ever happens, I will be standing on the shoulders of the writers who have already illuminated the past with such skill.
Here’s the blurb
Ben Walker’s life shatters after one reckless night. Seduced by Maxine—a ruthless femme fatale—he wakes to a nightmare: compromising photos, blackmail, and the threat of losing everything—his marriage, career, and freedom.
Faced with impossible choices, Ben pays the price. But one payment is never enough.
Dragged deeper into a deadly web of lies and manipulation, the stakes escalate, and the noose tightens. What began as a desperate bid to protect his secrets becomes a desperate fight for survival.
With his world crumbling and prison on the horizon, Ben must confront a brutal truth—how far will he go to break free? And can anyone truly escape the sins of their past?
A gripping neo-noir thriller of betrayal, seduction, and deadly consequences.
Robert Whanslaw writes noir, dark crime fiction, and psychological thrillers, grounded in grit, flaws, and the messy business of being human.
He doesn’t write about perfect people. If he did, they’d be the kind you’d want to throw off a fast-moving train.
Raised on the likes of Raymond Chandler and James M. Cain, and the raw voices of mid-century noir, Whanslaw brings a classic noir fatalism into the modern world. His stories walk the fine line between justice and survival, where everyone has a secret and most people lie.
*Terms and Conditions –UK & US entries welcome. Please enter using the Gleam box below. The winner will be selected at random via Gleam from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.
Suzannah is at home with her fiancé, Alec, talking about choosing a name for the baby that is growing in her stomach. Alec is explaining that he wants to name their little girl her after she is born because he doesn’t want people to know until she has arrived, and he hates keeping secrets.
Alec reaches for his mug and slurps his tea. “How’s Blair? I hope I get to meet her before the wedding. I’m sorry that my work keeps me so busy, and I haven’t managed to make time for her, yet, but I promise I will when this little one is born. You’ll see a new me.”
“I can’t wait. I’m going to enjoy having you around more.”
I rest my head on his shoulder and wonder how on earth I’ll manage to visit Mason when Alec takes a step back from work. I’ll have to think of a better excuse than a non-existent friend. Maybe my boss at work will need me for meetings or a slight change of duties that require some office-based days. Oh, I don’t know, I’ll come up with something.
The doorbell rings. “I’ll get it.” I stand up and my belly rumbles. “Why don’t you get started on dinner—we’re starving.”
Alec glugs the rest of his milky beverage then picks up both mugs and walks out to the kitchen. I head to the door.
The doorbell rings again. “OK. OK. I’m coming.”
I lift the chain and unlatch the door, pulling it open and holding it ajar. My heart stops.
“Breck!”
“Suzannah.”
I glance towards the kitchen. The tap is running and Alec has switched on the speaker to play some rather hectic dance music.
I turn back to Breck, his tall, slim frame and curly brown hair still the same; it’s only the look in his eyes that’s different. “Shit, Breck, what are you doing here? I thought you were back in Ireland with your parents.”
“I am. I was. I just need to talk. Please. You can’t keep ignoring me.”
“There’s nothing to say. Nothing has changed.”
“Mason is in prison. He confessed to being an accomplice to a serial killer. Jesus Christ, Suzannah, that changes everything.”
I put a hand on my stomach. “I’m moving forward with my life, Breck. You left, remember. Ran away. Abandoned me. Please, leave me alone. If I ever find out anything about Lily, I’ll tell you. I promise. Please, just go.”
Alec hollers out from the kitchen. “Everything alright, Suzannah?”
I call down the hallway. “Just a delivery driver looking for an address. He got the wrong house.”
I eyeball Breck, one hand on my hip. “Goodbye, Breck.”
I close the door and lean back against it, praying he will leave and never come here again.
Excerpt From
The Other Mother
Heidi Field
This material may be protected by copyright.
Here’s the blurb
Suzannah is pregnant with her third child. The first is in prison. The second is dead. How far will she go to keep her unborn baby safe?
When Suzannah learns she is pregnant, she feels like safety and happiness are finally within reach. Her handsome, successful fiancé, Alec, is over the moon about the baby. He proposes and pampers her. He thinks this is Suzannah’s first marriage and first child, but she’s keeping a few secrets. Actually, a lot of secrets. And they are dangerous…putting Suzannah in a position where she must choose who and what she’s willing to sacrifice to keep her baby and her freedom.
Drowning in her lies, Suzannah is desperate to bury her past, but her ex-husband, who abandoned her years ago, returns, stalking her and demanding to know what really happened to their daughter. When the imprisoned serial killer who lured and groomed her son, threatens to sell his story to the press, Suzannah feels like the life she’d built and the precious one she’s growing, teeter on a precipice. Now the two children she’s hidden from Alec may be the least of her worries.
Heidi Field was raised in the beautiful countryside of the South of England with her parents and her two sisters. In her twenties she was a freelance Sports Massage Therapist. She achieved a Degree in Zoology at the age of thirty and then went on to raise two boys and became the stepmother of three more young children. She still lives near her family home with her partner, their Great Dane and the children that have yet to fly the nest. In her early forties Heidi completed a Masters in Creative Writing at Winchester University. She entered the course hoping she would become a children’s fantasy writer and left with a burning desire to write contemporary mysteries and thrillers. Heidi wanted to put relatable people in extraordinary situations, challenge them, push them to their limits and watch them fight for their sanity. The Other Mother is Heidi’s second novel, the next book in The Peasedale Woods Killers series.
I’m sharing my review for Death of a Stranger, the first book in John Pilkington’s Elizabethan mysteries featuring Matthew Cutler #histfic #historicalmystery #bookreview #blogtour #TheRufflersChild #boldwoodbloggers @BoldwoodBooks @rararesources @theboldbookclub
Here’s the blurb Haunted by the memory of a secret love affair in Nazi-occupied Prague, American intelligence officer Julius Orlinsky is caught in a deadly web of espionage when a routine assignment in Washington, D.C., disintegrates into murder, attempted murder, and blackmail. Determined to uncover the truth, Orlinsky’s quest takes him from the halls of…
I’m delighted to welcome Marcia Clayton and her new book, Annie’s Secret, to the blog #Victorian #Historical Fiction #Romance #Saga #HistoricalRomance #BlogTour #TheCoffeePotBookClub @MarciaC89111861 @cathiedunn @marciaclayton97 @thecoffeepotbookclub
MJ Porter 