Earlier in the year, I shared new covers for The Lady of Mercia’s Daughter and A Conspiracy of Kings, and now I’m delighted to share the new covers for the remaining two books in The Tenth Century series, Kingmaker and The King’s Daughters.
These stories don’t follow Lady Ælfwynn as the first two books do, but she is mentioned in them. Rather, these two books focus on some of the other ‘lost’ women of the tenth century: the third wife of King Edward the Elder, and his many daughters.
I think they look fabulous. Thank you to Flintlock Covers for once more knowing what I want, even when I can’t find the words to describe it:)
Kingmaker
This is the tenth century in Early England between the reigns of Alfred the Great and Æthelred the Unready.
As England’s first Viking Age grinds to a halt in a war of attrition that will see Jorvik finally added to the kingdom of the English, one woman will witness it all.
Seventeen-year-old Eadgifu knows little about her new husband; he’s old, he only wants to marry her because she’s so wealthy, he already has ten children, and he’s Edward, King of Wessex. He also hopes to claim Mercia as his own.
That he’s the son of King Alfred, the man credited with saving Wessex from the Viking Raiders adds no mystique to him at all. Many say he’s handsome, but Eadgifu knows they speak of the man twenty years ago. Her mother won’t even allow her to be alone with him before their wedding.
But an old man will not live forever. The mother of his youngest sons can be more powerful than the wife of the king of Wessex, especially in the newly made kingdom of England where king’s lives are short and bloody, and war with the Viking Raiders is never far away.
Lady, wife, queen, mother, king’s mother, grandmother, ally, enemy, amenable and rebellious.
Lost to the mists of time, this is Queen Eadgifu’s story, Kingmaker.
The King’s Daughters
Four women, all with impeccable pedigrees, and all desiring one thing. A kingdom of their own to rule.
They are the granddaughters of King Alfred of Wessex, but the kingdom they desire is not that of their grandfather’s founding.
These are the unknown stories of King Athelstan’s half-sisters, all wed into the royal families of East and West Frankia during the tenth century.
Eadgifu, the exiled queen of West Frankia, with her son’s kingdom claimed by another man, her husband imprisoned by yet another of his overmighty nobles.
Eadhild, wed to the son of the man who usurped her nephew’s kingdom, but with no heirs to her name.
Eadgyth, married to the legitimate heir of the king of East Frankia.
Ælfgifu, wed into the noble family of the Kingdom of Arles, one that sees West Frankia as an ally, not an enemy.
As tensions reach boiling point between East and West Frankia, between kingdoms and men who should be enemies, not allies, or allies, not enemies, the royal sisters of Wessex are thrust into a political maelstrom, pitted against each other and with only their royal brother, King Athelstan, as a mediator.
MJ Porter 