Nestled high in the Tuscan hills lies Villa Volpone, home to renowned crime writer Jonah Moore and his creative writing course. It’s also the last place retired DCI Dan Armstrong expected to spend his retirement! Dan’s no writer, but maybe this break will help him to think about the next chapter in his own life story?
A gruesome murder…
But only days into the course, Jonah Moore is found stabbed to death with his award-winning silver dagger! And Dan finds himself pulled out of retirement with a killer to catch.
Eleven possible suspects.
The other guests all seem shocked by Jonah’s death, but Dan knows that one of them must be lying. And as he and Italian Commissario Virgilio Pisano begin to investigate it quickly becomes clear that everyone at Villa Volpone has secrets to hide…
But can Dan discover who the murderer is before they strike again?
Murder in Tuscany is a sun-drenched tale of an erotic writer’s retreat marred by the murder of the alleged ‘bestselling’ author running the event.
Retired DCI Dan Armstrong, dreaming of writing that bestseller, has been set up by his ‘mates’ in the police force with the unusual retirement gift of a 2-week writing course in Tuscany. The only catch is that it’s for writing erotic fiction when Dan dreams of writing historical fiction about the Medici. What follows is a gentle and engaging tale of writers, would-be-writers, and course leaders, all mixed up with a touch of intrigue, and then, at about 30% through the book, the murder, which Dan ends up feeling honour-bound to help solve, and not just because his Italian counterpart in the police is missing his English speaking deputy. And it is quite a strange murder when the true facts slowly start to reveal themselves.
This is a tale that will amuse writers, but there’s also more than enough in here for fans of cosy mysteries. There’s a lot of eating and descriptions of Italian food as Dan begins to fall in love with the place so that by the end of the book, the soon-to-be-divorced ex-police inspector is making some big changes in his life.
Much of Murder in Tuscany is certainly setting up this character and place for future investigations, but the story still has a very much ‘closed-room’ feel of a country house murder mystery, with some surprisingly modern takes.
I thoroughly enjoyed Murder in Tuscany, and I look forward to reading more in the series.
Meet the author
T A Williams is the author of over twenty bestselling romances for HQ and Canelo and is now turning his hand to cosy crime, set in his beloved Italy, for Boldwood. The series will introduce us to retired DCI Armstrong and his labrador Oscar and the first book, entitled Murder in Tuscany, will be published in October 2022. Trevor lives in Devon with his Italian wife.
Today, I’m welcoming Jane Davis to the blog with a fascinating post about her new book, Small Eden.
In England’s Green and Pleasant Land
In Victorian England, Carshalton and nearby Mitcham were known for their physic gardens, where plants were grown for medicinal and cosmetic use. Peppermint, lavender, camomile, aniseed, rhubarb, and liquorice were stable crops but today the name Carshalton is best associated with lavender growing. Of the many lavender farms that used to exist, only two remain. Mayfield Lavender is the larger of the two. In the summer months, people come a long way to see it. https://www.mayfieldlavender.com/
Lavender Fields (copyright, author)
At a time when few women ran their own businesses, I was delighted to stumble across the story of Sarah Sprules. Sarah had worked alongside her father in his physic garden and took over his business after he died. Her produce was known worldwide. Her lavender water won medals at exhibitions in Jamaica and Chicago, but the highest accolade she held was her Royal Warrant to supply lavender oil to Queen Victoria, bestowed on her after the Queen and Princess Louise visited her during August 1886. The royal connection proved especially beneficial as Queen Victoria had so many European relatives.
But that wasn’t all. it was the discovery that Mitcham was once the opium-growing capital of the UK that made me decide my leading man, Robert Cooke, should be a physic gardener. This chapter has been written out of the history books, but in the nineteenth century, far from having a seedy reputation, opium use was respectable. Queen Victoria’s household ordered opium from the royal apothecary, and Prime Minister William Gladstone is said to have drunk opium tea before important speeches. It was used an anaesthetic, in sedatives, for the relief of headaches, migraines, sciatica, as a cough suppressant, to treat pneumonia, and for the relief of abdominal complaints and women’s cramps.
Mrs Beeton’s famous Book of Household Management recommended that no household should be without a supply of powdered opium and laudanum, and she included a recipe for laudanum. But awareness of its dangers was beginning to spread.
Opium Poppy or Papaver somniferum, vintage engraved illustration. Trousset encyclopedia (1886 – 1891). (Image licensed to author)
Short Matching Excerpt from Small Eden
It was Freya who first showed him Dr Bull’s Hints to Mothers, a pamphlet highlighting the dangers of opiates in the nursery. Of course he doesn’t agree with the practice of dosing up babies so that they sleep all day, he told his wife, but yes, he’s aware it goes on. Working mothers have little choice but to leave children for hours at a time, so they doctor their gripe-water. And it’s not just the poor. Mothers read the labels that say Infant Preservative and Soothing Syrup. They think that ‘purely herbal’ and ‘natural ingredients’ means that products are safe. Though it was chilling to read about case after case of infant deaths linked to over-use.
As many as a third of infant deaths in industrial cities.
And he, who has buried two sons.
But even Dr Bull didn’t condemn the use of opiates outright. They are medicines, he wrote, and like any medicine, ought to be prepared by pharmacists. The trouble is, Robert told Freya, that until recently any Tom, Dick or Harry could operate a pharmacy. And hasn’t he been vocal in his support for an overhaul of the system?
***
Why did it take so long for opium to be banned?
In the 19th Century, Great Britain fought two wars to crush Chinese efforts to restrict its importation. Why? Because opium was vital to the British economy. And then there was the thorny issue of class. The upper and middle classes saw the heavy use of laudanum among the lower classes as ‘misuse’; however they saw their own use of opiates was seen as necessary, and certainly no more than a ‘habit’. Addiction wasn’t yet recognised. That would come later.
The anti-opium movement
In 1874, a group of Quaker businessmen formed The Society for the Suppression of the Opium Trade. Then in 1888 Benjamin Broomhall formed the Christian Union for the Severance of the British Empire with the Opium Traffic. Together, their efforts ensured that the British public were aware of the anti-opium campaign.
Short Matching Excerpt from Small Eden
“Indulge me if you will while I explain how the Indian trade operates – a system that the House of Commons condemned this April last. The East India Company – with whom I’m sure you are familiar – created the Opium Agency. Two thousand five hundred clerks working from one hundred offices administer the trade. The Agency offers farmers interest-free advances, in return for which they must deliver strict quotas. What’s so wrong with that? you may ask. What is wrong, my friends, is that the very same Agency sets the price farmers are paid for raw opium, and it isn’t enough to cover the cost of rent, manure and irrigation, let alone any labour the farmer needs to hire. And Indian producers don’t have the option of selling to higher bidders. Fail to deliver their allocated quota and they face the destruction of their crops, prosecution and imprisonment. What we have is two thousand five hundred quill-pushers forcing millions of peasants into growing a crop they would be better off without. And this, this, is the Indian Government’s second largest source of revenue. Only land tax brings in more.”
More muttering, louder. The shaking of heads and jowls.
“I propose a motion. That in the opinion of this meeting, traffic in opium is a bountiful source of degradation and a hindrance to the spread of the gospel.” Quakers are not the types to be whipped up into a frenzy of moral indignation, but their agreement is enthusiastic. “Furthermore, I contend that the Indian Government should cease to derive income from its production and sale.”
Robert looks about. Surely he can’t be the only one to wonder what is to replace the income the colonial government derives from opium? Ignoring this – and from a purely selfish perspective, provided discussion is limited to Indian production – his business will be unaffected. Seeing his neighbours raise their hands to vote, Robert lifts his own to half-mast. Beside him, Smithers does likewise.
***
The time comes when Robert Cooke must make a choice. He can either diversify, or he can gamble that the government will ban cheap foreign imports and that the price of domestic produce will rise. Robert Cooke is a risk-taker. He decides to specialise, and that decision will cost him dearly. It may even cost him his family.
Thank you so much for such a fascinating post. Good luck with your new book.
Here’s the blurb:
A boy with his head in the clouds. A man with a head full of dreams.
1884. The symptoms of scarlet fever are easily mistaken for teething, as Robert Cooke and his pregnant wife Freya discover at the cost of their two infant sons. Freya immediately isolates for the safety of their unborn child. Cut off from each other, there is no opportunity for husband and wife to teach each other the language of their loss. By the time they meet again, the subject is taboo. But unspoken grief is a dangerous enemy. It bides its time.
A decade later and now a successful businessman, Robert decides to create a pleasure garden in memory of his sons, in the very same place he found refuge as a boy – a disused chalk quarry in Surrey’s Carshalton. But instead of sharing his vision with his wife, he widens the gulf between them by keeping her in the dark. It is another woman who translates his dreams. An obscure yet talented artist called Florence Hoddy, who lives alone with her unmarried brother, painting only what she sees from her window…
Hailed by The Bookseller as ‘One to Watch’, Jane Davis writes thought-provoking literary page turners.
She spent her twenties and the first half of her thirties chasing promotions in the business world but, frustrated by the lack of a creative outlet, she turned to writing.
Her first novel, ‘Half-Truths and White Lies’, won a national award established with the aim of finding the next Joanne Harris. Further recognition followed in 2016 with ‘An Unknown Woman’ being named Self-Published Book of the Year by Writing Magazine/the David St John Thomas Charitable Trust, as well as being shortlisted in the IAN Awards, and in 2019 with ‘Smash all the Windows’ winning the inaugural Selfies Book Award. Her novel, ‘At the Stroke of Nine O’Clock’ was featured by The Lady Magazine as one of their favourite books set in the 1950s, selected as a Historical Novel Society Editor’s Choice, and shortlisted for the Selfies Book Awards 2021.
Interested in how people behave under pressure, Jane introduces her characters when they are in highly volatile situations and then, in her words, she throws them to the lions. The themes she explores are diverse, ranging from pioneering female photographers, to relatives seeking justice for the victims of a fictional disaster.
Jane Davis lives in Carshalton, Surrey, in what was originally the ticket office for a Victorian pleasure gardens, known locally as ‘the gingerbread house’. Her house frequently features in her fiction. In fact, she burnt it to the ground in the opening chapter of ‘An Unknown Woman’. In her latest release, Small Eden, she asks the question why one man would choose to open a pleasure gardens at a time when so many others were facing bankruptcy?
When she isn’t writing, you may spot Jane disappearing up the side of a mountain with a camera in hand.
It should be a dream come true to serve the Queen of England…
When Violet Parker is told she will be Queen Victoria’s personal housemaid, she cannot believe her good fortune. She finally has the chance to escape her overbearing mother, a servant to the Duchess of Kent.
Violet hopes to explore who she is and what the world has to offer without her mother’s schemes overshadowing her every thought and action.
Then she meets James Greene, assistant to the queen’s chief political adviser, Lord Melbourne. From entirely different backgrounds and social class, Violet and James should have neither need nor desire to speak to one another, yet through their service, their paths cross and their lives merge—as do their feelings.
Only Victoria’s court is not always the place for romance, but rather secrets, scandals, and conspiracies…
Victoria and Violet is a beautifully evoked story of Queen Victoria and her court, in the days before and during her marriage to Prince Albert. I won’t be alone in having read other books and watched film adaptations about the young Victoria, and Victoria and Violet really does capture the feel and mood of the royal court.
Violet is that most typical of women of the era, her life revolving around the will of another, only on this occasion, her mother, and her mother’s employer, Victoria’s mother, the Duchess of Kent. And we all know that’s not going to end well. Only, while she might be sent to spy on Queen Victoria, Victoria quickly strikes up a friendship with her maid and together, the two seem to be able to conquer just about anything the Duchess of Kent puts in their way.
James Greene too is not able to do what he wants, an expectant father, who was also a brutal father, expecting him home to run a prosperous estate, whereas James is keen to continue his work with Melbourne, the Prime Minister, and then Prince Albert himself.
This is a story filled with twists and turns. Will James and Violet fall in love? Will they be able to live their lives together? Or will his father, and her mother, force them apart?
This really is a delightful tale, well researched and very well grounded in the era and period. I’m really pleased I decided to read it:)
Meet the author
Rachel lives in a small town near Bath, England. She is the author of 29 published novels including the Ladies of Carson Street trilogy, the Shop Girl series (Aria Fiction) and the Templeton Cove Stories (Harlequin). Her latest novel, Victoria & Violet is the first book in her new Royal Maids series with the Wild Rose Press.
Rachel is a member of the Romantic Novelists Association as well as the Historical Novel Society and has thousands of social media followers all over the world.
This collection of short stories gives a glimpse into life, love, loss, and the inexplicable in between.
Including themes of grief, finding hope and second chances, facing the consequences of your actions and getting help from the unlikeliest of places.
· As Cecilia helps the dying, she questions what happens to their spirits. But is she ready to find out?
· Can a mother’s race through the New Forest save her son?
· Will visiting a medium bring Christina the closure she needs?
· Can an intruder help an old lady with her loneliness?
· Will the start of another wet and miserable Monday morning end with Maeve’s happy ever after?
This anthology includes the prize-winning flash fiction story – ‘Spirit Song’.
Judge’s critique – ‘Unusual, emotional, warm, surprising — a warm, unusual story. It moved me when I read it.’
Full story list:
Spirit Song
Goodbye Forever
Garden Therapy
Starting Over
A Cat-Shaped Hole
The Phone Call
Knocked Off Her Feet
Catalyst
Not Just For Christmas
A Mermaid’s Tail
From the author of fantasy novels Visions of Zarua and ‘Silent Sea Chronicles trilogy’, this short story collection features multiple genres including romance, supernatural and thriller.
Love, Loss and Life In Between is a really lovely collection of short stories focusing on acceptance, moving on and recovery. I confess, I feared the stories might be upsetting, but they really weren’t. Garden Therapy, with its slight otherworldliness was delightful, and A Mermaid’s Tale was a beautiful account of a young girl coming to terms with the loss of her mother, whereas Catalyst was quite edgy. Not Just for Christmas is a tale many pet owners with feel resonates with them.
This really was a delightful collection of short stories. The author has a lovely turn of phrase and manages to evoke strong feelings in her characters which make them believable, so that in only a few words the reader is already rooting for them. Highly recommended, as was the author’s previous short story collection, of which you can find the review here.
Meet the author
Suzanne lives in Middlesex, England with her husband, two teenagers, a crazy cocker spaniel and an adopted cat that thinks she’s the boss.
Suzanne’s writing journey began at the age of twelve when she completed her first novel. She discovered the fantasy genre in her late teens and has never looked back. Giving up work to raise a family gave her the impetus to take her attempts at novel writing beyond the first draft, and she is lucky enough to have a husband who supports her dream – even if he does occasionally hint that she might think about getting a proper job one day.
Now an author of four novels including the Silent Sea Chronicles trilogy and her debut, Visions of Zarua, Suzanne hopes the dreaded ‘W’ word will never rear its ugly head again!
She loves gardening and has a Hebe (shrub) fetish. She enjoys cooking with ingredients from the garden and regularly feeds unsuspecting guests vegetable-based cakes.
She collects books, is interested in history and enjoys wandering around castles and old ruins whilst being immersed in the past. She likes to combine her love of nature and photography on family walks, but most of all she loves to escape with a great film, binge watch TV shows, or soak in a hot bubble bath with an ice cream and a book.
I’m delighted to feature JULIA PRIMA by Alison Morton, and she’s written a fabulous post about her book.
The dangers of travelling in the fourth century
Historical fiction at its best transports the reader into another time and place – the heat, fear and smell of battle, the celebration of a marriage where fire flickers nearby when the bride’s hair is arranged with a sharp spear point, or a voyage across a cold featureless sea where you feared might drop off the edge of the world into oblivion.
Style, tone and construction may be radically different, and the settings may be frightening or fascinating, but all good historical fiction conveys the impression of being an eyewitness to what is happening around them as well as how they are acting in that context.
One immediate way of anchoring a book in the past is thinking about how people travelled. We are so used to leaping into the car or catching a train or plane that we forget how completely different journeys were for pre-industrial people.
The concept of distance has changed radically over time. Over much of human history, it was measured in days or weeks taken rather than in land measurement such as miles. Depending on modes of transport available, whether imperial courier’s horse, an ox cart or simple trudging on foot, the perception of distance depended on the state of tracks, paths or roads.
JULIA PRIMA features a journey on horseback through mountains, transfer on a coastal barge, a voyage on a trading ship, crossing the Apennines on horseback and finally walking through the city of Rome. Each method presents challenges. Horses must be rested and fed regularly. Roman imperial couriers carrying urgent dispatches would change horses at official way stations every 8-10 miles for this reason. Only in Hollywood films and Netflix series can they gallop on and on all day. Saddles at that time had four horns – two back and two front – which held the rider in securely; there were no stirrups. Then there was the question of whether horses were shod or not . . .
Not all Roman roads were hard metalled and impeccably paved and drained. Primarily, the roads had been built for military use as a quick and efficient means for overland movement of armies and officials. Altogether there were more than 400,000 kilometres (250,000 miles) of roads, of which over 80,500 km (50,000 miles) were stone paved. Many were gravelled, even in towns with some slabbed surfaces in the most important parts such as the forum. Added to these were private roads, rural roads, tracks and link roads. Much more detail here: https://www.alison-morton.com/2020/12/18/on-the-road-to-rome/
Taken together, they allowed the movement of people and goods, and connected isolated communities, helping them to absorb new ideas and influences, sell surplus goods, and buy what they could not produce locally. This trade resulted in an increase of wealth for everyone to a level not seen before and is suggested as a strong reason why many people strove to adopt the lifestyle of their conquerors.
But towards the end of the fourth century, there were potholes, missing slabs and invasive vegetation as local authorities could not afford their upkeep. Bridges built earlier, especially in the time of Augustus nearly two hundred years earlier, were failing, with parapets missing, holes in the surface and even collapsing completely.
Sailings, even for short passages such as across the Adriatic from Trieste to Ancona, were subject to season, usually May to October, and in the late fourth century, the most fearful danger: pirates. The imperial navy was mostly based in Constantinople by the time of JULIA PRIMA in AD 370 and the few ships still based in Ravenna would not offer comprehensive protection. Storms could bring all sea transport to a grinding halt as could a complete lack of wind. Nevertheless, traders still crossed the water, usually in convoys, and if fortunate escorted by a naval ship which gave an appearance, if not the reality, of protection.
Ferries today such as the cross-Channel ones offer cushioned seating, restaurants, shops and even cabins with ensuite bathrooms. Julia and her companions travel on the hard deck of a merchant ship with whatever shelter and comfort, such as light mattresses, they brought with them. The galley could provide hot water, but you brought your own washing bowl, cups and eating dishes and your own food. Once it set sail, a ship was a self-contained and vulnerable world that was lost to all human contact until it docked again. No ship’s radio, GPS, satellite tracking and communication meant that it could disappear without trace and nobody would know its fate. And news of events, e.g. death of an emperor, would only be available once the ship docked.
Many travellers stayed with friends, family or trade colleagues. In larger cities and ports, there was a range of possibilities from well-equipped rooms in top classinns to a bed in a shared dormitory, often also shared with travellers of the insect variety!
At the most simple were private houses offering a room in their property for a fee. They could include stabling for animals and supper for their riders. Perhaps an early form of B&B! Travellers would know these houses by a lamp lit over their entrance door. Often this was the only form of hospitality in rural or remote areas.
A mansio gave accommodation to official visitors and feeding, watering and stables for their animals. They had to produce a travel document/official chit to show their entitlement to gain access to these government-funded facilities or they were back on the road again.
Non-official travellers had a choice, depending on the size of their purse and their inclination. Cauponae were often sited near the mansions and performed the same functions at a lower level of comfort. However, they suffered from a bad reputation as they were frequented by thieves and prostitutes. Tabernae provided hospitality for the more discerning traveller. In early days, they were mere houses along the road, but as Rome grew, so did its tabernae, becoming more luxurious. Of course, some did not, but they were generally above the level of the scruffy cauponae. Many cities of today grew up around a taberna complex, such as Rheinzabern in the Rhineland.
A third system of way stations serviced vehicles and animals: the mutationes (changing stations). In these complexes, the driver could purchase the services of wheelwrights, cartwrights and equarii medici, or vets. Some hostelries had elements of each type above, so historical fiction writers can often use generic descriptions such as inns or lodgings and vary the description of the accommodation as it suits their story.
For travellers in the late imperial period, such as Julia in AD 370, the danger from bandits had increased markedly. Some were dispossessed agricultural workers, some escaped slaves, mercenaries for hire or just criminals. As systems dissolved, the military became less visible and finances to fund them ran out, thereby making travelling increasingly dangerous.
Here’s the blurb:
“You should have trusted me. You should have given me a choice.”
AD 370, Roman frontier province of Noricum. Neither wholly married nor wholly divorced, Julia Bacausa is trapped in the power struggle between the Christian church and her pagan ruler father.
Tribune Lucius Apulius’s career is blighted by his determination to stay faithful to the Roman gods in a Christian empire. Stripped of his command in Britannia, he’s demoted to the backwater of Noricum – and encounters Julia.
Unwittingly, he takes her for a whore. When confronted by who she is, he is overcome with remorse and fear. Despite this disaster, Julia and Lucius are drawn to one another by an irresistible attraction.
But their intensifying bond is broken when Lucius is banished to Rome. Distraught, Julia gambles everything to join him. But a vengeful presence from the past overshadows her perilous journey. Following her heart’s desire brings danger she could never have envisaged…
Alison Morton writes award-winning thrillers featuring tough but compassionate heroines. Her nine-book Roma Nova series is set in an imaginary European country where a remnant of the ancient Roman Empire has survived into the 21stcentury and is ruled by women who face conspiracy, revolution and heartache but with a sharp line in dialogue.
She blends her fascination for Ancient Rome with six years’ military service and a life of reading crime, historical and thriller fiction. On the way, she collected a BA in modern languages and an MA in history.
Alison now lives in Poitou in France, the home of Mélisende, the heroine of her latest two contemporary thrillers, Double Identity and Double Pursuit. Oh, and she’s writing the next Roma Nova story.
As a thank you for her previous brilliant crime solving, amateur sleuth, Martha Miller is guest of honour at the Winteringham Country Fair. However, this time she is looking forward to simply judging dog shows and eating cream teas rather than apprehending a killer!
And Martha is just beginning to enjoy spending quality time with Vicar Luke Walker away from the prying eyes and gossips of her own village, when disaster strikes, and the local teenage femme fatale is found stabbed to death behind the tea tent by Martha’s trusted red setter Lizzie!
But who would want to kill such a young girl and why? Someone in the village has secrets to hide and it seems Martha and Luke have another case to solve!
Daggers at the Country Fair is a welcome return to the sleuthing duo of Martha and Luke. This time the characters aren’t at home but rather on a weekend away, when their skills are unexpectedly called into use once more.
What follows is an intriguing examination of the inhabitants of Winteringham when a body is found during the country fair. Martha and Luke work to unpick what happened to the deceased and to hunt down the killer, as a collection of likely murderers make themselves known
I do love a Catherine Coles cozy mystery, and Daggers at the Country Fair is a welcome addition to the Martha Miller series. I will definitely look out for book 3 in the series.
Catherine Coles writes bestselling cosy mysteries set in the English countryside. Her extremely popular Tommy & Evelyn Christie series is based in North Yorkshire in the 1920’s and Catherine herself lives in Hull with her family and two spoiled dogs.
July 1346. The Hundred Years’ War has begun, and King Edward and his lords are on the march through France. But this war belongs to the men on the ground.
Swept up in the bloody chaos, a tight-knit company from Essex must stay alive long enough to see their home again. With sword, axe and longbow, the Essex Dogs will fight, from the landing beaches of Normandy to the bloodsoaked field of Crécy.
There’s Pismire, small enough to infiltrate enemy camps. Scotsman, strong enough to tear down a wall. Millstone, a stonemason who’ll do anything to protect his men. Father, a priest turned devilish by the horrors of war. Romford, a talented young archer on the run from his past. And Loveday FitzTalbot, their battle-scarred captain, who just wants to get his boys home safe.
Some men fight for glory. Others fight for coin. The Essex Dogs? They fight for each other.
My Review
Essex Dogs by Dan Jones, despite its girth, coming in at nearly 7500 lines on my Kindle and 450 pages in hardback, is a really easy-going read. It has a light writing style, and therefore, it’s not an onerous read for anyone worried that it might just be that little bit longer than they’re used to. (I never used to consider the length of a book, but now I do, when there are so many books to read and so little time).
The opening scene, the landing on the beach for the invasion of France, is very well told, and draws you into the world that the Essex Dogs live within. The action then slightly backs off, as we learn more about the men behind the invasion and the details of what’s planned. And there are many little details that slowly draw the reader into the scenario the Dogs face, as just one of many bands of warriors, commissioned for their 40 days of service, to fight on behalf of a lord, who’s in turn beholden to the king or the prince of Wales.
While the Hundred Years War is not ‘my’ time period, I’m not a stranger to it. If you’ve read other books set in the period, as I have, then this feels very close to those books. In no time at all, I was remembering some of the historical details, and I felt right at home with the ‘Dogs.’
This, as the blurb says, is the story of the Essex Dogs, and not the king and lords. The prince, Northampton and Warwick are the most notable members of the nobility to get a decent-sized portion of the story but only in relation to the way the Essex Dogs’ lives mingle, merge and separate with them. You can almost smell the dust and heat, the stink of the rivers, and not for the first time when I read books like this, I’m left considering why the English king was so determined to claim a province that was so hostile to him.
The story, not without tragedy, slowly builds to an intriguing finale, on the field of Crecy, where we follow the efforts of young Romford as he attempts to stay alive.
There is blood and gore in this book, but not tonnes of the stuff. There is some pretty strong language, but not tonnes of it (if you’ve read my The Last King series, it will feel a little tame). My overwhelming feeling on finishing it is that the games kings play affected the men who fought for them more than them, and I more than imagine that this is what Dan Jones is hoping to make us feel. And so, an engaging and well-told tale, not without moments of tragedy and comedy, and one certainly worthy of picking up and devouring.
About the author
Dan Jones is the Sunday Times and New York Times bestselling author of ten non-fiction books, including The Templars, The Colour of Time and Powers and Thrones. He is a renowned writer, broadcaster and journalist, and has for many years wanted to write authentic but action-packed historical fiction. His debut novel, Essex Dogs, is the first in a planned trilogy following the fortunes of ten ordinary soldiers in the early years of the Hundred Years’ War. He lives near London with his family.
Riddled with guilt and tormented by desire, Lucy Short keeps notes about newcomers to the village, but why? The misfit with the rescue dog has a mysterious past. She’s been biding her time, plotting and scheming, and now she’s determined to get what she deserves. It won’t be straight forward. Someone is sure to be watching her every move, and there seems to be something more sinister going on.
Mr. Lester Senior is dead. The family is in turmoil. The future of the famous village treasure hunt is in doubt, but for Lucy a new world beckons. She must stick to her task. The rewards could be huge, but will there also be a price to pay?
The Ultimate Village Game is a bit of a slow burner, but one that keeps you intrigued from the very beginning. The author does an excellent job of creating a mystery without really letting the reader in on what the mystery is.
The big reveal slowly starts to come into focus from about half way through the book, gaining pace as the end of the book comes into sight.
There is a lot of attention to detail here, a cast of characters that’s quite wide-ranging but interesting all the same. I was entirely drawn into the lives of the main characters and really enjoyed both the big reveal and the bits that came after it – no spoilers here.
This is, as the author says below, unconventional, and not at all your usual local murder mystery, but it is incredibly enjoyable and my only slight complaint would be that there was a lot of scope here for it not to be quite such a pleasant ending:) But, if you’re looking for an absorbing read, then this is certainly that.
Author Q & A
Hi Beth. Thanks for answering my questions about your new book.
Hi MJ, Thanks for having me.
I do love a cosy mystery. Can you tell me who and what influences your writing?
It was really just life in general that influenced The Ultimate Village Game, the quirks of our lives, the things that are hidden or left unsaid, words or deeds or memories that may be misinterpreted or distorted. I am sometimes taken with a conversation I overhear or a real life situation I come across. Of course, I may only have heard or come across a fragment of information, so I work on it, develop it. I’m a day dreamer too, so on occasion ideas come into my head that way.
Can you tell me about the fictional location where your novel is set?
The Ultimate Village Game is set deep in the heart of the English countryside. Steely Green is a small, picturesque village but with idiosyncrasies. It’s a contemporary setting, but the village is probably a little behind the times, and to an extent the characters reflect this. Even so, there’s plenty going on!
Can you name your favourite cosy crime novel or author?
Aunt Dimity’s Death – Nancy Atherton
Do you have a favourite cosy crime film or TV show?
Cozy crime is my absolute favorite genre on TV, and I can watch almost any of it. I’m happy to watch the same episodes over and over. In a way, it’s my wallpaper.
What did you find the hardest part of writing your cosy crime?
The Ultimate Village Game is not a conventional cosy mystery, and I had to concentrate on keeping the story moving at a pace I was happy with. I generally read my work back a lot along the way, and with this novel I found I had to do so even more. One of the hardest parts, though, was keeping track of all the characters. They seemed to want to go off and do their own thing on occasion.
No spoilers, but did you know who was going to be the murderer before you started writing your story or did it come to you as you wrote?
(Sorry, can’t answer this one!)
Thank you so much for answering my questions and good luck with your new release.
Meet the Author
Beth Merwood is a writer from the south of England. Her debut novel, The Five Things, was published in 2021.
Giveaway to Win 1 x Paperback and 1 x e-copy of The Ultimate Village Game (Open to UK Only)
1st Prize- Paperback copy of The Ultimate Village Game
2nd Prize – E-copy of The Ultimate Village Game
*Terms and Conditions –Worldwide entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.
When feature writer Ruth Finlay and her elderly neighbor Doris Cleaver visit an antique and collectibles market in the small town of Myrtle Bay, they get a lot more than they bargained for.
After Ruth’s old tennis coach is found dead, they discover that there’s no lack of people who harbor a grudge against the victim, and a tangled web of family ties and lies begins to unravel. But can Ruth and Doris find the killer in time to avert a second murder?
A quirky feel-good mystery laced with intrigue, Murder in Myrtle Bay is the first book in Isobel Blackthorn’s ‘Ruth Finlay Mysteries’ series. Set in small town Australia, it is a sure pick for any fan of classic whodunits and cozy mysteries!
Murder in Myrtle Bay is an engaging, contemporary mystery set in Australia. While it took me a chapter to get into the storyline, as soon as I’d worked out who was who, I was hooked on the mystery of who had murdered the man in the antique centre.
There’s a lot of food in this book and a lot of drinking tea and coffee, amongst other things, but through it all is an intriguing mystery, making use of the joy of a small, and tight-knit community to add even more mystery to the storyline.
The ultimate resolution to the mystery, and the final few concluding scenes are well done. I hadn’t guessed who’d ‘done it,’ which is always the sign of a good mystery – and there was some engaging misdirection and false leads that added to the enjoyment.
A fun read for those who like a contemporary mystery.
Meet the author
Isobel Blackthorn is a prolific novelist of unique and engaging fiction. She writes across a range of genres, including gripping mysteries and dark psychological thrillers.
The Unlikely Occultist: A biographical novel of Alice A. Bailey received an Honorable Mention in the 2021 Reader’s Favorite book awards. A Prison in the Sun was shortlisted in the LGBTQ category of the 2021 International Book Awards and the 2020 Readers’ Favorite Book Awards. Her short story ‘Nothing to Declare’ was shortlisted for the Ada Cambridge Prose Prize 2019. Her dark thriller A Legacy of Old Gran Parks won a Raven Award in 2019. The Cabin Sessions was nominated for the Bram Stoker Award 2018 and the Ditmar Awards 2018.
Isobel holds a PhD in Western Esotericism from the University of Western Sydney for her ground-breaking study of the texts of Theosophist Alice A. Bailey. Her engagement with Alice Bailey’s life and works has culminated in the biographical novel The Unlikely Occultist and the full biography Alice A. Bailey: Life and Legacy.
Isobel carries a lifelong passion for the Canary Islands, Spain, her former home. Five of her novels are set on the islands of Lanzarote and Fuerteventura. These standalone mystery novels are setting rich and fall into the broad genre of travel fiction.
Isobel has led a rich and interesting life and her stories are as diverse as her experiences, the highs and lows, and the dramas. A life-long campaigner for social justice, Isobel has written, protested and leant her weight to a range of issues including asylum seekers and family violence. A Londoner originally, Isobel currently lives in rural Victoria, Australia.
Flora Flowerdew has a secret. The former Florrie Gubbins, music hall dancer, is now Madame Flowerdew, one of London’s most renowned spirit mediums. But it’s actually her beloved Pomeranian dog, Chou-Chou, who can see the ghosts.
One of her most lucrative seances, for the wealthy Petrie family whose daughter is about to marry a handsome young duke, goes chaotically awry. The duke’s late, and very irate, grandfather demands Flora and his grandson Benedict find the long-missing family diamonds—even the search becomes littered with mayhem and murder! Can Flora discover the jewels before she loses her career, her sanity—and her heart?
Sparks fly as Flora, Benedict, and Chou-Chou pursue the truth of the diamonds’ disappearance in this lighthearted, cozy historical mystery set in foggy, gas-lit London
Flora Flowerdew and the Mystery of the Duke’s Diamonds is a delightful, light-hearted Victorian mystery. For all that, it is stuffed with all the elements we would expect to find in a novel of the period, including the always needed addition of the reticule, as well as hansom cabs, wonderful clothing and period detail.
Flora is a delightful character, a woman on the up as she makes her name, not as a chorus girl, but as a spirit medium, with her collection of allies, including a female news reporter for the local newspaper. And of course, there’s a hint of romance along the way; as well as stories of intrigue and mystery, an intrepid explorer, and strange goings-on.
The mystery is engaging, and I think we can all agree, that the inclusion of an irate ghost is particularly fitting for the time period.
An enjoyable, light-hearted read, perfect for those wanting to dip their toe into Victorian London.
Meet the author
Amanda McCabe wrote her first romance at the age of sixteen–a vast historical epic starring all her friends as the characters, written secretly during algebra class (and her parents wondered why math was not her strongest subject…)
She’s never since used algebra, but her books (set in a variety of time periods–Regency, Victorian, Tudor, Renaissance, and 1920s) have been nominated for many awards, including the RITA Award, the Romantic Times BOOKReviews Reviewers’ Choice Award, the Booksellers Best, the National Readers Choice Award, and the Holt Medallion. She lives in New Mexico with her lovely husband, along with far too many books and a spoiled rescue dog.
When not writing or reading, she loves yoga, collecting cheesy travel souvenirs, and watching the Food Network–even though she doesn’t cook. She also writes as Amanda Allen…
*Terms and Conditions –US entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.
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MJ Porter 