Amazon – Page 5 – MJ Porter

2024 – A Writing Year in Review

Check out my 2022 and 2023 posts.

So, what have I been writing/editing in 2024? As ever, it’s time to turn to my trusty diary to find out, but I’ve also been keeping a spreadsheet this year so it’s much easier to work out exactly what I’ve been writing, and when I was writing it. So here goes:

In January, I instigated my ‘new approach’ to writing, following a disappointing writing year in 2023. Was I harsh on myself with my assessment of 2023 ? I don’t think so, and certainly my new approach has ensured I wrote a lot more in 2024 than in 2023. So, my new approach is simple, I write at least 2000 words a day, every day. Did I manage every day? I certainly did not, but when I wasn’t working at my very seasonal job in the local school (or I must admit, on holiday), I managed to write at least 2000 words a day almost every day. This might sound a little crazy, but writing for me is a bit of a necessity. If I don’t exercise my creative mind, I am plagued (yes, plagued) by rather weird dreams. If I wasn’t writing, I would be really stuck.

In January, I began my new writing routine by finishing off the first draft for The Last Viking, and then swiftly moved onto the next Icel story. Somewhat bizarelly, it’s this book, Betrayal of Mercia, which is being released on 5th January 2025. I was very ahead of the game. I also spent a bit of time working on edits for Enemies of Mercia and Conflict of Kings. It was my sixth most productive month. Not a bad start. It was also the month that Clash of Kings was released, the third book in the Brunanburh series, as well as my first non fiction title, The Royal Women Who Made England.

At this point, I’m also going to wax a little lyrical about another lifestyle change I made which was to start exercising every morning. This, I’ve found, wakes me up much better than caffeine and sets me up really well for the rest of the day. It can be anything from 10 minutes up to about half an hour, and I use an online app to decide what I’m going to do each day. I don’t complicate matters by trying to get to the gym, and my equipment is steadily growing at him. It’s made me much stronger, and now, like writing, I struggle if I don’t take the time to do a little bit each day.

In February, my fifth most productive writing month, I was working on six different projects – which is kind of crazy. I finished my first draft of Betrayal of Mercia, scooted back to the next Coelwulf book, The Last Alliance, and also started work on my Dark Ages series, the first book of which, Men of Iron, will be releasing in April 2025. Aside from that, I also had some work to do on The Last Viking, Protector of Mercia and Kings of Conflict. So, by now I was in the swing of things. I write in the morning and then in the afternoon I work on edits, either structural, copy or proofreads. It means my creative side gets all excited in the morning, and then I can buckle down in the afternoons and get on with the other very important processes for a self-confessed pantser (I plan very little about my writing).

March was my third most productive writing month. I wrote the vast majority of the first draft of what would become The Last Alliance, and also did some editing for Betrayal of Mercia and Kings of Conflict. March also saw the welcome release of The Last Viking, the first Coelwulf book for a few years. It was so much fun to be back with Coelwulf and his friends. He is my most favourite character to write because it’s just like releasing all the tension and stress through his language and general attitude to life. I wish I could be ‘more’ Coelwulf all the time.

April was my seventh most productive writing month, with much of it taken up with work on Men of Iron, although I did start the month with the first 10,000 words of what became The Last Deceit. I didn’t realise I’d been playing with that book for quite so long. At this point, I was largely adhering to my 2000 words a day endeavour, although with a holiday and my time in school on the horizon, it was all about to come to a bit of a halt. It also saw the release of Enemies of Mercia, book 6 in the stories of young Icel.

Cover image for Enemies of Mercia by MJ Porter

May was my eighth most productive month of 2024, coming in at 29,000 words for the month, so very much below my intended target of 2,000 words a day. But, I was on holiday and busy with exams at the local school, and I was ahead of my schedule that I’d written at the start of the year, so I didn’t mind too much. I was finishing the first draft of Men of Iron, and I also started work on the sequel to Men of Iron, which should be called Warriors of Iron when it’s released in August 2025.

June was a write-off (literally). I managed a massive 1000 words all month. Not only was I just back from holiday and busy in school, but I ended up with my first official bout of ‘Covid’ which was a most odd experience. However, I was able to release The Last Alliance at the end of June, which I was very pleased about.

Cover image for The Last Alliance by MJ Porter

July was a muddled month with a holiday to Norfolk (yes, I made it to Suffolk and Sutton Hoo), but it was my tenth most productive month, so not very productive at all, as I reworked some of Men of Iron.

For August, I was back to it. It was my most productive month, coming in at just under 85,000 words written on a variety of projects, I had to make up for lost time. I was writing Warriors of Iron and The Last Deceit, and editing Betrayal of Mercia as well as Men of Iron. I don’t want you feeling sorry for me because September, I knew, was going to be a difficult writing month with my long-awaited trip to Devon and slow journey there and back to take in A LOT of historical sites I needed to visit for Men of Iron and other projects. 6th August saw the release of Kings of Conflict, the final book in the Brunanburh series.

Cover image for Kings of Conflict by MJ Porter

September was my eleventh most productive month, or second from last:) I worked on structural edits for Men of Iron, endeavouring to weave into the narrative some of the places I’d visited on my travels to and from Devon.

October was my fourth most productive month. My main tasks for the month were working on initial drafts for Warriors of Iron and The Last Deceit. I also worked on copyedits for Men of Iron and Betrayal of Mercia. This was the first time I managed to keep track of how many words I removed from the edited copy during the proofread. It was not that many words, but I faithfully recorded all of them, which gave me a net minus 3.

November is the month every year when I allow myself to write absolutely anything I want. This year saw me returning to a project from 2018 and starting to ‘fix’ many of the problems with it – the biggest one being there was simply too much story to fit into one book. I now intend to make it a trilogy, and using about 20,000 words from the first draft, I added a further 59,000 to it as well as working on some editing and structural edits of other projects. It was a busy month, but November is always really important to me. Deadlines and editing can really drain me of my creativity. November allows me to be excited about something entirely new and without deadlines (although, not so new this time as it was an older project). Watch this space to find out what I’m going to do with it.

For December, I was once more busy in the local school, and travelling to meet fellow Viking authors, and other authors more local to me. All the same, I’ve been busy writing, finally getting back to Icel, who I’ve neglected of late. That said, I’ve known where this new story would go ever since I finished working on the first draft Betrayal back in January. At the moment, my working title is Icel of Mercia, but I’m sure that won’t be the published title. December has been my ninth most productive writing month, but even as I write this, I know I have a few more writing days to go, so it will increase. December will also see the release of The Last Deceit. I’ve just managed to get the 3 Coelwulf books in, as promised.

All in all, I’ve enjoyed my writing in 2024. There are always moments when it’s an effort, and moments when it feels easy, but my new writing routine, or what I now call ‘minimising the stress around first drafts’ has really helped me. Ensuring I’m working on something while editing another project ensures I have time for my stories to settle before I edit them, and also allows me to plant all those lovely Easter Eggs I love to scatter through the many different series. I pity the person who tries to work out which book I was writing when in the future.

I have two newish projects under way, my November project, and also the beginnings of another nonfiction title. I also have two of my three Boldwood titles complete bar some of the editing, and Icel 8 is shaping up nicely as well. For next year, I want to continue my current practice of writing at least 2000 words each morning, and editing in the afternoon. It works really well with my writing style. Everyone has different styles. It’s important to determine what works, and when it stops working, to find something else. 2024 was the year I revamped what had been working for me for many years. It’s also allowed me to methodically plan, even if I didn’t always keep to the plan.

In terms of words written this year, it comes in at about 570k. It’s not my best year, which was 2019, but it’s so much better than in 2023, I’m really pleased.

Forthcoming releases for 2025 will be Betrayal of Mercia, Men of Iron, Warriors of Iron in August, Icel 8 in October and hopefully, a new Erdington Mystery (I have a title, which is a good sign for that series) and my November 2024 project which I need to finish but which will probably be released under a different author name. I also hope to return to Coelwulf, but I’m not promising 3 titles in the series as I did in 2024. That was almost too much for me. In terms of writing, I need to finish the Dark Age Chronicles (I’ve stated it will be a trilogy – I have too many characters as it is,) and continue with the lovely Icel.

A huge thank you to all my wonderful readers who allow me to spend my time with my characters. It is a privilege.

If you want to follow my writing journey, join my newsletter. I update readers each month.

I will be sharing my reading year in review soon.

To fellow writers, remember, to be a writer you first must write, but you also have to write the way that works for you. Good luck.

I’m sharing an excerpt from Susan Buchanan’s A Little Christmas Spirit #romance #blogtour #newrelease

Bella and Amy, two of the teachers in the story, are trying to find a soloist for A Carol for Christmas, until now without success.

Bella’s heart lifted. The kids had been practising their little hearts out for A Carol for Christmas, where the children from Heatherwood and the five neighbouring primary schools took part in a sing-off to see which school choir would be crowned the area’s champion. They were singing so well, together, but she still didn’t have anyone to sing the solo. No one voice out of the whole choir, or at least those who had volunteered to do it, seemed able to cope with it.

Perhaps she and Amy should rethink the solo. ‘O Holy Night’ was, after all, widely known as a difficult carol to sing for a soloist, with the breadth of vocal range involved and those high notes to hit.

As she listened to the children’s sweet voices singing ‘O Little Town of Bethlehem’, she tried to focus in on the sound of each child’s voice individually.

When the carol finished, she beckoned Amy over. ‘Have a drink, everyone. We’re going to need those voices again in a second.’

‘What’s up?’ Amy asked as she approached.

Bella pulled on her bottom lip as she thought. ‘How about we play a little game?’

‘What were you thinking?’

‘Well, we’re no closer to finding a soloist, and we only have two weeks until the finals, so I’m wondering if we can smoke out this soloist by having each child sing a line of a song, or a couple of lines, and see how they get on with it.’

Amy pursed her lips. ‘That might just work.’

‘Good. Can you think of a fun way to make this into a game for them?’

‘Give me five minutes,’ Amy said, walking backwards towards the stage again and holding her hands up in a double thumbs-up sign.

Once she’d got the children’s attention, Amy said, ‘Right, can everyone go and grab a chair and put it in the middle of the room? I need them back to back to form two rows.’

The children dashed to the left side of the room, lifting, dragging and screeching the chairs, which they and the children in the lower years had adorned with covers featuring snowmen, reindeer, snowflakes and Christmas trees as part of the school’s attempt to make it the most Christmassy year ever at Heatherwood.

Once everything was in place, Amy said, ‘Right, we’re going to play a game of musical chairs. If you’re out, I want you to sing the next two lines in the carol. Got it?’

Fifty nodding heads later, Bella was applauding her friend on her genius. As the opening chords of ‘O Come All Ye Faithful’ rang out, Bella looked on whilst Amy instructed the children to walk round the chairs until the music stopped.

When it did, Eva Morrison was the first ‘unlucky’ child, but she took it with good grace and sang the next two lines in the carol exceptionally well. Amy restarted the process and the children giggled and chatted as time and again they had to find a seat once the music stopped.

Naturally, some jostling ensued and the occasional non-festive shove happened, but mainly the children got in the Christmas spirit and adapted.

After ‘O Come All Ye Faithful’, Amy played ‘Silent Night’ and Bella’s heart faltered as Niamh Fallon sang the lines. Her voice was achingly beautiful, and suited that carol perfectly. Having decided they would indeed change the carol to ‘Silent Night’ and have Niamh sing it, Bella tried to signal to Amy that they were good and didn’t need any more musical chairs, but Amy didn’t see her, and started another round, this time with ‘O Holy Night’.

As first Calum then Gregory didn’t manage to hit the notes, Bella’s frustration grew. We should just knock this on the head now and let Niamh sing ‘Silent Night’.

But then Lara didn’t get to a chair before Ed, and as she began to sing, a hush fell over everyone as her pure, strong, yet melodic voice floated through the games hall. Bella gulped, the hairs on her arms stood up, and she felt such a profound ache in her chest she thought she might start crying. In fact, she was crying. Oh my goodness, they’d found their soloist. Lara’s voice was incredible. How had she managed to keep that hidden, and why?

Here’s the blurb

Can a sprinkle of magic heal broken hearts this Christmas?

With Jacob now at the helm at the cosy Sugar and Spice café, it’s the perfect opportunity for Christmas Spirit Lara to weave her magic.

Fraser is floundering in his new role as headteacher as he grapples with guilt over having to place his beloved mother in a care home, leaving him feeling lost and alone during what should be a joyful time.

Meanwhile, school janitor Paul is torn between his desire to feel needed and the pressure from his wife to retire, dimming the season’s sparkle.

Valerie, overwhelmed by the demands of newborn twins, feels she’s not giving her other daughter enough attention. She needs a bit of me time and for her husband to realise the responsibility for the kids falls to both of them.

And Bella, heartbroken after her husband’s shocking request for a separation just a year into their marriage, longs to escape the memories of last year’s perfect Christmas.

Can Lara help them rediscover joy, connection, and the true spirit of the season?

A heartwarming journey filled with friendship, community, and a dash of holiday magic that promises to transform the lives of those in need of hope this Christmas.

Cover image for A Little Christmas Spirit y Susan Buchanan

Purchase Link

https://books2read.com/u/bMBNNv

Meet the author

Susan Buchanan writes contemporary romance and women’s fiction, usually featuring travel, food, family, friendship and community.

Her books are Sign of the Times, The Dating Game, The Christmas Spirit, Return of the Christmas Spirit and Just One Day – Winter, Spring, Summer and Autumn.

As a freelance developmental editor, copyeditor and proofreader, if she’s not reading, editing or writing, she’s thinking about it.

She is a member of the Romantic Novelists’ Association, the Society of Authors and the Alliance of Independent Authors.

She lives near Glasgow with her husband, two children and a crazy Labrador.

When she’s not editing, writing, reading or caring for her two delightful cherubs, she likes going to the theatre, playing board games, watching quiz shows and eating out, and she has recently discovered a love of writing retreats.

Connect with the author

Website

Giveaway to Win a Signed copy of The Christmas Spirit and bookmark (Open to UK Only)

*Terms and Conditions –UK entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.

http://www.rafflecopter.com/rafl/display/33c69494602/?

Today, I’m delighted to be reviewing Emperor’s Axe by JC Duncan #blogtour #historicalfiction #HaraldHardrada

Cover image for Emperor'sAxe by JC Duncan, alongside an axe head anf sword hilt.

Here’s the blurb

The greatest threat to the empire is not a foreign army, but the thirst for power at all costs.

1038 AD, Constantinople

Harald Sigurdsson has risen through bravery and glory in battle to become the commander of the legendary Varangian guard, the oath-sworn protector of the Roman throne in Constantinople; The wielder of the emperor’s axe.

With the estranged Emperor and Empress consumed in a deadly palace war for sole control of the empire, Harald must somehow keep the peace. In a city where everything is taken by subterfuge, violence and deceit, what must an honourable man do to protect the empire from both its enemies and itself?

Harald might be forced to choose between his life and his oaths, to take a side or become an enemy of all, and watch, outcast, as the empire crumbles.
Harald is a master of war, but victory in battle will no longer be enough.

The explosive next chapter in the extraordinary tale of Harald Hardrada

Cover image for Emperor's Axe by JC Duncan

Purchase Link

https://mybook.to/EmperorsAxe

My Review

Emperor’s Axe is book three in JC Duncan’s epic retelling of Harald Hardrada’s life. I’ve read the first two books.

Emperor’s Axe sees our hero, Harald, still deeply embroiled in the court politics of the era, only this time, he does seem to have found himself an enemy that might just be his match, John, the Emperor’s brother. As such, he quickly finds himself and many of his men shipped off to fight a seemingly impossible offensive in Sicily and on the mainland of what is now Italy. The expedition’s leaders are ineffective, placed there because of politics and not skill. That’s never going to go down well with Harald, who has a thirst for action and brave daring-do. And it is up to our narrator, Eric the Follower, to intervene when allies threaten to become enemies.

Eric, narrating his tale fifty years later, has the benefit of hindsight and can gloss over some details, but he never shies away from being honest about Harald’s character. He might follow him, but always agree with him? That’s another thing entirely.

And indeed, Harald’s thirst for action and brave daring-do, as opposed to having a sound head for politics, leads him to the tumultuous concluding events of the novel, when he is finally allowed to return to Constantinople, and finds the Empress and Emperor in crisis.

JC Duncan never lets us forget that the Emperor and Empress rule over vast swathes of land. Neither can we forget that Harald has a goal in mind, reclaiming his dead brother’s kingship as soon as he’s able. This is a hugely entertaining novel, managing to encapsulate so much, including the Norman warriors as well as the Norsemen, and stuffed with detail. A fabulous read.

Check out my review for book 1, Warrior Prince and book 2, Raven Lord.

Meet the author

J. C. Duncan is a well-reviewed historical fiction author and amateur bladesmith, with a passion for Vikings. The first book in his fictional series about Harald Hardrada, the last great Viking leader, will be published by Boldwood in October 2023.

Connect with JC Duncan

Bookbub profile

I’m delighted to welcome Francesca Capaldi and her new book, Love and Loss at the Beach Hotel to the blog. Francesca is sharing a fabulous post about the historical setting #blogtour #histfic

Historical Setting for the Beach Hotel Series

When I came to the end of my Wartime in the Valleys series, I had to consider whether to carry on with the South Wales setting, where my mum had come from, or pick a different location for a new series. A couple of years before, I’d had an idea for a World War One series set in Littlehampton, at the luxury Beach Hotel, and now seemed like a good time to write it.

Why Littlehampton, a seaside town in West Sussex? Because that’s where I was brought up. I was born just up the coast in Worthing, which gets a couple of guest appearances in the series, including in Love and Loss at the Beach Hotel. We moved to Littlehampton when I was three. My dad had a café on Pier Road, opposite the River Arun, so I was often in that part of town, especially as a teenager when I worked as a waitress there. In the evenings, my friends and I would often go to the Butlin’s funfair, between the café and the beach.

The grass common, beyond Butlins, was huge, and taking pride of place on it was the magnificent Beach Hotel. I never stepped inside it, so when it came to writing the first book, I had no idea how it would have been set out. This is where a vivid imagination comes in handy. Looking at where the windows and doors were situated on the various photographs I found, I made a plan of my own version of the interior, which I still use now.

Downstairs, I’ve placed a smart foyer, a lounge for guests and a glorious ballroom. There’s a large dining room next door to a conservatory, both of which overlook the extensive garden. On the photographs, the left side of the hotel looks functional, so this is where I placed the staff rooms and quarters, including the kitchen, storerooms, scullery, stillroom and staff dining room,

The characters from the series are often by the beach, on the riverside, or in town. A combination of old photographs and my own memories enabled me to build up a distinct picture of what the town would have looked like then. Having visited Littlehampton many times since I left at eighteen, I am convinced that the town of my youth was much more like the town of World War One than the town of today, even though there had been many changes even by then.

Butlin’s funfair, which I mentioned earlier, wasn’t there in the time the series is set, but instead the area consisted of two rows of coastguards’ cottages, a windmill and the Casino Theatre. These were all dispensed with in the early 1930s, when Butlins was built. Next to this, the path used to run alongside the River Arun, but this was built up at the same time, so you could no longer walk to the water’s edge. The buildings have changed again in the last twenty years, and all that remains that my characters would recognise now is the old battery mound (from the Napoleonic Wars) and the pier (the place of many trysts in the novels).

Back then the quay, between Pier Road and River Road, was full of workshops and warehouses. Many of these were for shipbuilding. This is where Victor Perryman’s flying boat workshop, Humphrey Wilmot’s, was situated in Love and Loss at the Beach Hotel, though in real life it was called Hubert Williams. All of these have gone, as has the Britannia Public House. The green swing bridge at the end of River Road, occasionally crossed by my characters, has also gone. These were all still there in my youth, so I can at least picture them.

South Terrace, several long terraces of grand houses on the opposite side of the street to the hotel, is still there, almost in its entirety, I’m glad to say. This is where various day guests who visit the hotel live, including the rather prim and disapproving Lady Blackmore. Surrey Cottage, the home of Victor Perryman and his family, still sits at the eastern end of South Terrace, though it has now been separated into flats.

What of the hotel itself? Sadly, it sustained damage in the storm of 1987 and was pulled down in the early 1990s. In its place was built a much less elegant curve of flats called Beach Crescent. The only thing that still exists is part of the original garden wall. I’m just glad that, in my books, I’m able to bring the hotel back to life once more.

Aerial of Littlehampton around the time of the books. Beach Hotel is on the common towards the left

Here’s the blurb

Can true love win the day?

Hetty Affleck is working as a maid at the prestigious Beach Hotel in Littlehampton. Her beau, Lorcan, is away at war and has recently stopped replying to her letters but she is determined to keep her spirits up. When she meets wealthy shipbuilder’s son Victor Perryman, they pass the time of day and they both feel a connection but she can’t allow herself to think anything more of it – not only does she have Lorcan to think of, but she and Victor are divided by wealth and class.

Yet they meet again and Hetty is charmed and intrigued by Victor and his openness towards her. It becomes harder to ignore the attachment growing between them.

When Lorcan comes back on leave, Hetty is forced to face her true feelings. Who does she really love, and can that love conquer everything in its path?

Cover image forLove and Loss at the Beach Hotel by Francesca Capaldi

Purchase Links

Amazon Kobo Apple Waterstones

Meet the author

Francesca has enjoyed writing since she was a child. Born in Worthing and brought up in Littlehampton in Sussex, she was largely influenced by a Welsh mother who loved to tell improvised stories. A history graduate and qualified teacher, she decided to turn her writing hobby into something more in 2006, when she joined a writing class.

Writing as both Francesca Capaldi and Francesca Burgess, she has had many short stories published in magazines in the UK and abroad, along with several pocket novels published by DC Thomson.

Her Welsh World War 1 sagas were inspired by the discovery of the war record of her great grandfather, a miner in South Wales. Heartbreak in the Valleys was a finalist in the Historical Romance category of the Romantic Novelists’ Association Awards (RoNAs) in 2021. Her latest series, The Beach Hotel, is set in her own childhood town, where her Italian father had a café on the riverside. The first in that series, A New Start at the Beach Hotel, won the Romantic Saga Award in the RoNAs in 2024.

Francesca is a member of the Romantic Novelists’ Association and the Society of Women Writers and Journalists. She currently lives on the North Downs in Kent with her family and a cat called Lando Calrission.

Author photo for Francesca Capaldi/Burgess

Website & Blog

I’m spotlighting Murder at the Crooked Horse by Lesley Cookman #blogtour #newrelease

Here’s the blurb

After learning of a suspicious attempt to burn down a beloved old pub, The Crooked Horse, Libby Sarjeant and her friend Fran reluctantly agree to investigate.

But when a local antiques dealer mysteriously disappears after apparently taking out his boat, it appears there are dark and sinister forces at play.

Can Libby and Fran uncover a connection between the fire and the missing man? And will unravelling a deadly case put them in terrible danger?

Purchase Links

https://www.amazon.co.uk/Murder-Crooked-Horse-whodunnit-countryside-ebook/dp/B0DBPC7RX8

https://www.amazon.com/Murder-Crooked-Horse-whodunnit-countryside-ebook/dp/B0DBPC7RX8

Meet the author

Lesley Cookman writes the Libby Sarjeant Murder Mysteries and the The Alexandrians, an Edwardian Mystery Series. She lives on the south east coast of England, and is a former model, actor, and journalist. Her four adult children are all musicians and writers.

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I’m reviewing the fabulous Arden by GD Harper, an intriguing story of Shakespeare’s earliest years #blogtour #histfic #newrelease

Here’s the blurb

Alice Arden, idealistic and wealthy beauty, burnt at the stake for killing her husband, the former mayor of Faversham in Kent. But was she really the one responsible for the most scandalous murder of the sixteenth century?

William Shakespeare, England’s greatest playwright, born thirteen years after Alice’s execution. Why does his first-ever play, written about this murder, not bear his name?

This is a story of two people – one reviled, one revered – whose fates become linked in a tale of corruption, collusion and conspiracy. Based on historical documents and recently published academic research, Arden unveils shocking new evidence about the murder of Thomas Arden and reveals, for the first time, a remarkable new theory about Shakespeare’s early years.

Purchase Links

https://www.amazon.co.uk/Arden-astonishing-untold-story-Shakespeares-ebook/dp/B0DFBV9YSB

https://www.amazon.com/Arden-astonishing-untold-story-Shakespeares-ebook/dp/B0DFBV9YSB

My Review

Arden by GD Harper is a beautifully crafted tale of two individuals, separated by forty years, with the one entirely unaware of the other, that reimagines the hows, whats and ifs of Shakespeare’s earliest efforts to become a playwright and the story that ‘called’ to him to enable him to do so.

Offering us two points of view, that of Alice Arden, and Shakespeare himself, we travel through the years that lead to Alice’s crisis and see how Shakespeare was himself plagued by her story. To begin with, Alice is the most likeable character. Young, bright, and vivacious, she pulls the reader along through the years when Shakespeare is not at all the man we might expect him to be. His life is difficult (perhaps because he makes it so, to be honest), but soon his dreams of being an actor and writing plays becomes his driving force. At the same time, Alice’s life is blighted by her marriage to a man of ambition but no regard for the life of his wife, who is deeply unhappy. Shakespeare’s life improves as events rumble towards their awful conclusion for Alice. But he is still somewhat haunted by the tale of Alice Arden, and I adored how her final narrative is teased from those who have knowledge of it that isn’t known by all. It is horrific.

This was such an engaging narrative. I liked neither character at points, but they both had endearing qualities that made it a joy to read this fictionalised account of what might have been.

It’s a fabulous story.

Check out my review for The Maids of Biddenden.

Meet the author

I have written four novels in the last eight years under the penname GD Harper.

My last novel, The Maids of Biddenden, the imagined biography of real-life conjoined twins born in 12th-century Kent, was featured on BBC TV News and was the winner of the Next Generation Indie Book Awards in the historical fiction category, shortlisted for the 2022 Selfie Award at the London Book Fair, and shortlisted or longlisted for five other awards.

It has over a thousand ratings on Amazon UK and Goodreads, with an average score of 4.3. Across the major Amazon markets, it reached number sixteen in overall paid-for e-book sales, number two in historical fiction and number one in medieval historical fiction.

Blog banner for the Arden by GD Harper blog tour

I’m sharing my review for The Poison Pen Letters by Fiona Walker, the second book in her The Village Detectives series #blogtour #cosycrime #newrelease

Here’s the blurb

We regret to announce the tragic death of Phoebe Fredericks…

When crime novelist Phoebe opens the post and receives an invitation to her own funeral, she’s horrified. Not least because the date of her death is marked as tomorrow.

Deciding it’s nothing more than a prank from an enemy from her past, she determines to put it to the back of her mind.

But the next morning, when her completely infuriating postman (who likes to think himself her no.1 literary critic) rings her doorbell, a parcel of poisoned pen-nibs explodes in his face. Forced to confront the fact her correspondence is more RIP than RSVP, Phoeve realises someone must want her dead.

Together with the newly-formed Village Detectives – Juno, Mil and Felix – Phoebe resolves to find out who is behind the poison pen letters before they strike again and her fate is signed, sealed and delivered!

An totally hilarious, modern cozy crime mystery, from million-copy bestselling author Fiona Walker, perfect for fans of Richard Osman, Janet Evanovich and Janice Hallett.

Cover image for The Village Detectives and the Poison Pen Letters by Fiona Walker

Purchase Link

https://mybook.to/poisonpensocial

My Review

The Poison Pen Letters is the second book in The Village Detective Series (or the VDs, as Juno somewhat unwittingly terms them). I’ve read book one and really enjoyed it. Book two is even stronger, perhaps because I know the characters, but also, I think because the plotting is even more secure. I genuinely had no idea who the real culprit was, which was fabulous.

Book 2 sees our intrepid foursome tackling the problem of who murdered the local postie on Phoebe’s doorstep with the use of a poison pen letter – a crime that, even though you know it’s coming at some point, is still quite shocking. While Pheobe’s husband is determined it’s someone outside the village from their past, Pheobe has other ideas. But of course, she is once more penning one of her crime novels (the little additions of that novel are delicious) and has no real time to focus on what’s happening. Juno is as outrageous as ever, and her mother is such a fun character as she dips in and out of the narrative, as does her creaky car.

The personalities of a small village are lovingly brought to life, and I appreciated all the N gauge model railway comments, as I once spent some time selling off a set. It was also good to see @VeryBritishProblems mentioned as part of the social media universe that makes up a large part of the novel.

The Poison Pen Letters is brimming with fabulous characters and a perplexing crime, and I thoroughly enjoyed it.

Meet the author

Fiona Walker is the million copy bestselling author of joyously funny romantic comedies. Most recently published by Head of Zeus, she will be turning to cozy crime for Boldwood. The first in her new Village Detectives series, The Art of Murder, will be published in May 2024.

Connect with the author

Newsletter Sign Up: https://bit.ly/FionaWalkerNews

Bookbub profile: https://www.bookbub.com/authors/fiona-walker

Blog banner for The Poison Pen Letters blog tour

I’m delighted to welcome a returning Helen Golden to the blog with her new book, A Death of Fresh Air. #bookreview #cosymystery

Here’s the blurb

In a charming seaside town, secrets don’t stay buried for long…

Body of Chef Found in Wall Three Years After He ‘Left to go to Australia’

Human remains found inside the wall of a disused building have now been identified as those of Victor Blackwell. He was the head chef at Windstanton’s The Seaside Lounge until just over three years ago, when, according his friends, he left for a job in Australia. Detective Inspector Albert Finch from Fenshire’s Cold Case Unit has asked for anyone who has information about the chef’s movements three years ago to come forward.

We have no choice! With only three weeks until the Grand Opening, the last thing Bea and Perry need is the grim discovery of a skeleton in the wall of Simon and Ryan’s soon-to-open restaurant, SaltAir. But when it’s designated a crime scene, and the policeman in charge of the investigation into Vic’s murder refuses to let them have access to continue the refurbishment, they have no other option than to investigate the murder themselves or risk letting Simon and Ryan down.

But in a town where everyone harbours secrets, can they uncover the truth in time or will SaltAir’s opening be a damp squib?

Cover image for A Death of Fresh Air by Helen Golden. Part of the A Right Royal Cozy Investigation Mystery series

Purchase Link

https://www.amazon.co.uk/Death-Fresh-Right-Investigation-Mystery-ebook/dp/B0CWVGLW2Y

https://www.amazon.com/Death-Fresh-Right-Investigation-Mystery-ebook/dp/B0CWVGLW2Y

My Review

A Death of Fresh Air is the new book in the Right Royal Cozy Mystery series. I’ve read all the previous books and love the series and characters. It’s always a treat to have a new one to devour.

The new book begins with the chance discovery of a man believed to have left the country three years before. What follows is typical of Bea and Perry’s determination to solve the mystery of how the body ended up in the new restaurant, who put it there, and why the poor man had to die. Never to be put off by looming deadlines, our intrepid duo, ably assisted by some of our series regulars, get to work. And the story that unfolds is as complex and satisfying as other books in the series. I enjoy these stories because the solutions never feel contrived while remaining complex. The solution is never easy.

While all this is happening, both Bea and Perry are contending with challenges in their personal lives as well, which moves the series on but never overwhelms the mystery. I think it’s a tough balancing act, and Helen Golden manages it perfectly.

Thoroughly enjoyable and highly recommended.

Check out my reviews for the other books in this fabulous series.

Spruced Up For Murder

For Richer, For Deader

Not Mushroom For Death

A Dead Herring

A Cocktail to Die For

Meet the author

Hello. I’m Helen Golden. I write British contemporary cozy whodunnits with a hint of humour. I live in small village in Lincolnshire in the UK with my husband, my step-daughter, her two cats, our two dogs, sometimes my step-son, and our tortoise.

I used to work in senior management, but after my recent job came to a natural end I had the opportunity to follow my dreams and start writing. It’s very early in my life as an author, but so far I’m loving it.

It’s crazy busy at our house, so when I’m writing I retreat to our caravan (an impulsive lockdown purchase) which is mostly parked on our drive. When I really need total peace and quiet, I take it to a lovely site about 15 minutes away and hide there until my family runs out of food or clean clothes

Connect with the author

The inspiration behind The Custard Corpses #histfic #mystery

The inspiration behind The Custard Corpses is a bit weird, even I admit that

My father had, for many years, bought and sold antique paraphernalia, mostly maps, but also other items as well – books, stamps, old vellum deeds, postcards – you get the idea. With the restrictions during Lockdown, he wasn’t able to sell as normal at his antique fairs, and having put off having an online presence, he finally decided to open an eBay shop – but needed tech support. And so, as ‘tech support’, he started sending me all sorts of fascinating items to list, but the one that really got my attention were the advertisements that ran in the Picture Post magazines for Bird’s Custard.

Images from 2 Birds's Custard adveerts from the 1940s and 1950s

They’re bright, they’re inviting, they are, to put it bluntly, before their time. They have lovely catchphrases, such as ‘every little helps’ which Tesco use now. The black and white images on the coloured background ensure the readers eye is drawn to the happy child, and they do make you want to eat custard.

More images from the Bird's Custard adverts from the 1940s and 1950s

I wanted to share them with as many people as possible so that they could catch a glimpse of these old campaigns. There were other advertisements as well in the magazines, ones for Pepsi and for Shell, to name a few, but it was the Bird’s Custard ones that really captured my imagination. But how could I share them with people?

Well, my mind works in strange ways, and I began to consider a mystery that would somehow be relevant to the advertisements, so it needed to be set during the period the Picture Post magazine was produced from 1938 to the 1950s. And so, The Custard Corpses.

I set The Custard Corpses during the Second World War, but that was really because it fit with the adverts I’d seen, the added bonus that I could then use the well-known events of the war was a secondary consideration.

Where I set the book was entirely based on the fact that I had family members who’d lived in Erdington at the time. I was able to pick the brains of my Dad for the little details that I didn’t know or couldn’t remember, not that he was born in 1943, but not long after.

It was all quite random, in the end, and there was a swell of little details that I uncovered that just, through pure happenstance, fitted together. It helped that I wanted to try my hand at something more modern than the eleventh century, but still historical. But I’m not an expert on any other time period, so I suppose it was an easy choice to decide on a setting that was just within living memory of some. I couldn’t visit anywhere due to Lockdown, so familiar was best.

Is this the weirdest reason to have written a book?

Check out The Erdington Mysteries page to discover more about the books.

Buy The Custard Corpses here, available in ebook, paperback, hardback and audio. Or, check out the signed editions page to get a copy directly from me. Book 3, The Secret Sauce, is available now, (as is book 2, The Automobile Assassination), and the Barrage Body is coming very soon.

Posts

Today, I’m reviewing Susie Dent’s fabulous new mystery, Guilty By Definition #newrelease #mystery

Here’s the blurb

When an anonymous letter is delivered to the Clarendon English Dictionary, it is rapidly clear that this is not the usual lexicographical enquiry. Instead, the letter hints at secrets and lies linked to a particular year.

For Martha Thornhill, the new senior editor, the date can mean only one thing: the summer her brilliant older sister Charlie went missing. After a decade abroad, Martha has returned home to the city whose ancient institutions have long defined her family. Have the ghosts she left behind her been waiting for her return?

When more letters arrive, and Martha and her team pull apart the complex clues within them, the mystery becomes ever more insistent and troubling. It seems Charlie had been keeping a powerful secret, and someone is trying to lead the lexicographers towards the truth. But other forces are no less desperate to keep it well and truly buried.

Cover image for Susie Dent's Guilty by Definition.

Purchase Link

https://amzn.to/4cFDVQj

My Review

Guilty by Definition rises above other celebrity mysteries by being excellent.

This story is well-plotted and well-devised, delightfully intermingled with snippets about the Clarendon Dictionary and the little foibles of the English language, and has a great storyline. It also offers a lovely conjuring of Oxford and the surrounding location—as well as some special Oxford-specific events.

Our four main characters are well-developed, and all have their secrets as they endeavour to solve the perplexing riddles and, in doing so, answer the questions surrounding Martha’s sister’s disappearance.

It is a complex mystery that is sure to appeal to fans of the genre and the English language. I don’t want to give any spoilers, but I loved it:)