“Separated by anger and unanswered questions, Byrhtnoth and Saewynn are brought together by a tragic death. Re-united, they set out on an epic voyage to discover the final truth about his father. The journey takes them far to the north, to Orkney, swathed in the mists of treachery, and to Dublin’s slave markets where Byrhtnoth faces a fateful decision. How far will he go, to save those he cares for?”
First things first, Bright Helm is book four in a tightly woven series about young Byrhtnoth, more famous for dying at the Battle of Maldon in AD991, than for anything else. But, he must have had a life before that fateful battle and the author has devised an intriguing and engaging story about his youth, weaving the tale through known historical ‘fact’ of the 940’s and 950’s in Early England.
This is a time period that I’ve also written about and studied, and I have been lucky enough to have early access to Bright Helm, as well as other books in the series. I’ve enjoyed arguing about plot developments and also taken fresh insight from decisions made for the characters. It’s strange to have ‘your’ characters in the hands of someone else, but hey, this is historical fiction, these characters belong only to themselves and the author who writes about them.
What I really enjoyed about Bright Helm was the journey Byrhtnoth has to make. Along the way, he encounters any number of ‘historical’ characters, and winds up visiting both the Orkney Islands and Ireland. I love the Orkney Islands, and I could ‘see’ everything that the author described in such detail.
The book really gather pace as it roars towards its end and I found myself, and this doesn’t often happen in books where I know so much of the back story, just relaxing and allowing the story to unfold without worrying that I might not like it. As I said to the author, I found that she really found ‘her stride’. The pacing was sound, the story thoroughly intriguing, and well, I’m just looking forward to the next book (which might be the last in the series) to find out how it all ends.
I highly recommend this book, and if you’ve not read the earlier books in the series, I believe you could jump in with Book 4, or enjoy starting at the very beginning.
In the aftermath of the Great War, the line between friend and foe may be hard to discern, even for indomitable former Secret Service agent Verity Kent, in award-winning author Anna Lee Huber’s thrilling mystery series.
Peacetime has brought little respite for Verity Kent. Intrigue still abounds, even within her own family. As a favor to her father, Verity agrees to visit his sister in Wiltshire. Her once prosperous aunt has fallen on difficult times and is considering selling their estate. But there are strange goings-on at the manor, including missing servants, possible heirloom forgeries, and suspicious rumors—all leading to the discovery of a dead body on the grounds.
While Verity and her husband, Sidney, investigate this new mystery, they are also on the trail of an old adversary—the shadowy and lethal Lord Ardmore. At every turn, the suspected traitor seems to be one step ahead of them. And even when their dear friend Max, the Earl of Ryde, stumbles upon a code hidden among his late father’s effects that may reveal the truth about Ardmore, Verity wonders if they are really the hunters—or the hunted . . .
A Pretty Deceit is an excellent addition to the series by Anna Lee Huber. I didn’t realise when I started reading it, that I’d already read Book 3, but I soon appreciated that I ‘knew’ the characters. Then came the search on Goodreads, and then it all made a great deal more sense:)
Verity Kent is once more embroiled in a new mystery and also still pursuing an old one from Book 3, the two threads merging together expertly to give an engrossing and deliciously complicated narrative, that ensures all the old favourites make an appearance at some point throughout the book.
It was a thoroughly enjoyable and engrossing read. In fact, as soon as I’d finished it, I went on to read Book 1, and plan on reading Book 2 as well. If you enjoy a well constructed and deeply rooted 1920’s (well, just as about) murder mystery, this is definitely a great series to read.
Thank you to Netgalley and the Publisher for my review copy.
A Pretty Deceit was released on 6th October, and is available here.
Percy Bysshe Shelley’s brief and turbulent life was as passionate as his poetry. Romantic, idealistic and impulsive, Shelley had several intense love affairs. When Shelley drowned at sea in 1822, he took his secrets with him. Did a beautiful, lovelorn lady really follow him throughout Europe, as he claimed? Did Mary Shelley ever learn about this rival for her affections? Shelley and the Unknown Lady is a carefully researched imagining of the true-life tragedy behind the mystery. This novella is a stand-alone story excerpted from Lona Manning’s Mansfield Trilogy.
And here’s my review;
I’m a stranger to the world recreated by Lona Manning, but that doesn’t matter at all when reading Shelley and the Unknown Lady.
The story immediately beguiles the reader, transporting you to another time and place, and it’s such a fascinating story, that you won’t want to stop reading once you start.
The author certainly knows the story of Shelley incredibly well, and it’s a joy to read the notes added by the author which piece together the historical mystery of the unknown lady.
For a novella, or short story, the reader is rewarded with an absorbing story.
I thoroughly enjoyed it, and would highly recommend Shelley and the Unknown Lady.
Disclaimer, I received a free copy of this book via The History Quill Book Club. If you’re interested in The History Quill then please go and check them out.
Well, this is a first. Today, I welcome Stuart Rudge to my blog. He’s going to tell us all about his research for his new book, Blood Feud, Legend of the Cid Book 2, available now. So, I hand it over to Stuart and he’s going to tell us about building Islamic Zaragoza, which features in his new book.
Research can be boring and tedious – or, it can be interesting and engrossing. When I was researching the Islamic city of Zaragoza for my latest novel, Blood Feud, I found myself leaning in the camp of the latter. The more I was looking in to what medieval Islamic cities looked like and how they functioned, the more I was looking forward to describing it in my novel. Today, I am going to show you how I researched Zaragoza, and how it might have looked in the days of El Cid. Let’s go on a little tour.
I will start with the name. Before the Romans came to Spain, it was a village named Salduie, and then the Romans founded a colony for retired veterans and named it Caesaraugusta. After the Islamic invasion and conquest, it was renamed Saraqusta, which eventually evolved in to the modern name, Zaragoza. As I like to have historically authentic names to my novels, I have plumbed for the Islamic version of the name, like I have done with all of the various taifa kingdoms in the same period (e.g. Toledo is Tulaytula, Valencia is Balansiya, etc).
Below is a screenshot from Google Maps of the centre of modern Zaragoza, and includes some of the key features of the Islamic settlement. The orange lines indicate the approximate outline of the walls built by the Moors, along with the site of the Aljaferia palace, and La Zuda palace, which were key landmarks of the city in the eleventh century.
The Aljaferia palace is a unique building, as it is one of the only complete structures standing today which dates to the taifa period of Spanish history. Dating to the eleventh century, the palace was named “Palace of the Joy” by amir al-Muqtadir, and he held his court and greeted his embassies in his “Golden Hall” as he described it. The modern interior is largely different to what the Islamic amirs would have walked through, as the city was conquered by the kingdom of Aragon at the beginning of the twelfth century, and over time the Christian monarchs converted it to suit their tastes, but we do have examples of friezes from the eleventh century, and the columns and archways give us an indication of Islamic architectural and artistic styles from the period, as seen below.
In its zenith it would have been a place of wonder and beauty, a tranquil palace in the centre of a neigh impregnable fortress just outside of the main city. As the building was being renovated during the latter half of the eleventh century, the only part of the citadel which the story of Blood Feud takes part in is the Troubadour tower, which preceded the citadel by around two hundred years, being part of an earlier fortification which was incorporated in to the Aljaferia palace.
La Zuda Palace
Before the amir of Zaragoza moved his court to the Aljaferia palace, the governors of the city were housed in La Zuda palace. Located in the old Roman part of the city, it was built adjacent to the corner section of the Roman wall next to the river, and like the Aljaferia, it was a similarly fortified and secure site.
The current site is occupied by a sixteenth century tower and an eighteenth century church, which has replaced an earlier medieval church, and since none of the Islamic site remains, we have no definitive way of knowing what the palace would have looked like. In my view, the exterior wall would have looked something akin to that of the Aljaferia, albeit on a smaller scale. The interior is where imagination is needed. I took inspiration from the Aljaferia, the Alcazar of Seville and the Alhambra of Granada, three of the most famous Islamic palaces in Spain, thrown in with some artistic creativity, to create what I believe would have been a (roughly) accurate portrayal of what an Islamic palace would have looked like; a tranquil haven away from the hustle and bustle of the city. An example of what I came up with is below:
“Walking around the palace, I wondered why al-Muqtadir was moving his court to the citadel outside the walls. As we passed through the gate, we entered a courtyard with a long pool which stretched to a hall at the opposite end, with trees bearing peaches, lemons and pomegranates that ran parallel to the pool. Pointed archways with alternating black and white painted blocks were held up with thin black columns, and the walls were painted white with black script running down each wall. The colonnades around the periphery led to side rooms shielded with silken drapes, whilst bronze incense burners hung from the ceiling, filled the air with a perfumed scent intensified by the sweetness of the fruit trees. Court officials sauntered here and there as guards stood vigil with tall spears; each man wore the uniform of pale yellow favoured by the amir. There was relative silence within the palace save for the occasional chatter which echoed in the corridors, and made it a tranquil haven away from the commotion of the city.
Idris led us across to the opposite side of the courtyard and through to a large hall, and here the decoration was more elaborate. The walls bore intricate patterns painted in vibrant blues, reds and yellows, and it was one of the most beautiful things I had ever seen. I marvelled and let my jaw hang slack, for something so striking was rare in Castile and I could have lingered all day to drink it in. Fine bronze statues of stags lined the walls too, and the domed ceiling was of smooth, dark stone studded with small pieces of coloured glass, so it resembled the stars twinkling in the night sky. The perfumed scent intensified, and the air was filled with the sound of a man uttering what seemed like poetry to an audience.”
The Roman City
By the eleventh century, the shell of the old Roman city of Caesaraugusta would still have been intact. The fact that part of the Roman walls still stand suggest they would have stood in some capacity in the Islamic period. We know that some parts still stood, as they do today, yet other parts would have been stripped of their masonry to be used elsewhere in the city for new structures, and only the foundations would have remained to form some sort of border or barrier. As the Moors built another wall around their own city, there was no need to fully maintain the Roman fortifications.
Part of the section in Zaragoza involves Antonio tailing an old foe towards the wharfs, and again later on when he is trying to prevent his escape. In my research I found scant information relating to what the Islamic wharf would have looked like at the time, and had to improvise. But around a month or so before I was going to release the book, I stumbled across the website Zaragoza.es. On there, it had a little pamphlet with information about the Roman forum, the wharf and the walls. From the below picture, we can garner quite a lot of how things looked.
The central structure and wide open space is the old Roman forum, which was the beating heart of the city, and the structure below it, facing the river, is a huge warehouse. The image below shows a reconstruction of what the warehouse may have looked like.
We know from sources that the forum was all but gone by the eleventh century; given the close proximity to the river, it is likely the area was turned in to a large market. It is also likely that the warehouse was still functioning at this time, and was used as a place to store goods coming straight from the ships before being taken to market, or further afield on the back of mules. Given the length of the wharf and the amount of ships that could have been docked at any one time, it is not hard to imagine the area as a hive of activity, with men coming from all corners of Europe, Africa and the Middle East, bringing goods such as spices, leather and metal work, raw materials from far off lands, luxurious silks and linens, and even slaves.
After conducting all of my research, I made myself a little map with all the different sites of the city, and where the Roman and Islamic parts of the city would be. Here is what I came up with:
The characteristics of both the Roman city and the Muslim city would have been very different. Roman cities generally followed a set of rules; wide, straight streets, close to a water source, with strong walls and a central open space called a forum, where the principle administrative buildings were located. Muslim cities tended to be more compact, with narrow, winding streets, branching off to cul-de-sacs of homes for the inhabitants, with a large space reserved for markets, and various mosques scattered throughout the cities. One example for the differences was transport. The Romans used wagons to transport their goods, and so main streets had to be wide enough to accommodate two wagons travelling abreast, whereas Muslim traders used pack animals such as mules, and so the streets would not be as wide. In a warm climate like Spain, narrower streets coupled with white washed walls of the buildings made the cities feel cooler, darker and more compact.
I hope you have enjoyed this little tour around the medieval city of Zaragoza. For a more in depth look at how I envisioned it, pick up a copy of Blood Feud, the second book in the Legend of the Cid series, and explore the secrets of one of the great taifa states of the medieval period.
England, 1459: Cecily Neville, Duchess of York, is embroiled in a plot to topple the weak-minded King Henry VI from the throne. But when the Yorkists are defeated at the Battle of Ludford Bridge, Cecily’s family flee and abandon her to face a marauding Lancastrian army on her own.
Cecily can only watch as her lands are torn apart and divided up by the ruthless Queen Marguerite. From the towers of her prison in Tonbridge Castle, the Duchess begins to spin a web of deceit – one that will eventually lead to treason, to the fall of King Henry VI, and to her eldest son being crowned King Edward IV.
This is a story of heartbreak, ambition and treachery, of one woman’s quest to claim the throne during the violence and tragedy of the Wars of the Roses.”
The Queen’s Rival is a stunning look at the ‘later’ life of Cecily Neville from 1459 until 1483. This is not a ‘quiet’ period of history and to cover the tumultuous events, the author adopts the technique of recording the letters of the main protagonists, either from the pen of Cecily or from those who write to her.
It does take a little while to get used to the technique, but the reader is quickly drawn into the story, not perhaps by the events taking place, but rather by the relationship between Cecily and her two sisters, Anne, Duchess of Buckingham and Katherine, Dowager Duchess of Norfolk. The words they share with each other are just what sisters might well say to each other, especially when they’re not likely to see each other soon.
More importantly, the sisters, while fiercely loyal to their Neville inheritance, are not of one mind about who should rule England, and who has the right to rule England. It highlights just how destructive the War of the Roses was, and is a genius way of quickly ensuring the reader appreciates that families were ripped apart by the protracted war.
This is the story of the women of the later 15th century. It’s their voices that we hear, as they try and come to terms with the rises and falls all of them experience. There are moments when the narrative is hard to read, either because you know what’s going to happen, or just because you really feel for Cecily and don’t want her to experience the tribulations than she does.
I am a huge fan of Anne O’Brien and the ‘forgotten’ women of the medieval period in England. While the author may stress that Cecily is not really a forgotten woman, I was not really aware of her before reading this book. The mother of two kings, the grandmother of future kings, and yet she could also have been queen herself. What an interesting life she led.
Today I am featuring a book by an up and coming author I’ve only recently stumbled across, Stuart Rudge.
His new book, Blood Feud, is the sequel to The Rise of a Champion in the series entitled The Legend of the Cid. The series is set in eleventh century Spain which is out of the usual mainstream English History focus and in itself makes the book interesting to me – though I have to confess that it is not a period that I know much about!
Here’s what the book blurb says:
Castile. 1067 AD.
The clouds of war gather over Hispania, and Antonio Perez continues on his path to knighthood, under the watchful eye of his lord, Rodrigo Diaz de Vivar. A peculiar invitation sees Antonio and Arias in the den of their nemesis, Azarola, where they discover the truth of his marriage to Beatriz, Arias’s sister, and…
“The Raiders have been routed from Torksey, dead, or escaped.
Mercia lies broken but not beaten, her alliance with Wessex in tatters, her new king a warrior, not a ruler. And as he endures his coronation, as demanded by the bishops and ealdormen, there are stirrings from the east.
Coelwulf must again take to the trackways of Mercia. His destination, any place where the Raiders are trying to infiltrate the kingdom he’s fought so hard to keep whole, losing beloved friends in the process.
The year is AD874 and Mercia lies threatened. But Coelwulf, and his loyal warriors, have vowed to protect Mercia with their lives. They’re not about to stop now.”
Genre: Historical fictionPublisher: Self publishedPub date: 27 August 2020Rating: 🌟 🌟 🌟 🌟 🌟 The Raiders have been routed from Torksey, dead, or escaped. Mercia lies broken but not beaten, her alliance with Wessex in tatters, her new king a warrior not a ruler. And as he endures his coronation, as demanded by the bishops […]
“AD 647. Anglo-Saxon Britain. A gripping, action-packed historical thriller and the seventh instalment in the Bernicia Chronicles.
War hangs heavy in the hot summer air as Penda of Mercia and his allies march into the north. Caught unawares, the Bernician forces are besieged within the great fortress of Bebbanburg.
It falls to Beobrand to mount the defence of the stronghold, but even while the battle rages, old and powerful enemies have mobilised against him, seeking vengeance for past events.
As the Mercian forces tighten their grip and unknown killers close in, Beobrand finds himself in a struggle with conflicting oaths and the dreadful pull of a forbidden love that threatens to destroy everything he holds dear.
With the future of Northumbria in jeopardy, will Beobrand be able to withstand the powers that beset him and find a path to victory against all the odds?”
Beobrand is becoming a firm favourite for fans of historical fiction. But, as many will know, I struggle a little with his ‘grumpiness.’ I have enjoyed the author’s new hero, found in The Wolf of Wessex, a whole lot more, and I’m really keen to read the new book A Time For Swords, as well. But, I’m always curious to see what Beobrand is up to, and therefore I was keen to get an advanced copy from Netgalley and the publisher.
Fortress of Fury is a solid addition to The Bernicia Chronicles.
It begins strongly, and slowly builds to the portrayal of Bebbanburg facing one of its greatest challenges throughout its long history. The battle scenes are well-played out and Beobrand earns battle glory for himself.
The scenes that follow the big battle are very much laying the groundwork for future stories about Beobrand and his band of geishas, and for that reason, I very much felt that the book peaked too soon. I was anticipating a blood and gore-drenched battle that lasted for days, and that was not what I got, concerned rather with events after the attack on Bebbanburg. It’s not a direction I was expecting, and it wrong-footed me a little.
That said, I look forward to seeing what trouble Beobrand and his geishas get themselves involved in next. I’m sure it’s not going to be pretty, and if Beobrand cracks a smile, I might well cheer!
Fortress of Fury is released on in ebook on 6th August 2020, and the audiobook and hardback will follow later in the year. (The cover is amazing).
When I revealed the cover for Rise of a Champion, it was roughly 2 months in advance of the publication date, so I am going to do the same for the sequel, Blood Feud. I am looking at publishing this in late August.
Without further ado, here is it!
It took a while for me to be happy with the finished product, and although it may go throught a few slight tweeks, I do not anticipate it will change much. I will be posting a blurb soon, but in the meantime, the book will be set between 1067-1068, and will culminate in the Battle of Lantadilla in the summer of 1068. The Moorish style building in the background of the cover is meant to represent the palace in Zaragoza at the time, as an entire segment will be set within the Moorish city. Needless to say Rodrigo and…