Today, I’m so excited to share my review for Foraging For Murder by Simon Whaley (I loved this book)

Here’s the blurb:

Foraging for Murder

MORTIFORDE’S FOOD FESTIVAL IS A RECIPE FOR MURDER.

Three butchers. Two deaths. One four-hundred-year-old grudge.

It’s Aldermaston’s first food festival as the Eighth Marquess of Mortiforde and it’s not going well. One butcher is missing. Another has been threatened. And the Vegetarian Society has been sent a meaty ultimatum. 

Meanwhile, Lady Mortiforde desperately needs her husband to find some wild boar meat for her savoury pie entry into the festival’s Bake Off competition.

When the Council’s Chief Archivist disappears, along with the Food History Marquee’s star attraction, a seventeenth-century recipe book, Aldermaston has all the ingredients of a murder mystery that’s been marinating for over four hundred years.

Can he find the missing butchers before it’s too late? Will Lady Mortiforde avoid a soggy bottom in the Bake Off competition? And why do all the butchers take their pet pigs for a walk in the woods at night?

Review

Wow. Foraging for Murder is a fantastic book. It’s stuffed with some very British quirkiness, rival butchers, an obnoxious new Chief Executive for the local Council, and a slightly bumbling, but good-hearted, member of the nobility, his wife, his eminently competent butler, as well as his extremely eccentric brother.

Genuinely, I can’t recommend this book enough. It made me laugh out loud and was a joy to read.

The story is told from multiple perspectives, and each character is well sketched, and unique. It’s filled with all the sorts of little details that I love – it has a strong historical element running through it, and of course, an ancient manuscript. It’s also filled with quirky little details, the sort of eccentric characters that make up a small community and yet none of it feels overcooked. And the mystery is both complex enough, and realistic enough, that you’re not going to quibble with the eventual resolution, even if we, as the readers, get there before the cast do.

I have book 1 in the series ready to read and I really hope we get more books featuring this wonderful cast. And wow, book 1 has an amazing opening chapter. Thank you, thank you, thank you.

(I would just like to reassure that this book is not stuffed with animal butchery – in fact a few of the animals do get to star in it. There is some reference to parts of an animal when they’re no longer on that animal – if that makes sense. I don’t want to give anything away, but also, don’t want someone to stumble into the book unawares.)

For fellow readers, if you’ve read Skeltons Guide to Suitcase Murders then this will definitely appeal, even if it has a more modern setting. I’m so pleased I signed up for this book tour and had the opportunity to discover a wonderful book, and series, like this. As you can tell, I’m wildly excited about it.

Amazon Purchase Links 

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Meet the Author

Simon Whaley is an author, writer and photographer who lives in the hilly bit of Shropshire. Foraging for Murder is the second in his Marquess of Mortiforde Mysteries, set in the idyllic Welsh Borders – a place many people struggle to locate on a map (including by some of those who live here). He’s written several non-fiction books, many if which contain his humorous take on the world, including the bestselling One Hundred Ways For A Dog To Train Its Human and two editions in the hugely popular Bluffer’s Guide series (The Bluffer’s Guide to Dogs and The Bluffer’s Guide to Hiking). His short stories have appeared in Take A Break, Woman’s Weekly Fiction Special, The Weekly News and The People’s Friend. Meanwhile his magazine articles have delighted readers in a variety of publications including BBC Countryfile, The People’s Friend, Coast, The Simple Things and Country Walking.

Simon lives in Shropshire (which just happens to be a Welsh Border county) and, when he gets stuck with his writing, he tramps the Shropshire hills looking for inspiration and something to photograph. Some of his photographs appear on the national and regional BBC weather broadcasts under his BBC WeatherWatcher nickname of Snapper Simon. (For those of you who don’t know, they get a lot of weather in Shropshire.)

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Don’t forget to check out the other stops on the Foraging For Murder Blog Tour with Rachel’s Random Resources

Today, I’m delighted to welcome Justin Newland to the blog with his book, The Coronation

Your book, The Coronation, sounds fascinating. What was the first idea that made you decide to write this story? 

To begin this, I’d like to describe how I work, how I come at or conceive my novels. I didn’t know this on my first novel, but have subsequently discovered this about how best I work, and how I best like to work.

So, to start, I tend to conceive the themes I want to explore in a story. Then I find the setting – the plot, the characters, the place, and the historical period – that best allows me to explore those themes and the message I want to put across. 

Before I talk about The Coronation, my third novel, I’d like to give a bit of background as to my own writing journey up to the time I conceived it.

My first novel, The Genes of Isis, was an epic fantasy set in Ancient Egypt, and a re-telling of the Biblical story of the flood. Its plot was loosely based on the myth of Isis and Osiris.

Then I wrote a historical fantasy, The Old Dragon’s Head. It’s set in the 1400’s in Ming Dynasty China on the far eastern end of the Great Wall, and explored the supernatural beliefs of the Chinese mindset of those times.

Egypt and China – two of the largest historical contributors to the mores of civilisation. 

Then, towards the end of 2017, I conceived the idea of a third novel, The Coronation

Looking back at my notes, I wanted one of the themes of the story to be about famine, not only physical famine but also the spiritual famine. I wanted to use physical famine as a metaphor for spiritual famine, such as we encounter everywhere in today’s world.

So, I had to find a period of history, or a setting, when famine was prevalent.

I wanted also to explore the Ancient Greek idea of Arcadia, of an unspoiled, harmonious living together of a people and the land, played out through custom and ceremony, poem and dressage, song and dance. And I wanted to find a recent time and a place in history when the Arcadian ideal was still alive and well. 

So, I also had to find a period of history when this Arcadian ideal was still alive and well and prospering. 

This led me to the 18th Century in Europe. 

It was a huge change-over, from feudal times to the beginning of the industrial era. It was time when there were few large cities, when people often only moved around within a 10- or 20-mile radius of their place of birth in all of their lives. It was a time when, in Europe, society was structured according to the Sachenspiegel, the Saxon Mirror, in the same way that God had ordered the Universe, from the stars down to the moon, from kings down to the peasants. This was a fixed, static view. In other words, people had to stay in and couldn’t move out of their strata of society, otherwise there would be upheaval and revolution.

It seemed to me that the Industrial Revolution had much to do with engendering that spiritual famine, so I looked for its genesis. 

It began with the so-called Newcomen Engine. 

Newcomen Steam Engine

This was a rather inefficient pump designed by a Devon pastor by the name of Thomas Newcomen. It was used to pump water out of Cornish tin mines. 

There’s a photo here showing a reconstruction of that engine.

That led me to research James Watt and the origins of his steam engine. I found that he didn’t invent the steam engine, but he simply improved on the existing design, i.e., the Newcomen Engine. 

So, in the 1760’s, James Watt made his discovery of the improvement to the efficiency of the steam engine, and we now live in the results of that, that is, we live in an industrialised society. That’s what we have inherited, whether we like it or not. 

But was that how it was meant to be? Because at the time, a time they now call the Great Enlightenment, there were great advances in science, in biology, in chemistry, and medical science. These helped dispel the mists of superstition enshrouding the people of the time, and which prevented further growth and development.

But were we, as a people, as a genus, meant to take the industrial route? Was there an alternative? It must have been there, so what was it, and why didn’t we take it? 

So, what was the ‘coronation’ alluded to in the book title? It wasn’t the coronation of a king or a queen or an emperor. So, what was it? Was it to do with the coronation of mankind, and if so, what form did that take? What did it, or would it look like, if mankind was crowned? And what did it have to do with the eagle? 

These were the themes which set me off researching Europe on the 18th Century, and the period of the Great Enlightenment. And if it really was just that, a Great Enlightenment, how come we aren’t living in a greatly enlightened society today? Why didn’t it progress and develop? And should that day ever come, what would it look like? And would we recognise it?

These were some of the questions I wanted to explore in the novel. 

Thank you so much for sharing. Your inspiration sounds fascinating. Good luck with the book.

Here’s the blurb

It is 1761. Prussia is at war with  Russia and Austria. As the Russian army occupies East Prussia, King Frederick the Great and his men fight hard to win back their homeland. 

In Ludwigshain, a Junker estate in East Prussia, Countess Marion von Adler celebrates an exceptional harvest. But it is requisitioned by Russian troops. When Marion tries to stop them, a Russian captain strikes her. His lieutenant, Ian Fermor, defends Marion’s honour and is stabbed for his insubordination. Abandoned by the Russians, Fermor becomes a divisive figure on the estate.

Close to death, Fermor dreams of the Adler, a numinous eagle entity, whose territory extends across the lands of Northern Europe and which is mysteriously connected to the Enlightenment. What happens next will change of the course of human history… 

Buy Links:

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Author’s Website (buyers can enter a dedication to be signed by the author): 

Publisher’s WebsiteWordery (UK)

Bookswagon (India)Booktopia (Au)Saxo (Dk)Exclusive Books (SA)

Meet the author

Justin Newland is an author of historical fantasy and secret history thrillers – that’s history with a supernatural twist. His stories feature known events and real people from history which are re-told and examined through the lens of the supernatural. He gives author talks and is a regular contributor to BBC Radio Bristol’s Thought for the Day. He lives with his partner in plain sight of the Mendip Hills in Somerset, England. 

His Books

The Genes of Isis is a tale of love, destruction and ephemeral power set under the skies of Ancient Egypt. A re-telling of the Biblical story of the flood, it reveals the mystery of the genes of Isis – or genesis – of mankind. ISBN 9781789014860.

The novel is creative, sophisticated, and downright brilliant! I couldnt ask more of an Egyptian-esque book!” – Lauren, Books Beyond the Story.

The Old Dragons Head is a historical fantasy and supernatural thriller set during the Ming Dynasty and played out in the shadows the Great Wall of China. It explores the secret history of the influences that shaped the beginnings of modern times.  ISBN 9781789015829.

The author is an excellent storyteller.” – British Fantasy Society. 

Set during the Great Enlightenment, The Coronation reveals the secret history of the Industrial Revolution. ISBN 9781838591885.

The novel explores the themes of belonging, outsiders… religion and war…  filtered through the lens of the other-worldly.” – A. Deane, Page Farer Book Blog.

His latest, The Abdication (July, 2021), is a suspense thriller, a journey of destiny, wisdom and self-discovery. ISBN 9781800463950.  

“In Topeth, Tula confronts the truth, her faith in herself, faith in a higher purpose, and ultimately, what it means to abdicate that faith.” 

V. Triola, Coast to Coast.

Connect with Justin

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Don’t forget to check out the other stops on The Coronation Blog Tour with The Coffee Pot Book Club

Today, I’m welcoming Susan Higginbotham to the blog with her new book, John Brown’s Women

Your book, John Brown’s Women , sounds fascinating. Can you share with me what the first idea was that made you decide to write this story? It might be very different from how the story ended up being, but I am curious, if you don’t mind sharing. And, if the story is very different, would you mind sharing the process by which you ended up with your current novel?

For example, my current book started off after watching an old Pathe TV show about making motorbikes and sidecars and has ended up as a 1940s mystery involving an unidentified body!

As a writer of biographical historical fiction, I seldom think up an idea for a novel out of the blue. Rather, something I read triggers me to learn more about a historical figure. In most cases, my curiosity having been sated, I move on, but in others, the character latches on to me and won’t give me any peace until I write about him or her.

My interest in John Brown was awakened when I moved a few years ago to a town in Maryland that’s just a few miles from Harpers Ferry. (Sadly, John Brown appears to have passed it by.) I dug out the family copy of Midnight Rising, Tony Horwitz’s gripping account of the Harpers Ferry raid, and was struck by one figure in particular—Annie, John Brown’s fifteen-year-old daughter, who served as her father’s lookout at the Maryland farm that Brown rented in preparation for the raid. Although most accounts of the raid touch on Annie’s role, Horwitz gave her more sustained attention, and I determined to learn more about her. Fortunately, Bonnie Laughlin-Schultz has written a study of the Brown women, The Tie That Bound Us, and that led me to more information about Annie. Though Annie never  published an account of her activities, she was generous in responding to Brown’s biographers, and her reminiscences and letters made for fascinating reading. Annie had an opinion on everything and a talent for pithy observations, and I was captivated by her. Writing to researcher Katherine Mayo in 1909, Annie spoke of her need to get off by herself in natural surroundings: “I always come back refreshed and with a better feeling towards God and the human race, for I do really sometimes get out of patience with Him and wonder why he created so many people that (it seems to me) would have been better left unborn. I have never been able to understand, why so many things, that ought not to be, exist.”

But as I began to research Annie’s story and to read more family letters: two other women intruded: Mary, John Brown’s stoic, strong wife, and refined, progressively-minded Wealthy, married to John Brown’s oldest son. They too wanted their stories told. Moreover, giving them leading roles would allow me to give a fuller view of John Brown. Mary had shared personal tragedies and financial setbacks with her husband, and Wealthy had been with the Brown men during the violent “Bleeding Kansas” years that set the stage for the Harpers Ferry raid. I ended up framing the novel so it begins and ends from Mary’s perspective, which I think worked artistically.

So Annie, no doubt to her chagrin, ended up having to share her story with others, as did Frances Brandon in my Tudor novel, Her Highness the Traitor, who found herself narrating alongside Jane Dudley. But Annie supplied me with the epigraph, giving her the first word, if not the last.

Annie Brown (Library of Congress)
Wealthy Brown (West Virginia State Archives)
Mary Brown (Library of Congress)

Thank you so much for sharing. I love it when characters have such a strong mind of their own. Good luck with the new book.

Here’s the blurb:

As the United States wrestles with its besetting sin—slavery—abolitionist John Brown is growing tired of talk. He takes actions that will propel the nation toward civil war and thrust three courageous women into history. 

Wealthy Brown, married to John Brown’s oldest son, eagerly falls in with her husband’s plan to settle in Kansas. Amid clashes between pro-slavery and anti-slavery settlers, Wealthy’s adventure turns into madness, mayhem, and murder.

Fifteen-year-old Annie Brown is thrilled when her father summons her to the farm he has rented in preparation for his raid. There, she guards her father’s secrets while risking her heart. 

Mary Brown never expected to be the wife of John Brown, much less the wife of a martyr. When her husband’s daring plan fails, Mary must travel into hostile territory, where she finds the eyes of the nation riveted upon John—and upon her.

Spanning three decades, John Brown’s Women is a tale of love and sacrifice, and of the ongoing struggle for America to achieve its promise of liberty and justice for all.

Trigger Warnings:

Deaths of young children through illness or accidents (not graphically described); implied heavy petting involving a willing minor.

Buy Links:

Amazon

Meet the Author

Susan Higginbotham is the author of a number of historical novels set in medieval and Tudor England and, more recently, nineteenth-century America, including The Traitor’s WifeThe Stolen CrownHanging Mary, and The First Lady and the Rebel. She and her family, human and four-footed, live in Maryland, just a short drive from where John Brown made his last stand. When not writing or procrastinating, Susan enjoys traveling and collecting old photographs.

Connect with Susan

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Don’t forget to check out the other stops on the John Brown’s Women blog tour with The Coffee Pot Book Club

I’m delighted to welcome Rosemary Griggs to the blog with a post about her new book, A Woman of Noble Wit

Your book, A Woman of Noble Wit , sounds fascinating. Can you share with me what the first idea was that made you decide to write this story? It might be very different from how the story ended up being, but I am curious, if you don’t mind sharing. And, if the story is very different, would you mind sharing the process by which you ended up with your current novel?

For example, my current book started off after watching an old Pathe TV show about making motorbikes and sidecars and has ended up as a 1940s mystery involving an unidentified body!

Retirement can be a wonderful thing.  If you’re lucky, as I am, it can set you free and give you time to do the things you’ve always wanted to do. Since I retired I’ve been able to indulge a lifelong passion for history and I’ve also been dusting off some long-neglected dressmaking skills. I started to research and make sixteenth century clothing to wear as a volunteer at a local National Trust property. That was where I first met Katherine Champernowne, the subject of my novel.  I now bring this remarkable Devon woman to life for audiences all over the county and use her clothes to open up conversations about how people like her lived.  As I learned how to make her clothes I found it wasn’t enough to just look all right on the outside. I wanted to construct my costumes as accurately as possible, layer by layer,  so that I could feel what it was like to dress as she did — to walk in her shoes.  

Rosemary in costume

In the same way, I wanted to understand what it felt like to live through those times as an educated well-born woman far from the Royal Court.  We hear a lot about the lives of King Henry and his Queens, but little about the largely unrecorded, unnoticed women, who stood behind other famous men who changed the course of history. I thought Katherine’s story deserved to be told. That germ of an idea would eventually turn into my novel. 

I read every book I could find on the lives of women in sixteenth century England.  I researched Katherine’s family and Devon’s Tudor history.  I spent many happy hours poring over old documents in the archives.  I visited the places she knew. I read biographies of her famous sons, amongst them Sir Humphrey Gilbert and, of course, Sir Walter Raleigh.

Picture from Wikimedia commons

Sir Walter was a prodigious writer.  His letters, books and poems reveal a lot about his character. His deeds as Queen Elizabeth’s favourite, as a soldier, sea captain, poet and more, are well recorded. There are even descriptions of him written by his contemporaries.  For Katherine herself and for some of the other people in her life there is much less to go on.

In 1538 Thomas Cromwell was behind a new law that required priests to keep a record of baptisms, marriages and burials.  One of his better ideas, I think.  But key events in Katherine’s early life fell well before the new system started. Record keeping was patchy at first and many registers have been lost or damaged, So tracking down the most  basic details of her life — the exact date of her birth, and of her two marriages —was very difficult.  We do know that she was laid to rest beside her second husband. In a letter Sir Walter wrote to his wife before his execution he said he wanted to be buried beside his parents “in Exeter church”.  It’s believed that Katherine Raleigh died in 1594, shortly after she made her will. But the page that would have recorded her burial is missing from the register of St Mary Major’s in Exeter, though Walter Raleigh senior’s burial is listed there in February 1580/1581. Nor can we read her will as it was originally written.  It was lost in a second world war bombing raid on Exeter in 1942 when the City Library, the repository of over a million documents and books, was completely destroyed.  Only due to the diligence of a nineteenth century scholar do we have a transcript of her last wishes.   We do, however, have an account of her courageous vigil in the prison cells beneath Exeter Castle with protestant martyr Agnes Prest. It was published during Katherine’s lifetime in Foxe’s Book of Martyrs, which says that Katherine Raleigh was “a woman of noble wit and godly ways.” That gave me my title. 

At first I thought I would write a fully sourced academic biography,  but I found that there were many gaps to fill, many areas of doubt.  Scholars even remain divided about the exact dates of birth of her boys.  My research fixes the birthday of only her eldest Gilbert son, John, with certainty, confirmed in his father’s Inquisition Post Mortem.   For her other children the dates remain uncertain.  Even the number of children she bore is open to question. For example, there may have been a second Gilbert daughter named Elizabeth, others may have died in infancy unrecorded.

I pieced together as much as I could from what was recorded about Katherine’s brothers, sisters, parents and other relatives, some of whom  had close connections to the Court. I recently published a blog post setting out the research that has convinced me that the other Katherine Champernowne, the one  who was known as Kat, later married John Ashley, and was governess to the young princess Elizabeth, was Katherine Raleigh’s sister. 

Photo of Kat Ashley from Wikimedia Commons

Another sister, Joan wife of Sir Anthony Denny, served several of King Henry’s Queens and is recorded as a close friend of Katryn Parr.  The careers of Katherine’s Carew cousins Sir George, who went down in the Mary Rose, and Sir Peter, feature often in  the record.   

Beyond that I started to look for clues from which I could develop plausible explanations for the missing pieces in the jigsaw of Katherine Raleigh’s life.  The personalities of people who played their part in her story started to emerge of their own volition.  I started to put flesh upon the bones of the bare skeleton the historical record had left me.   I felt I was really getting to know Katherine and her world. The more I discovered, the more I wanted to bring her to life; to explore how she might have become the woman who inspired her sons to follow their dreams.  So, my story of Katherine’s life started to evolve and take shape, a story that also did justice to the exciting events that gripped Devon in those turbulent years. Where I have found facts are backed up by reliable source documents I have respected them.  But I have sought to weave those facts together with fiction to create a believable and compelling story of one woman’s life in a changing world. 

Wow, thank you so much for sharing. That’s a fantastic story. Thank you so much for sharing your reasons for writing your new book. I think your Tudor dress is fantastic.

Here’s the blurb:

Few women of her time lived to see their name in print. But Katherine was no ordinary woman. She was Sir Walter Raleigh’s mother. This is her story.

Set against the turbulent background of a Devon rocked by the religious and social changes that shaped Tudor England; a Devon of privateers and pirates; a Devon riven by rebellions and plots, A Woman of Noble Wit tells how Katherine became the woman who would inspire her famous sons to follow their dreams. It is Tudor history seen though a woman’s eyes.

As the daughter of a gentry family with close connections to the glittering court of King Henry VIII, Katherine’s duty is clear. She must put aside her dreams and accept the husband chosen for her. Still a girl, she starts a new life at Greenway Court, overlooking the River Dart, relieved that her husband is not the ageing monster of her nightmares. She settles into the life of a dutiful wife and mother until a chance shipboard encounter with a handsome privateer, turns her world upside down.…..

Years later a courageous act will set Katherine’s name in print and her youngest son will fly high.

Trigger Warnings: Rape.

Buy Links:

Universal Link: https://books2read.com/u/47O1WE

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Barnes and Noble:  WaterstonesiBooksWHSmithFoyles

Meet the Author

Rosemary Griggs is a retired Whitehall Senior Civil Servant with a lifelong passion for history. She is now a speaker on Devon’s sixteenth century history and costume. She leads heritage tours at Dartington Hall, has made regular costumed appearances at National Trust houses and helps local museums bring history to life.

Connect with Rosemary Griggs

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Don’t forget to check out the other sops on the A Woman of Noble Wit blog tour with The Coffee Pot Book Club

Today, Meredith Allard is talking about her new festive book, Christmas at Hembry Castle

Today, I’m delighted to welcome Meredith Allard to the blog with a fascinating post about her new, festive book, Christmas at Hembry Castle.

There’s a joke I’ve seen on Pinterest, a cartoon of a writer watching TV. The character says, “I’m researching!” to the cynical-looking people standing nearby. For those of us who write fiction, we know that watching TV or movies, listening to music, or going for walks really is research because all of it becomes part of the writing process. Writers, especially fiction writers, need their imagination fueled regularly, and it’s the little things we do, such as stealing an hour here or there to watch a favorite TV show or listen to our favorite music, that help to fill the creative well so that we have a brain full of ideas when we sit down to write.

When it comes time to write, especially if I’m writing an historical story, I try to immerse myself in the time period as much as possible. If I feel as if I’ve traveled back in time, then it’s easier for me to carry my readers along with me on the journey. Here are some of the places I found inspiration while writing my Victorian story Christmas at Hembry Castle. I wrote Christmas at Hembry Castle with the deliberate intention of putting my own spin on Dickens’ A Christmas Carol, which made the task more challenging, but it was a challenge I relished because I adore Dickens and especially A Christmas Carol. In fact, Edward Ellis, one of the main characters, is based on a young Dickens. Here are some of the resources I used for Christmas at Hembry Castle

Books

Nonfiction:

 Up and Down Stairs: The History of the Country House Servant by Jeremy Musson

What Jane Austen Ate and Charles Dickens Knew by Daniel Pool

How To Be a Victorian: A Dusk-to-Dawn Guide to Victorian Life by Ruth Goodman (one of my new favorite historians—she lives what she studies)

The Victorian City: Everyday Life in Dickens’ London and Inside the Victorian Home: A Portrait of Domestic Life in Victorian England by Judith Flanders

The Writer’s Guide to Everyday Life in Regency and Victorian England From 1811-1901 by Kristine Hughes

To Marry an English Lord by Gail MacColl and Carol McD. Wallace

Below Stairs: The Classic Kitchen Maid’s Memoir That Inspired “Upstairs, Downstairs” and “Downton Abbey” by Margaret Powell

The Essential Handbook of Victorian Etiquette by Thomas E. Hill

Fiction:

When reading novels, I look for books written during the era I’m writing about as well as novels written about the era. Other times I’ll find inspiration in a novel that isn’t necessarily set in that time but there’s something about the story that provides some ideas.

The Buccaneers and The Age of Innocence by Edith Wharton

Snobs by Julian Fellowes

The Remains of the Day by Kazuo Ishiguro

A Christmas Carol by Charles Dickens

Television and Film

For me, TV and film are the same as fiction—some of what I watch is set in the era, some is not, but all stir my imagination in one way or another.

 Downton Abbey 

Upstairs, Downstairs

The miniseries of The Buccaneers

North and South

Lark Rise to Candleford

Cranford

A Christmas Carol (the animated version, as well as the one with Patrick Stewart and my personal favorite—A Muppets Christmas Carol)

Music

Since my Victorian story is set in the 1870s, people were dancing to waltzes and polkas. Strauss and Chopin were favorite composers, which works well for me since I love to listen to classical music. And of course, many of our favorite Christmas carols that we sing today were quite popular during the Victorian era such as “Silent Night” and “God Rest Ye Merry Gentlemen.”

Pinterest

I adore Pinterest. For me, Pinterest isn’t social media as much as something I do for fun because I love it so much. When I needed to describe the sitting room at Hembry Castle or if I needed an idea of what a Victorian sitting room decorated for Christmas might look like, I simply needed to go onto my research board, find the pin for the photograph I wanted to use as inspiration, and describe what I saw. If you’re writing your novel on Scrivener, you can import those photos directly into your novel file so they’re readily available when you need them. 

Wow, it sounds like you had great fun writing your new book. Good luck with it, and have a lovely Christmas:)

Here’s the blurb:

You are cordially invited to Christmas at Hembry Castle.

An unlikely earl struggles with his new place. A young couple’s love is tested. What is a meddling ghost to do?

In the tradition of A Christmas Carol, travel back to Victorian England and enjoy a lighthearted, festive holiday celebration.

Buy Links:

Meredith Allard’s Website

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Barnes and NobleKoboiBooks

Meet the Author

Meredith Allard is the author of the bestselling paranormal historical Loving Husband Trilogy. Her sweet Victorian romance, When It Rained at Hembry Castle, was named a best historical novel by IndieReader. Her latest book, Painting the Past: A Guide for Writing Historical Fiction, was named a #1 new release in Authorship and Creativity Self-Help on Amazon. When she isn’t writing she’s teaching writing, and she has taught writing to students ages five to 75. She loves books, cats, and coffee, though not always in that order. She lives in Las Vegas, Nevada. Visit Meredith online at www.meredithallard.com.

Connect with the author

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Don’t forget to check out the other stops on the Christmas at Hembry Castle blog tour with The Coffee Pot Book Club

Welcome to today’s stop on the Sisters of the Sweetwater Fury by Kinley Bryan blog tour

Today, I’m welcoming Kinley Bryan to the blog with a post about the research she undertook for her new book, Sisters of the Sweetwater Fury.

Researching the Great Lakes Storm of 1913

When I began the research for my novel, Sisters of the Sweetwater Fury, there were two things I knew for certain. First, the story would take place almost entirely during the Great Lakes Storm of 1913. This monstrous storm lasted four days, sank dozens of steel freighters, and took the lives of more than 250 sailors. It was a once-a-century weather catastrophe and yet most people have never heard of it. I knew about it only through stories of my great-grandparents, sailors on the Great Lakes who went ashore for good in 1913 after surviving the storm. 

The second thing I knew for certain was that I would use multiple point-of-view characters. I had a vague idea that two characters would encounter the storm aboard ships, and one would be on land, at the water’s edge. With these two certainties in mind, my plan was to research until I was so full of ideas that I couldn’t wait to sit down and start writing.

My research began with White Hurricane by David G. Brown. This book focused on the storm, and included firsthand accounts and contemporary newspaper reports. While the characters in my story are fictional, the situations they encounter are not. This book helped me understand the specific dangers lake freighter crews faced as they battled 35-foot waves, hurricane-force winds, and whiteout blizzard conditions—as well as their strategies for mitigating those dangers. Brown’s book was also critical to my understanding of the course and chronology of the storm, as was the National Oceanic and the Atmospheric Administration, which had published a day-by-day analysis of the storm for its centennial.

Because much of the story takes place aboard lake freighters, I needed a primer on early twentieth-century Great Lakes commercial shipping. For this, I read Sailing into History: Great Lakes Bulk Carriers of the Twentieth Century and the Crews Who Sailed Them by Frank Boles. One of my main characters is a passenger rather than a sailor, so I also needed a passenger’s perspective of these great ships. A helpful resource was James Oliver Curwood’s The Great Lakes: The Vessels that Plough Them, Their Owners, Their Sailors, and Their Cargoes: Together with a Brief History of Our Inland Seas, which was published in 1909.

At one point in my writing, I couldn’t finish a scene because I didn’t know how sailors would have cleared ice from the pilothouse windows. In all the books I’d read, including Great Lakes fiction from the time period, this hadn’t been explained. But it was important to the scene, so I reached out to several historians. I was delighted to learn the answer from maritime historian Frederick Stonehouse, who also happened to be the author of one of my sources. Stonehouse’s Wreck Ashore taught me all about the U.S. Life-Saving Service, which operated throughout the Great Lakes and along the Atlantic Coast from the mid-1800s until 1915, when it merged with the Revenue Cutter Service to form the U.S. Coast Guard. 

In writing scenes about Agnes, who lives at the water’s edge, I drew on my own experiences. For years I lived in a cottage on Lake Erie, and was absolutely enamored of it. I’m now in a different part of the country, but in writing my novel I recalled my memories of the lake and referred to my old journal entries.

Finally, to get the little details right—what prices were in 1913, what people wore, what they ate—my sources included old issues of The Ladies’ Home Journal, many of which are available online. I also found a book published in 1914, Things Mother Used to Make by Lydia Maria Gurney. This collection of “old-time” recipes and household hints gave me wonderful insight into daily life of the period.

Of course, most of what I learned from my research didn’t make it into the novel. I once spent an entire afternoon learning how a triple-expansion steam engine worked. Mercifully for readers, those details never made it into the story.

That’s fantastic – a shame you couldn’t squeeze it in somewhere. Good luck with the new book.

Here’s the blurb:

Three sisters. Two Great Lakes. One furious storm.

Based on actual events…

It’s 1913 and Great Lakes galley cook Sunny Colvin has her hands full feeding a freighter crew seven days a week, nine months a year. She also has a dream—to open a restaurant back home—but knows she’d never convince her husband, the steward, to leave the seafaring life he loves.


In Sunny’s Lake Huron hometown, her sister Agnes Inby mourns her husband, a U.S. Life-Saving Serviceman who died in an accident she believes she could have prevented. Burdened with regret and longing for more than her job at the dry goods store, she looks for comfort in a secret infatuation.

Two hundred miles away in Cleveland, youngest sister Cordelia Blythe has pinned her hopes for adventure on her marriage to a lake freighter captain. Finding herself alone and restless in her new town, she joins him on the season’s last trip up the lakes.


On November 8, 1913, a deadly storm descends on the Great Lakes, bringing hurricane-force winds, whiteout blizzard conditions, and mountainous thirty-five-foot waves that last for days. Amidst the chaos, the women are offered a glimpse of the clarity they seek, if only they dare to perceive it. 

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Meet the Author

Kinley Bryan is an Ohio native who counts numerous Great Lakes captains among her ancestors. Her great-grandfather Walter Stalker was captain of the four-masted schooner Golden Age, the largest sailing vessel in the world when it launched in 1883. Kinley’s love for the inland seas swelled during the years she spent in an old cottage on Lake Erie. She now lives with her husband and children on the Atlantic Coast, where she prefers not to lose sight of the shore. Sisters of the Sweetwater Fury is her first novel.

Connect with the author

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Don’t forget to check out the other stops on the Sisters of the Sweetwater Fury Blog Tour with The Coffee Pot Book Club

Welcome to today’s stop on the blog tour for Rebel’s Knot by Cryssa Bazos

Today, I’m delighted to welcome Cryssa Bazos to the blog with a post about her new book, Rebel’s Knot.

Your book, Rebel’s Knot, is set during the seventeenth century in Ireland, a period I know very little about. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

Thank you for having me on your blog! Research can be an obsession. While only a small percentage ends up in the final copy, all those hours of research still colour between the lines.

I usually research in three major waves. The first is at the early stage before I write anything. I read historical non-fiction to give me an understanding of the era and subject. This is a general survey to determine where my story will sit within the history, and I look for signposts where I can lay my foundation.

When I feel that I have a good understanding, I start writing. I’m eager to get a taste for the characters and the story. By the time I hit the end of the first act, I often realize I need far more information about the setting and everyday details than I have. This leads me to my second wave of research, where I gather a hundred historical details that will be boiled down to only a few that stay in the text. I search out first-hand contemporary accounts, in letters or diaries, and try to get a sense of the world that my characters inhabit. This is where the characters lift off the page for me, and I can walk around in their shoes and understand what’s important in their life.

The last wave of research is my way of getting out of the dreaded middle slump. At this stage, the characters are walking around aimlessly, waiting for the events that will sweep them to the end. This is the rabbit hole stage of the process. Some might call it procrastination, and while it appears to be, what I’m actually doing is searching for inspiration from history. Where I often find the gold is in the footnotes. The list of goods stolen from a captured ship, for example, can be the lynchpin of a new subplot.

Research – Depositphotos Licence #33252823

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

I have several favourite online resources. British History Online (https://www.british-history.ac.uk) is one welcome rabbit hole, and it’s easy to get seriously lost going through the transcribed content they have in there. British Civil Wars Project (http://bcw-project.org) is a great resource for anything to do with the War of the Three Kingdoms. I often pop in when I want to check on a date or a fact, and they have sections organized for Scotland and Ireland. I also love the articles available on JSTOR, and will usually head there to get more in-depth understanding on a topic.

When I was researching Rebel’s Knot, I relied on God’s Executioner by Micheál Ó Siochrú. It’s an insightful and balanced view of the Cromwellian Conquest of Ireland, including the events leading up to it. My copy is now dogeared and marked up.

One of the historical figures that I feature in Rebel’s Knot is Edmund O’Dwyer, Commander-in-Chief of the Irish forces in Tipperary and Waterford. He’s mentioned only several times in the historical record and yet he played an important role in the defence of Tipperary. There’s very little known about him. I managed to find an old history of the O’Dwyers called The O’Dwyers of Kilnamanagh by Sir Michael O’Dwyer (1933), which not only compiled the scant information on Edmund O’Dwyer, but gave more information on his family and heritage.

Another major source of information was A Contemporary History of Affairs in Ireland, from 1641 to 1652 by Sir John Thomas Gilbert. This was a compilation of letters, diary entries and the record of the treaties in one volume. While the English Parliamentarians wrote most of the accounts, the information was still invaluable. I learned about the range of the English forces in Tipperary, and their favourable perspective on commanders such as O’Dwyer spoke volumes about his character.

I also tracked down a first-hand account of an English bookseller travelling through Ireland in the latter seventeenth-century called Teague Land or A Merry Ramble to the Wild Irish (1698) by John Dunton. It’s rare to find contemporary accounts of common people, so this was quite the find that the traveller captured his experiences with his Irish hosts. He seemed to be a bit of a foodie, because he left detailed information about what they offered him to eat and how they prepared his meals.

There were a myriad of other sources and old maps that I found helpful (let’s not get started on the maps), but the above resources were the material I kept returning to throughout writing my novel.

I’d like to thank you for the opportunity to chat about research! It’s a topic near to my heart.

Cryssa

Thank you so much for sharing your research with me. Good luck with the new book.

Here’s the blurb

Ireland 1652: In the desperate, final days of the English invasion of Ireland . . .

A fey young woman, Áine Callaghan, is the sole survivor of an attack by English marauders. When Irish soldier Niall O’Coneill discovers his own kin slaughtered in the same massacre, he vows to hunt down the men responsible. He takes Áine under his protection and together they reach the safety of an encampment held by the Irish forces in Tipperary. 

Hardly a safe haven, the camp is rife with danger and intrigue. Áine is a stranger with the old stories stirring on her tongue and rumours follow her everywhere. The English cut off support to the brigade, and a traitor undermines the Irish cause, turning Niall from hunter to hunted. 

When someone from Áine’s past arrives, her secrets boil to the surface—and she must slay her demons once and for all.

As the web of violence and treachery grows, Áine and Niall find solace in each other’s arms—but can their love survive long-buried secrets and the darkness of vengeance?

Trigger Warnings:

Violence, references to sexual/physical abuse.

Buy Links:

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Meet the Author

Cryssa Bazos is an award-winning historical fiction author and a seventeenth century enthusiast. Her debut novel, Traitor’s Knot is the Medalist winner of the 2017 New Apple Award for Historical Fiction, a finalist for the 2018 EPIC eBook Awards for Historical Romance. Her second novel, Severed Knot, is a B.R.A.G Medallion Honoree and a finalist for the 2019 Chaucer Award. A forthcoming third book in the standalone series, Rebel’s Knot, was published November 2021.

Connect with Cryssa Bazos

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Don’t forget to check out the other stops on the Rebel’s Knot blog tour with The Coffee Pot Book Club

The Custard Corpses is on blog tour with Rachel’s Random Resources

I’m taking The Custard Corpses on blog tour with Rachel’s Random Resources. 30 bloggers over 10 days will share their thoughts and reviews on the ebook, paperback and audiobook. Massive thanks to Rachel for organising such a huge tour. I’m really excited to find out what people think of my slightly twisty 1940s mystery.

For those who’ve not read The Custard Corpses yet, here’s the blurb;

A delicious 1940s mystery.

Birmingham, England, 1943.

While the whine of the air raid sirens might no longer be rousing him from bed every night, a two-decade-old unsolved murder case will ensure that Chief Inspector Mason of Erdington Police Station is about to suffer more sleepless nights.

Young Robert McFarlane’s body was found outside the local church hall on 30th September 1923. But, his cause of death was drowning, and he’d been missing for three days before his body was found. No one was ever arrested for the crime. No answers could ever be given to the grieving family. The unsolved case has haunted Mason ever since.

But, the chance discovery of another victim, with worrying parallels, sets Mason, and his constable, O’Rourke, on a journey that will take them back over twenty-five years, the chance to finally solve the case, while all around them the uncertainty of war continues, impossible to ignore.

The Custard Corpses is available as an ebook, paperback, hardback and audiobook (Thank you to Matt Coles for doing such a fabulous job with the narration). And, I’ve written a sequel too The Automobile Assassination. The Secret Sauce is also releasing in August 2025.

Check out The Erdington Mysteries Series page for more information.

https://whatcathyreadnext.wordpress.com (review)

https://norwayellesea.blogspot.com/2021/11/book-blog-tour-stop-with-author-guest.html ( Guest Post about my author inspiration)

https://rosemariecawkwell.wordpress.com/2021/11/17/audiobook-review-the-custard-corpses-by-m-j-porter/ (review)

https://fourmoonreviews.blogspot.com/2021/11/the-custard-corpses-by-mj-porter-review.html (review)

http://pettywitter.blogspot.com/2021/11/the-custard-corpses.html (review)

https://nickislifeofcrime.blogspot.com/2021/11/blogtour-book-excerpt-giveaway-custard.html (Excerpt)

https://chezmaximka.blogspot.com/2021/11/the-custard-corpses-by-mj-porter.html (Review)

https://dogsmomvisits.blogspot.com/2021/11/the-custard-corpses-by-m-j-porter.html (review)

https://www.jazzybookreviews.com/2021/11/the-custard-corpses-by-mj-porter-book.html

https://www.instagram.com/mickysbookworm/

https://www.jazzybookreviews.com/2021/11/the-custard-corpses-by-mj-porter-book.html

Tuesday 23rd November 2021

https://www.instagram.com/p/CWokh3iAOl2

Huge thanks to Rachel at Rachel’s Random Resources for organising such a fantastic tour, and to all the tour hosts and reviewers for welcoming The Custard Corpses to their blogs.


Posts

I’m sharing my review for Gods of Rome, the final book in the Rise of Emperors Trilogy by Gordon Doherty and Simon Turney #bookreview #histfic

Cor, I’ve loved all three of these books. But before I get to the nitty gritty of the review for book 3, here’s the blurb:

For one to rule, the other must die.

312 AD is a year of horrific and brutal warfare. Constantine’s northern army is a small force, plagued by religious rivalries, but seemingly unstoppable as they invade Maxentius’ Italian heartlands. These relentless clashes, incidents of treachery and twists of fortune see Maxentius’ armies driven back to Rome. 

Constantine has his prize in sight, yet his army is diminished and on the verge of revolt. Maxentius meanwhile works to calm a restive and dissenting Roman populace. When the two forces clash in the Battle of the Milvian Bridge, there are factors at work beyond their control and soon they are left with carnage. 

There is only one way Constantine and Maxentius’ rivalry will end. With one on a bloodied sword and the other the sole ruler of Rome . . .

Cover image for Gods of Rome by Doherty and Turney, published by Aries

My Review

Gods of Rome is a stunning climax to the Rise of Emperors trilogy. The reader has followed the lives of Maxentius and Constantine in the two previous books, through their childhood friendship and adult rivalries, which have resulted in them being firm enemies. In this non-stop and thrilling climax, there is all to play for, and don’t Doherty and Turney manage to ramp up the tension to unbearable heights.

I’m no expert on Roman history, and certainly not on the period leading up to AD312, but the authors manage to convey the chaos of the ruling elite without ever getting bogged down in the minutiae of all the internal power struggles. It’s a light touch that I certainly appreciate. The focus is on Constantine and Maxentius, and the men and women who stand at their side. And this is a particular strength of the book. It would be quite easy to forget about the men’s wives as the book focuses so much on warfare but Fausta and Valeria are given their own storylines, standing firm beside their men, even if they don’t always approve of what they’re doing, and not above some treachery themselves.

Maxentius and Constantine are two very different characters, grappling for the same thing, and the reader never tires of their internal monologues as they goad themselves onwards.

From about 50% through the book, I had to force myself not to turn to the back to read the historical notes, and to find out what ‘truth’ this story was based on.

I have adored this trilogy of books. It is my type of historical fiction – people who lived and breathed, brought to life and made to live their lives as opposed to authors focusing on the inevitability of what would happen, and presenting it as a fait accompli.

I can only hope that Simon Turney and Gordon Doherty are able to collaborate once more. After all, they have a lot of Roman era history they could delve into. (Hint, hint, nudge, nudge).

About the authors

Simon Turney is the author of the Marius’ Mules and Praetorian series, as well as The Damned Emperor series for Orion and Tales of the Empire series for Canelo. He is based in Yorkshire. 

Gordon Doherty is the author of the Legionary and Strategos series, and wrote the Assassin’s Creed tie-in novel Odyssey. He is based in Scotland.

Purchase link

Follow Simon

Website: http://simonturney.com/

Follow Gordon

Website: https://www.gordondoherty.co.uk/

Follow Aries

Website: http://www.headofzeus.com

Extract from Gods of Rome

1
CONSTANTINE
The Cottian Alpes, 27th January 312 ad

We moved through the mountains like winter wolves. The ferocious blizzard sped southwards with us, carried on the famous bora winds, singing a dire song. For days we marched through that driving snow, seeing nothing but great white-clad peaks either side of us; rugged, inhospitable highlands which in these frozen months soldiers were not meant to cross. All around me the gale screamed, boots crunched endlessly through the successively deeper drifts of white, men’s teeth chattered violently, mules brayed, exhausted. It felt at times as if we were wandering, snow-blind, to our deaths, but I knew what lay ahead… so close now.

I called upon my chosen men and a handful of their best soldiers – a group of thirty – and we roved ahead of the army like advance scouts. The blizzard raked through my bear cloak, the snow rattling like slingshot against my gemmed ridge helm and bronze scales as I scoured the valley route. Yet I refused to blink. When the speeding hail of white slowed and the murky grey ahead thinned a little, I saw them: a pair of stone and timber watchtowers, northern faces plastered in snow. Gateposts watching this passage between two realms. I dropped to my haunches behind the brow of a snowdrift and my chosen men hunkered down with me. I gazed over the drift’s brow, regarding the narrow gap between the towers and the valley route beyond, on through the winter-veined mountains. Thinking of the land that lay beyond these heights, my frozen lips moved soundlessly.

Italia…

Land of Roman forefathers. Home of the man I had once considered my friend… but that territory was rightfully mine. Mine! My surging anger scattered when I spotted movement atop one of the two towers: a freezing Maxentian scout blowing into his hands, oblivious to our presence. Then the blizzard fell treacherously slack, and the speeding veil of white cleared for a trice. I saw his ice-crusted eyebrows rise as he leaned forward, peering into the momentary clarity, right at us. His eyes bulged, mouth agog.

‘He is here!’ he screamed to be heard over the sudden return of the storm’s wrath. ‘Constantine is h—’

With a wet punch, an arrow whacked into the man’s chest and shuddered there. He spasmed then folded over the edge of the timber parapet and fell like a sack of gravel, crunching into a pillowy snowdrift at the turret’s foot. I glanced to my right, seeing my archer nock and draw again, shifting his bow to the heights of the other tower, his eyes narrowing within the shadow of his helm brow. He loosed, but the dark-skinned sentry up there ducked behind the parapet, screaming and tolling a warning bell. At once, three more Maxentians spilled from the door at the base of that rightmost tower, rushing south towards a simple, snow-topped stable twenty paces away, in the lee of a rocky overhang. This was one of the few gateways through the mountains – albeit the least favoured and most treacherous – and it was guarded by just five men? Instantly, suspicion and elation clashed like swords in my mind. We had no time to rake over the facts. These watchmen could not be allowed to ride south and warn the legions of Italia. They had to die.

Cover image for Gods of Rome by Gordon Doherty and Simon Turney

Check out my other reviews for Simon Turney/SJA Turney’s books

Commodus

Domitian

Sons of Rome

The Bear of Byzantium

Loki Unbound

Check out my other reviews for Gordon Doherty

Legionary: The Emperor’s Shield

Welcome to today’s stop on the Lies That Blind by E S Alexander blog tour

Today, I’m delighted to welcome E S Alexander to the blog to talk about her new book, Lies That Blind.

Your book, Lies That Blind, is deeply steeped in historical knowledge. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

(If this guest post is especially daunting, please don’t worry. )

MJ: This request isn’t daunting at all. In fact, I’m delighted to outline how I went about writing my debut historical novel, after 30+ years of penning non-fiction books.

In 2017 I decided to exact another major life change. I sold my house, my car, most of my possessions and moved— ‘sight unseen’—to the island of Penang, Malaysia. I knew very little about how Penang had come to be in the possession of the East India Company in 1786, until I was having coffee one morning with a publisher friend of mine. Eager to find out more about the history of my new home, he related the story of how an agent of the so-called ‘Honourable Company’ had leased the island from its owner, the Sultan of Queda (now spelled Kedah). Captain Francis Light, a Suffolk man, had for many years been a country trader, sailing from port to port in the Malay Archipelago buying and selling goods ranging from opium and tin, to condemned muskets and cloth. Extremely ambitious, Light had for at least fifteen years harboured a desire to govern his own trading settlement. After much to-ing and fro-ing with respect to a disputed treaty, he became known as the founder of Penang. 

I imagined everyone, whether Malaysian or ex-pats living here, was very familiar with the history, so it never entered my head to write a book about it. It wasn’t until my friend remarked that Light had almost lost Penang when the aggrieved sultan amassed an armada of Malays, pirates, and mercenaries to take his island back, that my interest was piqued. Having been a freelance features journalist for decades, this seemed to be the most interesting part of the story. Was this a case of a mercurial raja changing his mind about the lease, jealous of Light’s success in transforming Penang from an almost uninhabited jungle island into a thriving entrepôt? Was the sultan annoyed that he was no longer accruing the duties and taxes on trade because ships were now sailing to Penang rather than to Queda? Or had Light, whom I gathered had had no previous administrative experience, made some kind of diplomatic blunder? As I set about trying to find the answers to these questions, in the back of my mind it sparked the notion to write my first novel after 30+ years as a non-fiction author. 

GEORGE TOWN MAP

My friend’s publishing house had produced two enormous volumes—written by his business partner—entitled Penang: The Fourth Presidency of India 1805-1830 (Marcus Langdon, 2013 and 2015)—so I made a start there.  

Marcus’ books provided a wealth of source material. Not least many of the letters that Light had written to his paymasters in Calcutta, at the East India Company. I got the sense that Light was something of a double-dealer: he had obviously made promises to the sultan that he was not authorised to make, and could not keep, but managed to maintain good relations by telling the Malay raja only what he wanted to hear. 

My first port of call, after this preliminary desk research, was the National Library in Singapore. There I found a wealth of old manuscripts and books, each with their own ‘take’ on the agreement between Francis Light and the Sultan of Quedah. Now, as any good researcher should be, I was sceptical of white colonial men perpetrating the usual propaganda: Light was the good guy, the sultan an ungrateful upstart. I spent a wonderful long weekend in Singapore devouring books including Malaya’s First British Pioneer: The Life of Francis Light by Harold Parker Clodd (an obvious fan of the captain’s!), published in 1948; British Malaya: An Account of the Origin and Progress of British Influence in Malaya by Sir Frank Swettenham, a British colonial official from 1871-1904; and A History of Malaya by Sir Richard O. Winstedt, another colonial administrator from the early part of the 20th century. My story was beginning to take shape in the broadest sense—but I still didn’t have a handle on the kind of man that Francis Light truly was. The last thing I wanted to do was write yet another glowing, one-sided tale about an orang putih (white person), as we find is typically the case with Sir Stamford Raffles!

Then I stumbled upon an article by R. Bonney entitled Francis Light and Penang in the Journal of the Malaysian Branch of the Royal Asiatic Society. Almost from the first page I got the sense that Light tended to over-exaggerate situations: to make promises he could not keep, and to ‘gild the lily’ on occasions when it suited him. Here, at last, the ‘founder’ of Penang was shaping up to become a worthy antagonist in my novel. It seemed to me that the man’s past deceptions had come back to haunt him. My story just took off from there.  

TRAPAUD ILLUSTRATION OF LIGHT’S POSSESSION CEREMONY. CREDIT Division of Rare and Manuscript Collections, Cornell University Library. 

I’ll conclude with three final points. The first being that the Penang Presidency books written by Marcus Langdon provided me with such lengthy letters that I was able to take much of what Light had written and bring it to life as dialogue in my novel. No one could accuse me of slandering this great man if I was putting his own words into his mouth. 

The second point, of which I’m very proud, is that I read the English translation of The Hikayat Abdullah, said to have been completed in 1845 by Abdullah bin Abdul Kadir, which provided me with an authentic sense of the region not long after Light lived (1740-1794). Indeed, one of the Malay characters in my novel is based on Munshi Abdullah. Anyone reading the Acknowledgements Page of my book will also see the names of all the Islamic scholars and Malay historians I reached out to, to check that I wasn’t inadvertently misinterpreting something I’d read. 

Finally, I have never adhered to the philosophy ‘write about what you know’. To me, it’s always more interesting to write about what I want to know. I guess this comes from my years as a journalist when I wrote for women’s magazines, national newspapers, and trade journals focusing on topics as wide-ranging as skincare, supply chains, IT, and human resources. I discovered so many fascinating insights into the time and place during my three-and-a-half years researching this novel that they have become topics I go into more in-depth in my blog (https://www.esalexander.com/blog)

Wow, thank you so much for sharing such a great post. Light sounds like a fascinating character. Good luck with the new book.

Here’s the blurb

What would you risk to avoid obscurity?

Malaya, 1788

Aspiring journalist Jim Lloyd jeopardises his future in ways he never could have imagined. He risks his wealthy father’s wrath to ride the coat-tails of Captain Francis Light, an adventurer governing the East India Company’s new trading settlement on Penang. Once arrived on the island, Jim—as Light’s assistant—hopes that chronicling his employer’s achievements will propel them both to enduring fame. But the naïve young man soon discovers that years of deception and double-dealing have strained relations between Light and Penang’s legal owner, Sultan Abdullah of Queda, almost to the point of war. Tensions mount: Pirate activity escalates, traders complain about Light’s monopolies, and inhabitants threaten to flee, fearing a battle the fledgling settlement cannot hope to win against the Malays. Jim realises that a shared obsession with renown has brought him andLight perilously close to infamy: a fate the younger man, at least, fears more than death. Yet Jim will not leave Penang because of his dedication to Light’s young son, William, and his perplexing attraction to a mercurial Dutchman. He must stay and confront his own misguided ambitions as well as help save the legacy of a man he has come to despise.

Inspired by true events, Lies That Blind is a story featuring historical character Francis Light (1740-1794) who, in an effort to defy his mortality, was seemingly willing to put the lives and livelihoods of a thousand souls on Penang at risk.

Buy Links:

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Meet the author

E.S. Alexander was born in St. Andrews, Scotland in 1954, although her family moved to England a few years later. Her earliest memories include producing a newspaper with the John Bull printing set she was given one Christmas. She wrote and directed her first play, Osiris, at age 16, performed to an audience of parents, teachers, and pupils by the Lower Fifth Drama Society at her school in Bolton, Lancashire. Early on in her writing career, Liz wrote several short stories featuring ‘The Dover Street Sleuth’, Dixon Hawke for a D.C. Thomson newspaper in Scotland. Several of her (undoubtedly cringe-worthy) teenage poems were published in An Anthology of Verse.

Liz combined several decades as a freelance journalist writing for UK magazines and newspapers ranging from British Airway’s Business Life and the Daily Mail, to Marie Claire and Supply Chain Management magazine, with a brief stint as a presenter/reporter for various radio stations and television channels, including the BBC. In 2001 she moved to the United States where she earned her master’s degree and Ph.D. in educational psychology from The University of Texas at Austin.

She has written and co-authored 17 internationally published, award-winning non-fiction books that have been translated into more than 20 languages.

In 2017, Liz relocated to Malaysia. She lives in Tanjung Bungah, Pulau Pinang where she was inspired to embark on one of the few forms of writing left for her to tackle: the novel.

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Don’t forget to check out the other stops on the Lies That Blind blog tour with The Coffee Pot Book Club