If you’ve been with Coelwulf, Rudolf, Icel, Edmund and Pybba since the beginning, then you’re probably with me in trying to work out how 2 years have gone by since the release of the first book.
I thought it worthy of a huge celebration, and so The Last King is on blog tour for today only with a whole swathe of hosts from Rachel’s Random Resources. Check out their posts and blogs, and you really might enjoy those hosts that have an excerpt from the book. When I was choosing them, it reminded me of all the things that drew me these characters, and this book, and made me write it the way that I did. The exuberance is difficult to ignore. (And remember – there are Clean(er) versions of all the books available in ebook format without the more offensive word that rhymes with something that quacks).
I’m going to pop some links here to blog posts I’ve shared in the past.
It’s not very often that I actually get to visit the places I write about. Very little of Saxon England remains as it would have been. But for Cragside, I could visit as often as I liked, and I did. I’m going to share some images of the interior of the house with you. These were either taken during December 2021, so might be a bit Christmasy, or were taken in August 2021. (apologises to people I’ve accidentally snapped).
The Dining RoomThe Study (I think)BookcaseInformation about the statue I mention in the bookWhat’s up there?Map of the upper floorView from inside to the famous bridgeOnce of the bedroomsOne of the many, many paintings The Billiard RoomView from the bridgeSome of the magnificent trees (I’m unsure if they still stand:()View of the arch from the carriage driveExterior view of the servants quartersThe Butler’s PantryIrons:)The kitchenThe kitchenThe KitchenThe kitchenThe kitchenThe kitchenGlass work in the dining roomImages of CragsideThe wonderful doorWhat you might see from the rockerySome of the trees that fell in Storm Arwen. How old were they!View from the formal gardensWhat might have been seen from the formal gardens, looking towards the main house
Cragside: A 1930s murder mystery is now available in ebook, hardback, paperback and audio.
Warrior and combat medic, Titus Cervianus, must lead a legion and quell the uprisings in Egypt in a new Roman adventure from Simon Turney. Egypt. 25 BC.
Titus Cervianus and the Twenty Second Deiotariana have been sent to deal with uprisings and chaos in Egypt. Yet the Twenty Second is no ordinary legion. Founded as the private royal army of one of Rome’s most devoted allies, the king of Galatia, their ways are not the same as the other legions, a factor that sets them apart and causes friction with their fellow soldiers.
Cervianus is no ordinary soldier, either. A former surgeon from the city of Ancyra, he’s now a capsarius – a combat medic. Cervianus is a pragmatist, a scientist, and truly unpopular with his legion.
Marching into the unknown, Cervianus will find unexpected allies in a local cavalryman and a troublesome lunatic. Both will be of critical importance as the young medic marches into the searing sands of the south, finding forbidden temples, dark assassins, vicious crocodiles, and worst of all, the warrior queen of Kush…
I really enjoyed The Capsarius. I’ve read some of Simon Turney’s Roman fiction in the past, but this book, without its focus on Roman Rome, is a little different, and very enjoyable.
I didn’t read this book quickly – rather I enjoyed it slowly, taking delight in reading a small amount each day over an extended period. It’s a story rich with detail, as our main character, The Capsarius, travels through a land he is clearly excited to visit, being so very strange to his birth lands, and yet one he understands is filled with danger. The heat, the lack of water, and the need to stay close to the great river Nile, bring into play some very dangerous enemies, the crocodiles of the delta.
The Capsarius is not your usual Roman warrior. He’s a skilled and widely read individual, keen to hold on to the ideals he has as a medic in the Roman army, even though he’s pitted against just about everyone in the legion, and his superiors really don’t seem to like him a great deal – not that it worries him. He’s a man of reason, and yet one who’s thrust into a strange land, with even stranger gods, and gods who seem to speak to him. The interplay between the reasoned man forced to question his beliefs because of the pervading Egyptian religion is skillfully drawn.
This is a slow burn, which rewards the reader with two really quite different battle scenes in the second half of the book when our Roman hero finally encounters his elusive enemy, and I’m already looking forward to book 2.
A wonderful read – with just the right amount of humour and peril – set in a wonderfully drawn land of intrigue and danger.
Thank you to Netgalley and the publisher for my review copy, and for inviting me onto the new release blog tour.
Meet the author
Simon Turney is from Yorkshire and, having spent much of his childhood visiting historic sites, fell in love with the Roman heritage of the region. His fascination with the ancient world snowballed from there with great interest in Rome, Egypt, Greece and Byzantium. His works include the Marius’ Mules and Praetorian series, the Tales of the Empire and The Damned Emperor series, and the Rise of Emperors books with Gordon Doherty.
Today, I’m releasing the ebook, paperback and audiobook of Cragside into the wild. I loved writing this book, and I want to say that my narrator, Gill Mills, has done an amazing job of bringing the character of Lady Ella Merryweather to life. Thank you.
But, why Cragside?
Cragside is a National Trust property in North Northumberland. During Lockdown, it was one of the places that was allowed to remain open (the grounds were) for locals. What started as a single visit because it was just amazing to go somewhere that wasn’t home, or the walk down the road, became a regular weekly haunt. Every week, just about without fail, and no matter the weather, we walked around the estate, exploring places I’d never seen before. And what an absolute joy it was. Cragside, the house, is majestic, but it’s the estate and all of its wonderful nature that really called to me. It’s not unusual to see a deer on the vast estate, or to watch birds, ducks and even some fish, in their natural environment. And some of the ducks like to have a proper little scrap, which really echoes.
Autumnal view of the estate looking out towards Rothbury
The Basin Tank, Cragside
One of the many, many paths through the Estate and leading to the house
And the more I walked around the estate, the more I started to see possibilities for a new story. The basin tank, dark and brooding, seemed like a perfect place to find a body, and that was just the first of the thoughts I had about a potential new story. And, of course, I also made the decision to set the story in Autumn, because while the spring and summer are beautiful, I’m a huge fan of Autumn colours, and it’s not just because the estate tends to be quieter over the cooler months:)
The Basin Tank. This was the first place that really made me think about writing a murder mystery set here.
My main character, Lady Ella Merryweather, developed along with my walks and I enjoyed crafting the story of a woman already suspected of murder trying to prove her innocence in the 1930s.
A deer on the EstateThe fireplace in the Drawing RoomSpringtime at CragsideSpringtime at CragsideCragside TreesCragside view from Debdon Valley
I hope you’ll enjoy my 1930s murder mystery inspired by my love of Cragside and Agatha Christie novels.
I’ve been reading Catherine Coles previous series for a while now. I do love a Golden Age mystery novel, so I was really pleased to see she was becoming a fellow Boldwood Books author, and that there was going to be a new series as well.
Here’s the blurb:
With the war finally over the residents of Westleham village are trying to reclaim a sense of normality and the upcoming village show is proving to be a popular event!
Newcomer, Martha Miller, has high hopes for the village show. Since her husband Stan left for work one day and never returned, some of the villagers have treated Martha with suspicion – why would a good man like Stan simply up and leave? Was it something Martha did?
All Martha knows is that she’s hoping that she can win people over and hopefully they’ll but her delicious homemade plum gin, too and she’ll be able to make ends meet.
But as glasses of Martha’s gin are passed around, disaster strikes. Alice Warren, Chairwoman of the village show slumps to the ground after taking a sip. It’s clear she’s been poisoned!
Martha is shocked, but not surprised, when fingers of suspicion once again point her way. Determined to prove her innocence, Martha sets about trying to find the real culprit. But who would kill Alice and why?
Ably helped by the new vicar, Luke Walker, Martha quickly tries to get to the bottom of this mystery. But with the villagers closing ranks it quickly becomes apparent that the only person with a motive is Martha herself….
Will Luke and Martha discover who is behind the poisoning before it’s too late?
Here’s my review
Poison at the Village Show is a charming mystery set in a small village in the years after the Second World War, featuring Martha Miller, her sister Ruby, and the new vicar, Luke Walker.
I’ve already read all of Catherine Coles Tommy and Evelyn books set in the aftermath of World War I and love the depictions and the characters of Tommy and Evelyn. Fans of those books will not be disappointed with Martha, Luke and Ruby. They are all excellent creations and make for an engaging read.
The story really gathers pace as it continues, and the ending is both satisfying, and I confess, slightly unexpected for me. It’s always good not to guess who the real perpetrator was.
I really look forward to reading more of this series and returning to the charming village of Westleham with its cast of eclectic busy-bodies in the years after the war when a sweet cup of tea is the solution to everything.
Thank you to the publisher and Netgalley for my review copy.
The daughter of a military father, Catherine was born in Germany and lived most of the first 14 years of her life abroad. She spent her school years devouring everything her school library had to offer! Catherine writes cosy mysteries that take place in the English countryside. Her extremely popular Tommy & Evelyn Christie mysteries are set in 1920s North Yorkshire. Catherine lives in northeast England with her two spoiled dogs who have no idea they are not human!
What better way to celebrate, nearly, two years of Coelwulf and his pals, than with a blog tour to showcase all of the books in the series (to date – I’m currently working on book 7).
What started as a bit of mad idea in The Last King has become a series featuring a cast of warriors (and horses) that my readers love reading about, and about who I love to write. Not to mention inspiring the prequel series – which begins with Son of Mercia – and tells the story of a very young Icel.
To celebrate all of this, I have three, yes three, paperback copies of the short story collection, Coelwulf’s Company, to giveaway to readers. They’ll come signed and dated, and to anywhere in the world. To enter, just follow this link to Rafflecopter, where it’ll ask you to follow me on Twitter, and you should be entered. I’ll get in touch with the winners at the end of the giveaway, which I hope is midnight on 18th March 2022 (if I’ve set it up correctly). Good luck with the prize draw and do let me know if there are any problems.
The historical setting of the Gods and Kings trilogy
It’s often assumed that we know very little about the men and women of seventh century Britain, and that’s not wrong, however, what is known makes for a compelling narrative.
The Golden Age of Northumbria
The seventh century in Britain is more often than not, lauded as the Golden Age of Northumbria, the northernmost Saxon kingdom of England. Many will have heard of the magnificent fortress on Northumberland’s coast, Bamburgh, or as some will know it Bebbanburg (even though must of what stands to this day is a late nineteenth century addition). Many may have heard of the names Edwin, Oswald Whiteblade, and his brother, Oswiu. Many may know of their Celtic Christianity, of Bishop Aidan from Iona beginning his monastery on Lindisfarne and the explosion in art which seems to come to natural fruition with the works of Bede in the later eighth century. But there is much, much more than that.
The Anglo-Saxon Chronicle tells us of a series of great battles fought on the island of Britain during the seventh century, most, if not all of them, great victories for Northumbria’s royal family, or if not victories, then terrible tragedies. Edwin, the uncle of Oswald Whiteblade, slew his nephew’s father, and Oswald was forced to flee into exile, where he was introduced to Celtic Christianity. And yet, this was only a mirror of Edwin’s own life, when he too had been forced to flee into exile when Oswald’s father claimed the kingdom of Northumbria. And all of this is fascinating, but what of the other kingdoms, and their leaders?
Penda of Mercia
And here, we encounter, Penda of Mercia, a pagan king, at a time when the Saxon kingdoms were slowly becoming converted to Christianity, either from the north and Iona (Bishop Aidan), or from Rome, with Bishop Paulinus. These two religions were to set up their own conflict for supremacy but for the three battles I’ve written about, it’s Penda and his paganism that creates the conflict.
Penda and his brother, Eowa, were to claim Mercia as there’s to rule. They seem to have originated from a royal family with their power base in the kingdom of the Hwicce, a part of Mercia centred around Gloucester and they were not happy with events in Northumbria.
Not once, not twice, but three times, Penda took on the might of Northumbria, in battles taking place at Hædfeld, Maserfeld and Winwæd, spanning a twenty year period.
Hædfeld, Maserfeld and Winwæd
It’s these three battles I offer a retelling of in the Gods and Kings series, and not just because there are these two kingdoms at loggerheads, Mercia and Northumbria, but because these battles brought into play every kingdom within Britain at the time; from Dal Riata and the kingdom of the Picts to the North, to that of the West Saxons and Dumnonia to the south and south-west. These battles were monumental. Great swathes of warriors facing one another with everything to play for, much to lose and even more to gain.
The wolves of Odin sail to the centre of the world: Constantinople.
AD 1041. After successfully avenging the death of his father, Halfdan and the crew of the Sea Wolf seek adventure in strange new lands, far from their Scandinavian home.
They join the fleet of Harald Hardrada, the legendary Viking commander, sailing back to Constantinople from the battlefields of Georgia. There they join the Varangians, the personal bodyguard of the Byzantine Emperors populated almost exclusively by Viking warriors. But Constantinople has changed during Hardrada’s long absence.
The Emperor, Michael IV, is ailing visibly, and powerful factions in his court are setting their plans in motion ahead of his inevitable demise. While courtiers scheme, elements even within the Varangian Guard are picking sides.
Gunnhild, the seer among the Sea Wolf crew, has struck out on her own in the big city. Unable to join the all-male Guard alongside her friends, she establishes herself in a small side-street near the port as a healer and soothsayer, offering cures to the sick and glimpses of the future to the desperate, or the conspiratorial. But in all her visions she sees a wolf, a boar and a golden bear fighting together to support the Byzantine throne. The Norns aren’t finished with them yet…
The epic second instalment in the Wolves of Odin series, taking us to the heart of power in Constantinople and the desperate machinations of the Byzantine emperors. Perfect for fans of Bernard Cornwell, Giles Kristian and Angus Donald.
My Review
The Bear of Byzantium is a fabulous book.
From the opening chapter, which focuses on Harald Hardrada, I knew this was my kind of book – if not just because of the occasional – and it is occasional for anyone who doesn’t appreciate it quite as much as me – use of a little bit of fruity language.
What follows is a journey through Constantinople at a particularly perilous time for emperors and impresses.
The two characters of Gunnhild and Halfdan, who are the main POV throughout the story, are intriguing and have very eventful stories, and the ending is exciting. I thoroughly enjoyed the way the author brought the city of Constantinople to life – something he’s extremely good at in his Roman-era books as well – as well as the customs, regulations, and also, all the paperwork (it’s much more exciting than it sounds:))
A firm favourite for me now and I look forward to continuing the story of Gunnhild and Halfdan – and I will assume Harald Hardrada at some point in the next few books in the series.
My thanks to the publisher and Netgalley for my review copy. The Bear of Byzantium is available now from Amazon and all good booksellers. Just a note that while this might be book 2, I haven’t read book 1, although I have it to read. If you want to jump right in, as I did, it won’t be a struggle to engage with the characters.
Today, I’m delighted to welcome Elizabeth R Anderson to my blog, to talk about the inspiration behind her The Two Daggers Series.
I hate flying. But, on a flight from Prague to Seattle in 2018, it was not a fear of dying in a fiery crash that bothered me; it was an idea that had entered my head and would not leave.
What would happen if a Medieval nobleman was falsely accused of being a leper and lost everything?
Some people just watch a few movies and fall asleep until they land at their destination. Oh, to be one of those people!
I had 10-hours of flying time, so I opened my laptop and got busy writing a few exploratory chapters about a knight returning from a stint on crusade in the Levant (the area roughly compromising the Middle East today). Eventually, an evil bishop would poison him, accuse him of being a leper, and seize his property. This was so easy! Knights in shining armor! A ready-made conflict and resolution. A cookie-cutter villain!
Can you spot the problems with this idea already? Hint: Everything about this idea is a problem.
I am so grateful that when I was back on the ground, my research led me to understand how wrong my premise was and how it was time to rethink everything about the way I viewed the Middle Ages, from racism and religion to personal hygiene.
Setting aside the fact that it’s really not easy to fake leprosy (now referred to as Hansen’s Disease), there is ample evidence that people afflicted with the disease were treated with compassion and even viewed as blessed by God because of their earthly suffering. King Baldwin IV of Jerusalem was notable for being a leper. There was even a brotherhood of leper knights living in the Holy Land – the Order of Saint Lazarus. So there went that idea.
I dug deeper. If lepers weren’t as badly treated as I had thought, was that also the case with other people? What about Jews and Muslims? Here is where things became even more interesting. As the pilgrims, fighters, and settlers of the West (France, the Holy Roman Empire, and the city-states on the Italian peninsula) arrived in the Levant, they were indeed bigoted and horrendous to the local citizens. But the more time that these settlers spent with their Levantine neighbors, the more accepting they became. Few of the villages surrounding the large cities of Jerusalem, Tyre, and Tripoli were heavily mixed. But curiously, the towns around the city of Acre on the coast did seem to have a mix of Christian, Jewish, Muslim, and other religious people who tolerated each other relatively well.
What was it about this place?
This was when I became engrossed in the history of that city – a melting pot of cultures, races, religions, and intrigues. I want to acknowledge that bigotry and racism did exist in Acre (and everywhere else). Jews were still forced to work in jobs considered undesirable for Christians, such as moneylending and tax collecting. Muslims could still be enslaved – and often were – in the homes of Christian nobles. Captives from the territories south of Cairo received the worst treatment – a tragic indication of what was to come later as importing slaves to the Americas became common practice.
Acre. This lively, filthy, cosmopolitan city thrived with wealth and trade that benefitted Muslims, Jews, and Christians in the year 1291. So why was it attacked? How could the peace that existed between the Crusaders and the Mamluk army disintegrate so quickly?
Continuing down the research spiral of broken truces, spies, political plots, and miraculous events that led to the final siege of the city, I came across a line in the account of the Templar of Tyre that referenced a single, unnamed viscount and his disastrous mistake outside the walls of Acre.
That’s when I realized I had found my story.
The year 1291 is when the Christians were ousted from the Levant and no longer held significant territory near Jerusalem. This began the glory of the Mamluk period when powerful Muslim families founded by Turkish slaves started to form, put down roots, and create dynasties. There was so much happening at this time, and yet, sandwiched between the death of Saint Louis and the beginning of the Plague in 1348, the Siege of Acre is often a side note in the historical record.
Two years later, I published The Scribe. The book follows four young people with seemingly opposite backgrounds as they come of age in Acre: a kidnapped slave soldier, a feisty orphan girl, a rising star in the Mamluk army, and a spoiled viscount. The first book builds the history of these characters and sets the scene for the siege in book two (The Land of God, pub August 2021). After that, these characters must make their way in a world where any fleeting tolerance that did exist was snuffed out by fear of disease, economic hardships, and religious extremism.
The fact that this story started completely different from what I had planned is what I love about it. The characters in the books are twisted and molded by tumultuous events that they cannot escape. Their challenges are still ours today; how to think about the world, whether to go along with injustice or fight it, love, lust, hate, family, and friends.
In 800 years, humans haven’t changed all that much.
The Two Daggers series will contain five books in total. Elizabeth wants to get to the end as quickly as her readers do and is researching and writing at breakneck speed!
Sources: The list of sources for The Scribe and The Land of God are available on Goodreads. For this article, the following sources were used:
Medieval Leprosy Reconsidered, Timothy S. Miller and Rachel Smith-Savage, International Social Science Review, Vol 81, No 1, (2006)
Frankish Rural Settlement in the Latin Kingdom of Jerusalem, Ellenblum, Ronnie, Cambridge University Press, 1998
Thank you so much for sharing your story with me, and for providing a bibliography. I like that:) Good luck with the series.
The Scribe (Book 1)
All Henri of Maron wanted was to stay with his family on his country estate, surrounded by lemon groves and safety. But in 13th century Palestine, when noble-born boys are raised to fight for the Holy Land, young Henri will be sent to live and train among men who hate him for what he is: a French nobleman of an Arab mother. Robbed of his humanity and steeped in cruelty, his encounters with a slave soldier, a former pickpocket, and a kindly scribe will force Henri to confront his own beliefs and behaviors. Will Henri maintain the status quo in order to fit into a society that doesn’t want him, or will fate intervene first?
The first book in The Two Daggers series, The Scribe takes readers on a sweeping adventure through the years and months that lead up to the infamous Siege of Acre in 1291 CE and delves into the psyches of three young people caught up in the wave of history.
The Land of God (Book 2)
Pain. His sister’s screams. And a beautiful face in the jeering crowd. When Henri of Maron woke, he had only a few memories of his brutal flogging, but he knew the world had changed. He had changed.
Now, as he grapples with the fallout from his disastrous decisions, war with the Mamluk army looms closer. To convince the city leaders to take the threat seriously, Henri and the grand master of the Templars must rely on unlikely allies and bold risks to avoid a siege.
Meanwhile, Sidika is trying to find a way to put her life back together. When she is forced to flee her home, her chance encounters with a handsome amir and a strangely familiar old woman will have consequences for her future.
The Land of God weaves the real historical figures with rich, complex characters and an edge-of-seat plot. Readers who enjoyed the Brethren series by Robyn Young and The Physician by Noah Gordon will appreciate this immersive tale set in the Middle East in the Middle Ages.
Trigger warnings:
Torture, violence, sexual assault, sexual content.
Elizabeth R. Andersen’s debut novel, The Scribe, launched in July of 2021. Although she spent many years of her life as a journalist, independent fashion designer, and overworked tech employee, there have always been two consistent loves in her life: writing and history. She finally decided to do something about this and put them both together.
Elizabeth lives in the Seattle area with her long-suffering husband and young son. On the weekends she usually hikes in the stunning Cascade mountains to hide from people and dream up new plotlines and characters. Elizabeth is a member of the Historical Novel Society and the Alliance of Independent Authors.
Your book, A King Under Siege, sounds fascinating. Can you share with me what the first idea was that made you decide to write this story? It might be very different from how the story ended up being, but I am curious, if you don’t mind sharing. And, if the story is very different, would you mind sharing the process by which you ended up with your current novel?
Shakespeare and A King Under Siege
Back in my college days, I watched the new BBC Shakespeare Production of Richard II with Derek Jacobi. I had never heard of Richard, but I watched this play with growing fascination and by the end, when he sat in prison bemoaning the fate of kings, I was smitten. You know, I carried him around with me for over forty years, intending to write his story someday.
At the time, I didn’t realize that Shakespeare only covered the last three years of Richard’s life in the play. I had no idea what I was in for: first the Peasants’ Revolt then the Lords Appellant (and the Merciless Parliament) putting Richard’s friends and advisors to death. His story was much more complicated than I ever imagined. And of course, it helped explain the events in Shakespeare’s play—especially the exile of Henry Bolingbroke, which was kind of “out of left field” to me. In fact, I would say that events during Richard’s reign deserved more than one play, but there’s a possibility that Shakespeare might have upset the queen if he had done so. He barely managed to stay out of jail as it was—especially after the Earl of Essex used his play to promote his ill-fated rebellion.
But I digress. Suffice it to say that Shakespeare’s play actually depicted events in my next book, THE KING’S RETRIBUTION. So I had to go back and start from the beginning. At first, I was going to gloss over the Peasants’ Revolt, but frankly I found it too interesting to ignore. Wat Tyler and John Ball were giant personalities, and their revolt shook medieval society to its core. And indeed, I think Richard’s actions revealed his courage under fire—a trait so important to kingship. Too bad he was only fourteen and under the thumb of his elders who were quick to downplay his accomplishments.
Froissart-JohnBall-BL-Royal 18 E I f. 165v
But it wasn’t until I unearthed the whole Lords Appellant episode that I understood how Richard’s personality got warped. He lost everyone who was important to him—except for his wife—and was humiliated to the point of almost losing his crown. No wonder he felt the need to wreak revenge. It’s a marvel he waited so long. I believe the untimely death of Queen Anne removed the most effective brake on his unwholesome tendencies.
So Shakespeare, who began his play with the famous scene where Bolingbroke and Mowbray accused each other of treason, showed us the beginning of the end. Their unfortunate quarrel gave Richard the opportunity to get rid of the last two Appellants who almost destroyed his kingship. He had already taken his revenge on the other three, the Duke of Gloucester (whose unavenged murder is referenced several times in the play without explanation), the Earl of Arundel (who was executed) and the Earl of Warwick (who was degraded and imprisoned). Exiling Bolingbroke and Mowbray gave Richard great satisfaction, and Gaunt’s death shortly thereafter clinched his triumph when he confiscated Bolingbroke’s inheritance.
I always wondered whether the Elizabethans knew the history behind Shakespeare’s plays (for instance, did they know Banquo in Macbeth was the ancestor of the Stewarts?). In Richard II’s case, the play works as it is very well, but a knowledge of its background makes it even more comprehensible. I watched the play often while writing this book (and afterwards), and each time I saw it I caught something new. Needless to say, the same qualifies for Henry IV, as I was soon to discover!
Thank you so much for sharing. I think Shakespeare has a lot to be blamed for. His tendency to play around with details of the past is as fascinating as the events he depicts. Good luck with the new book.
Here’s the blurb:
Richard II found himself under siege not once, but twice in his minority. Crowned king at age ten, he was only fourteen when the Peasants’ Revolt terrorized London. But he proved himself every bit the Plantagenet successor, facing Wat Tyler and the rebels when all seemed lost. Alas, his triumph was short-lived, and for the next ten years he struggled to assert himself against his uncles and increasingly hostile nobles. Just like in the days of his great-grandfather Edward II, vengeful magnates strove to separate him from his friends and advisors, and even threatened to depose him if he refused to do their bidding. The Lords Appellant, as they came to be known, purged the royal household with the help of the Merciless Parliament. They murdered his closest allies, leaving the King alone and defenseless. He would never forget his humiliation at the hands of his subjects. Richard’s inability to protect his adherents would haunt him for the rest of his life, and he vowed that next time, retribution would be his.
Mercedes Rochelle is an ardent lover of medieval history, and has channeled this interest into fiction writing. Her first four books cover eleventh-century Britain and events surrounding the Norman Conquest of England. The next series is called The Plantagenet Legacy about the struggles and abdication of Richard II, leading to the troubled reigns of the Lancastrian Kings. She also writes a blog: HistoricalBritainBlog.com to explore the history behind the story. Born in St. Louis, MO, she received by BA in Literature at the Univ. of Missouri St.Louis in 1979 then moved to New York in 1982 while in her mid-20s to “see the world”. The search hasn’t ended! Today she lives in Sergeantsville, NJ with her husband in a log home they had built themselves.
MJ Porter 
