Will six strangers find hope, love, and family at Christmas? A collection of three historical western short stories to inspire love and warm the heart.
“Christmas Mountain”
In search of family she barely knows and adventure she’s always wanted, Katherine Donahue is saved from freezing on a winter night in the mountains of Montana by August Hollister. Neither of them expected that what one woman had in mind was a new beginning for them both.
“Teton Christmas”
Heartache and a thirst for adventure lead McKensie Stewart and her sister to Wyoming after the death of their parents. With the help of a widowed aunt and a charming horse breeder, McKensie discovers that hope is a cherished promise, and there is no greater gift than love.
“Lily’s Christmas Wish”
Lily Malone has never had a real family or a real Christmas. This holiday season, she might get both. From an orphanage in New York City to the rugged mountains of Colorado, Lily sends out only one wish. But when the time comes, can she give it up so someone else’s wish can come true?
If you love inspirational romance and heartfelt holidays, then you’ll enjoy this trio of stories as we remember the true meaning of love any time of the year.
Praise for A Home for Christmas:
“Ms. McClintock has a true genius when writing beauty to touch the heart. This holiday treat is a gift any time one needs to remember the true meaning of love!”
~ InD’tale Magazine on A Home for Christmas
“The cold nips at your face and delicious Christmas cake leaves you wanting more.”
~ M. Ann Roher, author of Mattie on A Home for Christmas
Buy Links
This title is available in e-book, paperback, large print, and audio, and on #KindleUnlimited.
MK McClintock is an award-winning author of historical romantic fiction about chivalrous men and strong women who appreciate chivalry. Her stories of romance, mystery, and adventure sweep across the American West to the Victorian British Isles with places and times between and beyond.
MK enjoys a quiet life in the northern Rocky Mountains. You can find her online at www.mkmcclintock.com.
Her works include the Montana Gallagher, Crooked Creek, British Agent, and Whitcomb Springs series. She has also written A Home for Christmas, a heartwarming collection set in 1800s Montana, Wyoming, and Colorado, and The Case of the Copper King, a romantic and adventurous western mystery set in 1899 Colorado.
I’m delighted to welcome Linnea Tanner and her book, Amulet’s Rapture from the Curse Of Clansmen and Kings series, to the blog with a trailer.
Trailer
Blurb
“Amulet’s Rapture by Linnea Tanner is the story of the survival and transformation of Catrin. The plot is packed with action, politics, corruption, ambition, prophecies, and ancient magic. With a gripping plot, mindblowing storytelling, and unpredictable twists, Amulet’s Rapture by Linnea Tanner is going to be among my top three favorites of this year.” — Ankita Shukla for Readers’ Favorite
Blood stains her Celtic home and kingdom. The warrior Druid princess will do anything to retake her kingdom.
Although Catrin is the rightful heir to the Celtic throne in Britannia, she is lucky to be alive. After witnessing the slaughter of her family at the hands of her half-brother, who was aided by the Romans, she is enslaved by a Roman commander. He disguises her as a boy in the Roman Legion with the belief that she is an oracle of Apollo and can foretell his future. The sole bright spot in her miserable new life is her forbidden lover Marcellus, the great-grandson of the famed Roman General Mark Antony.
But Marcellus has been wounded and his memories of Catrin and their secret marriage were erased by a dark Druidess. Though Marcellus reunites with Catrin in Gaul and becomes her ally as she struggles to survive the brutality of her Roman master, he questions the legitimacy of their marriage and hesitates to help her escape and retake her kingdom. If their forbidden love and alliance are discovered, her dreams of returning to her Celtic home with Marcellus will be shattered.
Award-winning author, Linnea Tanner, weaves Celtic tales of love, magical adventure, and political intrigue in Ancient Rome and Britannia. Since childhood, she has passionately read about ancient civilizations and mythology. She is particularly interested in the enigmatic Celts, who were reputed as fierce warriors and mystical Druids.
Linnea has extensively researched ancient and medieval history, mythology, and archaeology and has traveled to sites described within each of her books in the Curse of Clansmen and Kings series. Books released in her series include Apollo’s Raven (Book 1), Dagger’s Destiny (Book 2), Amulet’s Rapture (Book 3), and Skull’s Vengeance (Book 4). She has also released the historical fiction short story Two Faces of Janus.
A Colorado native, Linnea attended the University of Colorado and earned both her bachelor’s and master’s degrees in chemistry. She lives in Fort Collins with her husband and has two children and six grandchildren.
I’m delighted to welcome Jude Berman and her new book, The Vow, to the blog.
NEWS FROM SHE WRITES PRESS
BERKELEY, CA, October 15, 2024: She Writes Press will release The Vow, a historical fiction novel by Berkeley artist and author Jude Berman.
In a stunning work of feminist historical fiction for readers who loved Dawn Tripp’s Georgia and Whitney Scharer’s The Age of Light, Jude Berman brings painter Angelica Kauffman to life.
Accused of dressing as a boy to study in the prestigious galleries of eighteenth-century Italy, child prodigy Angelica Kauffman has set high goals for herself. She is determined to become a history painter, a career off-limits to women. To ensure her success, she has vowed never to marry.
Shattering the glass ceiling of her times, Kauffman paints royalty, mingles with illustrious artists, and becomes one of the only female founders of the Royal Academy of Arts in London. But her path is fraught with challenges and eventually she questions if a vow of a different sort is necessary if she is to answer the deepest call of her heart.
**Finalist for Historical Fiction at the 2024 American Fiction Awards**
“Jude Berman has created a spirited, engaging glimpse into the life of one of the most important artists of the eighteenth century. Kauffman was a true free spirit, dedicated to her art, and that is captured beautifully in this novel.”—Susanne Dunlap, author of The Portraitist: A Novel of Adélaïde Labille-Guiard
“With skillful prose and classical descriptions, Berman paints a vivid portrait of a woman defying the constraints of her time, making this novel an unforgettable masterpiece in its own right.” —Joanne Howard, author of Sleeping in the Sun
Blurb
In a stunning work of feminist historical fiction for readers who loved Dawn Tripp’s Georgia and Whitney Scharer’s The Age of Light, Jude Berman brings painter Angelica Kauffman to life.
Jude Berman has a BA in art from Smith College and an EdD in cross-cultural communication from UMass Amherst. After a career in academic research, she built a freelance writing and editing business and ran two small Indie presses. She lives in Berkeley, CA, where she continues to work with authors and write fiction.
In her free time, she volunteers for progressive causes, paints with acrylic watercolors, gardens, and meditates. The Die, metaphysical speculative fiction about saving democracy, was published in 2024.
I’m delighted to welcome Dirk Stasser and his new book, Conquist, to the blog with where does history end and fiction begin?
Where does history end and fiction begin?
Dirk Strasser
The following timeline of the period in which my historical fantasy Conquist is set has three historical facts and one historical fiction:
1536—Manco Inca gathers an army of 200,000 Inca warriors and lays siege to Spanish-occupied Cusco.
1537—Diego de Almagro regains Cuzco, but Manco Inca escapes and founds the new Inca capital Vilcabamba which becomes the last stand of the Inca Empire.
1538—Cristóbal de Varga and a 600 strong army searches for Vilcabamba in a remote region of the Andes.
1539—Gonzalo Pizarro finds the location of Vilcabamba in the Amazon region of Peru and invades the city, but Manco Inca once again escapes.
My aim with Conquist was to create a fantastical story that could have happened according to the known historical facts. I chose 1538 because it was the only year in which the fictitious events of the novel could have occurred. From his hidden city in that year Manco Inca established the last stand of the Inca Empire against Spanish conquest, while the Pizarro brothers and others where desperately searching for Vilcabamba. A year later the location was found by Gonzalo Pizarro in the Amazon region of Peru. I squeezed all the action of Conquist into that time frame because history required it. The novel action can only exist in the gap between Manco founding the new Inca capital and Gonzalo Pizarro finding its hidden location. That’s how I see historical fiction working. It seeks the gaps that can be filled by the imagination of the author.
Manco Inca existed, Diego de Almagro existed, Gonzalo Pizarro existed, Vilcabamba existed, but I made up Cristóbal de Varga. His name, like all the names in his conquistador army, was constructed to sound authentic by my scouring of the historical records and taking the first name of one real-life conquistador and matching it with the surname of a different real-life conquistador.
The search for Vilcabamba drives the action of Conquist. Historically, the location of the city was lost again after it was destroyed by Pizarro. In 1911 the American explorer Hiram Bingham mistakenly identified the abandoned ruin of Machu Picchu as Vilcabamba. He also visited a ruin called Espiritu Pampa near the Chontabamba River, which in 1964 was identified as the legendary Vilcabamba by another American explorer Gene Savoy (who interestingly claimed to have discovered over 40 lost cities in Peru). How do I know this? It was one of the research paths I went down which didn’t make in into the book. An earlier version of Conquist had a second timeline involving the discovery of Cristóbal de Varga’s diary last century.
American explorer Hiram Bingham and guide at the ruins of the last Incan capital Vilcabamba 1911
So, how much do you stick to the facts in historical fiction? Should historic fiction be loyal to the actual events? How do you decide where history ends and fiction begins?
Obviously, authors should be free to write the story they want to write. I think the important question is how the work is labelled. The question about how closely you should stick to historic facts is analogous to the “Based on true events” tag that often accompanies books and movies. Saying a work is based on true events is a powerful marketing tool. Books with that label are enticing to readers. They sell more. The reality of the work gives it more consequence. The events are more important. The tag predisposes you to care more about what happens to the characters because you see them as real people.
It’s psychological manipulation.
You can justify the tag if it’s true. But is it? More often than not I’ve seen it used when the tag really should have been “Inspired by true events”, which gives you much greater licence to play with facts.
So is labelling a book “historical fiction” the equivalent to saying, “Based on true events” or “Inspired by true events”? I see historical fiction as a wide umbrella term that includes both types. Most historical fiction awards now include historical fantasy as well as other sub-genres in their definition of historical fiction, so I don’t feel the term “historical fiction” necessarily indicates a rigid stick-to-the-facts approach.
Conquist is clearly historical fantasy. The history of the conquest of the New World is littered with expeditions looking for a city of gold (or some other fabled place like the fountain of youth). Conquist is the tale of such an expedition, and Cristóbal’s story mirrors Francisco Pizarro’s conquest of the Incan Empire.
In writing Conquist, I spent considerable time researching everyday life of both the Spanish conquistadors and the Inca, the weapons and warfare of the time, and the beliefs of both peoples. The rafting techniques of the Inca, for example, was a rabbit hole I needed to go down for a crucial part of the novel. Lieutenant Héctor Valiente is loosely based on the black conquistador Juan Valiente, a slave who convinced his owner to allow him to become a conquistador for four years as long as he kept a record of his earnings and returned them to his master. Incidental details are also important. For example, I described the conquistadors staunching the wounds of injured soldiers and horses with the fat of fallen enemies because I had read it in an actual conquistador diary. While the research was time-consuming, I also spent at least as much time deciding what not to include in the interests of the storyline.
Despite all this research, the only label attached to Conquist are the words “A Novel” on the front cover. The publisher Roundfire Books decided to include this. It’s boldly saying that, despite the historical setting, the diary entries, and the conceit that the story was based on the discovery of that diary in the archives of a Peruvian museum, this book is fictitious. And as with any other work of fiction, the depth of the reading experience is tied to the willing suspension of disbelief.
Capitán Cristóbal de Varga’s drive for glory and gold in 1538 Peru leads him and his army of conquistadors into a New World that refuses to be conquered. He is a man torn by life-long obsessions and knows this is his last campaign.
What he doesn’t know is that his Incan allies led by the princess Sarpay have their own furtive plans to make sure he never finds the golden city of Vilcabamba. He also doesn’t know that Héctor Valiente, the freed African slave he appointed as his lieutenant, has found a portal that will lead them all into a world that will challenge his deepest beliefs. And what he can’t possibly know is that this world will trap him in a war between two eternal enemies, leading him to question everything he has devoted his life to – his command, his Incan princess, his honor, his God.
In the end, he faces the ultimate dilemma: how is it possible to battle your own obsessions . . . to conquer yourself?
Dirk Strasser’s epic fantasy trilogy The Books of Ascension—Zenith, Equinox and Eclipse—was published in German and English, and his short stories have been translated into several European languages. “The Doppelgänger Effect” appeared in the World Fantasy Award-winning anthology Dreaming Down Under. He is the co-editor of Australia’s premier science-fiction and fantasy magazine, Aurealis.
Dirk was born in Germany but has lived most of his life in Australia. He has written a series of best-selling school textbooks, trekked the Inca trail to Machu Picchu and studied Renaissance history. “Conquist” was first published as a short story in the anthology Dreaming Again (HarperCollins). The serialized version of Conquist was a finalist in the Aurealis Awards Best Fantasy Novel category. Dirk’s screenplay version of Conquist won the Wildsound Fantasy/Sci-Fi Festival Best Scene Reading Award and was a featured finalist in the Cinequest Film & Creativity Festival and the Creative World Awards.
I’m delighted to welcome Julia Ibbotson and her book, The Dragon Tree, book 2 in the Dr DuLac series (but can be read as a standalone), to the blog.
Blurb
A haunting medieval time-slip (#2 in the Dr DuLac series, sequel to A Shape on the Air, but can be read as a stand-alone)
Echoes of the past resonate through time and disturb medievalist Dr Viv DuLac as she struggles with misfortune in the present. She and Rev Rory have escaped to the island of Madeira on a secondment from their posts, yet they are not to find peace – until they can solve the mystery of the shard of azulejo and the ancient ammonite. Viv’s search brings her into contact with two troubled women: a noblewoman shipwrecked on the island in the 14th century and a rebellious nun at the island convent in the 16th century. As Viv reaches out across the centuries, their lives become intertwined, and she must uncover the secrets of the ominous Dragon Tree in order to locate lost artefacts that can shape the future.
For fans of Barbara Erskine, Pamela Hartshorne, Susanna Kearsley, Christina Courtenay.
“The idea of being able to ‘feel’ what happened in the past is enticing … The sense of the island is really wonderful … Julia brings it to life evocatively.” ~ Joanna Barnden
“Julia does an incredible job of setting up the idea of time-shift so that it’s believable and makes sense.” ~ book tour reviewer
“… an engaging and original time-slip novel that keeps the reader turning the pages…the characters are authentic and the mystery is neatly woven between the centuries … seamless time transitions …” ~ Melissa Morgan
This title is available to read on #KindleUnlimited
Meet the Author
Julia Ibbotson is fascinated by the medieval world and the concept of time. She is the author of historical mysteries with a frisson of romance. Her books are evocative of time and place, well-researched and uplifting page-turners. Her current series focuses on early medieval time-slip/dual-time mysteries. Julia read English at Keele University, England, specialising in medieval language / literature / history, and has a PhD in socio-linguistics.
After a turbulent time in Ghana, West Africa, she became a school teacher, then a university academic and researcher. Her break as an author came soon after she joined the RNA’s New Writers’ Scheme in 2015, with a three-book deal from Lume Books for a trilogy (Drumbeats) set in Ghana in the 1960s. She has published five other books, including A Shape on the Air, an Anglo-Saxon timeslip mystery, and its two sequels The Dragon Tree and The Rune Stone.
Her work in progress is a new series of Anglo-Saxon mystery romances, beginning with Daughter of Mercia, where echoes of the past resonate across the centuries. Her books will appeal to fans of Barbara Erskine, Pamela Hartshorne, Susanna Kearsley, and Christina Courtenay. Her readers say: ‘Julia’s books captured my imagination’, ‘beautiful storytelling’, ‘evocative and well-paced storylines’, ‘brilliant and fascinating’ and ‘I just couldn’t put it down’.
I’m delighted to welcome Amy Maroney and her new book, The Pirate’s Physician, a thrilling companion novella to the Sea and Stone Chronicles, to the blog.
Blurb
When her world shatters, she dares to trust a pirate. Will she survive what comes next?
The Pirate’s Physician is the story of Giuliana Rinaldi, a student at Salerno’s famed medieval medical school, whose lifelong dream of becoming a physician crumbles when her uncle and mentor dies suddenly.
Faced with an unwanted marriage to a ruthless merchant, Giuliana enlists the help of a Basque pirate and flees home for the dangers of the open sea.
Will she make it to Genoa, where her only remaining relative awaits? Or will this impulsive decision seal her own doom?
A delightful seafaring adventure packed with romance and intrigue, The Pirate’s Physician is a companion novella to the award-winning Sea and Stone Chronicles series of historical novels by Amy Maroney: Island of Gold, Sea of Shadows, and The Queen’s Scribe.
Amy Maroney lives in the Pacific Northwest with her family, and spent many years as a writer and editor of nonfiction before turning her hand to historical fiction.
Amy is the author of the Miramonde Series, a trilogy about a Renaissance-era female artist and the modern-day scholar on her trail. Amy’s new series, Sea and Stone Chronicles, features strong, talented women seeking their fortunes in the medieval Mediterranean.
To receive a free prequel novella to the Miramonde Series, join Amy Maroney’s readers’ group at http://www.amymaroney.com.
I’m delighted to welcome Heather Miller and her new book, ‘Tho I Be Mute, a prequel to Yellow Bird’s Song, to the blog with an excerpt.
Excerpt
Chapter 26, “The Cave,” Sarah Northrup Ridge
The Man in the Hat belched and laughed, passing the bottle back and forth to Whitmore and the Pan Man. If the squatters kept drinking at this pace, they might not notice if I was missing from the end of the rope. I smeared dripping blood from one wrist onto the other, wriggling my still-bound hand free. With a spontaneous decision, I released the rope and dashed to slide, feet first, then wiggling into the hole to follow the roots underground.
The drop was further than I expected, and I toppled to my knees, propelled forward when my feet splashed in yesterday’s rain. I had not thought about the drop. I had not thought about the fall. I had not thought about the dark. My bleeding hands stopped my fall. I soaked them in the pool of water at my knees and pulled the bloody handkerchief from my pocket to bind the torn skin of one wrist. My knees bled from scrapes and my stockings were bloody to my shins. Inside, the air was like frozen frost. The numb tips of my fingers could still reach the cave’s opening, but the last day’s light was insufficient to light my path any further than a few steps. My hand grazed the rock behind my back. I sat among the puddles, mute, expecting the dreaded eyes and otherworldly voice of Man with the Hat. Silent tears spilled down my cheeks. But for now, I was hidden beyond his reach. Not only cold but wet, I might freeze to death before anyone found me.
The longer the upper hole was quiet, the more I relaxed. I cupped the cold water from the puddle and patted it on my face, down my neck to counter the fever I felt. The longer I remained invisible to my captors, the faster my witness rejoined me. I became whole again. I listened outside this pit of earth. A whippoorwill called the sundown. An owl hooted with melancholy and offered his tender empathies. Their sounds echoed off the rock walls. I warmed from their companionship.
But while I became invisible to the Man in the Hat, I was also invisible to Arch who would be at least a day’s travel behind me. That was the best I could hope for. The worst I could imagine was snowfall, to leave me starving and freezing alone. No. There was a worse outcome—raped, abandoned, found dead. My hands and feet tingled. My breath was too loud. I prayed, Jesus, please light my way for this innocent baby. In that moment of faith, the child inside me spread a hand to mirror mine resting atop my belly. I kept my eyes closed and asked forgiveness for burying us alive in this cave. But I had no choice.
Leaves fell through the opening and feet darted above me. I wriggled, pushing my back against the cavern wall, pulling my feet close to my chest. The Man with the Hat never asked my name, and I never offered it. He had nothing to call, nothing to yell. Recognizing his oversight, he kicked leaves around the cave opening where I hid. I preferred starvation, frozen into a block of ice, than answering his call.
He shouted. “Red . . . You’ll show when you get hungry enough. We’ll camp right here. I ain’t going no further.”
His volume varied, as if he walked in circles, sending his snide voice in differing directions. As he spoke, the tone and bustle above me continued. Men’s voices and horse whinnies became more distinct while they searched for me. I smelled salt pork slung on an iron pan, the same one that clanked in front of me. I salivated while listening to their exchange.
“She ain’t gone far. She just hiding,” The Man in the Hat said.
“I can’t find her. Can you?” Whitmore gave his sarcastic reply as the Pan Man laughed.
“I will.” The Man in the Hat spoke, then he swore after. Leaves crunched under his boots near the bluff’s opening. His legs blocked their firelight. Then, his hand came through the void. I covered my mouth to block the sound of my rapid breathing.
“We still got the extra horse,” Whitmore said, “even if she’s up and climbed a tree.”
The Man in the Hat walked away and said, “She’s pregnant. She couldn’t fit in that hole, and she ain’t up no tree, you drunk bastard.” The Man in the Hat cursed me, knowing that my absence guaranteed the trio’s empty bottles and empty pockets.
Blurb
Clarinda faces a moment of profound reality—a rattlesnake bite, a harbinger of her imminent mortality—and undertakes an introspective journey. In her final days, she immortalizes not only her own story but that of her parents—a narrative steeped in her family’s insights into Cherokee heritage during the tumultuous years preceding the forced removal of Native communities.
In 1818, Clarinda’s father, Cherokee John Ridge, embarks on a quest for a young man’s education at the Foreign Mission School in Cornwall, Connecticut. Amidst sickness, he finds solace and love with Sarah, the steward’s quiet daughter. Despite enduring two years of separation, defamatory editorials, and societal upheaval due to their interracial love affair, the resilient couple weds in 1824. This marks the inception of a journey for Sarah as she delves into a world both cherished and feared—Cherokee Territory. As John Ridge advocates for the preservation of his people’s land and that of his Muskogee Creek neighbors against encroaching Georgia settlers and unscrupulous governmental officials, the stakes are high. His success or failure hinges on his ability to balance his proud Cherokee convictions with an intricate understanding of American law. Justice remains uncertain.
Grounded in a true story, ‘Tho I Be Mute resonates with a compelling historical narrative, giving an intimate voice to those heard, those ignored, those speechless, urging readers to not only hear but to truly listen.
History is better than fiction. We all leave a legacy.
As an English educator, Heather Miller has spent twenty-four years teaching her students the author’s craft. Now, she’s writing it herself, hearing voices from the past. Heather earned her MFA in creative writing in 2022 and is teaching high school as well as college composition courses.
Miller’s foundation began in the theatre, through performance storytelling. She can tap dance, stage-slap someone, and sing every note from Les Miserables. But by far, her favorite role has been as a fireman’s wife and mom to three: a trumpet player, a future civil engineer, and a RN. Alas, there’s only one English major in her house.
Heather continues writing the Ridge Family Saga. Her current work-in-progress, Stands, concludes the Ridge Family Saga.
A Celtic warrior princess is torn between her forbidden love for the enemy and duty to her people.
AWARD-WINNING APOLLO’S RAVEN sweeps you into an epic Celtic tale of forbidden love, mythological adventure, and political intrigue in Ancient Rome and Britannia. In 24 AD British kings hand-picked by Rome to rule are fighting each other for power. King Amren’s former queen, a powerful Druid, has cast a curse that Blood Wolf and the Raven will rise and destroy him. The king’s daughter, Catrin, learns to her dismay that she is the Raven and her banished half-brother is Blood Wolf. Trained as a warrior, Catrin must find a way to break the curse, but she is torn between her forbidden love for her father’s enemy, Marcellus, and loyalty to her people. She must summon the magic of the Ancient Druids to alter the dark prophecy that threatens the fates of everyone in her kingdom.
Will Catrin overcome and eradicate the ancient curse? Will she be able to embrace her forbidden love for Marcellus? Will she cease the war between Blood Wolf and King Amren and save her kingdom?
What Amazon reviewers say about Apollo’s Raven
“If you mingled the history and romance of Philippa Gregory with the magical fantasy of George R.R. Martin, the result just might be the fascinating Apollo’s Raven (Curse of Clansmen and Kings Book 1) by Linnea Tanner. Get ready for a journey filled with the desires of star-crossed lovers, the horror of a son polishing his own mother’s skull and the fantasy of humans becoming creatures as a tool to save their very humanity.”
“Sorcery? Mythology? Forbidden love? An ancient curse? Yes, please! I fully enjoyed this epic tale of intrigue, deception, and love. The characters are developed well, while the plot leaves the reader wanting more.”
“What a story! I am a huge fan of “Game of Thrones,” and this book grabbed me in much the same way. The author took me inside the world of ancient Romans and Celts. The imagery was compelling. I could see the characters, the weapons, the countryside, the lairs, and the castle. She stayed true to the times.”
“A love story full of intrigue, power struggles, choosing one’s fate and a doomed love, this story reminds me somewhat of an old book called “The Silver Land” by Nancy Harding or even “The Forest House” by Marion Zimmer Bradley. The undercurrents are the same as they are set in similar times, but the finer details are different enough that it only feels the same while still being uniquely its own.”
Award-winning author, Linnea Tanner, weaves Celtic tales of love, magical adventure, and political intrigue in Ancient Rome and Britannia. Since childhood, she has passionately read about ancient civilizations and mythology. She is particularly interested in the enigmatic Celts, who were reputed as fierce warriors and mystical Druids.
Linnea has extensively researched ancient and medieval history, mythology, and archaeology and has traveled to sites described within each of her books in the Curse of Clansmen and Kings series. Books released in her series include Apollo’s Raven (Book 1), Dagger’s Destiny (Book 2), Amulet’s Rapture (Book 3), and Skull’s Vengeance (Book 4). She has also released the historical fiction short story Two Faces of Janus.
A Colorado native, Linnea attended the University of Colorado and earned both her bachelor’s and master’s degrees in chemistry. She lives in Fort Collins with her husband and has two children and six grandchildren.
I’m delighted to welcome Laura Rahme and her new book, The Signare of Gorée, to the blog with The Last Waalo Queen: Ndaté Yalla Mbodj.
The Last Waalo Queen: Ndaté Yalla Mbodj
One of the historical figures that I feature in my novel, The Signare of Gorée, is Senegal’s last warrior queen, Ndaté Yalla Mbodj. Her origins are generally accepted to be a blend of Serer and Lebou, two of the main cultural groups in Senegal. She held the title of lingeer of the Waalo kingdom of Senegal. She appears only briefly in my book and does not play a direct part in the mystery, yet her presence looms large and hints at key events that would change Senegal’s destiny in the upcoming decade.
During the 1840s, Senegal consisted of independent kingdoms. The Waalo kingdom which extended along the northwest of Senegal, sharing a border with Mauritania, comprised the island of Saint-Louis, settled by the French since 1659. South of Waalo lay the kingdom of Cayor which engulfed today’s capital, Dakar, then a Lebou village. Only a short pirogue trip away was the island of Gorée, ceded to Europeans, and a center for commercial and slave trade for centuries.
The Signare of Gorée is set in a period when concessions by Waalo rulers allowed the French to trade in Senegal, but during which French figures were not sovereign. Europeans had to pay custom taxes to continue to trade freely in the Waalo. Over the years and leading into 1854, the French encountered increasing opposition, and what they saw as nuisances, arising from Waalo or Cayor rulers, but also from the Trarza Moors who dwelled across the Mauritanian border. Frustrated in their desire for economic gain, French entrepreneurs aspired to conquest as the means to secure the flow of resources and merchandise. As such, Ndaté Yalla Mbodj was not only the sole female ruler of Senegal, but she was to be the last queen of non-colonized Senegal. Her fight would be bitter and determined.
She ascended the throne in the palace of Nder on 1 October 1846 upon the death of her sister, Njembot Mbodj. While still young, both women had witnessed their mother’s tragic self-immolation during a battle with the Trarza moors. The Waalo army consisted of fiercely animist male warriors called tieddos, but the Waalo women were also trained in combat. Since then, and despite French military intervention to thwart it, a marital alliance between Njembot Mbodj and the Trarza ruler had smoothed discords between the Waalo kingdom and the Trarza emirate. But during her rule, Ndaté Yalla was forced to fight both the French and the Trarzas.
From the time she stepped on the throne, Ndaté Yalla made it clear that the French were to obey tithe and land boundary agreements. She wrote them letters and signed them – the only female ruler to do so – and defied them, asserting her rulership over the Waalo. In short, she bothered them.
Ndaté Yalla Mbodj et her husband Marosso Tassé Diop An engraving by Jules Gaildrau (1816-1898) Public domain image
Together with her husband, Marosso Tassé Diop, who was prince of Cayor, Lord of Koki, and commander of the Waalo’s tieddo army, Ndaté Yalla fought regularly with the French and Moors.
But the French would have the last word. They called upon Louis Faidherbe, a poly-engineer and French general, to quell both the Trarzas and the Waalo kingdom. In 1854, the Bordeaux entrepreneur, Hilaire Maurel, who appears in The Signare of Gorée, would end up playing a decisive role, along with his nephew, Marc Maurel, in General Faidherbe’s mind-blowing ascension as governor of Senegal. They worked behind the scenes to ensure that the like-minded Faidherbe and his military strategies would clear the path for their already thriving enterprises and future economic ambitions.
Rallying an army that included coerced local troops, Faidherbe defeated Ndaté Yalla Mbodj in 1855, spelling the collapse of the kingdoms of Waalo and Cayor. The fall of the lingeer was powerfully symbolic. The other male-led kingdoms of Senegal would fall soon after, marking the start of France’s colonization of Senegal. During his 1855-1864 campaign, General Faidherbe employed a scorched-earth policy, burning through fertile plains and razing villages. He not only burned Ndaté Yalla Mbodj’s palace in Nder but took away her son, Sidya Diop. The afflicted lingeer would die in 1860, in Dagana, where her commemorative statue stands today.
I was born in Dakar fifteen years after Senegal regained its independence from France. Colonial education must have lingered a while as I never learned about Ndaté Yalla Mbodj at school. I also suspect the Senegalese values of soutoura (discretion) and muñ (to tolerate) encouraged a long silence on the sufferings and injustices of the past. But in the last twenty years, in the name of historical accuracy, and as more African voices are given due weight, Ndaté Yalla Mbodj’s name has resurged. Publications that tell of her important story now exist in multiple languages. I am not the first to mention her, but it was important for me to feature her in The Signare of Gorée.
Blurb
1846. In the heat of West Africa, the French navy uncovers the corpses of two French soldiers. Inspector Maurice Leroux arrives at the island of Gorée. It seems death has come to this small colonial outpost off the Senegal coast, home to the prosperous mixed-blood women known as the signares.
The navy suspects that the Bambara people, emboldened by approaching emancipation, may be out for blood. While confronted by the locals’ strange magical beliefs, Maurice remains skeptical. Does malevolence play a part, or are these deaths accidental, brought upon by the brutality of nature in an island known as the white man’s grave?
But when murder strikes, it becomes clear that a killer is stalking Gorée.
Swept by a mystery unlike any he has known, Maurice meets Signare Angélique Aussenac. The proud métis, deserted by her wealthy Bordeaux lover, casts her spell upon Maurice.
But beyond the throbbing sounds of the tam-tams and the glittering signare soirées, danger lurks. Someone is watching. And the deaths go on.
Could the killer be one of the rich Bordeaux merchants? Or are they hiding among the powerful signares?
A historical mystery spanning France and Senegal, THE SIGNARE OF GORÉE explores a world of magic, murder, and passion.
This title is available to read on #KindleUnlimited
Meet the Author
Laura Rahme is the author of seven historical novels. Born in Dakar, Senegal where she spent her early childhood, she moved to Australia at the age of ten. A graduate of two Honors degrees in Aerospace Engineering and Psychology, she has worked over two decades as an IT professional. Her greatest joy comes from travel, researching history, and penning historical mysteries. She now lives in France with her screenwriting husband.
I’m delighted to welcome D.C.Wilkinson and his new book, Devin’s Dreams, to the blog.
Blurb
Devin Sharp, a gentle-natured boy, has trouble sleeping. Recurring visions of strangers moving among shadows in his bedroom keep waking him at night. He swears that what he sees and hears is real. To no avail. No one believes him. An older sibling taunts him. “Silly dreams,” she says. But are they?
Coming of age as a gay teen in the seventies, Devin’s sleep issues are just one more secret safely locked up in his closet. But not for long. Freshman year in college brings a measure of freedom and a chance to explore well beyond the boundaries of stifling social molds.
Experimenting with a powerful drug, Devin’s quirky visions resurface. This time, however, something is different. A rabbit hole materializes out of nowhere. Thrust into it by a mysterious force, Devin is hurled into another world centuries before his own. There, awaiting, a host of strangers appear to know him…
D. C. Wilkinson’s passion for historical fiction, portal fantasies and cappuccinos inspired him to write “Devin’s Dreams,” his debut novel. A lifelong voyager of inner and outer realms, he began his career in the Midwest as a student of Language Arts and the Humanities before relocating to the East Coast in his early twenties. A graduate of Columbia University and former New York City public school teacher, he now calls Connecticut his home, where he resides with his spouse and their beloved beagle.
MJ Porter 