Category: Coffee Pot Book Club

I’m delighted to welcome D.C.Wilkinson and his book, Scents of Lavender, to the blog #HistoricalFiction #Romance #LGBTRomance #LGBTQ+ #IllustratedPoetry; #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome D.C. Wilkison and his book, Scents of Lavender: Queer Love Through the Ages – In Verse, to the blog with a snippet.

Snippet

Though they tried to vanquish us,

our love endures,

in the hearts of those

stirred by our flame

and undeterred by malice

and brutality.

From Hierocles

Book Trailer

Here’s the Blurb

Timeless and unwavering, love flows through a universal melody that echoes in every corner of the globe. Transcending borders and cultures, it sows the seeds of memories that sprout and blossom in Scents of Lavender, a collection of 25 illustrated poems that breathe life into evocative scenes where queer love proudly re-emerges from the depths of history, uncovering deep and everlasting bonds.

Each poem invites the reader to explore the narrator’s deeply personal and intimate perspective through pantheistic eyes. Written in the first person, every verse unfolds as both a reflection and a manifestation of a single universal mind and soul, drawing the reader into a shared understanding that love –in all its forms– is boundless, eternal, and permeates the cosmos.

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Meet the Author

D. C. Wilkinson is an award-winning novelist, poet, and lifelong voyager of inner and outer realms. His literary work centers on his passion for historical tales, portal fantasies, and dreams and visions often weaved into narratives that highlight LGBTQ+ experiences.

He began his career in the Midwest as a student of Language Arts before relocating to the East Coast in his early twenties. A graduate of Columbia University and former New York City public school teacher, he now calls Connecticut his home, where he resides with his spouse and their beloved beagle.

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I’m delighted to welcome Sandro Martini and his book, Ciao, Amore, Ciao, to the blog #CiaoAmoreCiao #HistoricalFiction #WWII #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Sandor Martini and his book, Ciao, Amore, Ciao, to the blog with a piece written by Sandro Martini.

Sandro Martini Piece

Explaining of my writing routine means starting with what I don’t do. I don’t pre-plan, and I don’t have a structure or chapter guides. I use a weird amalgam of flashcards and stream of consciousness.

I know, weird.

Because I write historical fiction, the whole process begins with researching a topic that intrigues me. Half the time, the research—it can take upwards of five years—never gets written as I realise the story just isn’t there for me … but that’s another story (was that a pun?) for another day.

I’ll explore books, do interviews, and largely ignore the internet (except to get general overviews and timelines and so on) because I find that restrictive. Things like ChatGPT are an interesting addition to an author’s quiver, but it’s learning from sources that are all online and the whole point of search engines is to shrink everything to one ready answer. The truth of a thing—and the complexity of a life lived—is anything but singular, and the nuance that makes for a good novel is only found in scouring tons of primary sources.

I generally finish the research when I get bored of the topic, at which point I’m ready to begin the ugliest task in writing—going through all my notes to create flashcards. For Ciao, Amore, Ciao, the flashcards numbered somewhere in the region of 3,000, all handwritten.

That takes maybe six months or so. After that, the cards get arranged chronologically and/or by personage/event. And those cards then become my “guide”. Then they sit there as I begin to work out the one core essential—who will “tell” the story.

Once I figure out who that character is, it’s time for the fun part. The writing begins at around 3 a.m. every day, when I wake up and head straight for pen and paper. (No machine is involved in the first draft—I use a pen I bought years ago at a market in Zurich, a one-off, heavy, metal thing, and notebooks by, of course, Moleskine.)

I will already know which flashcards will be the “scene” that is getting written that day before I sit down to get it down on paper. Why 3 a.m.? Because in some ways I’m still asleep, and able to just write without a lot of self-awareness. It’s important for me to not be that conscious of the writing process.

The first draft is written this way, using a combination of the highly organised flashcards as prompts and stream of consciousness for the actual writing.

I’m also consistent with length, with first drafts generally coming in at around 70,000 words. The time I take to write a novel, though, differs considerably. For my first novel, Tracks: Racing the Sun, the first draft took about two years. Ciao, Amore, Ciao, written a week after my dad passed, took about three weeks.

Once the first draft is complete—I write the novel as a story, and I say this because I heard the other day that some writers will write intermittent scenes as if they’re shooting a movie and then splice it all together and that thought has not left my mind since!—it’s time for phase two: typing the damn thing out …

Sounds like a waste of time, but it’s a vital part of my method because this is when I “read” the book for the first time, and I start to see what’s working, what isn’t, what needs further exploration, which scenes will probably get cut, and so on. In essence, this is the first and most important edit I’m going to do to the new novel. It’s also a line edit, since I am now physically writing the book for a second time.

Once that’s done—it can take anywhere from a month to three months depending on how strong the handwritten draft is—I begin to edit the novel every morning. I’m a better editor than first-draft writer. That is, there will be paragraphs that will probably not change much from first writing, and there will be entire chapters that will be completely rewritten or even thrown out.

That editing phase can take anywhere between a year (for Ciao, Amore, Ciao) to three years for Tracks.

Once that’s complete (it’s complete when I get bored of it), I have my new novel which will now be left alone to age on my hard drive. After about three months, I will then print it out (in Garamond font) and read it not as a writer but as a reader, paying attention to one thing: the pacing. If I find myself lagging, I will judiciously begin to shorten scenes that are slowing down the tempo. This, for me, is the hardest part of my craft, and something that ruined my writing career as a young man.

Backstory: I was once asked to write a 20,000-word piece for a major publisher to appear in a top 5 young writers in the UK anthology. This was in the mid-’90s. Four of those writers went on to become names in the industry. And then there was me. When asked to cut my piece, I chose to walk away from the contract and didn’t submit anything to any publisher for the next 20 years. So when I say cutting judiciously is difficult, I literally mean I dumped a career because of it. That’s mostly because I see myself as a stylist. I value a beautifully written line far more than a story. That’s the thing I value most in my writing because style brings emotion and emotion is what my novels are all about.

And that’s the process.

Style is primary. Getting out of my own way when doing the first draft is essential. And being brave enough to cut beautiful prose for the sake of pacing is key.

Here’s the Blurb

An enthralling dual-timeline WWII family mystery, based on the heartbreaking true story of the massacre in a small town in Italy in July of 1945, from award-winning, bestselling novelist Sandro Martini.

“A gripping saga that roots excruciating betrayals in a nation’s tragic history.” –Kirkus Reviews

In the winter of 1942, an Italian army of young men vanishes in the icefields of the Eastern Front. In the summer of 1945, a massacre in Schio, northeastern Italy, where families grieve the dead, makes international headlines.

In present-day Veneto, an ordinary man is about to stumble onto a horrifying secret.

Alex Lago is a jaded journalist whose career is fading as fast as his marriage. When he discovers an aged World War II photo in his dying father’s home, and innocently posts it to a Facebook group, he gets an urgent message: Take it down. NOW.

Alex finds himself digging into a past that needs to stay hidden. What he’s about to uncover is a secret that can topple a political dynasty buried under seventy years of rubble. Suddenly entangled in a deadly legacy, he encounters the one person who can offer him redemption, for an unimaginable price.

Told from three alternating points of view, Martini’s World War II tale of intrigue, war, and heartbreak pulls the Iron Curtain back to reveal a country nursing its wounds after horrific defeat, an army of boys forever frozen at the gates of Stalingrad, British spies scheming to reshape Italy’s future, and the stinging unsolved murder of a partisan hero.

Ciao, Amore, Ciao is a gripping story of the most heroic, untold battle of the Second World War, and a brilliantly woven novel that brings the deceits of the past and the reckoning of the present together.

“Balances action, suspense, and emotional depth to deliver a truly immersive, thought-provoking read with an unflinching look at the sins of the past and the lengths to which the powerful will go to keep them buried.” ~ Sublime Book Review

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Meet the Author

Sandro Martini has worked as a word monkey on three continents. He’s the author of Tracks: Racing the Sun, an award-winning historical novel.

Sandro grew up in Africa to immigrant parents, studied law in Italy, chased literary dreams in London, hustled American dollars in New York City, and is now hiding out in Switzerland, where he moonlights as a Comms guy and tries hard not to speak German.

You can find him either uber-driving his daughter, chasing faster cars on the autobahn, or swimming in Lake Zurich with a cockapoo named Tintin.

His latest historical suspense novel, Ciao, Amore, Ciao, is now available.

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I’m delighted to welcome Jane Loftus and her book, The Herb Knot, to the blog #HistoricalFiction #medieval #Winchester #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Jane Loftus and her book, The Herb Knot, to the blog with some historical research behind The Herb Knot.

The Herb Knot Historical Research

This story was a dream to research because Winchester Library held the Holy Grail of information, otherwise known as The Survey of Medieval Winchester by Derek Keene.

The detail contained in the study is beyond meticulous and was based on innumerable deeds and rolls held in the British Library and Winchester archives. Not only is every single house documented – both inside the city and also covering the suburbs – but each tenant within each document is recorded, right down to the amount of rent they paid and to whom.

And the maps – oh, the maps! Having established who lives where and what they did, the author reconstructed the streets where they lived too. If you live in Winchester and suddenly see streets you know described and drawn as they would have been in the Middle Ages, it does send a shiver down the spine. I can walk past various shops on the High Street now knowing there used to be an Inn there, or a silversmith there and oh, the chandler was here.

Want to know what made up the bulk of industry in the city? This survey will tell you. Which industries were in decline, that too.

It didn’t even stop there. After gorging on this amazing detail, the final part of the survey is full of biographical information of many of the citizens. This was where the novel really started to take shape. Family trees, wealthy merchants marrying into other wealthy merchant families, their names and dates. Also interesting to see, even at a time when English was overtaking French as the language of the court, how many citizens (usually wealthy ones it has to be said) who still had a ‘le’ or ‘de’ in their names, like Hugh le Cran. His wife did not, and that’s only just struck me now as I write this.

The survey very kindly gave me Serlo, a butcher, and Thurstin, a clerk. I feel like a cheat in many ways for borrowing so many lovely names and professions, but I hope I did them justice.

Speaking of names, I came across many, many women called Petronilla, I’d had no idea how popular it was in 1350. I would have picked on that had it not been the name of the main character in The Miniaturist.

The other part of the research involved actually going into town and paying more attention. How long would it take for Edith to walk from Tanner Street to Knights Meadow? Getting into St John’s church and looking at the frieze over the door – properly looking at it, not just noting that it was there and was remarkable, but really paying attention.

There was also the local museum, of course, with the beautiful little misericorde which I promptly gave to Rafi. The records office also holds many treasures – including a deep dive into deeds and letters concerning Le Cran and his properties, and also money he owed or loaned to people, hence the £200 to the Earl of Arundel which I used as a plot point. The crowning moment came when the records office emailed me a photocopy of the seal of Hugh Le Cran. I remember opening it and literally gasping out loud. It is exactly as described, three rather chunky birds in triangle formation with a tree behind them. Rafi was quite right – they don’t look like cranes, they look like ducks, and thus his confusion over what they might be was born.

After that there were the endless videos about how to use egg white to bind paint, and making ink out of oak gall in your own kitchen, neither of which I tried.

 Can’t say I wasn’t tempted, though. Plenty of meringue opportunities with the leftovers.

Here’s the Blurb

The Hundred Years’ War comes to life in this spellbinding tale of love, betrayal and conspiracy … 

A quest born on the battlefield will change a young boy’s destiny… 

Rafi Dubois is five years old when his mother is murdered after the Battle of Crecy in 1346. Alone and lost, Rafi is given a token by the dying Englishman who tried to save his mother’s life: a half-broken family seal which he urges Rafi to return one day to Winchester. 

Years later, when Rafi saves a wealthy merchant’s wife from a brutal robbery, he is rewarded with the chance to travel to England, taking the seal with him. 

But when he reaches Winchester, Rafi finds himself in a turbulent world full of long-held allegiances, secrets and treachery. His path is fraught with danger and with powerful enemies working against him, Rafi falls in love with Edith, a market apothecary. But in doing so, Rafi unleashes a deadly chain of events which threatens to overwhelm them both… 

The Herb Knot is a sweeping and passionate novel set in one of the most tumultuous times in English history, from a powerful new voice.

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Meet the Author

Jane Loftus gained a degree in 16th Century European and British history from Surrey before taking a postgraduate degree in modern political history. As a lone parent, she worked in Winchester Waterstones before returning to IT once her son was older.

Hugely passionate about the Middle Ages, she drew inspiration for this novel from the medieval layout of Winchester which has been painstakingly documented.

Jane is originally from London but has lived in Winchester for over twenty years. When not writing, she is usually out walking or watching costume dramas on Netflix – the more medieval the better. She also plays far too many rpgs.

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I’m delighted to welcome Carolyn Niethammer and her book, Everything We Thought We Knew, to the blog #HistoricalFiction #1970s #PoliticalProtest #Peace #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Carolyn Niethammer and her book, Everything We Thought We Knew, to the blog.

Here’s the Blurb

In 1970, Christie left behind the comforts of L.A. and joined a New Age commune in rural Arizona. With the Vietnam War raging and the counterculture movement in full swing, she hoped to find a community to create a better society. But building a new culture is no easy task, especially when free love, psychedelics, and a war protest gone horribly wrong are thrown into the mix. Important secrets follow them beyond the commune.

Put on your tie-dyed shirt and come to Bella Vida as the friends try to change the rules of modern society, then face the repercussions of when middle age sets in.

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Meet the Author

In the 1970s Carolyn Niethammer visited communes throughout the West and settled in an Arizona artists’ community for many years. Those years were important to who she became as she learned to gather wild foods and wrote several cookbooks centered on edible plants.

In “Everything We Thought We Knew” she hopes to shed light on an important part of American history where young people were advocating for peace in Vietnam War protests and fled to communes, seeking a lifestyle apart from the commercialism and isolation that had overtaken society.

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I’m delighted to welcome Julian de la Motte and his book, The Will of God, to the blog #TheWillOfGod #HistoricalFiction #Crusades #WilliamTheConqueror #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Julian de la Motte and his book, The Will of God, to the blog #TheWillOfGod #HistoricalFiction #Crusades #WilliamTheConqueror #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Julian de la Motte and his book, The Will of God, to the blog with an excerpt.

Excerpt

The courtyard of the Earl Warenne was the usual clutter and muddle of people and diverse objects scattered about. Men and women in the dun and green and grey of homespun cloth blended with the earth colours of the ground, the quagmire, the swamp of churned mud and excrement. They either strode purposefully through it all or else attempted to skirt delicately around the more obvious mounds of rubbish and ordure. The more colourfully attired, house servants and retainers for the most part, avoided the area when they could, preferring other entrances and exits to the Great Hall.

A cart with one wheel off for essential repairs was proving a major obstruction and people cursed as they edged around it and the blaspheming wheelwright and his apprentices with their heavy hammers working on a broken wheel. Across the way, over in the corner of the yard a large pig lay sprawled upon its back, slaughtered out of proper season. For some reason, it had survived the usual November cull. Scrubbed clean of bristles, a butcher was busily at work with his knife and axe, delving expertly for the liver and kidneys.

Despite the cold of the day and the earliness of the season there was a halo of flies circling the butcher and at his feet a coil of grey steaming intestines were attracting the interest of a trio of dogs. Wretched creatures, ribs showing like the staves of ruined boats, they sidled towards the pile of offal and retreated again from the slaughterer.

The butcher’s boy, no more than a child staggered away, burdened with a heavy bucket of blood that slopped over the sides as he moved. There would be blood pudding and sausages made of scraps of inferior meat stuffed within the intestines ready by the afternoon.

Here’s the Blurb

“Deus Lo Vult!”

Gilles is the natural son of the Earl Waltheof, executed by William the Conqueror for supposed treachery. Raised in Normandy by Queen Matilda of England, Gilles is a young servant of Robert, Duke of Normandy, when the first call for a Holy War against the infidel and for the liberation of Jerusalem is raised in Christendom. Along with thousands of others, inspired by a variety of motives, intense piety mixed with a sense of adventure and the prospects of richness, Gilles becomes a key and respected follower of the Duke of Normandy and travels through France and into Italy to the point of embarkation for Constantinople and the land of the Greeks.

In this epic first phase of a long and gruelling journey, Gilles begins to discover a sense of his own strengths and weaknesses, encounters for the first time the full might and strength of the Norman war machine and achieves his much coveted aim of knighthood, as well as a sense of responsibility to the men that he must now lead into battle.

The Will of God is the literal translation of the Latin phrase “Deus Lo Vult”; a ubiquitous war cry and a commonly offered explanation of all the horrors and iniquities unleashed by the First Crusade of 1096 to 1099, when thousands of Europeans made the dangerous and terrifying journey to the Holy Land and the liberation of Jerusalem. It is the first of two books on the subject.

Praise for The Will of God:

“De la Motte has superpowers as a writer of historical fiction; he’s a warhorse of a writer bred to stun and trample the literary senses. You won’t stop turning the pages of The Will of God.”

~ Charles McNair, Pulitzer Prize nominee and author of Land O’Goshen

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Meet the Author

Julian de la Motte is a Londoner. He graduated from the University of Wales with a degree in Medieval History. He was further awarded a Master of Arts qualification in Medieval English Art from the University of York.

He studied and taught in Italy for nearly four years before returning to the U.K. and a career as a teacher, teacher trainer and materials designer before taking up a new role as a Director of Foreign Languages and of English as a Foreign Language.

Married and with two grown up children, He is now extensively involved in review writing and historical research, primarily on medieval history.

”The Will of God” [the first of two books on the subject of the First Crusade] is his third novel.

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I’m delighted to welcome Jann Alexander and her new book, Unspoken, to the blog #Unspoken #HistoricalFiction #DustBowl #WomensFiction #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Jann Alexander and her new book, Unspoken, to the blog #Unspoken #HistoricalFiction #DustBowl #WomensFiction #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Jann Alexander and her new book, Unspoken, The Dust Series, to the blog with The History Behind Unspoken.

The History Behind Unspoken

When the Biggest, Baddest, Blackest Dust Storm of Them All Struck the Texas Panhandle on April 14, 1935, It Set the Stage for the Opening of Unspoken (A Dust Novel).

That Sunday, April 14, 1935, would forever be known as Black Sunday. But it began quite differently, as the main character, Ruby Lee Becker, recalls at the outset of Unspoken:

“That Sunday in April 1935 in the Panhandle was an uncommon bright day which didn’t reflect our family’s desperation. What little breeze there was blew gentle, unlike the stinging winds we were accustomed to. The spring air was so clean you could almost inhale it deep without coughing up dirt. The sun was golden and hopeful. Our families who’d been farming this desert during the five long years of the drouth were well acquainted with hope, though it was a currency our town’s shuttered bank no longer accepted.”

The black blizzard on Sunday, April 14, 1935 was the most notable of hundreds over the decade that had already prompted mass migration from the Plains states. It became known as Black Sunday — because it was a rolling mass of tumbling black soil, over 1000 feet high, that blackened the sun, suffocated entire towns, and struck elders and children alike with the “brown plague”— the deadly dust pneumonia. 

The spot where Unspoken is set, a mythical town called Hartless in the Texas Panhandle, was then considered the epicenter of the Dust Bowl. The sudden drama of that bright clear day in 1935 inspired my story of scattered family, their lost mother, and the abandoned daughter who’ll stop at nothing to remake family and rebuild home.

We know those years now as The Dust Bowl era, caused by a land rush on overgrazed ranch land sold cheaply to unsuspecting farmers and speculators, abandoned when prices fell in the midst of drought. By 1935, the Southern Plains states had already experienced more than five years of drought and high winds.

The upshot? Over that decade known as the “Dirty Thirties,” over 2.5 million Americans migrated away from the Great Plains states, with more than half a million people left homeless. There were approximately 7,000 deaths from dust pneumonia and suffocation.

In 1935, that one Sunday in April was enough to show the rest of the country what the land made barren had cost its inhabitants. The Dust Bowl states deserved federal intervention. Within two weeks, Congress passed the Soil Conservation Act, which created a permanent agency to guide restoration in the hard-hit Plains states and maintain natural resources everywhere.

The agency familiarly known then to farmers and bankers as the Soil Conservation Service (SCS) has become the Natural Resources Conservation Service (NRCS) today. Its mission is the same: to work with land owners and users in all 50 states — to reduce soil erosion, improve forest and field land, improve farm yields with less-thirsty crops, and develop and protect natural resources.

But back in 1935, in Unspoken, Ruby Lee Becker can’t breathe. The Becker family has clung to its Texas Panhandle farm through years of drought, dying crops, and dust storms. The Black Sunday storm threatens ten-year-old Ruby with deadly dust pneumonia and requires a drastic choice—one her mother, Willa Mae, will forever regret.

“This brown plague was different,” Ruby thinks. “Nobody knew how you could fix air that wasn’t fit to breathe.”

To survive, Ruby’s must leave the only place she’s ever known. Far from home in Waco, and worried her mother’s abandoned her, she’s determined to get back. As she matures, wanting the one thing she cannot have—the family and home left behind—Ruby Lee becomes even more resolute.

Even after twelve years, Willa Mae still clings to memories of her daughter. Unable to reunite with Ruby, she’s broken by their separation and haunted by losses she couldn’t prevent.

Ruby Lee has lost everything—except pure grit. Through rollicking adventures and harrowing setbacks, the tenacious Ruby Lee embarks on her perilous quest for home—and faces her one unspoken fear.

Book Trailer

Here’s the Blurb

A farm devastated. A dream destroyed. A family scattered.

And one Texas girl determined to salvage the wreckage.

Ruby Lee Becker can’t breathe. It’s 1935 in the heart of the Dust Bowl, and the Becker family has clung to its Texas Panhandle farm through six years of drought, dying crops, and dust storms. On Black Sunday, the biggest blackest storm of them all threatens ten-year-old Ruby with deadly dust pneumonia and requires a drastic choice —one her mother, Willa Mae, will forever regret.

To survive, Ruby is forced to leave the only place she’s ever known. Far from home in Waco, and worried her mother has abandoned her, she’s determined to get back.

Even after twelve years, Willa Mae still clings to memories of her daughter. Unable to reunite with Ruby, she’s broken by their separation.

Through rollicking adventures and harrowing setbacks, the tenacious Ruby Lee embarks on her perilous quest for home —and faces her one unspoken fear.

Heart-wrenching and inspiring, the tale of Ruby Lee’s dogged perseverance and Willa Mae’s endless love for her daughter shines a light on women driven apart by disaster who bravely lean on one another, find comfort in remade families, and redefine what home means.

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Meet the Author

Jann Alexander writes characters who face down their fears. Her novels are as close-to-true as fiction can get.

Jann is the author of the historical novel, UNSPOKEN, set in the Texas Panhandle during the Dust Bowl and Great Depression eras, and her first book in The Dust Series.

Jann writes on all things creative in her weekly blog, Pairings. She’s a 20-year resident of central Texas and creator of the Vanishing Austin photography series. As a former art director for ad agencies and magazines in the D.C. area, and a painter, photographer, and art gallery owner, creativity is her practice and passion.

Jann’s  lifelong storytelling habit and her more recent zeal for Texas history merged to become the historical Dust Series. When she is not reading, writing, or creating, she bikes, hikes, skis, and kayaks. She lives in central Texas with her own personal Texan (and biggest fan), Karl, and their Texas mutt, Ruby.

Jann always brakes for historical markers.

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I’m delighted to welcome Julia Ibbotson and her new book, A Shape on the Air, to the blog #Medieval #HistoricalFiction #AngloSaxon #TimeTravel #TimeSlip #Mystery #Romance #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Julia Ibbotson and her new book, A Shape on the Air, to the blog #Medieval #HistoricalFiction #AngloSaxon #TimeTravel #TimeSlip #Mystery #Romance #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Julia Ibbotson and her new book, A Shape on the Air, Dr DuLac Series, Book 1, to the blog.

Here’s the Blurb

Can echoes of the past threaten the present? They are 1500 years apart, but can they reach out to each other across the centuries? One woman faces a traumatic truth in the present day. The other is forced to marry the man she hates as the ‘dark ages’ unfold.

How can Dr Viv DuLac, medievalist and academic, unlock the secrets of the past?

Traumatised by betrayal, she slips into 499 AD and into the body of Lady Vivianne, who is also battling treachery. Viv must uncover the mystery of the key that she unwittingly brings back with her to the present day, as echoes of the past resonate through time. But little does Viv realise just how much both their lives across the centuries will become so intertwined. And in the end, how can they help each other across the ages without changing the course of history?


For fans of Barbara Erskine, Pamela Hartshorne, Susanna Kearsley, Christina Courtenay.

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Meet the Author

Julia Ibbotson is fascinated by the medieval world and the concept of time. She is the author of historical mysteries with a frisson of romance. Her books are evocative of time and place, well-researched and uplifting page-turners. Her current series focuses on early medieval time-slip/dual-time mysteries.

Julia read English at Keele University, England, specialising in medieval language / literature / history, and has a PhD in socio-linguistics. After a turbulent time in Ghana, West Africa, she became a school teacher, then a university academic and researcher. Her break as an author came soon after she joined the RNA’s New Writers’ Scheme in 2015, with a three-book deal from Lume Books for a trilogy (Drumbeats) set in Ghana in the 1960s.

She has published five other books, including A Shape on the Air, an Anglo-Saxon timeslip mystery, and its two sequels The Dragon Tree and The Rune Stone. Her latest novel is the first of a new series of Anglo-Saxon dual-time mysteries, Daughter of Mercia, where echoes of the past resonate across the centuries.

Her books will appeal to fans of Barbara Erskine, Pamela Hartshorne, Susanna Kearsley, and Christina Courtenay. Her readers say: ‘Julia’s books captured my imagination’, ‘beautiful story-telling’, ‘evocative and well-paced storylines’, ‘brilliant and fascinating’ and ‘I just couldn’t put it down’.

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I’m delighted to welcome Fred Raymond Goldman and his book, A Prodigy in Auschwitz, to the blog #HistoricalFiction #WWII #Auschwitz #JewishSurvivorStory #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Fred Raymond Goldman and his book, A Prodigy in Auschwitz, A Holocaust Story, Book One: Simon, to the blog with an excerpt.

Excerpt

Excerpt from Chapter 55:

The winter of 1943 to 1944 passed slowly for Simon. During the colder months the orchestra didn’t play on Sundays as frequently for the entertainment of the SS officers, but he continued to visit Rachel regularly. He brought her slices of bread and sausages he’d been able to sneak from the kitchen for her to share with some of her friends who didn’t have as much access to extra food.

Although the musicians received larger portions of food than other prisoners, they were affected by the rationing. As members of the orchestra succumbed to the diseases and malnutrition that ran rampant through the camp, the influx of new prisoners made up for the labor needs. The commander saw to it the orchestra remained complete.

Simon became aware of prisoners from a camp in Terezin, Czechoslovakia who had arrived at Auschwitz-Birkenau in several transports. Large numbers of them, he learned, were exterminated upon arrival. The survivors lived in a separated area of Auschwitz-Birkenau called Terezin. They were unseen by other prisoners and received special privileges, he was led to believe, including not having their hair shaved and being allowed to wear their own clothes. Nevertheless, they were treated as prisoners.

Simon heard rumors that the International Red Cross had requested a visit with these prisoners at their former camp after hearing about their bad treatment there. Under pressure, the Germans conceded and allowed for such an appearance, but not before beautifying the camp by cleaning up the housing and grounds and providing nice clothing and healthy meals for the prisoners to make it look as though they were being treated well. As a result, the International Red Cross unintentionally but falsely projected to the public that the camp residents were receiving humane treatment

On a Sunday visit with Rachel, Simon told her about the rumor he’d heard. The following week, while they were walking hand in hand, Rachel said she had told Dr. Fridman about the rumor.

Simon stopped, let go of her hand, and faced Rachel. “What did he say?”

“He said he thought the only reason the Germans would have let the Red Cross come was to convince them there was no German plan to murder Jews.”

Simon frowned. “If that is true, the Germans’ strategy likely worked.” 

Here’s the blurb

When Nazi Germany troops enter Krakow, Poland on September 2, 1939, fourteen-year-old Simon Baron learns two truths that have been hidden from him.

One, the people who have raised him are not his biological parents. Two, his birth mother was Jewish. In the eyes of the Germans, although he has been raised Catholic, this makes Simon Jewish.

Simon’s dreams of becoming a concert violinist and composer are dashed when his school is forced to expel him, and he is no longer eligible to represent it at its annual Poland Independence Day Concert. There, he had hoped to draw the attention of representatives of a prestigious contest who might have helped him fulfill his dreams.

Simon vows to never forgive his birth father for abandoning him, an act resulting in unspeakable tragedies for his family and in his being forced to live the indignities of the ghetto and the horrors of Auschwitz and Sachsenhausen concentration camps.

Throughout his ordeals, Simon wavers between his intense anger toward his birth father and his dreams of being reunited with him. Through his relationships with Rabbi Rosenschtein and the rabbi’s daughter, Rachel, Simon comes to appreciate his Jewish heritage and find purpose in his life. Driven by devotion to family and friends and his passion for music, Simon holds on to hope. But can he survive the atrocities of the Nazi regime?

How do you reconcile a decision you made in the past when the world erupts in war, threatening the life of someone you love and believe you were protecting?

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Meet the Author

Fred Raymond Goldman graduated from Western Maryland College in Westminster, MD (now named McDaniel College) in June 1962 with a BA in psychology. Two years later, in 1964, he earned an MSW degree from the University of Maryland School of Social Work.

Most of Fred’s career was spent in Jewish Communal Service. He served as the administrator of Northwest Drug Alert, a methadone maintenance program at Sinai Hospital in Baltimore. In this role, he also acted as a community resource, guiding individuals struggling with addiction toward Jewish services that supported abstinence, counseling, and job placement.

Following that, Fred was hired as the Assistant to the Director of Jewish Family Services in Baltimore.

His final professional role was with Har Sinai Congregation, a Jewish Reform Synagogue in Baltimore, where he served as Executive Director for 23 years, retiring in October 2005.

In retirement, Fred pursued his love of hiking with The Maryland Hiking Club and spent time volunteering at The Irvine Nature Center. There, he led schoolchildren on nature hikes and assisted in the center’s nature store.

Writing had always been a passion for Fred, dating back to childhood, but it wasn’t until retirement that he began to take it seriously. He started writing children’s books and became a member of the Children’s Book Writers and Illustrators Association. Among the titles he wrote are: Vera and the Blue Bear Go to the Zoo, Never Bite an Elephant (And Other Bits of Wisdom), The Day the School Bus Drivers Went on Strike, If You Count, and The Day the School Devices Went on Strike.

Though none of these books has been published, Fred remains hopeful that if the CONCERTO books gain recognition, opportunities for the earlier works may follow.

Fred’s journey of writing the CONCERTO companion books began when he saw a note on a local library bulletin board about a new writer’s group led by a local author. He joined and, along with nine other participants, learned the fundamentals of writing: staying in the protagonist’s point of view, building narrative tension, developing distinctive and flawed characters, and the process of writing and rewriting.

Over the course of more than four years, Fred dedicated time to writing, researching, rewriting, and submitting the manuscript. What began as a single book titled The Auschwitz Concerto was eventually split into two volumes and self-published. For a time, the manuscript was also titled The Box.

The encouragement from the group’s teacher and fellow members played a key role in shaping the novels, and Fred hopes his feedback was equally helpful to others in the group.

In the ‘Author’s Notes’ of the CONCERTO books, Fred outlines the goals behind sharing these stories. Prior to writing them, he had only a general understanding of the Holocaust—knowing that nine million lives were lost and that it was a horrific chapter in history. Through the writing process, he gained deeper insights into both historical events and human suffering, fostering a greater sensitivity to contemporary issues. He firmly believes that what affects one group can quickly impact everyone, and that such awareness is critical today.

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I’m delighted to welcome Ron Allen Ames and his book, An Echo of Ashes, to the blog #AnEchoOfAshes #RonAllenJames #WWI #SpanishInfluenza #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Ron Allen Ames and his book, An Echo of Ashes, to the blog with an excerpt.

Excerpt

The bull then noticed Russell and immediately charged. “RUSSELL!” Ella screamed as Ruth restrained her from running into the corral.

From behind the pole, Russell held out the gun with his right hand and fired. Boom! Boom! Boom! Did he miss? The bull was almost on him! He frantically shot again. Boom! Boom! The hair flew from the animal’s brisket as the second bullet ripped through the beast’s jaw. The bull whirled and trotted back as it snorted and gurgled in the blood that ran from its mouth. Russell nervously clicked open the gun and shook out the spent casings. His quivering hand reached in his pocket for more ammunition, but he fumbled the cartridges, and they tumbled to the ground. He dropped to his knees, scraping his fingers through the dirt, jamming any bullet he found into the gun. Just then, the bull regained its composure and charged again.

Here’s the Blurb

An Echo of Ashes is a story lost to time, then found again in century-old letters that lay in a tattered box. Based on actual events taken from the pages, this story tells of when the Great War and the Spanish Influenza forever altered the lives of millions, including a family of subsistence farmers who also worked the oil fields of Pennsylvania.

Ella and Almon make their home in the backcountry. Almon and his sons work in the oil fields, just as their forefathers before them. As war and influenza break out, the parents seek to shield their family from the impending perils.

Earl, the eldest son, is a gifted trombone and piano player. He is captivated by Lucile Lake, a girl from a higher social status. All he has to win her heart are his music and his words as the military draft looms ever closer. Jack, a friend as close as a brother, faces the horrors of war at the Western Front. Albert’s free spirit creates chaos as he searches for direction. Arthur’s patriotism leads him to the Mexican border. Young Russell must suppress his fear to save a life, while Little Clara remains protected from the distress.

World War One and the Spanish Influenza Pandemic are most often documented separately, yet they intersected in 1918. For those who endured sacrifice and loss during this time, the sharp echo of tragedy carried through the ashes of what once was, likely dulled but never vanished from their minds. This is just one of countless stories from such a perilous chapter in American history.

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Meet the Author

Ron Allen Ames is a history enthusiast who attributes his 46 years of life experience as a hands-on business co-owner, for giving him insight into human nature, a benefit when portraying the lives of others. The information he received, dating from 1914 to 1919, is what prompted Ames to bring this history to light in An Echo of Ashes. 

Ames lives with his wife Cathy in Pennsylvania. They have two grown sons.

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Welcome to the blog tour for Shattered Peace by Julie McDonald Zander #HistoricalFiction #WWI #Timeslip #BlogTour #TheCoffeePotBookClub

Here’s the blurb

A forgotten diary. A century-old secret. A town still haunted by its past.

When former Navy Seabee Colleen Holmes inherits an old house in Centralia, Washington, she sees it as a chance to escape her own ghosts and start anew. But as she peels back layers of history within the home’s walls, she unearths long-buried secrets tied to a dark chapter in the town’s history.

Hidden behind crumbling plaster, a faded diary and a bundle of love letters unveil the struggles of a soldier trapped in the trenches of France and the heartbreak of those left waiting at home. Yet the diary’s brittle pages hold more than just longing—they bear witness to the explosive events of November 11, 1919, when a parade meant to celebrate peace erupted into violence and bloodshed.

As Colleen pieces together the tragic choices that shattered lives and fractured a town, she realizes history is never truly buried. The wounds of yesterday still shape today, and the past is not done with her yet.

Inspired by true events, Shattered Peace is a gripping time-slip novel of love, loss, and the echoes of history that refuse to fade. Perfect for fans of The Alice Network and The Girl You Left Behind, this haunting tale of resilience, redemption, and the pursuit of truth will linger long after the final page.

Triggers: It contains references to date rape, war violence, post-traumatic stress disorder, and faith and redemption

Purchase Link

https://books2read.com/u/4AyWBp

Book Trailer

https://www.youtube.com/watch?v=Nlh5nXX9bv8

Meet the author

Julie McDonald Zander, an award-winning journalist, earned a bachelor’s degree in communications and political science from the University of Washington before working two decades as a newspaper reporter and editor. Through her personal history company, Chapters of Life, she has published more than 75 individual, family, and community histories. 

Her debut novel, The Reluctant Pioneer, won a Will Rogers Medallion and was a finalist for the Western Writers of America’s Spur Award for Best Historical Novel.

She and her husband live in the Pacific Northwest, where they raised their two children.  

Author image for Jule McDonald Zander

Connect with the author

https://maczander.com

 

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