I’m delighted to welcome Heidi back to the blog with a post about her new novel, The London Forgery.
They say a historical novel takes place at least fifty years back in time. It has its setting in a certain period in history, and the author paints a picture with words of what it was like to live back then. That author must love research, must love history, must love delving into the sight, sounds, and smells of that time.
And what’s not to love about that? I have days when I probably spend more time on research than I do on the actual writing process. Because historical accuracy is important, right? It would be an anachronism to read about a cell phone in a 1960’s novel.
To make things even more complicated, I love dual-timeline novels. And I enjoy writing them. The London Forgery is such a novel. The main character, an art historian named Fabiola Bennett, has been asked to help solve an art mystery…a serious one…and there’s a problem at the National Gallery in London.
The year is 1973. Phew! Just enough years back in time to call it historical fiction. But back up a minute. I was in my early teens in 1973. I’ve lived a while, but don’t feel like I’m historical quite yet. But, oh, how fun it was to check the facts about everything from blue and white police cars to what year chocolate digestives came on the market. I went into my own memory bank when I did research for the main story, and I looked at old pictures. My sister was several years older than me and ruled the fashion of that decade. I can remember the long skirts and dresses I wore, my orange platform shoes, and listening to my favorite music. Back then, my bedroom had green walls and sported a bright-orange plastic lampshade. A small transistor radio tuned to Radio Luxembourg sat on the windowsill.
In The London Forgery, Fabiola rushes off to London. A mysterious note has been delivered anonymously at the door of the National Gallery, and the director needs her help. The message is confusing, but it seems one of her favorite eighteenth-century portraits is in trouble. As always, Fabiola will take too many risks as she tries to solve the mystery involving the British artist Thomas Gainsborough and his 1750 portrait called Mr. and Mrs. Andrews.
But what about the other story? I mentioned The London Forgery is a dual-timeline novel. Each of the books in this series will have a secondary story about a famous artist—a story that blends in with the main theme of the book.
Writing about Gainsborough and his love for his wife, the process of painting the famous masterpiece, and the young sitters Robert and Frances Andrews was pure joy. There’s much information about these two couples. I listened to lectures about them, read umpteen articles, and studied the beautiful painting.
Mr. and Mrs. Andrews now hangs upstairs in room thirty-five in the National Gallery on Trafalgar Square in London. Go see it if you can. It’s worth the trip.
Take care, Heidi Eljarbo
Here’s the blurb
1973. Art historian Fabiola Bennett sees herself as a prudently observant deer who becomes a daring and even mischievous lioness if the situation calls for it. And that’s exactly what’s required when greedy criminals steal, forge, and tamper with treasured artwork. When the crooks add murder to their list of crimes, the chaos is complete.
A mysterious note is delivered anonymously at the door of the National Gallery in London, and the director immediately calls Fabiola’s office in Oslo and pleads with her to come without delay. The message is confusing, but it seems one of her favorite eighteenth-century portraits is in trouble.
Fabiola hops on the first plane and meets up with her vibrant side-kick Pippa Yates and the ever-loyal Detective Inspector Cary Green from New Scotland Yard. But she is not naïve enough to think untangling the purpose and meaning of the mysterious note will be as simple as a walk in Hyde Park. These things never are.
1750. Newly married Robert and Frances Andrews, members of the landed gentry of Suffolk, England, hire young and talented Thomas Gainsborough to paint their wedding portrait. Their desire is a lovely conversation piece showing their wealth and class, an artwork to remember them by for generations to come.
Little do they know the gifted artist portrays their personalities exactly how he perceives them, and the artistic symbolism is not as flattering as they’d hoped for. Even the looming clouds in the distance promise a troublesome future.
This is the first book in a new dual timeline series by Heidi Eljarbo—an intriguing spin-off from the much-loved Soli Hansen Mysteries.
Fans of Lucinda Riley, Rhys Bowen, Kathleen McGurl, Kate Morton, and Katherine Neville will love this cozy historical art mystery, which takes the readers back to the nostalgia of the groovy seventies and the classical Georgian era of the eighteenth century.
Buy Links:
Available on #KindleUnlimited
Meet the author:
Heidi Eljarbo is the bestselling author of historical fiction and mysteries filled with courageous and good characters that are easy to love and others you don’t want to go near.
Heidi grew up in a home filled with books and artwork and she never truly imagined she would do anything other than write and paint. She studied art, languages, and history, all of which have come in handy when working as an author, magazine journalist, and painter.
After living in Canada, six US states, Japan, Switzerland, and Austria, Heidi now calls Norway home. She and her husband have fifteen grandchildren—so far—in addition to a bouncy Wheaten Terrier.
Their favorite retreat is a mountain cabin, where they hike in the summertime and ski the vast, white terrain during winter.
Heidi’s favorites are family, God’s beautiful nature, and the word whimsical.
Connect with Heidi
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Check out Heidi’s previous visits to the blog.
