Welcome to today’s stop on the blog tour for Widow’s Lace by Lelita Baldock

Today I’m excited to welcome Lelita Baldock, and her book, Widow’s Lace, to the blog, with a post about her approach to research as an historical fiction writer; a process that fascinates me. Widow’s Lace is set in both Australia and England, in two different time periods, so I imagine there was a huge amount of research to complete.

First and foremost, I want to say thank you to MJ Porter for including me and Widow’s Lace on this fabulous blog. I am especially excited about this post as I rarely get to talk about my research process and the resources I used to inspire the descriptions of the historical settings in my novel.

I find my research roughly divides into two major approaches: feeling the location and learning the details. 

To do this I like to visit the locations I aim to write about. Even though my story will detail the past, walking the streets of today, whilst thinking of what came before, allows me into the fabric of a time and place. 

But visiting locations is only part of their history. I also need books to learn more about the time period. When you aim to write a story set in the past it is quite extraordinary how many little things you need to check up on. Details like what people wore, ate and drank; which train stations and parks existed; did they have electricity or glass windows and so on. I will confess that Google is an invaluable tool for me in exploring how people of the past lived the everyday. Traditionalists often scoff at the use of the internet, certainly when I majored in History at the University of Adelaide it would have been frowned upon, and I agree that it must be used carefully. But it is such a rich source of articles, academic papers, photos and more, that it would be a shame not to tap into this resource. It’s just important to check who wrote the article and cross-check information to ensure your facts are reliable. Google is a wonderful resource to find these smaller details, all of which help you to bring the past to life.

Widow’s Lace is set across multiple timelines and locations. We explore late 1880s South Australia and England as well as pre-WW1 London. The research required for these locations was, naturally, very different. London is a major historical city, much has been written about its history and development. My other UK based locations: Derbyshire and Gloucestershire are similarly well documented. But the remote townships of Finniss and Goolwa in South Australia are less well known. 

I think the best approach to detailing my research is to divide this post by location, so I can try and do justice to the individuality of each setting and the work it took to capture it.

Goolwa and the Finniss River

The historical township of Goolwa is located around 50 miles from Adelaide, the capital city of South Australia. The town was originally established as a river port. One of the major river systems of the country, the Murray River, meets the sea just down from Goolwa. The idea was that cargo could be transported to a port at Goolwa and swapped between the river boats, called paddle steamers, that could travel up river owing to their flat bottomed hulls, and the large trade vessels that sailed up and down the coast.

As part of this commerce the first rail line in South Australia was built between Adelaide and Goolwa and eventually extended to Victor Harbor further along the Fleurieu Peninsular.

Goolwa Map. A map of the main locations in Widow’s Lace. Sketched by Lelita Baldock

Unfortunately, several factors conspired to undermine this vision and thus the town and trade route did not reach its full potential. In the late 1800s, the time of my novel, the river was tidal. This meant that the waterway that lead to the port was notoriously difficult for ships to traverse. But more importantly, and somewhat ironically, the emergence of the rail network across Australia soon replaced the paddle steamer trade, as it was faster and more reliable. 

This history is well documented on plaques around the town of Goolwa. There is even a glass  viewing box on the main street that houses a replica of the first train to run between Goolwa and Victor Harbor. 

As a child my family holidayed in Goolwa, so much of this general history was something I grew up learning about as we walked the streets, enjoying the area. But to write a novel you need more than just an overall gist. That is where my father, Trevor Baldock, comes in. My dad is passionate about history, and makes it a priority to learn all he can about areas he loves. When I was in my early twenties he purchased a book about the history of the Murray River and paddle steamer trade called The Murray River Pilot by Ronald Baker, Margaret Baker, William Reschke. It detailed the history of the river trade out of the port of Goolwa and surrounds and helped to paint a distinct picture of life in the town in the late 1880s. This book became my research go-to as I pieced together the experiences of my main character Edward Barrington and his wife Rosalind after they moved from England to this remote part of South Australia

The Finniss River. A Photo from the banks of the Finniss River Photo Credit: Lelita Baldock

In addition to The Murray River Pilot and the general information on plaques around the town, I visited the Goolwa museum, which houses all manner of artefacts from the region, ranging from machinery used to winch boats from the river, to kettles used in the kitchens of neighbouring farmhouses. All this was invaluable as a visual resource, a glimpse into what people of the time would have seen and used as they went about their lives.

Though Goolwa has expanded in the intervening years, becoming a favoured holiday location for Adelaidians, many of the original sandstone houses and hotels still line the main street, so it’s not difficult to imagine how the town would have looked all those years ago. 

Hathrone Farm on the Finniss river is based on a real property. Along the banks of the river there is an old sandstone farmhouse and sheds. I first saw this beautiful property as a child when sailing the river with my family. But in my early twenties it took on more significance for me. As we wound our way through the patches of reeds that line the river, I watched the farmhouse pass by and was engulfed by the sense of isolation and solitude. It got me wondering about who might have lived there and why? This ruminating inspired the story that would become Widow’s Lace, so it was only natural that this property should form the inspiration for Hathrone Farm.

Sandstone Buildings. Sandstone buildings along the Finniss River. Photo Credit: Trevor Baldock

Of course, there is also the very rich and important history of Australia’s First People in the area. It would not have been right to publish a story of Goolwa and not acknowledge the Ngarrindjeri people who called the Lower Lakes home. The name Goolwa is in fact a Ngarrindjeri word, meaning River’s Elbow, owing to the natural curve of the river in which the town nestles. The local library in Goolwa has a wealth of information on the history of the Ngarrindjeri, which I tapped into to make these aspects of my novel as true and respectful as I could. Additionally, there remains a strong Ngarrindjeri presence in Goolwa and many tradition ceremonies, such as the ‘Welcome to Country’ ceremony are still held, offering an invaluable experience of these living traditions.

London, Derbyshire and Gloucestershire

My research for the English locations of Widow’s Lace was similar in many ways. I always visit the locations I intend to use for my novels and have been fortunate enough to be able to move to the United Kingdom and travel widely here, which has exposed me to many beautiful locations that are perfect for historical novels.

In 2010 my husband and I explored the Cotswolds and Bath, and I found the setting for the early 1900s parts of my story. The tranquil beauty I experienced as we explored the windy, cobbled streets was the perfect juxtaposition to the tension and bustle of wartime London.

Cotswolds. Photo of Kingsbridge. Photo credit: Lelita Baldock

Journeying the Cheshire Ring on a narrow boat in 2016 allowed me to dive into the history of the industrial north which formed the backstory for Edward Barrington. Again, the research came naturally, visiting factories and reading about the experiences of workers. 

It was also on this trip that I visited Lyme Hall. I loved the feel of this old manor. It felt at once big and formal, but also intimate and homely, mirroring the twin experiences of Edward Barrington. It was the perfect location on which to model the manor house of Hathrone.

Lyme Hall. Lyme Hall, England, Pemberly in the BBC series of Pride and Prejudice. Photo Credit: Lelita Baldock

As these locations are widely visited tourist sites, it was easy to find information about everyday life in the past by reading the provided tourist information. Google was my main go to as a quick reference for important dates. 

My research for Widow’s Lace was both active and subconscious. Growing up exploring the Goolwa region and travelling parts of the UK,  I learnt much of the history I used passively. This formed a strong backdrop for my story, actively inspiring the storyline, and giving me a platform from which to launch into the more detailed research required to truly bring history to life.

Overall I think I prepare to write a novel through reading widely and by spending time in a location. Walking the streets and talking to the locals adds an authenticity and enables me to get a feel for the place. When combined with research on little details I believe this gives rise to the most effective and realistic portrayals of a different time and place and thus a richer reading experience. At least, that is my hope!

Thank you so much for sharing your research processes. It’s fascinating to discover what inspires people to write their stories. And I agree, the internet is an amazing resource for finding out those weird, and strange little obscure facts that you just can’t write a book without.

Here’s the blurb for Widow’s Lace.

A hundred year old mystery, the widow left behind, a fallen soldier, the abandoned fiancée, an unnamed body and the young student determined to find the truth.

In 1886 famous English poet Edward Barrington moves from Derbyshire, England to a farm on the Finniss River, in South Australia. Two years later he disappears.

25 years later Archie Hargraves abandons his fiancée Clara and travels from England to meet with Edward’s widow, Rosalind. He plans to write a biography and make a name for himself, independent from his wealthy father. Returning to England in 1914 he abandons his work to join the war in Europe. His journal of notes from Australia is never released.

Ellie Cannon, a young PhD candidate at Sydney University, is writing a thesis on one of Barrington’s last known poems, The Fall. It’s not going well. Struggling with her relationship with her mother and loss of her father, Ellie is on the brink of failure.

Then a body is found by the Finniss River, 130 years after Edward’s disappearance. Could it be the famous poet?

The discovery draws Ellie into the worlds of Edward, Archie and Clara, taking her across Australia and England in her search for the truth.

Covering life in remote South Australia, the social pressures of 1900s Britain and the historical role of women, Widow’s Lace is an historical fiction, mystery cross-over dealing with themes of obsession, fear, love, inner-secrets and regret. But also the hope that can come from despair.

Buy Links:

Amazon UK • Amazon US • 

Amazon CA • Amazon AU • 

Barnes and Noble

Widow’s Lace is also available on Kindle Unlimited.

Meet the Author

Lelita has a passion for stories, especially those with a dark undercurrent, or a twist to be revealed. 

She hopes to tell interesting stories that people will find themselves drawn into. Stories that are for entertainment and escape, and hopefully a little thrill of the unexpected. She truly enjoys the experience of writing, exploring human traits and reactions as well as the darkness that can lurk unexpectedly inside anyone.

Born and raised in Adelaide, Australia, Lelita holds a Bachelor of Arts majoring in English and History from the University of Adelaide and a Bachelor of Education from The University of South Australia. During her twenties she worked as an English teacher in both Australia and the United Kingdom, working with the International Baccalaureate curriculum.

Now Lelita and her husband run a web development business, and she makes time for writing after hours and on weekends. It can mean long days and late nights, but she doesn’t mind, stories are her passion.

Lelita’s long term goal as a writer is to be able to publish her stories regularly and hopefully appeal to a wide range of readers.

Lelita currently resides in the United Kingdom with her husband Ryan and beloved rescue-cat, Jasmine.

Connect with Lelita

Website • Twitter • Instagram • Facebook • Book Bub • Amazon • Goodreads

Don’t forget to check out the other stops on the blog tour for Widow’s Lace.

Welcome to today’s stop on the blog tour for Masters of Rome by Simon Turney and Gordon Doherty

Today, I’m excited to share with you my review for Masters of Rome by the combined talents of Simon Turney and Gordon Doherty. This is the second book in the trilogy. Check out my review for book 1, Sons of Rome, here.

Here’s the blurb

Their rivalry will change the world forever.

As competition for the imperial throne intensifies, Constantine and Maxentius realise their childhood friendship cannot last. Each man struggles to control their respective quadrant of empire, battered by currents of politics, religion and personal tragedy, threatened by barbarian forces and enemies within.

With their positions becoming at once stronger and more troubled, the strained threads of their friendship begin to unravel. Unfortunate words and misunderstandings finally sever their ties, leaving them as bitter opponents in the greatest game of all, with the throne of Rome the prize.

It is a matter that can only be settled by outright war…

Here’s my review

Masters of Rome is the stunning sequel to Sons of Rome, and the juicy jam? in this trilogy about Maxentius and Constantine, and the state of the Roman Empire in the early 300’s.


It is a book of vast scope, and yet perfectly held in check by the twin authors, Turney and Doherty, both taking the part of one of the main characters. Taking the reader from Rome to Africa, from Gaul to Rome, the scope of the novel is massive, and yet it never feels it. Never.


I am in awe of the skill of both authors to bring something as complex as this time period to life with such apparent ease (I know it won’t have been easy, but it feels it). Each chapter flows into the next, the desire to give both characters an equal voice, never falters, and quite frankly, I have no idea how the trilogy is ultimately going to end, but I am desperate to know:)


I highly recommend Masters of Rome, especially and particularly for those, who have no knowledge of the history of the period (like me) because it is absolutely fascinating and told with panache and skill, with an eye to detail. And those who do know the period, you’re still in for a treat as we follow the lives of Constantine and Maxentius and the inevitable march to war.


Thank you to Netgalley and the publisher for my review copy.

Masters of Rome is released today, March 4th, in ebook and you can purchase here.

Amazon

About the authors

Simon Turney is the author of the Marius’ Mules and Praetorian series, as well as The Damned Emperor series for Orion and Tales of the Empire series for Canelo. He is based in Yorkshire. 

Gordon Doherty is the author of the Legionary and Strategos series, and wrote the Assassin’s Creed tie-in novel Odyssey. He is based in Scotland.

Follow Simon Twitter Instagram Website

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Twitter: @AriesFiction

Facebook: Aries Fiction

Website: http://www.headofzeus.com

Don’t forget to check out the other stops on the Masters of Rome blog tour.

The Earls of Mercia Series – what possessed me?

Somehow, and I have no idea how, I’m about to release Book X (yes X) in the Earls of Mercia series, and that doesn’t include the three direct side-stories, or Lady Estrid, which could also be said to be a side-story, books. I decided it was time to take a hard look at myself, and why my very first historical fiction project is proving to be the longest so far.

The Earls of Mercia inspiration

The last century of Early England is a place well-trodden by non-fiction and historical fiction authors, so why did I choose to tell it through the eyes of a handful of people who almost slip through the historical record unnoticed because of the ‘giants’ of the period?

History is filled with those who get swept aside because other events overtake their achievements, and so it is with the Earls of Mercia. They were a family who ‘ruled’ continually from 993 to 1066 – a feat not even achieved by the Wessex royal family, begun by King Alfred, during the same time period. In the annals of the time they’ve been pushed to the side by the likes of Eadric Streona, King Cnut and the family of Godwine, by the events of both 1016 and 1066, and also by the fact that when the family married into royalty, it was destined to be short-lived.

I ‘discovered’ my first character – Ealdorman Leofwine – while meandering down the aisle in a university library. By rights, I shouldn’t have been there, not in that section, and equally, I shouldn’t have gone on to write my dissertation about him, but I did, but only after I’d made him into a fictional character. So just what was it that made him so appealing as a character?

As I read about the family, in Stephen Baxter’s, The Earls of Mercia, Lordship and Power in Late Anglo-Saxon England, I was flabbergasted that this character existed and yet hadn’t been put to good ‘use.’ Ealdorman Leofwine, his sons, grandsons, and great-grandchildren were witnesses to all of the events I’ve mentioned above. Not only did they witness them, but they were involved as well. I remember picking up and reading Frank Barlow’s book on the Godwines and being disgusted that Ealdorman Leofwine, Earl Leofric, Earl Ælfgar and his sons and daughter get little more than the odd mention. The desire to tell a story only about the Godwines excluded the perfect foil for them. I couldn’t allow that to stand.

But, how to tell the story of a century, of four generations? Initially, my idea was to tell a retrospective story, through the eyes of the great-grandson who did survive the tumultuous events of 1066, using the idea of a scribe writing down the family’s history while he was imprisoned at the request of William the Bastard for well over a decade. I still have the words I first wrote. But, that was not the route I eventually went down. No, I wanted to make Ealdorman Leofwine more than just someone’s ancestor, I wanted to make him a person in his own right, even if I do harbour the suspicion that he might have been retrospectively given greater influence than he might have claimed. 

And that is the path that I’ve continued to tread. My overarching ambition is to tell the story of the years from 993-1066, but each player must have their own story, they must all be allowed to live, before they die; they must all be people in their own right. And now, as I begin to retell the story that so many are familiar with, that of the reign of Edward the Confessor and the events that led to 1066, I’m pleased by my decision to ensure the Earls of Mercia have their own story to tell – and also by the fact that because of that, other historical characters are also having their story retold a little – the oft-forgotten or misunderstood characters, and that means kings as well as earls and great ladies. 

I’m pleased that people who read about the Earls of Mercia are able to consider that the Godwines were not quite the ‘top-dogs’ they might appear to be from such a distance. Not that it doesn’t involve playing around with what some might call the ‘facts’ but that is the joy of historical fiction – in getting to know my characters, in playing around with the information that we do have, I can find other possibilities, and they are not quite as far-fetched as it might be believed.

I began writing the first book in the Earls of Mercia series in 2011. Since then I’ve been slowly working my way backwards through Early England, as well as slightly forwards in Denmark. It has meant that the first two books in the series have undergone some subtle changes as they’ve been rereleased in paperback and the copyright returned to me by my publisher. So, for any who haven’t started the books yet, it isn’t necessary to start with book 1, or even book 2, but if you’re going to, then the paperback version – The Earl of Mercia’s Father – is the correct edition to read. But I genuinely hope, that it should be possible to pick up any of the books and still be able to understand what’s happening and enjoy the individual title.

The English King, Book X, is released on January 28th, and Book II, The Danish King’s Enemy, has just been rereleased.

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Welcome to today’s stop on the blog tour for Betrayal by the Historical Fictioneers

Today, I’m delighted to welcome the Historical Fictioneers and their new book, Betrayal, to the blog. Here’s the blurb;

“Betrayal, treachery, treason, deceit, perfidy—all names for the calculated violation of trust. And it’s been rife since humans trod the earth.

A promise broken

A mission betrayed

A lover’s desertion

A parent’s deception

An unwitting act of treason

Betrayal by comrades

Betrayal by friends

Could you resist the forces of misplaced loyalty, power hunger, emotional blackmail, or plain greed? Is there ever redemption, or will the destruction visit future generations and even alter history? These questions are still with us today.

Read twelve tales by twelve accomplished writers who explore these historical yet timeless challenges from post Roman Britain to the present day.”

This sounds like a fascinating project, and the authors have been busy answering my questions (yes, all of the authors:)) Enjoy.

How did the collection come about? (whose idea was it)?

Charlene Newcomb 

The popularity of short fiction has been on the rise, and many of my author acquaintances have been writing shorter works: some as reader magnets they offer for a newsletter sign-up; others for their websites or on retail sites.

I was working on a series of short stories myself when an article landed in my inbox. A group of suspense/mystery writers had collaborated – with great success – on a free anthology. In that case, eight authors contributed to their book. Their individual ‘fans’ were thrilled to get a free story, and at the same time, they introduced their readers to authors they might not know. This sounded like a great way to tempt lovers of historical fiction to sample a new author, a new era. You’ve heard the old adage: ‘don’t re-invent the wheel.’

In November 2019, I broached the idea of an anthology with Cryssa, Annie, and Anna, who I’d met virtually through our work as co-editors of the English Historical Fictions Authors blog. Anna & I also met face-to-face at the HNS Denver conference in 2015, and I met Cryssa at HNS in Oxford, UK, in 2016. This was supposed to be the year I met Annie, but… COVID19.

Fortunately, these ladies were on board for the idea. We created guidelines for the stories and talked themes, word count, cover design, costs, and marketing before reaching out to eight more writers. And lo and behold…we give you Betrayal!

Will Jane Reader devour every story in the anthology? Will Joe Reader discover a new author, a new era, that intrigues. We all hope so!

Why did you choose the theme of “Betrayal” for your books?

Cryssa Bazos

When we were considering what could connect all the stories, we couldn’t rely on a unifying event like the Norman Conquest since we all write different eras. This meant that theme needed to be the unifier. Betrayal is a primal emotion. It stirs up our deepest fears. One can’t be betrayed by an enemy. Only those closest to us, the people who know our vulnerabilities and our weaknesses can wield this power against us. Each story explores betrayal in its many facets—shifting alliances, deception, intrigue, vengeance, and treason. Ultimately, they all examine the calculated violation of trust.  

What was the once piece of advice you were given about writing historical fiction that has proved invaluable? 

Elizabeth St. John

I wish I had been given the advice personally, for it came in an interview I read with Hilary Mantel, a historical fiction author I greatly admire. “My chief concern is with the interior drama of my characters’ lives,” she said, shortly after winning the Man Booker prize for Wolf Hall. “From history, I know what they do, but I can’t with any certainty know what they think or feel.” 

That one sentence gave me the confidence to move from extensive research to writing the fiction that became my trilogy, The Lydiard Chronicles. I could use my learnings to form the foundation of my characters, knowing I was free to weave their deeds, loves, friendships and enemies into their thoughts and feelings. 

Tony Riches

I’d written three books before I was persuaded to employ the services of a professional historical fiction editor. Before then, I’d used a general editor who had an interest in history but focused on spotting typos and making sure the commas were in the right places. 

The editor who supports me now is able to take a much deeper view of my writing, as she checks for consistency across a series. Most importantly, she also provides developmental comments to support my revision process, and it able to fact-check details to help with historical accuracy.

This service can be expensive, but in the UK the costs can be reclaimed against tax. Although I find editing one of the least satisfying aspects of the writing process, I always look forward to seeing what comments my editor has made.

Helen Hollick

Do your research as best as you can, but recognise when it is time to stop researching and start writing.

Alison Morton

I come from the formal end of history with a masters’ degree so I’m strict about getting the facts right by using three different sources. That’s the problem, of course. Sometimes there are none. Our job, according to writing friend Conn Iggulden, is to fill those gaps intelligently. So, we are back to thorough research, but fired by our imaginations.

Mercedes Rochelle

I don’t pay a lot of attention to how-tos, but I did read Stephen King’s “On Writing”. He said something I really took to heart. To paraphrase it, he said your first job is to entertain someone who had a hard day at work and just wants to relax. That statement gave me pause. I’m so worried about getting the story “right” that I sometimes forget that it has to be entertaining. The reader probably doesn’t care about the historical accuracy if it gets in the way of a good story.

 Derek Birks

The best piece of advice is to remember that historical fiction is not ‘about’ history. Like all fiction, it is about a story. Do your research, but don’t let it swamp the story. Your readers may admire your attention to period detail in descriptions of clothing or buildings, but they won’t be reading your work at all if your story does not hold their interest. 

Historical fiction defines when and where your story is set, but that is no substitute for skillful storytelling. Sometimes you have to rein in your interest in history to ensure that every chapter end persuades the reader to follow your tale to the end.

Anna Belfrage

Many years ago, I sent my first WIP to an editor. The lady in question had been one of the teachers at a writing course I took and I really admired her writing, so it took some courage to send her my manuscript. Overall, she was very positive—except for one thing. “Scrap all attempts at writing period dialogue,” she wrote. “You have no idea how they spoke back then, I have no idea, the reader has no idea. The only thing we know for sure is that we probably wouldn’t understand them—or they us. Instead, write vivid and gripping dialogue so as to really hook the reader.” Yes ma’am, I thought, feeling my shoulders sag with relief and have since then concentrated on using dialogue to drive scenes rather than set them.

Judith Arnopp

When I first began writing one of my university professors instilled in us the importance of thorough research. ‘Don’t be sloppy,’ he said, and went on to show us the importance of thoroughly researching from every perspective. Once you’ve read all you can, select the point of view from which you wish to write, and stick to it. I’ve written about many people from the Tudor period and they often appear in more than one book but they are never the same. People change depending on who is viewing them. Margaret Beaufort when written from Elizabeth of York’s perspective in A Song of Sixpence is initially a rather interfering, annoying mother-in-law but in The Beaufort Chronicle, which is written from Margaret’s own point of view, she is quite different. Viewpoint is important. It is also crucial that the opinion of the author does not interfere with that of the protagonist. In the author’s note I sometimes add the codicil, ‘The views expressed in this novel are not the author’s own.’

Annie Whitehead

I’m not sure that I ever have been given advice specifically about writing historical fiction. But one thing I always try to bear in mind is the Dorothy Dunnett Quotation which is used as a banner for the Historical Writers’ Association/Dorothy Dunnett Short Story Award, of which I was the inaugural winner, and for which I am now a judge: “History is all very well, but it’s just the showcase. It is the arena in which your characters will perform, and which supplies the conflicts, stresses, dilemmas and the struggles they’ll get through.”

Cryssa Bazos

Live the scene. Walk through the events, not as a historian with the benefit of hindsight, but through the eyes of your character who can’t know that a battle is being lost (and why), or the true cause of a fire that destroys their city. Instead, tap into how your character would be feeling during these key moments, be it fear, rage, tenderness or love. Explore their world through what matters to them. If we look back on the historically momentous occasions of our age, we’ll find that we process these events through the lens of our own limited perspective, and in the end, it’s the people around us who make the most lasting impact on our lives.

Charlene Newcomb

A critique partner at my weekly writers group asked why I wasn’t using the real (okay, legendary) Robin Hood when I introduced a very Robin-like character in a story I took for the group for feedback. I had a flimsy excuse: ‘oh, he’s been done before by some very talented writers.’ They convinced me to introduce my own Robin-who-is-not-yet-Hood. I was bringing my own perspective, coming into the legend from a different angle. That story, Robin, and other characters from the legend, ended up being an important part of my novel Men of the Cross and ultimately drove plot arcs for Books II & III of my Battle Scars trilogy. My current work in progress, Rogue, takes the legend a step further.

Amy Maroney

Early on I was advised to let the research be my guide. While I write outlines, I also know that in the course of doing research, I will go wildly off course and the book will be better for it. So many wonderful characters and plot twists come straight out of history. The old adage “truth is stranger than fiction” crosses my mind a lot when I’m doing research. Often I’ll use a sort of collage of real events to come up with a plot point, or I’ll honor a long-forgotten person whose name crops up once in an obscure document by using his or her name in my story. I love those small moments of juxtaposing the real with the imagined.

Why do you think historical fiction continues to fascinate?

Elizabeth St. John

Our fascination with the past often comes as a result of wanting to understand and connect with our present. There is, I believe, a certain reassurance to read of surviving great peril, overcoming terrible odds, enduring overwhelming sadness or loss. When we look for meaning in our own lives, looking back at the past can be consoling, offer hope and inspiration for a way forward. Many of my readers tell me they particularly enjoy the perspective of less well-known people, who may have moved in influential or royal circles, and were observers of great historical events, yet lived and loved much as we do today.

And, I think we all enjoy the travelling through historical fiction into another world, a past that is just out of reach but still evident in ruined castles, captivating portraits and fascinating insights from documents left behind. 

Tony Riches

The history books offer us the bare facts, and even those are often disputed, but rarely put the flesh on the bones. History is about the lives of real people, who lived and died, and historical fiction can help to ‘fill in the gaps’ in a narrative which for many can be inaccessible.

It’s also intriguing to explore the differences in cultural attitudes to such things as love and marriage, childbirth and death, crime and punishment. I’ve also enjoyed learning about the less well-known people around the central figures, such as kings and queens.  

The best historical fiction transports the reader, evoking the sights, sounds and even the smells of a different time and place. For me, the fascination is to begin to understand the motivation of figures from history, and to discover why they acted as they did.

Helen Hollick

Because, until Back To The Future becomes true, or Dr Who turns up in the TARDIS, it is the only way that we can travel back through time – and not worry about getting home again for dinner.

Alison Morton

Wanting to know where we come from is a timeless urge but wanting to have a glimpse in a vivid way about how people in the past lived is a strong part of that. Well-written historical fiction gives us the feel of how people tried to make sense of their lives in vastly different circumstances. They were still people, after all.

Sometimes we take a rather idealised view of the past, but as with anything in fiction, it’s an imagined landscape. And sometimes, we wonder how we would act and behave in those times. Historical fiction gives us, from the safety of our armchairs, an emotional connection to the slaughterfields of Cannae, the elegance of the Belle Époque, the dangerous headiness of Byzantium, being under siege in a medieval castle or caught up in the exciting revolutionary transition of the 19th century.

Mercedes Rochelle

Speaking for myself, once I discovered that history is about real people and real situations (not just names and dates), about love and hate and deceit and disappointment, I was hooked. I’d much rather learn about an event that really happened than a legend from someone’s head. I’m still not sure most readers feel the same way I do, but since history repeats itself, why not be prepared.

Derek Birks

The sheer diversity of historical fiction is what keeps readers coming back to this genre for more. It retains its appeal because of its immense variety and breadth of scope. Readers can enjoy romance, action, thrillers, or crime in stories set in any period of the past – it’s like being in a time machine without all the distracting technology. The contrasts between time periods are stark but whether you want to read about World War Two or Roman Britain, historical fiction offers it all. 

The Betrayal anthology illustrates this very well with twelve authors writing stories set over a vast expanse of time and employing different writing styles to tackle the same underlying theme.

Anna Belfrage

I think it offers an element of escape. We also tend to believe that life was simpler then, things less complicated and complex. To some extent, that is probably true as the majority of those alive in the past had little time to spend considering anything but how to find food and somewhere to sleep. But no matter the era, the people who live in the times would laugh out loud at the notion that their lives were simple. Take the political machinations in republican Rome, or the complexities of the English Civil War—whatever else you’d call them, they sure weren’t simple! Still: escaping to the past offers a breather from our time. And well-written historical fiction will not only expand the reader’s knowledge about a period, it will usually shed further light on the human condition as such. 

Judith Arnopp

There are many different reasons. As an author, I read a lot of non-fiction as part of my research, and while it informs, it can be quite dry. Historical Fiction not only tells us what happened, it helps us feel it. A non-fiction account of an execution will tell you what happened and why it happened but a fictionalised version, while based on the same contemporary account, makes the reader suffer alongside the victim. Fiction promotes not only understanding but empathy so the reader shares the protagonist’s pain.

Annie Whitehead

I think that reading fiction, generally, is a form of escape. The reader wants to be transported far away from the everyday. And where better to escape to a more simple world, a more romantic world even, than the past? Okay, the past wasn’t always pretty, but isn’t there something more appealing about a horse ride than a trip in a modern car? Perhaps the reality wasn’t so lovely but we can imagine the beautiful houses, built when architecture wasn’t just about functionality. I think there is also an appeal because of the link to the fairy tales we were told as children, which are centuries old, and usually had old-fashioned illustrations, so there is a sense of comforting familiarity, too.

Cryssa Bazos

I’ve heard it said that we read to either escape or to learn. Historical fiction allows us to do both. This genre takes us to places where we could otherwise never go. Given the chance, who wouldn’t want to go back in time and experience historical events first hand—to be with Elizabeth I as she stares down the Armada or to ride along with Charles II during his nerve-wracking escape from Parliament? But historical fiction also offers opportunities to learn, not just about the past but also to make sense of the present. History tends to be cyclical and it’s not hard to recognize echoes of the past in today’s struggles. There’s always a comfort in having a roadmap.

Charlene Newcomb

Historical fiction gives a reader a glimpse of a past they rarely see in history textbooks, textbooks that mainly consist of names, events, and dates. Those texts may – or may not – be accurate or complete, and they rarely factor in the human component. So historical fiction fills in the gaps. It makes history come alive and can transport the reader back in time. Perhaps it reveals more about the famous, or the infamous, but even being introduced to an ordinary person in extraordinary situations brings a better understanding of the past. 

Amy Maroney

Great fiction can bring history to thrilling life. Historical fiction allows us to escape into utterly different worlds that still resonate with the familiar. There is nothing like connecting with a character from the past who is motivated by the same goals and feelings that we have today. We can empathize; we know what it’s like to struggle through life’s challenges and exult in life’s triumphs. But we have the extra bonus of hindsight when we read these stories of the past. Anyone who has nodded off with boredom reading dry history books and then becomes obsessed with the same events and time periods by reading masterful historical fiction knows the power of this genre. 

Curious? Betrayal is available now. https://books2read.com/BetrayalAnthology

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MEET THE AUTHORS

Judith Arnopp

A lifelong history enthusiast, Judith Arnopp holds an honours degree in English/Creative writing, and a Masters in Medieval Studies. Judith has written twelve novels to date, nine of which are based in the Tudor period covering women like Elizabeth of York, Anne Boleyn and Mary Tudor, but her main focus is on the perspective of historical women from all roles of life. The Beaufort Chronicle: The Life of Lady Margaret Beaufort (three book series) covers the transitional period between Bosworth and the death of Henry Tudor. She is currently taking a break from Tudor women and writing from the perspective of Henry VIII in “A Matter of Conscience.”

Cryssa Bazos

Cryssa Bazos is an award-winning historical fiction author and a seventeenth century enthusiast. Her debut novel, Traitor’s Knot is the Medalist winner of the 2017 New Apple Award for Historical Fiction and a finalist for the 2018 EPIC eBook Awards for Historical Romance. Her second novel, Severed Knot, is a B.R.A.G Medallion Honoree and a finalist for the 2019 Chaucer Award.

Anna Belfrage

Anna Belfrage wanted to become a time-traveller but ended up as a financial professional with a passion for writing and history. She has authored the acclaimed time travel series The Graham Saga, set in the 17th century, and the equally acclaimed medieval series The King’s Greatest Enemy, set in 14th century England. Anna has also published The Wanderer, a contemporary romantic suspense trilogy with paranormal ingredients. Her latest release, His Castilian Hawk, is a story of loyalty and love set against the complications of Edward I’s invasion of Wales.

Derek Birks

Derek Birks lives in Dorset, England, though he spent his teenage years in Auckland, New Zealand, where he still has strong family ties. For many years he taught history in a large secondary school before turning his hand to writing historical fiction. His stories, set both in the medieval period and late antiquity, are fast-paced and action-packed—almost no character is safe. He has also produced a series of non-fiction podcasts on the War of the Roses. When he is not writing, he enjoys travel, walking and watching films.

Helen Hollick

First published in 1994, Helen Hollick became a USA Today Bestseller with her historical novel, The Forever Queen(titled A Hollow Crown in the UK), with the sequel, Harold the King (U.S: I Am the Chosen King), being novels that explore events that led to the Battle of Hastings in 1066. Her Pendragon’s Banner Trilogy is a fifth-century version of the Arthurian legend, and she writes a nautical adventure series, The Sea Witch Voyages. Her non-fiction books are Pirates: Truth and Tales, and Life of a Smuggler. She lives in an eighteenth-century farmhouse in North Devon, runs Discovering Diamonds, a review blog for historical fiction, and occasionally gets time to write . . .

Amy Maroney

Amy Maroney lives in Oregon, U.S.A, with her family. She spent many years as a writer and editor of nonfiction before turning her hand to historical fiction. When she’s not diving down research rabbit holes, she enjoys hiking, drawing, dancing, traveling, and reading. Amy is the author of the Miramonde Series, a trilogy about a Renaissance-era female artist and the modern-day scholar on her trail.

Alison Morton

Alison Morton writes the award-winning Roma Nova series featuring modern Praetorian heroines—tough but compassionate women. She puts this down to her deep love of Roman history, six years’ military service, a Masters in History and an over-vivid imagination. It was hot that afternoon when, staring at a particularly beautiful mosaic, she started wondering what a modern Roman society would be like if run by strong women. Now, Alison blogs, reads, cultivates a Roman herb garden and drinks wine in France with her husband.

Charlene Newcomb

Charlene Newcomb lives, works, and writes in Kansas. She is an academic librarian (retired) by trade, a U.S Navy veteran, and has three grown children. When not at the library, she is still surrounded by books trying to fill her head with all things medieval and galaxies far, far away. She loves to travel and enjoys quiet places in the mountains or on rocky coasts. But even in Kansas she can let her imagination soar.

Tony Riches

Tony Riches is a full-time author based in Pembrokeshire, Wales, UK, and is best known for his Tudor trilogy. After a career in the Royal Air Force he held senior roles in the National Health Service and Local Government. When researching his books Tony likes visiting the actual locations and discovering elusive primary sources. In his spare time he enjoys sailing and sea kayaking.

Mercedes Rochelle

Mercedes Rochelle is an ardent lover of medieval history, and has channeled this interest into fiction writing. Born in St. Louis, Missouri, she received her B.A in Literature at the University of Missouri before moving to New York to “see the world”. The search hasn’t ended. Today she lives in Sergeantsville, N.J with her husband in a log home they had built themselves.

Elizabeth St. John

Elizabeth St. John spends her time between California, England, and the past. An acclaimed author, historian and genealogist, she has tracked down family papers and residences from Lydiard Park and Nottingham Castle to Richmond Palace and the Tower of London to inspire her novels. Although the family sold a few country homes along the way (it’s hard to keep a good castle going thee days), Elizabeth’s family still occupy them—in the form of portraits, memoirs, and gardens that carry their legacy. And the occasional ghost. But that’s a different story . . .

Annie Whitehead

Annie Whitehead has written three award-winning novels set in Anglo-Saxon England:To Be A Queen, about the life of Æthelflaed, Lady of the Mercians; Alvar the Kingmaker set in the turbulent tenth century when kings died young and not always of natural causes, and Cometh the Hour, the story of King Penda the pagan king. Her nonfiction books are published by Amberley Books and Pen & Sword Books and she was the inaugural winner of the Historical Writers’ Association/Dorothy Dunnett Society Short Story Award.

Welcome to today’s Book Blast for She Sees Ghosts – The Story of a Woman Who Rescues Lost Souls by David Fitz-Gerald

Here’s the blurb for today’s Book Blast novel.

“A blazing fire killed her family and devoured her home. A vengeful demon haunted her. Ghosts of the Revolutionary War needed help that only she could provide. A young woman languished, desperate to survive, and teetered on the edge of sanity.

Mehitable grew up in a freshly tamed town, carved from the primeval forest. Family, friends, and working at the mercantile filled her days and warmed her heart. For Mehitable, life was simple and safe, until tragedy struck. When her family perished in their burning home, she retreated into a world of her own making.

As a young girl, she had seen glimmers, glimpses, and flickers of the spirit world. She closed her eyes. She turned her back. She ignored the apparitions that she never spoke of, desperately hoping they would leave her in peace. She was mistaken.

Grief-stricken, Mehitable withdrew from the human world. Ghosts were everywhere. They became bolder. She could no longer turn her back on the spirit world. Her friends feared for her survival. Nobody understood her. She would have to find her own way.

Fans of TV’s Ghost Whisperer and Long Island Medium will especially love She Sees Ghosts. This historical novel features memorable characters and delivers bone-tingling, spine chilling goosebumps. It stands on its own and it is the next installment in the Adirondack Spirit Series by the award-winning author of Wanders Far―An Unlikely Hero’s Journey. David Fitz-Gerald delivers a historical novel with a bittersweet ending that you won’t see coming.

Would she save the spirits’ souls, or would they save her? Only time would tell.”

Trailer Link: https://www.youtube.com/watch?v=a_PA9P2b3Q0&feature=youtu.be

She Sees Ghosts is FREE on #Kindle for a Limited Time

Amazon

Meet the author

David Fitz-Gerald writes fiction that is grounded in history and soars with the spirits. Dave enjoys getting lost in the settings he imagines and spending time with the characters he creates. Writing historical fiction is like making paintings of the past. He loves to weave fact and fiction together, stirring in action, adventure, romance, and a heavy dose of the supernatural with the hope of transporting the reader to another time and place. He is an Adirondack 46-er, which means that he has hiked all of the highest peaks in New York State, so it should not be surprising when Dave attempts to glorify hikers as swashbuckling superheroes in his writing. She Sees Ghosts―A Story of a Woman Who Rescues Lost Souls is the next instalment in the Adirondack Spirit Series.

Connect with David Fitz-Gerald

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To celebrate the release of The Last Enemy, my interviewer unexpectedly caught up with Rudolf, a member of the king’s warband.

Ere, what you up to?

Oh, hello, I’m here to interview King Coelwulf about his latest book.

Really, I wouldn’t think he’d do that. He’s make some excuse about having no time, or some such. Oh wait, did Lady Cyneswith set this up?

Yes, she did, and I’ve already spoken to her. But tell me, do you know the king? You seem to know who everyone is.

Of course I do. I’m Rudolf. His old squire, and now member of his warband. Why?

Would you like to talk to us about his latest book?

Well, I suppose I have the time. If you’re quick, and I don’t get caught. I’m supposed to be showing young Hiltiberht the ropes, and Haden can be a real handful.

Tell me, what’s King Coelwulf like? As a warrior?

Bloody lethal. You don’t want to be facing off against him. I’ve never seen anyone kill so quickly. And the moves he can do? I wish I had even half of his skill. I mean, he says I’m a good warrior and all, but I make up for my lack of skill with speed. And he doesn’t have that because he’s so bloody …. Um, because he doesn’t need to do that. Sometimes, I swear the enemy make it look so easy it’s as though they’re falling onto his seax or sword.

He’s quite good then?

Better than good. I’ve never seen anyone fight the way he does. Well, apart from Icel, and Edmund, and maybe Hereman. But, certainly, the Raiders stand no chance against him.

I hear he even camps in the woodlands and forests? It’s not really the sort of thing a king should do, is it?

Now, you see here. He was a warrior long before he was king. King Coelwulf only has one aim, to kill all the Raiders. To drive them from Mercia and make sure they don’t come back. He’s not into all that fancy clothes, and court etiquette, or sleeping in a bed of silk sheets. They’d be too damn cold, anyway. He’s told me. No, the king of Mercia is a damn warrior, and the only man capable of defeating the Raiders, and the Welsh, if it comes to it. 

And, have you read the new book?

Got no time for reading. I’m sure King Coelwulf told you that, and he’s right. I’d like a good night’s sleep without interruption more than I’d like to read a book. Maybe a scop could tell the tale. But, that would be Edmund and I’d have to listen to him tell the tale. He’s good, of course he’s good, but he probably wouldn’t mention me as much as I might like.

To all the young lads who do read the book, what would your advice be? How could they get into King Coelwulf’s warband?

Well, they should probably have joined it a while ago, and at the moment, there’s a few squires that need training up, so there’s no room, not for a while. So, I’d tell them to wait, and while they’re waiting, learn a few things, like how to clean saddles and seaxs. It’s a mucky job, but someone’s got to do it. And with King Coelwulf, you’ve got to earn his respect first. And then, well, once you’ve got it, you’ve got to keep it. A hard man, but a great man. Mercians should be pleased with their king. He’ll keep them safe, or he’ll die trying. You didn’t find the old king doing that. Far from it in fact. He’s scuttled off to Rome, or somewhere like that. Gone to pray for his soul. He’s got a lot to need forgiveness for, abandoning his kingdom like that.

Oh, sorry, I’ve got to go. 

And there you have it. A few words from Rudolf, King Coelwulf’s old squire. I hear he fights incredibly well, and offers some important advice for any would be members of the king’s warband.

If you haven’t read my earlier interview with King Coelwulf, then you can find it here. And I also interviewed his Aunt, which can be found here.

The Last Enemy is available now in ebook and paperback from Amazon.

Connect with me on twitter, or join my mailing list.

(This blog post contains Amazon affiliate links)

Welcome to the blog tour for Matthew Harffy’s new release, A Time for Swords

Here’s the blurb;

“Lindisfarne, AD793. The life of a novice monk will be changed forever when the Vikings attack in a new historical adventure from Matthew Harffy.

There had been portents – famine, whirlwinds, lightning from clear skies, serpents seen flying through the air. But when the raiders came, no one was prepared.

They came from the North, their dragon-prowed longships gliding out of the dawn mist as they descended on the kingdom’s most sacred site.

It is 8th June AD793, and with the pillage of the monastery on Lindisfarne, the Viking Age has begun.

While his fellow monks flee before the Norse onslaught, one young novice stands his ground. He has been taught to turn the other cheek, but faced with the slaughter of his brothers and the pagan desecration of his church, forgiveness is impossible.

Hunlaf soon learns that there is a time for faith and prayer… and there is a time for swords.”

REVIEW

A Time for Swords is an attempt to retell the story of England’s first recorded Raider (Viking) attack on Lindisfarne which is confidently dated to AD793.

It is an event that demands to be written about, and the beginning of A Time For Swords, which recounts the attack, is thrilling. Our young hero, Hunlaf, is caught up in the attack, but lives to see another day. Others are not as fortunate.

The story progresses at a steady pace, as the shock waves of the attack begin to be felt throughout the kingdom of Northumbria, and people react to the news in different ways. The addition of a captured Norse Raider, Runolf, with his strict code of honour, adds an intriguing dimension to the story, allowing the author to confidently state that the attack on Lindisfarne will not be a singular occurrence, and that the people of Northumbria need to be prepared for such.

Much of the action takes place not at Lindisfarne, but rather at Werceworthe, (Warkworth) which happens to be about 5 miles down the road from where I live. This made the story feel immediate, perhaps helped by a long-ago Sunday afternoon row down the Cocueda (Coquet) River.

I thoroughly enjoyed A Time For Swords. The opening scenes are particularly well told, and the eventual battle, when it comes, makes clever use of the physical landscape of Warkworth.

Thank you to Netgalley and the publisher for my review copy.

A Time for Swords is now available in ebook format, and is available from here. (Isn’t the cover fantastic?)

About the author

Matthew Harffy grew up in Northumberland where the rugged terrain, ruined castles and rocky coastline had a huge impact on him. He now lives in Wiltshire, England, with his wife and their two daughters. 

Connect with Matthew here: Twitter, Website

And check out reviews of previous books by Matthew Harffy here.

The Wolf of Wessex

Fortress of Fury

Follow Aries

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Website: http://www.headofzeus.com

Lady Estrid is on ‘tour’ with the Coffee Pot Book Club – check out the posts so far

Lady Estrid has taken herself on tour with the fabulous Coffee Pot Book Club. She what she’s been up to, and thank you to everyone for hosting her, and the Coffee Pot Book Club for arranging.

November 2nd Mary’s Tavern (Excerpt)

November 9th Gwendalyn’s Books (Review)

November 16th Judith Arnopp’s Official Blog (Excerpt)

November 23rd Brook Allen’s Official Blog (All about the historical Lady Estrid)

November 30th Sylv.Net (Excerpt)

December 7th Madwoman in the Attic (Review)

December 14th Elizabeth St John’s Official Blog (Interview)

December 21st Let the Words Shine (Five facts you didn’t know about me)

December 28th Candlelight Reading (Excerpt)

January 4th The Writing Desk (Letter writing in the eleventh century)

Lady Estrid is available now in ebook and paperback.

Thank you to all the hosts for allowing Lady Estrid onto their blogs, and to The Coffee Pot Book Club for being so, so, so good at organising everything. Thank you.

(This post contains Amazon affiliate links, which means that at no cost to you, Amazon rewards me.)

Welcome to today’s stop on the ‘Fire and Ash’ blog tour by Thomas J Berry

Today, I’m delighted to be hosting the Fire and Ash blog tour by Thomas J Berry, and I’ll be sharing an exciting excerpt from the book. But first, the details.

Here’s the blurb:

“Five men and women in Ancient Greece are set on a dangerous journey of self-discovery during the bitter conflict of the Peloponnesian War.

While mighty Athens struggles to rebuild after a devastating campaign abroad, the feared warriors of Sparta prepare to deliver the final blow in a decades long war. No one is safe anymore as the conflict shifts across the Aegean to the shores of wealthy Persia. Old colonies, once loyal to Athens, are eager to rebel and the Great King is willing to pay anything to regain his control over them. These coastal plains set the stage for massive battles and heartbreaking defeats. This time there will be only one true victor.

The news coming out of Sicily ripples across the cities of Ancient Greece like a thunderbolt and it is left to the poor and desperate to pick up the pieces of their shattered lives. One young mother is suddenly faced with a horrible tragedy and struggles against all odds to make a new life for her family. An eager boy looking for adventure enlists in the new Athenian ranks but finds life on campaign a lot more than he bargained for. A Spartan officer in the twilight of his years struggles to adapt to a young man’s army and an exiled Athenian strives to earn his way back into the graces of his beloved city. The harem girls in a Persian court meet a handsome foreigner and one risks everything for a chance at love.

As the conflict between Athens and Sparta builds to a final showdown, five men and women struggle to come to terms with their changing world. What will they find in the ashes when peace finally comes?”

But enough of that. Here’s the excerpt,

“A few moments later, the tent flap opened, and two figures entered. Memo looked up and smiled at the newcomers. Doro and Three-Fingers stood before him looking a bit anxious. 

“What’s wrong, fellas? You look like death warmed over.”

“We saw Alcibiades this morning, but he left before we could talk to him,” Fingers stated simply. “Hadn’t heard from the man in years.”

“I spoke with him briefly,” Memo admitted. “But I had to practically throw myself in his path.”

“We noticed you bent his ear a bit,” Doro said enviously. “What did he say? How does he account for himself these days?”

“He and Timandra keep to themselves at Pactye,” Memo explained. “The Thracians are his only friends up in that region.”

“Is that all he said?” Doro asked, sounding a little disappointed. 

“Well, he did mention something, but it’s probably not important.”

“Spill it,” Fingers said. “Where Alcibiades is concerned, nothing should be overlooked. He’s a military genius and you know it.”

Memo looked at his friends. “He thinks the Spartans are playing us. Last night, after we retired from the straits, he spotted a pair of their ships lagging behind their main body. They weren’t aggressive, just…hanging out, watching us. He thinks they were spying on our movements for some reason.”

“Lysander doesn’t want to do anything but watch these days! It’s driving me crazy,” Fingers retorted in disgust. 

“They can look at us all they want as long as they keep their distance,” Doro muttered. Then he laughed loudly. “Perhaps they wanted to join us for supper!” 

“Did he mention this to the Generals?” Three-Fingers inquired. 

“I don’t think so. I was close enough to hear much of their exchange and I wrote it down so the Council will receive a report on his surprise visit. I’m sure they’d be interested in hearing what he’s been doing.”

They talked for a little longer but soon Doro and Three-Fingers departed, ready to board Twisted River, a newer trireme captured from the Chians a few months ago. He knew their attitude toward the Spartan leadership was common among the crews. Lysander had developed a reputation as a skilled commander, yet he had turned passive since the Athenians arrived on the scene. 

Konon was due back today and perhaps he’d bring some good news with him. Perhaps even a letter from home if my wife was able to get a note off. He had last seen Alexandra when he returned to state his case at the trial of the Generals a year ago. It had been a quick visit, but he had tried to make the most of it. She was 37, nine years his junior, and had spent much of the last decade raising their three children without him. He told himself he was simply doing his part for the war effort. Such excuses rang hollow, however, when he finally saw his 21 year-old-son or his two daughters and wondered where the time had gone.

Julius had matured in many ways, he noticed, especially his height. The young man stood just over six feet tall and could wield a sword and shield if he was pressed into service but preferred more skilled vocations. On his last visit, Memo learned about his legal appointment in the capital. His son was crafting bills and helping to defend poor folk in drafty, marble courtrooms. He was proud of the young man Julius had become and was chagrined at not being there to see him grow up.

Life had changed little for his two youngest. Eurynome was 11 this year and Rhea nine. They spent most days helping their mother and the two family slaves with household chores. Nomy enjoyed working the loom but hated the smell of fresh dye while the little one was being tutored in herbal remedies and poultices by an old practitioner. When this blasted war is over, he thought, I’ll be able to return home and become a father to them once more.

Despite the hardships, he knew his family fared better than most. His own father had been a respected diplomat in the city and accumulated a substantial house, servants, and investments before he passed away years ago. Alexandra now lived frugally off the interest his estate provided and the funds Memo send her from his pay. Somehow, she made it all work, but he knew it wasn’t easy.

He rose from his table and walked outside to a lonely camp. Most of the men were now at sea in one of the 180 warships lined up against their Spartan adversaries. Tydeus was a conservative type but that wasn’t surprising. Most of the democrats had lost their lives on the tympanon boards. There weren’t many to choose from when the city finally cooled off and started looking for replacements.

It seemed ironic how quickly the Assembly had a change of heart after the executions. With their bloodlust satiated for the moment, they realized they needed new leadership for the large fleet still in Persian waters. Konon was the obvious choice but he couldn’t, and shouldn’t, do it alone. Tydeus was sent forth, together with Menandros, Philokles, and Adeimantos. In true democratic fashion, the five generals were instructed to alternate command between themselves daily to avoid a concentration of power. It was an interesting experiment, Memo thought, but it had its drawbacks.

Tydeus possessed a calm, steady demeanor while Philokles had earned an ignoble reputation with both friend and foe. At the beginning of the summer, he had captured two Chian vessels and threw the crews overboard, drowning hundreds of men. A few years earlier, he made a motion before the Council that all prisoners of war should have their right thumb cut off so they will never pick up a sword against Athens again. Fortunately, the resolution was not passed for it could have led to similar retribution against their own soldiers captured in the field. 

As the ships returned that evening with nothing to show for their efforts but empty bellies, Memo met his companions as they disembarked along the sandy beaches. The Twisted River had backed into its position and was lifted onto four logs to dry out overnight. The constant patrol on the water this week had further aggravated some warping along the starboard side and the Captain wanted to add more tar to its hull after the men took their meal. As thousands of sailors started up the narrow paths leading towards distant towns and markets, the work remained unfinished. It would be well after dark before they returned.

The following morning, Memo greeted Konon as he emerged from the officer’s pavilion. His flagship, the Equinox, was being prepped for a day at sea and would join the rest of the armada as they faced off once more against the Spartans. The men were growing hungrier by the day, with little to find away from camp and few provisions coming down from Sestos. He asked the General when things were going to change but he only got a non-committal response.

“Philokles is in command today and I will leave that decision to him,” Konon replied casually. He had eaten his fill at Sestos the night before, so hunger was not a paramount issue at the moment. If Lysander wanted to delay battle, Konon had no objection. He had all the time in the world.

Memo spent the day writing formal letters to the city governor at Byzantium, two island towns bordering on revolution, and a daily report of the fleet’s activities, or lack thereof, in the Hellespont. The Council would soon tire of the General’s patient attitude and force Konon to use his superior numbers for what they were intended. Crush the Spartans and force them to retreat from the region. He added one last letter to the pile as well, a personal note to Alexandra. He smiled as he sat back in his chair. Regular correspondence with family back home was just one of the perks of his job. 

The sun was falling from the sky at a slow but steady rate. Helios was guiding his golden chariot towards the western horizon and soon Doro and Three-Fingers would meet him for their evening walk into Sestos. He hated the journey. It was ten miles overland and it took them almost three hours to cross through the deep streams, grassy plains, and thick underbrush to reach the markets before they closed for the day. 

He looked out across the water and saw the vessels approaching at a leisurely rate. There were 180 triremes on the water today, including the state ship, Paralus, which had arrived from the capital two days before. It was meant to ferry important dignitaries around and serve as the official ambassador of the empire. Its presence here meant only one thing. Athens was watching Konon’s activities with great interest.

Memo crossed his arms and gazed across the waters, but shadows obscured the distant port of Lampsacus on the opposite coast. He wondered if the two ships Alcibiades had reported were still watching them. Maybe there was a simple answer for it. As the Twisted River was pulled up along the beach next to dozens of other warships, Memo put it out of his mind. His friends disembarked and they headed off through the brush towards the markets at Sestos.

Ten minutes later, he heard a distant shout and turned his head back towards the camp for a second. As he did so, his eyes widened in abject terror. The horizon was full of warships, rowing like the very demon dog of Hades was chasing them. And they were heading straight for the Athenian beach!”

Curious? Then you’ll be pleased to know that the book is available now, using the links below.

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Meet the Author

Thomas Berry received a Bachelor of Arts degree in Philosophy from St. Bonaventure University.  He takes pleasure in extensively researching both historical fiction and non-fiction stories.  In his spare time, he enjoys long distance running and has completed several marathons.  He currently lives with his wife and children in New Jersey.  You can learn more about Thomas and his historical novels at his website, www.thomas-berry.com.

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(Thank you to Coffee Pot Book Club Tours @maryanneyarde)

To celebrate the release of The Last Enemy, my interviewer caught up with Lady Cyneswith.

I’m very honoured to have caught a few moments with Lady Cyneswith, the aunt of King Coelwulf. Thank you for finding the time to speak to me.

“Well, I’m sure you’ve discovered that my nephew is a very busy man, a bit rough around the edges some times, and so I’m delighted to speak with you on his behalf, smooth away any ruffles he might have caused.

Yes, I confess, I had noticed that he was short on time when I tried to speak with him earlier.

Short on time, and economical with his words. He is the king, you know, but of course, his priorities are with defeating the Raiders. I think there are those who don’t quite appreciate the persistence of the enemy. It takes a strong and decisive leader to defeat them, and we should be pleased to have one. Much better than our previous king, who gave up Mercia in exchange for his life. Shocking.

I speak for the whole of Mercia when I say we are so pleased to have such a man leading us. Some new, vigourous, blood was needed to ensure Mercia stayed together.

Our previous king, Burgred, was not blessed with the military requirements for the post. But then, I won’t be alone in believing that Burgred should never have been king. He only achieved what he did because of the manipulation of the natural right of succession.

So, you believe that all the kings since King Coelwulf, first of his name, were usurpers?

I make no bones about that. Mercia wouldn’t be in such peril if my family line had retained their hold on power, as they should have done. But, now is not the time to dwell on that. It’s important to think of the future, and of what is yet to be achieved, but which will be, and soon.

I asked King Coelwulf if had a few words to explain why people should read the latest book.

I imagine he said something along the lines of, ‘I don’t have time for reading, so I wouldn’t.’ And, of course, he means that, but it is difficult for him to appreciate the fascination others have with what he’s trying to achieve. So, I would say, read it and discover just what risks your king, and his warriors and ealdormen are making to ensure Mercia’s freedom. Read it, and understand the peril and take steps to ensure your freedom as well. 

And, have you read the latest book?

I have yes, and I’m pleased to say there’s a slightly bigger part for me in, than usual. Of course, it’s difficult with all the fighting to find room for the women of Mercia, but I’m sure that one day, in the not too distant future, Mercia will have female warriors to keep her safe. After all, anyone can learn to chop off someone’s head, or slice them through the neck, the skill, of course, is in staying alive afterwards.

Um, yes, quite. Thank you for that. I wondered if I could get a few words from you about King Alfred of Wessex.

No, not really. I don’t speak about neighbouring kings, and I’ve never met the man. Now, if you asked me about the king of Gwent, then I might have something to say about him, but you haven’t, and so, I don’t.

Could I ask you about the language used in the book? It’s quite strong in places.

While I have no particular need to hear such words, I can well appreciate that, on occasion, they might be warranted. After all, our king and his warriors are risking their lives every time they enter a battle against our enemy. I put it down to the rush of adrenaline, and hope everyone else does the same.

I asked King Coelwulf about his warriors, do you have any particular favourite amongst them?

I take pride in teaching all of the men some simple techniques to treat wounds received in battle. It’s important to know how to heal as well as to maim. My favourites are obviously those who listen carefully and learn what I teach them. 

Thank you for taking the time to speak with me.

It is of course, my pleasure, and my duty, as the king’s sole surviving relative. Under his leadership, Mercia will once more be great again.

And there you have it. An interesting interview with Lady Cyneswith, a most formidable woman. I should think she’d be as lethal on the battlefield as her nephew is proving to be.  If you haven’t read my earlier interview with King Coelwulf, then you can find it here.

The Last Enemy is available now in ebook and paperback from Amazon.

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