I’m delighted to welcome Apple Gidley and her new book, Annie’s Day, to the blog #WomensFiction #HistoricalFiction #LiteraryFiction #ArmyNurses #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Apple Gidley and her new book, Annie’s Day, to the blog with a guest post.

Guest Post

Keeping Out of the Rabbit Warrens

If, like me, you are fascinated by the minutia of past times and lives, then you too are in danger of getting lost in the gar hole of research. It is that interest that draws me to historical fiction as both a reader and a writer. To make a historical novel come alive even the smallest details are important. Or that’s what I tell myself after I have spent the better part of an afternoon tracing a snippet that might not even make it into the first draft.

The internet has without doubt made the writer’s life easier, but with ease come potholes filled with blind faith. AI can be a starting point, but it is up to the novelist to always dig deeper and wider.

After the publication of my first book way back in 2012, my husband gave me the coolest desk imaginable. Styled after a huge old steamer trunk, it is covered in studded leather and, even more appealing, has lots of drawers. Some are filled with maps, some with files full of random bits of information, such as yellowed and curling bus and train timetables from obscure places that might one day be useful—as are site visits.

The downside of writing historical fiction is that sometimes it is difficult to justify those site visits, as places do tend to change! It was fortunate that for Annie’s Day, I already knew the countries about which I would write, having been educated in Australia, lived in Singapore as a child and an adult, then in Papua New Guinea, and had visited Berlin before the wall came down. Towns might have grown and changed, but a visit still provides a sense of place—the smells, the sounds of the voices in the market, if not the sights.

Gleaned from my mother’s Australian Army Nursing Service records, courtesy of the Australian War Memorial Archives, Annie’s Day follows the timeline but not the story of Mum’s war years. I know she also spent time as a nanny in Berlin during the Blockade, but apart from the odd comment she did not speak about those years and I, to my regret, never pushed.

With some of the writing barely legible on Mum’s army records, I began Annie’s roadmap around those basic facts, and made up the rest, with the addition of actual people—Matron Drummond of the AANS; Captain Selwyn Capon of the Empire Star; Lieutenant Gail Halvorsen of the US Air Force, aka ‘the candy bomber’, who brought moments of joy to the starving children in Berlin by dropping chocolates from his plane window as he flew in to deliver desperately needed supplies. Real people who added depth to the fiction.

Even before becoming a writer, I loved maps, and maps underpin any book written about the war, particularly when the area in question might be off the usual travel path. In a pub quiz, with a little head scratching, most can come up with the five Normandy beaches in Operation Overlord, but names like Lae, or Scarlet Beach, where the Australians landed in the fight to retake the Huon Peninsula in New Guinea, are not so easy to place. And maps are vital in not just locating a spot, but showing the terrain—the rivers to be forded, the mountains climbed, the beaches waded onto. So, maps surround me not just in the research phase but when I’m writing.

One lovely surprise when Annie’s Day began to really bubble was an idle online search for Mum. Writing had been a slow churn—some days are like that—and so I typed in Ida Arundel Morse and up she popped. A number of times. Photos that were not in her papers or albums but that were, again, in the Australian War Memorial Archives. It sent me into a spin, and the rest of the day was lost in tears as I mulled over the mother whose early life I had known so little about. (Mum is #2).

The Imperial War Museum at RAF Duxford is just down the road from where I live and I spent many happy hours wandering around, and sometimes clambering into Lancasters, Dakotas, York Avros, all planes used during the Berlin Airlift.

And books. Lots of books. A few included Giles Milton’s Checkmate in Berlin which tells history in a wonderfully relatable way. Singapore Burning by Colin Smith put me on the island in 1942. For the Pacific theatre, Philip Bradley’s D-Day in New Guinea was invaluable. Patsy Adam-Smith, and Rupert Goodman have both written fascinating books about Australian women at war, the latter focusing on nurses. Peter Ryan’s Fear Drive My Feet is the classic memoir of an Australian operative behind enemy lines in the New Guinea mountains.

Unless you are fortunate enough to find letters in your research, it is impossible to get first-hand data for earlier historical fiction, but for background and general information, I have found that people are incredibly willing to answer questions. One of the characters in Annie’s Day is a former RAF padre. After asking our local vicar interminable theological questions, she put me onto a memoir, Life and Death in the Battle of Britain, written by Guy Mayfield who had been a padre at RAF Duxford during the war. It was a goldmine, and I shamelessly stole one of his anecdotes and gave it to my fictional character, naturally with an acknowledgement in the book.

Another character, Samira, is a Hindu woman destined for an arranged marriage. My friend, Pooja Vacchani, endured countless questions about Hindu culture—she too is thanked!

It truly takes a global village to research, write, then get the final draft into the publisher’s hands, where another village takes over. The author? Well, she moves onto to the next deep dive into research!

Here’s the Blurb

War took everything. Love never had a chance. Until now.

As an Australian Army nurse, Annie endures the brutalities of World War II in Singapore and New Guinea. Later, seeking a change, she accepts a job with a British diplomatic family in Berlin, only to find herself caught up in the upheaval of the Blockade. Through it all, and despite the support of friends, the death of a man she barely knew leaves a wound that refuses to heal, threatening her to a life without love.

Years later, Annie is still haunted by what she’d lost—and what might have been. Her days are quiet, but her memories are loud. When a dying man’s fear forces her to confront her own doubts, she forms an unexpected friendship that rekindles something she thought she’d lost: hope.Annie’s Day is a powerful story of love, war, and the quiet courage to start again—even when it seems far too late.

Buy Link

Universal Link:

Vine Leaves Press Paperback Buy Link:

Meet the Author

Anglo-Australian, Apple Gidley’s nomadic life has helped imbue her writing with rich, diverse cultures and experiences. Annie’s Day is her seventh book.

Gidley currently lives in Cambridgeshire, England with her husband, and rescue cat, Bella, aka assistant editor.

Connect with the Author

Follow Annie’s Day blog tour with The Coffee Pot Book Club

I’m sharing my review for Death of a Billionaire by Tucker May #mystery #blogtour #bookreview

I’m sharing my review for Death of a Billionaire by Tucker May #mystery #blogtour #bookreview @tuckermaymysteries @rararesources @rachelsrandomresources

Here’s the blurb

Ever dream of killing your boss? Alan Benning knows how you feel. 

The problem: his billionaire boss actually winds up murdered. And the whole world thinks he did it.

When globetrotting tech billionaire Barron Fisk is found dead on the floor of his swanky Silicon Valley office, all evidence points to Alan. 

Alan must venture into the glitzy, treacherous world of tech billionaires to clear his name by sorting through a long list of suspects with motive aplenty. If he can’t find the real culprit, Alan’s going down. The clock is ticking.

Who killed Barron Fisk? The truth will shock— and change— the entire world.

Fans of Richard Osman’s The Thursday Murder Club series, Carl Hiaasen’s tales of high-stakes hijinx, or Ruth Ware’s page-turning mysteries will love Death of a Billionaire.

Purchase Links

https://www.amazon.com/Death-Billionaire-Murder-Mystery-Novel-ebook/dp/B0FRYHLBBZ

https://www.amazon.co.uk/Death-Billionaire-Murder-Mystery-Novel-ebook/dp/B0FRYHLBBZ

My Review

Death of a Billionaire is indeed a fun mystery, with a varied cast of characters, some of them not very nice, as they live their uber-rich lifestyles. It is a story told with irreverence and an eye to what’s currently happening in the world of tech. It is a very enjoyable, fast-paced mystery that you will power your way through.

I was drawn to the title by the mention of Carl Hiaasen, and while it’s been far too long since I read a Carl Hiaasen book that I can’t definitely make comparisons, the humour certainly reminded me of one of Carl’s books.

For a debut novel, Death of a Billionaire is very accomplished, and I do recommend it to fellow readers who love a good contemporary mystery (well, actually, it’s slightly futuristic) and like to have a little giggle along the way.

Meet the author

Tucker May was raised in southern Missouri. He attended Northwestern University where he was trained in acting and playwriting. He now lives in Pasadena, California with his wife Barbara and their cat Principal Spittle. He is an avid reader and longtime fan of the Los Angeles Rams and Geelong Cats. Death of a Billionaire is his debut novel.

It’s the first week of the MJ Porter Advent Calendar (Kindle edition)

Every day a different deal, from price reductions to free books. Check out this week’s deals and remember, each deal is only for 24 hours (Kindle Countdown deals are on Amazon UK/US but FREE deals are in every territory).

Check back for next week’s deals.

I’m sharing a fab post from Robert Whanslaw to celebrate the release of his new novel today, Dark Orchid Affair (there’s a competition too) #blogtour #thriller #newrelease #blogpost

I’m sharing a fab post from Robert Whanslaw to celebrate the release of his new novel today, Dark Orchid Affair (there’s a competition too) #blogtour #thriller #newrelease #blogpost

Elizabeth Chadwick, historical fiction author, helped me craft my first sex scene…

There is nothing more satisfying than writing the final words of a book. Whatever the genre—crime, historical fiction, romance, or epic fantasy—anyone who reaches that moment has my full admiration. My advice to anyone planning to write a book is simple: begin, keep going, and finish. Ideas are wonderful, but persistence is what fills the pages.

It was fifteen years ago that I first conceived Dark Orchid Affair. Back then it had a different working title, and the concept was little more than a skeletal outline. During those intervening years, I completed creative writing courses, experimented with countless short stories, and wrote one-and-a-half novels that never saw the light of day. Those abandoned projects were not failures—they were apprenticeships. That, I think, is a truth shared by writers of every genre and every era. Even the chroniclers of medieval courts, whose works survive to this day, were honing their craft long before any parchment bore their name.

If I could offer any advice about improving your writing, it would be this: write, and write often. It sounds obvious, almost simplistic, but developing a voice takes time—just as a medieval scribe took years to perfect a steady hand and a beautifully flowing script. The second essential is to read widely. And I mean widely. I have a deep appreciation for historical fiction and tremendous respect for those brave enough to venture into its demanding terrain. It is a genre where the past must be honoured, and where readers often know their Plantagenets from their Picts. Get the century wrong, or describe a weapon not yet invented, and your reader will spot it instantly.

As a crime writer, I sometimes envy the historian’s burden of accuracy—while simultaneously being relieved that my stories are not tethered to real timelines. Noir and suspense allow more invention, more shadows in which to hide. But all writers, regardless of genre, learn from one another. The joy lies in borrowing the best techniques from across the literary spectrum and melding them into your own voice. Art, after all, has always been a dialogue with the past. Medieval poets borrowed from the troubadours; the noir writers of the 1930s borrowed from the classics; and contemporary authors continue the tradition of artistic inheritance.

I used to dread writing sex scenes. Not because they weren’t relevant to my stories, but because I knew most of my readers were women, and I was anxious about striking the right tone from a male perspective. Strangely enough, it was historical fiction that helped me overcome that fear. Elizabeth Chadwick—whose novels vividly bring the twelfth century to life—offered lessons in writing intimacy with subtlety, restraint, and emotional depth. Drawing inspiration from her approach, I crafted my first sex scene in a short story. To my astonishment (and relief), it went on to win a competition.

To Elizabeth Chadwick, should you ever read this: thank you for the early guidance. I promise I now have my own polished method, but you gave me the confidence to enter a terrain that once felt daunting.

Dark Orchid Affair will be published on 1 December 2025. Whether you are a writer yourself or a devoted reader of historical fiction, perhaps you might consider giving it a place on your reading list—if only to step momentarily from the medieval courts and battlefields into a contemporary world tinged with noir.

And who knows? One day I may gather the courage to test the waters of historical fiction myself. If that ever happens, I will be standing on the shoulders of the writers who have already illuminated the past with such skill.

Here’s the blurb

Ben Walker’s life shatters after one reckless night. Seduced by Maxine—a ruthless femme fatale—he wakes to a nightmare: compromising photos, blackmail, and the threat of losing everything—his marriage, career, and freedom.

Faced with impossible choices, Ben pays the price. But one payment is never enough.

Dragged deeper into a deadly web of lies and manipulation, the stakes escalate, and the noose tightens. What began as a desperate bid to protect his secrets becomes a desperate fight for survival.

With his world crumbling and prison on the horizon, Ben must confront a brutal truth—how far will he go to break free? And can anyone truly escape the sins of their past?

A gripping neo-noir thriller of betrayal, seduction, and deadly consequences.

Purchase Links

https://www.amazon.co.uk/Dark-Orchid-Affair-Love-Intrigue-ebook/dp/B0FVYFNJWG/

https://www.amazon.com/Dark-Orchid-Affair-Love-Intrigue-ebook/dp/B0FVYFNJWG/

Meet the author

Robert Whanslaw writes noir, dark crime fiction, and psychological thrillers, grounded in grit, flaws, and the messy business of being human.

He doesn’t write about perfect people. If he did, they’d be the kind you’d want to throw off a fast-moving train.

Raised on the likes of Raymond Chandler and James M. Cain, and the raw voices of mid-century noir, Whanslaw brings a classic noir fatalism into the modern world. His stories walk the fine line between justice and survival, where everyone has a secret and most people lie.

Author Robert Whanslaw

Giveaway to Win 10 x Paperback Copies of Dark Orchid Affair (Open to UK / US only)

https://gleam.io/TzcLu/win-10-x-paperback-copies-of-dark-orchid-affair-open-to-uk-us-only

*Terms and Conditions –UK & US entries welcome.  Please enter using the Gleam box below.  The winner will be selected at random via Gleam from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data.  I am not responsible for despatch or delivery of the prize.