The physical and political setting for Lady Estrid, a novel of eleventh century Denmark #histfic #lostwomenofhistory

Lady Estrid is set in Denmark, as well as in wider Scandinavia and England, during the eleventh century. But it’s events in Denmark, Norway and Sweden that inspired me to write about Lady Estrid, although, of course, I couldn’t do it without including England.

Denmark, at this time, is really starting to cohere into what we might think of as a coherent kingdom. I’m not an expert on what comes before, but The House of Gorm, into which Lady Estrid is born, has ruled Denmark for a couple of decades (through her grandfather, Gorm, and father, Swein Forkbeard), but a lasting peace hasn’t necessarily been achieved. The family are portrayed as conquerors, coming into what would become Denmark, and imposing themselves over an unruly elite. The number of intermarriages between families in (what we call today) Norway, Sweden and Denmark offers a landscape that is riddled with double-crossing and the potential for mischief and war against a backdrop of uncertainty in Denmark.  You can find family trees for Lady Estrid here.

And what a cast of characters I had to play with – King Swein of Denmark, his two sons, his daughters, and the men they marry, and the sons and daughters they birth, and of course, his wife as well. It seems that not only was she married to Swein, she was also the wife of the king of Sweden before his death, and might even have been pursued by Olaf Tryggvason. (There are arguments about her actual identity, but not about her marital history.) 

And into all this steps Lady Estrid, who, like similar royal women, has the advantage of living a much longer life than many of her male family members. She is someone who would have lived through turbulent times, and I always find that overriding viewpoint, just too good to ignore, because it gives an author so much scope to play with. Yes, I might know what ultimately happens, but when you weave the story of Lady Estrid, and what is, and isn’t known about her, around bigger events, in Denmark, Norway, Sweden and England, it makes for both a complex and a simple story. The people she met along the way are perhaps better known than she is herself, but that’s just a means of adding context to a much longer narrative than can often be explored when writing about Swein, or Cnut, or Harald or Harthacnut or Svein (yes, another one) or Beorn.