The Coffee Pot Book Club – Page 22

Mercedes Rochelle is answering my questions about the family of Earl Godwine #blogtour #blogpost #historicalfiction #historicalnonfiction

I can never miss an opportunity to ask a fellow Saxon author questions about why they write about the same period as me. My thanks to Mercedes for answering them.

What drew you to the character of Godwine and his wife and children?

While I was writing my first book, Heir To A Prophecy, I introduced my protagonist Walter into London on the day Godwine came back from exile. It was a plot device to introduce him to Harold Godwineson (Walter took out one of the Normans fleeing through the crowd). I didn’t know who Godwine was, but I couldn’t shake him loose! I went back fifty years and discovered a great story.

Naturally, very little is known about these historical characters, and I had two challenges that dovetailed nicely. Both had to do with not wanting to fall into that old predictable trap concerning characters. First of all, the love interest. There are so many love stories that seem formulaic. I didn’t want that same old theme: disliking each other first, then falling in love (and all the variations thereof). On the other hand, I understand that there needs to be some kind of stress in the romance to make a good story. It was obvious that Godwine had a happy marriage (or at least a productive one) since they had so many children. I was really intrigued by the discrepancy of their social status. Godwine was a commoner, and Gytha was a noble (or the Danish equivalent). At the same time, I had a hard time figuring out why Swegn, the firstborn, turned into such a bad egg. I don’t believe a character should be all good or all bad. People just aren’t like that. Even wicked characters act that way for a reason; sometimes they have good qualities that get buried under their more powerful bad qualities. Finally I had an inspiration: if Godwine’s marriage started out in anger, or stress (Gytha was given to him in marriage, but she didn’t have to go willingly), perhaps the firstborn would be neglected and unloved. That would explain his subsequent behaviour. It took some doing to make that work, but I’m happy with the result.

What part of your research did you enjoy the most?

I love research; I actually prefer the research to the writing. I knew I was going to like Godwine. What surprised me was how fascinated I was with Canute. He was an incredibly complicated character. From the angry king-to-be that cut the noses off his 200 hostages after England rejected him in favour of Aethelred the Unready, he eventually became a very successful monarch. Most of all, I loved the single combat between him and Edmund Ironside, where he cleverly talked himself out of getting flattened by convincing Edmund to split the kingdom between them. This may well be apocryphal, but that’s the challenge of writing about events 1000 years ago. We have more legends than “history” to work with, and the legends are so good they stick.

Was there a resource that was invaluable?

I hate to admit this because it makes me sound so old, but when I was writing Godwine Kingmaker there was no internet. Back then, I was living in St. Louis, MO—a very nice town but far from the libraries I needed. If the book wasn’t in the card catalogue, it might as well not even exist. So, like any warm-blooded researcher who didn’t have a family to take care of, I pulled up stakes and moved to New York. The day I discovered the New York Public Library my life changed forever. I found authors I never knew about, and finally got my hands on my first copy of Edward A. Freeman’s “History of the Norman Conquest of England”. I thought I had gone to heaven! In six volumes he wrote about every aspect of Anglo-Saxon England I could possibly think of. (These days Freeman is somewhat out of fashion, but he’s still my go-to when I need to look something up; he has never failed me yet.) Copy machines were available for ten cents a page, but as much as I needed to copy, I’d be better off buying the books—if I could find them. No such luck until a couple of years later, when I went on a book-buying trip to England and discovered Hay-on-Wye. A breakthrough! Those were the days (the late ’80s) when old used hardbacks were still easy to find, and I discovered my very own set of Freeman which I gleefully brought home. That was the original basis of all my research. Those books are still my most precious possession, though now you can find them online (scanned, of course).

Did you learn anything that surprised you while writing the trilogy?

Back to Canute again. While delving into Harold’s relationship with Edith Swan-neck in THE SONS OF GODWINE, again I wanted to avoid the usual romantic formulas. First of all, I had to decide whether Edith was a luscious young thing or an attractive widow; both possibilities were referred to in the histories. By lucky chance, I stumbled across Canute’s Law Code of 1020, designed to smooth relations between the Danes and the Saxons. One section dealt with heriot (essentially an inheritance tax), not a new concept. But I found a reference to protecting widows. Canute gave a widow twelve months to pay her husband’s heriot. But she had to remain unmarried or she would lose both her morning-gift and all possessions from her former husband. If some unscrupulous man coveted her inheritance and forced her to marry him, all the possessions would pass on to the nearest kinsman. The king would lose the heriot tax if this were to happen, so it was also written into Canute’s law that a widow should never be forced to marry a man she dislikes. After all, the Crown had much to lose. So I decided to make Edith a recent widow trying to evade the attentions of an unwelcome suitor, while she and Harold conducted their relationship.

What is your personal opinion? Do you believe that William the Conqueror was justified in claiming England? Do you believe he had been promised it?

Apparently the whole justification came down to King Edward the Confessor’s promise to William when the duke visited England during Godwine’s exile. I think we can negate the assertion that Edward felt some sort of gratitude for having been sheltered there during his exile. When Edward left Normandy in 1041, William was only 13 years old and Edward was 38. With that age gap, it seems unlikely that the two of them would have developed a close relationship, so any alleged gratitude Edward might have owed probably belonged to William’s father Robert, dead by 1035.

Now, during Godwine’s exile in 1051, it’s far from certain that William even visited England. Some historians thought he would have been too busy putting down rebellions to leave his country even for a short time. If William did visit England and if Edward offered him the crown at this point, it’s curious why he would have done so. The king knew that it was up to the Witan to decide the succession. However, considering his antagonism toward the Godwines (he even put the queen in a nunnery while Godwine was in exile), perhaps he made this alleged promise out of spite.

However, it’s my belief that the blame can be placed upon Robert of Jumièges, former Archbishop of Canterbury and arch-enemy of Earl Godwine. Robert is one of the Normans who fled from London once it was clear that Godwine was back in control. He’s almost certainly the one who kidnapped the hostages, Godwine’s son Wulfnoth and grandson Hakon, and brought them to Normandy. In my interpretation, Jumièges acted on his own when he told William that Edward declared him heir to the English throne, and here are the hostages to guarantee his promise. What a great revenge on Godwine and all of England for kicking him out! Why wouldn’t William believe such an opportune offer?

Who is your personal favourite member of the House of Godwine?

When all is said and done, Earl Godwine still holds his place as my favourite. If it weren’t for him, there would be no Harold Godwineson Last Anglo-Saxon King. I think he helped smooth the relations between the conquering Danish king and his unhappy countrymen, then moved on to staunchly defend the Saxons against the hated Normans. His rise to power was unprecedented, and I think his fall was tragic, though not in the way we usually think of as a tragedy. Having sacrificed so much for the wrong son, he had nothing left to live for as he watched Harold take his place in the hearts of his people.

As you know, I write about the Earls of Mercia. What opinion did you form of the rivals to the House of Godwine while researching and writing your books?

I wondered if you’d ask that question! Of course, by the late Anglo-Saxon period, I think the Mercian earls had lost much of their lustre. Old Earl Leofric certainly held his own against Earl Godwine (with the help of Earl Siward of Northumbria). It seems the odds were against Leofric as Godwine’s sons were granted their own earldoms, shifting the balance of power in Godwine’s favour. At this stage, I always thought of them as bitter, unhappy competitors who could never regain their former glory. After King Edward died, Harold tried to join forces with the grandsons of Leofric, Edwin and Morcar, but I don’t think their association was ever successful. William the Conqueror certainly put an end to that.

Thank you for answering my questions with such insight. I hope you enjoy the blog tour.

Here’s the blurb:

They showed so much promise. What happened to the Godwines? How did they lose their grip? Who was this Godwine anyway, first Earl of Wessex and known as the Kingmaker? Was he an unscrupulous schemer, using King and Witan to gain power? Or was he the greatest of all Saxon Earls, protector of the English against the hated Normans? The answer depends on who you ask.

He was befriended by the Danes, raised up by Canute the Great, given an Earldom and a wife from the highest Danish ranks. He sired nine children, among them four Earls, a Queen and a future King. Along with his power came a struggle to keep his enemies at bay, and Godwine’s best efforts were brought down by the misdeeds of his eldest son Swegn.

Although he became father-in-law to a reluctant Edward the Confessor, his fortunes dwindled as the Normans gained prominence at court. Driven into exile, Godwine regathered his forces and came back even stronger, only to discover that his second son Harold was destined to surpass him in renown and glory.

Buy Links:

This series is available on Kindle Unlimited

Universal Link:

Amazon UK: Amazon US: Amazon CA: Amazon AU:

Audio:

Meet Mercedes

Mercedes Rochelle is an ardent lover of medieval history, and has channeled this interest into fiction writing. She believes that good Historical Fiction, or Faction as it’s coming to be known, is an excellent way to introduce the subject to curious readers. She also writes a blog: HistoricalBritainBlog.com to explore the history behind the story.

Born in St. Louis, MO, she received by BA in Literature at the Univ. of Missouri St.Louis in 1979 then moved to New York in 1982 while in her mid-20s to “see the world”. The search hasn’t ended!

Today she lives in Sergeantsville, NJ with her husband in a log home they had built themselves.

Connect with Mercedes

Website: Twitter: Facebook:

Book Bub: Amazon Author Page: Goodreads:

Follow The Last Great Saxon Earls blog tour with The Coffee Pot Book Club

Glen Carney is talking about The Yanks are Starving #BlogPost #historicalfiction #BlogTour #TheCoffeePotBookClub

I’m sharing a fabulous post by Glen Craney below regarding the mistakes historical novelists must be wary of making.

Exposing History’s Cracks of Logic

Historical novelists are always prospecting for untapped veins in the strata of the past. Some of the richest lodes can be found in the lapses of logic and analysis that even the most astute of historians are at times prone to commit. Perhaps the best compilation of such errors in judgment and interpretation is Historians’ Fallacies, a treatise published in 1970 by Brandeis University professor David Hackett Fischer.

Readers of history will remember Fischer from Albion’s Seed, his exploration of the impact British folkways had on American society, and Washington’s Crossing, a study of George Washington’s leadership of the Continental Army.

Fischer’s impressive overview of historiography should be kept close at hand on the bookshelf of every historical novelist. Most of the miscalculations he skewers—exemplified by excerpts from the writings of his colleagues, many of whom no doubt chafed at being called to task—apply with equal force to the writing of historical fiction.

The best known of these gaffes gave its name to Fischer’s book: the historian’s fallacy. This refers to the error of assuming that the great leaders and decision-makers of the past possessed the same facts and perspective as we do in hindsight.

Fischer offered as an exhibit the popular claim that the Japanese attack on Pearl Harbor should have been foreseen from the numerous warning signs. He cautions historians against the tendency of sifting away evidence that, at the time, might have clouded one’s judgment or even supported a contrary opinion.

Likewise, historical novelists must be on their guard against attributing to their characters more knowledge of events than is warranted. It is easy enough for us to chastise Robert E. Lee for ordering Pickett’s charge. The task of both the historian and novelist is to recreate the fog of war at Gettysburg with such verisimilitude that the reader will come to understand why such a decision was rational on July 3, 1863.

The American Civil War seems to have served as the subject for every fallacy condemned by Fischer. Another infamous example castigated by Fischer is the discovery by Union scouts of the cigar-wrapped copies of Lee’s orders for the Antietam campaign. Every war buff has encountered the contention that this fortuitous (for the Union) incident set into motion a series of cascading events that eventually turned the tide of the war. Fischer dismisses this as a product of the reductive fallacy, which boils a complex soup of causal ingredients down into a single, simplified explanation.

In discussing another error, the fallacy of division (arguing that a quality shared by some in a group is shared by all), Fischer offers a faulty syllogism for our dissection:

Most Calvinists were theological determinists
Most New England Puritans were Calvinists.
Therefore, most New England Puritans were theological determinists.

Fischer observed that then-recent scholarship suggested the Puritans were not determinists, at least not as was commonly assumed. Here one finds a gold nugget, one of many available for the taking by the writer who will persist in combing these fallacies: A novel set in Puritan New England with a main character who believes in free will.

In The Da Vinci Code, Dan Brown made great use of yet another error that comes under special opprobrium from Fischer: the furtive fallacy. This is the assumption that certain events and facts of “special significance” are “dark and dirty things and that history itself is a story of causes mostly insidious and results mostly invidious.”

Of course, some of the best historical fiction would have to be tossed onto Savonarola’s bonfire if a ban on this fallacy were strictly enforced. Fischer doesn’t argue that conspiracies have never taken place. His criticism goes to a more fundamental paranoia that, if left unchallenged, can metastasize into a societal epidemic that weakens the very foundations of institutions.

It begins with the premise that reality is a sordid, secret thing; and that history happens on the back stairs a little after midnight, or else in a smoke-filled room, or a perfumed boudoir, or an executive penthouse or somewhere in the inner sanctum of the Vatican or the Kremlin, or the Reich Chancellery, or the Pentagon. It is something more, and something other than merely a conspiracy theory, though that form of causal reduction is a common component.

The furtive fallacy is a more profound error, which combines a naïve epistemological assumption that things are never what they seem to be, with a firm attachment to the doctrine of original sin.

Still, Professor Robert Langdon might remind his colleague Dr. Fischer that just because one is paranoid doesn’t mean they aren’t out to get you.

The historical novelist is not only free but compelled to adopt and exploit these rich fallacies to spin out a good story—so long as he does so consciously.

Thank you for sharing:)

Here’s the blurb

Two armies. One flag. No honor.

The most shocking day in American history.

Former political journalist Glen Craney brings to life the little-known story of the Bonus March of 1932, which culminates in a bloody clash between homeless World War I veterans and U.S. Army regulars on the streets of Washington, D.C.

Mired in the Great Depression and on the brink of revolution, the nation holds its collective breath as a rail-riding hobo named Walter Waters leads 40,000 destitute men and their families to the steps of the U.S. Capitol on a desperate quest for economic justice.

This timely epic evokes the historical novels of Jeff Sharra as it sweeps across three decades following eight Americans who survive the fighting in France and come together fourteen years later to determine the fate of a country threatened by communism and fascism.

From the Boxer Rebellion in China to the Plain of West Point, from the persecution of conscientious objectors to the horrors of the Marne, from the Hoovervilles of the heartland to the pitiful Anacostia encampment, here is an unforgettable portrayal of the political intrigue and government betrayal that ignited the only violent conflict between two American armies.

Awards

Foreword Magazine Book-of-the-Year Finalist
Chaucer Award Book-of-the-Year Finalist
indieBRAG Medallion Honoree

Praise for The Yanks are Starving

“[A] wonderful source of historical fact wrapped in a compelling novel.” — Historical Novel Society Reviews

“[A] vivid picture of not only men being deprived of their veterans’ rights, but of their human rights as well.…Craney performs a valuable service by chronicling it in this admirable book.” — Military Writers Society of America

Buy Links

Universal Link:

Amazon US: Amazon UK: Amazon CA: Amazon AU:
Barnes and Noble: Kobo: iBooks:

Meet the Author

Glen Craney is an author, screenwriter, journalist, and lawyer. A graduate of Indiana University Law School and Columbia University Graduate School of Journalism, he is the recipient of the Nicholl Fellowship Prize from the Academy of Motion Pictures and the Chaucer and Laramie First-Place Awards for historical fiction. He is also a four-time indieBRAG Medallion winner, a Military Writers Society of America Gold Medalist, a four-time Foreword Magazine Book-of-the-Year Award Finalist, and an Historical Novel Society Reviews Editor’s Choice honoree. He lives in Malibu and has served as the president of the Southern California Chapter of the HNS.

Connect with Glen

Website: Twitter:

Facebook: LinkedIn: Pinterest:

BookBub: Amazon Author Page: Goodreads:

Follow The Yanks Are Starving Blog Tour with The Coffee Pot Book Club

Check our Glen’s other visits to the blog.

The Cotillion Brigade

The Virgin of the Wind Rose

Happy release day to King of Kings #histfic

I’m so excited about the release today of King of Kings. This story, the first part in the retelling of the greatest battle on British soil that many have never heard of, Brunanburh, has been long in the making. Building on the original series, begun in 2014, King of Kings is entirely reworked, and it’s so much better:) (I honestly can’t believe how much better it is.)

Here’s the blurb

‘An epic tale of the birth of a nation. Truly mesmerising. Game of Thrones meets The Last Kingdom’ – Gordon Doherty

In the battle for power, there can be only one ruler.

AD925

Athelstan is the king of the English, uniting the petty kingdoms of Wessex, Mercia, the Danish-held Five Boroughs and York following the sudden death of his father, King Edward.

His vision is to unite the realms of the Scots and the Welsh in a peace accord that will protect their borders from the marauding threat of the Norse Vikings.

Whilst seemingly craving peace and demanding loyalty with an imperium over every kingdom, Athelstan could dream of a much bigger prize.

But danger and betrayal surround his best intentions, namely from his overlooked stepbrother, Edwin, who conspires and vies for what he deems is his rightful place as England’s king.

As ever, powerful men who wish to rule do not wish to be ruled, and Constantin of the Scots, Owain of Strathclyde, and Ealdred of Bamburgh plot their revenge against the upstart English king, using any means necessary.

An epic story of kingsmanship that will set in motion the pivotal, bloody Battle of Brunanburh where allies have to be chosen wisely…

books2read.com/King-of-Kings

(available in ebook, paperback, hardback and audio, narrated by the wonderful Matt Coles).

King of Kings. with its five kingdoms, and one alliance, might need some explanation. To help my readers understand who everyone is, and importantly, where everyone is, King of Kings has a map and a genealogical table, as well as a cast of characters.

Map designed by Shaun at Flintlock Covers

And because the family of King Alfred is so important to the story, I also have a genealogical table to share with my readers.

I’ve written some brief introductions for the main cast of characters.

King Athelstan of the English

King Constantin of the Scots

King Hywel of the West Welsh

King Owain of Strathclyde

King Ealdred of Bamburgh

Lady Eadgifu of Wessex

Follow the blog tour with Rachel’s Random Resources

Diary of a Wannabe Writer

The Magic of War(l)ds

Nerd Girl Loves Books

And for those who are falling in love with the period as much as I am, I wanted to share some non-fiction recommendations, and cautions.

There is no one book that will adequately cover this period (that was one of the reasons that I fictionalised it) but these books (see photos below), along with Dr. Kari Maund’s The Welsh Kings, which I have in ebook, will give you a good grounding of events in Britain and Ireland. So, these are

Alfred’s Britain by Max Adams

Athelstan by Sarah Foot

The Anglo-Saxon Chronicles ed and trans. Michael Swanton (other versions available – I like the formatting of this one -with the different recensions)

The Welsh Kings by Kari Maund

An Atlas of Anglo-Saxon England by David Hill (don’t be put off by the fact this book is from the 1970s – it is invaluable)

From Pictland to Alba 789-1070 by Alex Woolf

Viking Kings of Britain and Ireland by Claire Downham

English Historical Documents ed and trans by Dorothy Whitelock

The Frankish Kingdom under the Carolingians by R McKitterick

Edward the Elder ed. Higham and Hill (not a narrative account, but historians writing papers about their area of interest and expertise).

There are also two very important online resources.

PASE (The Prospography of Anglo-Saxon England)

Electronic Sawyer

Dressing for success in the 17th century with Anna Belfrage for A Rip in The Veil #HistoricalFiction #TimeTravelRomance #BlogPost #BlogTour #TheCoffeePotBookClub

Today, I’m absolutely delighted to share a fabulous post from Anna Belfrage about dressing in the seventeenth century. It will make you giggle, I promise.

Dressing for success in the seventeenth century

In a A Rip in the Veil—the first book in The Graham Saga—the unfortunate (or not, depending how one sees it) Alex Lind has the misfortune of falling three centuries backwards in time to land at the feet of Matthew Graham. Matthew Graham is a devout Presbyterian who has fought in the Commonwealth armies in the Civil War. To Alex, he is initially very strange. Heck, the entire situation is strange: no, wait—it’s impossible!

Matthew is as taken aback as Alex is—perhaps even more, as the only explanation to her sudden appearance in his life must be magic. Or? Besides, what is the woman wearing? Those tight, tight breeches she calls ‘djeens” showcase her every curve, as do her other garments. No, had she been his woman, he’d never have allowed her to set a foot outside dressed like that, all of her exposed, like.

Alex quickly realises that in this new time she has to adapt. ASAP. And one of the first things she must embrace is an entire new wardrobe. “Yay me,” she mutters as she shakes out shift and petticoats and heavy skirts and bodice and. . .

I must admit that I wasn’t entirely thrilled when Alex landed in 1658. The seventeenth century is not my sartorial favourite – especially when it comes to male fashion.

This period dress thing is difficult.

First of all, as the writer of historical fiction it is important to understand what people wore, who wore what and how it was worn. In some cases it’s straightforward: stockings cover your feet and the nether part of your legs no matter if you live in the twentieth century or the fifteenth. But take that rather ugly male adornment that Henry VIII was so proud of flaunting – the codpiece – and I am somewhat stumped. How did it work? ( Okay, so I’ve looked this up; strings, buttons or hooks kept this decorative little (hmm) flap of fabric in place.)

Secondly, it helps if the writer in question finds the period attire alluring in some way or other. It’s difficult to write convincingly about handsome men in codpieces and padded breeches when all you see in your head is something resembling a man in a huge diaper.

Finally, there must be a familiarity with how people dress and undress. “He told her to turn around and zipped up her gown,” is not a good description of the intimacy between man and wife in the fourteenth century. (BTW, the modern zipper owes a lot to Swedish inventor Gideon Sundback. It’s nice to know us Swedes have contributed to human development: dynamite, zippers, gauge blocks, the AGA cooker.) Having exploring male fingers encountering panties in the sixteenth century is also something of an anachronism, and should the dashing regency rake pulls down his boxers you’re not reading historical fiction, you’re reading about a masquerade.

To avoid such gaffes, I’ve spent a lot of time researching the period and have accordingly done my fair share of staring at what few clothes survive from the seventeenth century—like James II’s elegant attire exhibited in the Victoria & Albert museum. Okay, so that is later in the century, but all that lace, all those embroideries, and that gigantic wig! Plus, the high heels on the shoes. . . Nope, not at all my cup of tea.

Earlier in the 1600s, men wore wide breeches, sashes, lace, ribbons—like these young and elegant Stuart brothers in Van Dyke’s portrait.

To the seventeenth century young girl, they were likely delectable. To Alex, not so much. She’d be hard put not to laugh her head off. So it is fortunate that when she first meets Matthew, he is in a ragged shirt and equally ragged breeches, fleeing from pursuing soldiers. It is also fortunate that Matthew would no more adorn himself with ribbons than he would dance attendance on the king—he is a man of Parliamentarian convictions. No, Matthew wears plain and well-made clothes, now and then adorned with a ruffled cuff or an elegant collar.

Obviously, Matthew expects this new female companion of his to dress sedately, which is how Alex finds herself obliged to re-learn just how to dress.

In the seventeenth century, there were no bras, no panties. Instead, the undergarment is a shapeless elongated linen shirt that comes to just below the knees. This shift is worn over stockings that come to just above the knee and are fastened by garters.
“I can help you with those,” Matthew suggests, and there is a twinkle in his eyes as he helps Alex fasten the stockings with pink ribbons. Just because he doesn’t wear ribbons, it doesn’t mean she can’t, he says. In fact, he rather likes the fact that she is wearing them—and that he tied them into place.
Over the shift—which also doubles as nightgown—Alex now dons a corset.
“Ugh!” she groans as she tightens into place. The corset she has ties in front—only people who can afford a ladies maid have corsets that tie in the back. She has to struggle a bit to get it to sit right, and then there are the petticoats, tied into place at her waist and falling to mid-calf. Only the very, very rich have garments that fall all the way to the floor. Most women have skirts high enough to allow them to work and walk without dragging the hem in the dirt.

“Here.” Matthew hands her the heavy skirts. And yes, they are heavy, making it hard to, for example, run. Or jump a fence. Once Alex has stepped into them, he helps her tighten them into place. A bodice, a shawl to cover what may remain exposed of her chest and then Matthew holds out a cap.
“No way!” She backs away, staring at the embroidered linen coif.
“You must cover your hair,” he says.
She refuses.
There is a slight. . . er . . . argument. Things end in a compromise: she will not cover her hair indoors, but otherwise she will either wear a coif or a hat. Matthew would prefer both, but he is pragmatic enough to realise this isn’t a battle he will win. Besides, Alex is having to handle a lot of change as it is.
“Tell me about it,” she mutters. She isn’t overly impressed with the food. Or the lack of chocolate. Or of tea. “I thought they had tea in the seventeenth century,” she groans.
“They do,” I tell her, “but it is very, very expensive.”
“Oh.” She gnaws her lip, her shoulders slumping. Which is probably why Matthew expends a ridiculous amount on a ridiculous small quantity of tea next time he goes to Edinburgh, pleased by the way she lights up from within when he hands the precious package over.

Over time, Alex will become accustomed to her new clothes, even if she will quite often think longingly of jeans and sweatshirts, of Converse and shop-bought socks. (She hates to knit)

But while she adapts to her new life on the outside, she remains a woman of modern conviction and outlook, which will now and then cause her quite some problems in her new time. It is fortunate that she has Matthew to guide her. On the other hand, there will be countless of occasions when Matthew will owe his life and sanity to her, the strange lass he found concussed and burned on an empty Scottish moor. Two halves made whole are my Alex and Matthew, no matter such details as sartorial arguments!

Thank you so much for such a fabulous post. I just can’t imagine all the lace:)

Here’s the blurb

On a muggy August day in 2002 Alex Lind disappears. On an equally stifling August day in 1658, Matthew Graham finds her on a Scottish moor. Life will never be the same for Alex – or for Matthew.

Alexandra Lind is thrown three centuries backwards in time to land at the feet of escaped convict Matthew Graham.

Matthew doesn’t know what to make of this strange woman who has seemingly fallen from the skies—what is she, a witch?

Alex is convinced the tall, gaunt man is some sort of hermit, an oddball, but she quickly realises the odd one out is she, not he.

Catapulted from a life of modern comfort, Alex grapples with her new existence, further complicated by the dawning realization that someone from her time has followed her here—and not exactly to extend a helping hand.

Potential compensation for this brutal shift in fate comes in the shape of Matthew, a man she should never have met, not when she was born three centuries after him. But Matthew comes with baggage of his own and on occasion his past threatens them both. At times Alex finds it all excessively exciting, longing for the structured life she used to have.

How will she ever get back? And more importantly, does she really want to?

Buy Links

This title is available to read on #KindleUnlimited.

Universal Link:

Amazon UK: Amazon US: Amazon CA: Amazon AU:

Meet the author

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.

Anna has also published The Wanderer, a fast-paced contemporary romantic suspense trilogy with paranormal and time-slip ingredients.

Her Castilian Heart is the third in her “Castilian” series, a stand-alone sequel to her September 2020 release, His Castilian Hawk. Set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. In the second instalment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain. This latest release finds our protagonists back in England—not necessarily any safer than the wilds of Spain!

Anna has also authored The Whirlpools of Time in which she returns to the world of time travel. Join Duncan and the somewhat reluctant time-traveller Erin on their adventures through the Scottish Highlands just as the first Jacobite rebellion is about to explode!

All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards.

Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com

Connect with Anna:

Website: Twitter: Facebook: Instagram:

Book Bub: Amazon Author Page: Goodreads:

Follow the A Rip in The Veil blog tour with The Coffee Pot Book Club

Book review Caledon by Virginia Crow on the blog #historicalfantasy #BlogTour #TheCoffeePotBookClub

Here’s the blurb

“Go out and tell all those you meet, Caledon has risen. Caledon will be protected and defended. And to you who would cause her harm, be prepared. A new fight has come.”

After the destruction of the Jacobite forces at Culloden, Scotland is divided, vulnerable and leaderless, with survivors from both sides seeking to make sense of the battles they have fought against their fellow Scots.

James Og flees Drumossie, seeking the protection of his uncle’s house in Sutherland. It is here that James learns that the Northern Highlands hold a secret power only he can wield: Caledon. When Ensign John Mackay begins hunting Og’s family, James realises he must harness this power to defeat the enemies of Scotland.

But, as the ageless Caledon awakes, so too does an ancient evil. When it allies with Mackay, the small Clan of Caledon faces enemies at every turn, discovering that even those closest to them may seek to destroy them.

Buy Links

Universal Link:

Amazon UK: Amazon US: Amazon AU: Amazon CA:

My Review

Caledon is an intriguing work of historical fantasy set in Scotland following the battle of Culloden.

The narrative revolves around six main characters, switching between points of view, and is centred around family loyalty, distrust and the war raging between the Hanoverians and the Stuarts. There are also a few star-crossed lovers, and sadly, not everyone will get the happy ending they deserve, even with the aid of the mysterious Caledon.

With its supernatural elements it offers something a little different as the Clan of Caledon learn to trust their abilities while all those around them seek their destruction.

An enjoyable read and one sure to appeal to those with a love of a Scottish setting.

Meet the author

Virginia grew up in Orkney, using the breath-taking scenery to fuel her imagination and the writing fire within her. Her favourite genres to write are fantasy and historical fiction, sometimes mixing the two together. She enjoys swashbuckling stories such as The Three Musketeers by Alexandre Dumas and is still waiting for a screen adaption that lives up to the book!

When she’s not writing, Virginia is usually to be found teaching music. She believes wholeheartedly in the power of music, especially as a tool of inspiration. She also helps out with the John o’ Groats Book Festival which is celebrating its 4th year.

She now lives in the far-flung corner of Scotland. A doting spaniel-owner to Orlando and Jess, Virginia soaks up in inspiration from the landscape as she ventures out with her canine companions.

She loves cheese, music, and films, but hates mushrooms.

Connect with the author

Website:

Twitter: Facebook: Instagram:

Book Bub: Amazon Author Page: Goodreads:

Follow the Caledon blog tour with The Coffee Pot Book Club

Elizabeth Hutchison Bernard is talking about Sisters of Castle Leod #HistoricalFiction #SistersOfCastleLeod #BlogTour #TheCoffeePotBookClub

I’m delighted to share a fascinating blog post by Elizabeth Hutchison Bernard about her new novel, Sisters of Castle Leod.

THE PLOT THICKENS

Thanks so much for inviting me to talk about the research for my latest historical novel, Sisters of Castle Leod (release date: January 19, 2023).

I always do quite a bit of reading before deciding for certain what I want to write about, though I generally have a theme in mind. In this instance, I was very interested in exploring the subject of spiritualism—communication with the dead—especially as it was practiced in the late 19^th and early 20th centuries. I soon ran across the name Sibell Lilian Mackenzie, 3^rd Countess of Cromartie. Shortly after the turn of the 20^th century, Sibell was becoming known as a spiritualist and a writer of mystical romance novels. Her younger sister, Constance, was an unusual young woman who became equally famous as a champion swimmer and for scandalizing British society with her public displays of Isadora Duncan-style barefoot dancing. The sisters were opposites in every way, which suggested to me the possibility of a story full of conflict and drama. In the historical record, I discovered plenty of both.

There was a great deal of information available about the Mackenzie sisters, mostly through archived newspaper articles. At the time, they were among Great Britain’s most talked-about women. The press was fascinated with them. Because I enjoyed these old articles so much, I incorporated portions of a few into the book. They serve to give readers a wonderfully authentic taste of the social mores of the time. For example, here is part of an 1897 newspaper account describing Sibell’s “coming out,” over which Queen Victoria herself presided:

Nowadays you observe that the run of debutantes presented consists of every upstart whose family has rigged up for itself a compound surname. For every two-penny-half-penny nobody who has made a little money in trade to fancy he confers a sort of patent of nobility upon himself and his offspring by inserting a hyphen between his surname and his middle name is simply grotesque. But instead of these nobodies with whom recent drawing-rooms have reeked, there were no end of real swells at this one. The most interesting of all the presentations was that of the youthful Sibell Mackenzie Leveson-Gower, Countess of Cromartie.

I should mention that Sibell was a good deal more modest and down-to-earth than the writer of that article! Throughout my research, almost everything I read about the countess, who was a peeress in her own right and one of the wealthiest landowners in Scotland, portrayed her as a thoughtful, introspective young woman—a dreamer and philosopher. She wrote many short stories, most with a mystical bent, that were published in the popular women’s magazine The Lady’s Realm. By reading these stories, and several of her full-length romantic novels, I came to feel quite comfortable assuming her voice as my novel’s narrator. I also read Constance’s single book, Dancing, Beauty and Games, published in 1913, which gave me important insight into her very original ideologies as well as her motivations for some of the outrageous things she did. Authors of biographical historical fiction who have access to the actual writings of their characters enjoy a tremendous resource. I studied these books and stories with a careful eye to what they could tell me about the Mackenzie sisters—their public image, personal beliefs, and their innermost desires.

The folklore of the Highlands was one of the things that attracted me to the sisters’ story. Here is an authentic newspaper snippet that led my plot in a surprising and rather spooky direction (for this preview, I’ve redacted any “spoilers”):

Lady Constance Mackenzie is sister and heir presumptive to the Countess of Cromartie, who also holds the titles Viscountess Tarbat, Baroness Castlehaven, and Baroness MacLeod. Lady Constance’s succession to all these titles, as well as the large family estates, depends upon the fulfillment of an old family legend whose truth in part has been demonstrated already, in a manner to arouse the awe of the superstitious, by a family tragedy that occurred last December. … [the legend states that] when a certain stream on the estates should be turned from its course, the succession would pass from the direct line. Only a few weeks before the [tragedy occurred], in making alterations on the estates, the course of the stream had been changed.

In the three years it took to research and write Sisters of Castle Leod, I did not confine myself to “armchair research.” Early in the process, my trip to the Scottish Highlands afforded me the opportunity to meet with Sibell’s grandson, 5^thEarl of Cromartie and current chief of the Mackenzie clan. He graciously provided me with a private tour of Castle Leod and told me many interesting stories. Among them was that of the castle’s ghost, known as the Night Watchman—a 15th century sentry who, on occasion, emerges from behind the grandfather clock in the castle’s Great Hall. Though I would not call my novel a “ghost story,” the Night Watchman does have a role in the drama.

On that same trip, I made a stop in London and visited the Spiritualist Association of Great Britain where, I had been told, Sibell once served as president. (I could find no proof of this in the Society’s records. However, at that time, there were many such societies, and she may have been involved in a different group with a similar name.) On two occasions, I met with psychics who attempted to contact Sibell on my behalf. Though results were inconclusive, it was nonetheless an interesting foray into the modern-day world of spiritualism.

As you can tell, my novel not only is about the difficult relationship between two very different sisters but also delves deeply into spiritual issues. Have you ever visited a psychic or attended a séance? How did you feel about the experience?

Thank you for sharing your research with my readers. It really sounds as though you went above and beyond to ‘find’ your characters voices. Good luck with the new release.

Here’s the blurb

**Finalist in the 2022 American Writing Awards**

Millions are fans of Diana Gabaldon’s popular Outlander books and television series, but few know that Gabaldon’s fictional Castle Leoch was inspired by a real Scottish castle, Castle Leod. The two sisters who lived there at the turn of the twentieth century were among the most fascinating and talked-about women of their era.

Lady Sibell Mackenzie is a spiritualist, a believer in reincarnation, and a popular author of mystical romances. Petite and proper, she values tradition and duty. Her younger sister Lady Constance, swimming champion and big game hunter, is a statuesque beauty who scandalizes British society with her public displays of Greek-style barefoot dancing. The differences between the sisters escalate into conflict after Sibell inherits their late father’s vast estates and the title 3rd Countess of Cromartie. But it is the birth of Sibell’s daughter that sets in motion a series of bizarre and tragic events, pitting sister against sister and propelling Sibell on a desperate mission to challenge the power of fate.

Sisters of Castle Leod, by award-winning author Elizabeth Hutchison Bernard, is the emotionally charged story of two sisters torn apart by jealousy and superstition, and the impossible leap of faith that could finally bring them together.

Cover Art: oil on glass painting, © Alison Hale, https://alisonhale.co.nz/

Buy Links

This title will be available on #KindleUnlimited.

Universal Link:

Amazon UK: Amazon US: Amazon CA: Amazon AU:

Barnes and Noble:

Meet the Author

A former touring musician/songwriter and public relations professional, Elizabeth Hutchison Bernard is the author of two Amazon bestsellers: THE BEAUTY DOCTOR, “a compelling historical novel steeped in mystery with strong elements of a medical thriller” (Readers’ Favorite, 5 stars), and TEMPTATION RAG: A NOVEL, a “resonant novel … about the birth and demise of ragtime … luxuriously crafted” (Publishers Weekly). Her books have been finalists for the Eric Hoffer Book Award, National Indie Excellence Awards, and Arizona Literary Contest; they have received 5-star ratings from Readers” Favorite, Book Readers Appreciation Group, and historical fiction Discovered Diamonds. Elizabeth and her family live near Phoenix, Arizona.

Connect with Elizabeth

Website: Twitter: Facebook: Instagram:

Book Bub: Amazon Author Page: Goodreads:

Follow the Sisters of Castle Leod tour with The Coffee Pot Book Club

2022 – A Reading Year in Review

Wow! I think 2022 has been the year that I read (and listened) to the most books EVER! As I write this, I’m up to 99 titles. I have some ‘holiday’ reading I’m keen to do as well – fingers crossed I make it to the magic 100 for the year (I am including audiobooks in this, and also my own books as I have to read them A LOT, and I’ve also been refreshing a few throughout the year as well.) Even so, I’ve read many, many books, across a number of different genres, but the predominant one has certainly been historical mysteries/cozy crime. I’ve found that this is my ‘happy’ place when trying not to think about my own books. And luckily, Boldwood Books (who publish the Eagle of Mercia Chronicles) have a huge collection of mystery writers, and they’ve autoapproved me on Netgalley, so I’ll never struggle to find something to read in my favourite genre.

As has been pointed out to me by a fellow author, I don’t often award a five star review to books. Indeed, while I do rate and review on Amazon and Goodreads, on the blog, I don’t tend to give a rating – I’m just quirky like that. Those books that I have given a five star to, I’ve given a shout out in the Aspects of History Books of 2022. You can find the link here – (of course, these are all historical fiction books) and The Capsarius, Valentia, Twelve Nights and The Maids of Biddenden made it onto that list (and yes, these are all books I was lucky enough to be asked to review on the blog – but I never automatically give a 5 star review just because of that). I also want to add Domitian by SJA Turney as well. I couldn’t include two of his books on Aspecs of History but Domitian is wonderful, just my sort of Roman story with plenty of politics, intrigue, and some fabulous characters.

Three of these books are indie-published, and I can assure you all, that there’s a huge amount of amazing indie stuff out there. Don’t believe me, try one of these titles:)

I’ve also treated myself to a bit of comedy this year. I’ve been listening to the Terry Pratchett Discworld audio books (the new and the original recordings – but not the abridged versions) and it’s reminded me of how much I love a funny book, and so, here are my favourite comedies of the year. Simon Whaley’s Foraging for Murder, Dead in Tune by Stephanie Dagg and Crazy for You by Domhnall O’Donoghue and Unseen Academicals by Terry Pratchett, which I’ve listened to twice!

In terms of cozy crime, I’ve found a few new series of which I’m certainly going to read more. Catherine Coles new 1940s historical mystery series, TA Williams‘ Armstrong and Oscar cosy series, Debbie Young’s St Brides Series, and Helen Golden’s Right Royal Cozy Investigations.

In terms of books set in ‘my’ time period, I’ve been reading Matthew Harffy, SJA Turney or maybe it’s a Simon Turney one (it’s the same author, in case you were confused), Peter Gibbons, Christopher Cervasco, Donovan Cook, Eric Schumacher, Paula De Fougerolles, Richard Cullen, and still historical but a little before and after, Robert M Kidd, Elizabeth R Andersen, Mark Knowles, Dan Jones and Kate Shanahan.

I’ve also dipped my toe into a few dual-timeline novels. As you might expect, my interest is always much more in the historical aspect of the story and not the modern settings, but they were a bit of fun when I was on holiday. The Witches Tree and The Storm Girl.

I’ve only read one fantasy book in 2022, which surprises me (aside from Discworld), but Mark Lawrence is one of my all-time favourite authors, and I will always read his books. The sneaky toad has a theme running through them all and I love it.

I’ve also read surprisingly few non-fiction books, in their entirety. I’ve been working on my non-fiction book and that’s meant a lot of dipping in and out of books I’ve already read. But, the non-fiction books I’ve read have been excellent, Michael Wood’s 40th anniversary of In Search of The Dark Ages, reviews for Aspects of History, Winter in the World by Eleanor Parker, also reviewed for Aspects of History and I also read my first ever writing guide.

And an entirely new genre for me, but one I was strangely drawn to for the location, which is close to where I grew up – a bit of Gangland.

I hope you’ve enjoyed reading my reviews on the blog. And I’d like to that the publishers that let me read advanced copies, and also, all the writers I’ve mentioned who’ve taken the time to craft these novels so that I can devour them. Now, I need to get back to my reading to make sure I hit that magic 100!

Book Review Donovan Cook and his book, Son of Anger to the blog #blogtour #CoffeePotBookClub

Here’s the blurb:

Ulf is like a storm, slowly building up its power, he grows more dangerous with each passing moment. And like all storms, he will eventually break. When he does, he will destroy everything in his path.

Ulf is one of a long line of famous Norse warriors. His ancestor Tyr was no ordinary man, but the Norse God of War. Ulf, however, knows nothing about being a warrior.

Everything changes when a stranger arrives on Ulf’s small farm in Vikenfjord. The only family he’s ever known are slaughtered and the one reminder of his father is stolen — Ulf’s father’s sword, Ormstunga. Ulf’s destiny is decided.

Are the gods punishing him? All Ulf knows is that he has to avenge his family. He sets off on an adventure that will take him across oceans, into the eye of danger, on a quest to reclaim his family’s honour.

The gods are roused. One warrior can answer to them. The Son of Anger.

My Review

Son of Anger by Donovan Cook is a Viking-era adventure deeply steeped in the ways of the Norse Gods. Ulf is an orphan, angry with his father for putting the life of the local jarl before that of his son. When his uncle, aunt and cousins are slaughtered, and the sword of Ulf’s father is stolen, Ulf is rescued by a shadowy figure living in the woodlands, a man who takes out his appetites on the young mute, Vidar. With his death, Ulf and Vidar forge an alliance which brings them to the attention of the very jarl that Ulf’s father died to protect, garnering a growing reputation for being able to undertake tasks that no man can. There are many who think Ulf responsible for killing his aunt and uncle and their children as they’ve never heard of the warrior who attacked their farm, but Ulf wins the support of the jarl’s son and his wife, and Vidar and Ulf are welcomed into the jarl’s settlement.

This is a story of many people and thoughts, told through the eyes of the large cast, with a heavy emphasis on the religion and beliefs of the Norse; the Gods seem to walk (or rather fly)amongst the cast, influencing what happens to them, and are as contrary as we would expect the Norse Gods to be. There are many stories and legends, all told with a particuarly ‘saga-like’ ability to make even the fantastical seem commonplace and day to day. The Norse respect their Gods but appreciate their unreliability.

There are a number of main characters, Ulf, Snorri, Vidar and Lady Ingibjorg, as well as the jarl himself, and the hirdmen of Snorri. Much is shadows and uncertainty, and through the novel walks an unpleasant, and unsighted character, who has ill will towards Ulf, and is only unmasked during the battle that takes place at the end of the book.

This final battle, in which the true killer of Ulf’s aunt and uncle is the enemy, is a fitting conclusion to this epic Norse tale, which continues in books 2 and 3 in the series.

Buy Links:

This book is available on #KindleUnlimited.

Universal Link:

Amazon UK: Amazon US: Amazon CA: Amazon AU:

Barnes and Noble:

Meet the Author

Donovan Cook was born in South Africa but raised in England, and currently works as an English tutor. He is the author of the Ormstunga Saga, which includes his debut novel Son of Anger and the follow up, Raid of the Wolves. His novels come from his fascination with the Viking world and Norse Mythology and he hopes that you will enjoy exploring this world as much as he did writing about it.

When Donovan is not teaching or writing, he can be found reading, watching rugby, or working on DIY projects. Being born in South Africa, he is a massive Springboks fan and rarely misses a match.

Connect with Donovan:

Website: Twitter: Facebook:

BookBub: Amazon Author Page: Goodreads:

Follow the Son of Anger blog tour with The Coffee Pot Book Club

Deborah Swift is sharing The Fortune Keeper on the blog with a fabulous post about crime in Renaissance Venice #BlogTour #CoffeePotBookClub #FortuneKeeper #HistoricalFiction

Researching Crime in Renaissance Venice by Deborah Swift

https://mybook.to/AquaTofana

One of the things I was aware of as soon as I started this novel, The Fortune Keeper, was that although not a crime novel, it would probably have several murders within its pages. This is because the whole series is about Giulia Tofana, who was renowned for poisoning men in order that their wives could escape marital persecution.

Giulia Tofana became a legend and it is probable that she didn’t poison as many men as the rumours say, and that probably she was blamed for the crimes of others. One of the others suspected of her crimes was her stepdaughter Girolama. As she was to feature in this book, it led me to look into the law in early modern Venice because I knew I would have to be aware of policing, punishment, and the mechanisms of the law.

**Miracle of the Holy Cross** Accademia – Miracle of the Holy Cross at Rialto by Vittore Carpaccio

Renaissance Robbery

Venice was extremely wealthy in the Renaissance period, and vagabonds and thieves flooded into the city in search of easy pickings. In the picture above you can see the canal thronged with men dressed in rich clothing and ornament. The most common crimes in Venice were burglary and forgery, but it was by no means unusual for there to be murders over money and debts. The punishment for robbery was calculated on the basis of the quantity of property taken. First offenders who stole goods worth less than one lira could get away with a whipping, but woe betide you if you stole something bigger. The penalty was the loss of an eye for goods valued between five to ten lire, and the noose awaited those brave enough to steal something worth more than forty lire.

**Interrogation chambers of the Doge’s Palace**

Debt and Death

The law allowed for anyone who was owed more than five lire de piccola to threaten and even kill the debtor in order to recoup their money, putting the onus firmly on the debtor, not the avenger. This tells us that money was the main driving force in Venetian society. But what about armed robbery or assault where no debt was owing? Most assaults were subject to a mere fine of twenty-five lire, or banishment from the city state. If your crime was a crime which drew blood – sanguinem fecerit – then the punishment was up to the judging council. There was no such thing as ‘innocent until proven guilty’ in Venetian law at that time. Proof was largely circumstantial, and it relied on the judge and jury’s instinct as to the guilt of the person involved.

Renaissance Lawkeepers

The Avogaria di Comun were a group equivalent to lawyers, though non-professional, drawn exclusively from the nobility. They acted as prosecutors for the state, giving evidence and arguing for punishments before the main judicial councils of Venice. Because of their status, their judgements were often influenced by their social position, and the personal axes they had to grind.

Execution and Mutilation

In this period it was still common for mutilations to take place, which had been traditional in medieval times. Cutting out the tongue for heresy, cutting off the thumb or fingers for pilfering. Courtesans regularly had their noses or faces cut. There was also the custom of cutting of the ‘offending’ part – this led to men who were convicted of dabbling in heresy or alchemy, or crimes against the Holy Roman Church having their hand cut off to remove the ‘devil’s instrument’. This kind of public ritual and humiliation was designed to bring public vengeance to the accused person, and to reaffirm the values of the Church or state. The ritual turned the execution into a purification of the city.

There were in fact few crimes which brought down corporal or capital punishment. The types of corporal punishment used for the crimes of rape and assault were minor by today’s standards. As an example, for assault, out of 569 cases only fifteen involved mutilation of the criminal; and sixteen more involved some form of corporal discipline. For rape offenses, corporal punishment was even less significant, with twenty cases of discipline and only four of mutilation.

Palazzo Dario where many murders in the novel unfold

Maintaining law and order

On the streets the main arbiters of law and order were the town guard, the vigili urbani, who acted like our police do now. Their job was to make sure masked men didn’t carry arms, that only noblemen wore swords, and to act as a preventative force as well as policing troublemakers.

Further up the ladder were the Council of Ten, a kind of secret police force whose job was to maintain order within the city state of Venice. There was not much space in the city gaols of Venice due to the whole nature of its construction. For crimes of fraud, marital dispute, and affray, these men sat in judgement. It was unfeasible to keep men incarcerated for long because otherwise the gaols would be full of minor offenders. Small fines and short gaol sentences were the usual punishments for common violence in Venice. When the crime crossed the line into something that was considered ‘against God’ or ‘against the reputation of Venice’ then ritual punishment could be relied upon to warn the populace about sinning against these bigger, less personal edifices.

Documents I found helpful in my research:

Law and Punishment in Early Renaissance Venice

Violence in Early Renaissance Venice — Guido Ruggiero

Banditry and Social Identity in the Republic of Venice – Sergio Lavarda

Authority and the Law in Renaissance Venice — G. Cozzi

BUY THE FORTUNE KEEPER: https://mybook.to/FortuneKeeper

Here’s the blurb

Count your nights by stars, not shadows ~ Italian Proverb

Winter in Renaissance Venice

Mia Caiozzi is determined to discover her destiny by studying the science of astronomy. But her stepmother Giulia forbids her to engage in this occupation, fearing it will lead her into danger. The ideas of Galileo are banned by the Inquisition, so Mia must study in secret.

Giulia’s real name is Giulia Tofana, renowned for her poison Aqua Tofana, and she is in hiding from the Duke de Verdi’s family who are intent on revenge for the death of their brother. Giulia insists Mia should live quietly out of public view. If not, it could threaten them all. But Mia doesn’t understand this, and rebels against Giulia, determined to go her own way.

When the two secret lives collide, it has far-reaching and fatal consequences that will change Mia’s life forever.

Set amongst opulent palazzos and shimmering canals, The Fortune Keeper is the third novel of adventure and romance based on the life and legend of Giulia Tofana, the famous poisoner.

‘Her characters are so real they linger in the mind long after the book is back on the shelf’ – Historical Novel Society

NB This is the third in a series but can stand alone as it features a new protagonist.

Trigger warnings:

Murder and violence in keeping with the era.

Buy Links

This book is available to read on Kindle Unlimited?

Universal Link: https://books2read.com/u/4EJBOz

Amazon UK: Amazon US: Amazon CA: Amazon AU:

Connect with the author

Deborah Swift is a USA TODAY bestselling author who is passionate about the past. Deborah used to be a costume designer for the BBC, before becoming a writer. Now she lives in an old English school house in a village full of 17th Century houses, near the glorious Lake District. She divides her time between writing and teaching. After taking a Masters Degree in Creative Writing, she enjoys mentoring aspiring novelists and has an award-winning historical fiction blog at her website www.deborahswift.com

Deborah loves to write about how extraordinary events in history have transformed the lives of ordinary people, and how the events of the past can live on in her books and still resonate today.

Recent books include The Poison Keeper, about the Renaissance poisoner Giulia Tofana, which was a winner of the Wishing Shelf Readers Award, and a Coffee Pot Book Club Gold Medal, and The Cipher Room set in WW2 and due for publication by Harper Collins next Spring.

Connect with Deborah:

Twitter Facebook Website

Pinterest Bookbub Amazon

Follow The Fortune Keeper blog tour with The Coffee Pot Book Club

Anna Belfrage is talking about Her Castilian Heart #BlogTour #CoffeePotBookClub #medievalfiction #HistoricalFiction #HistoricalRomance #MedievalEngland #blogpost

I’m delighted to welcome Anna to the blog, and she’s written a fabulous post about her historical research.

Those unruly Welsh – a post about those that would not give up

Some years ago, I published His Castilian Hawk, where the story is set against the backdrop of Edward I’s conquest of Wales in 1282-83. Some may think that after Dafydd ap Gruffyd was executed in late 1283, Wales was permanently cowed, bowing its neck abjectly before its new overlord. Not at all like in Scotland, where the Scots just wouldn’t give up, no matter what Edward I threw at them.

Hmm. I dare say those medieval Welshmen would snort—rather loudly—at the notion that they somehow lacked in bravery. Also, one must keep in mind that the English king could command vastly more men than the Welsh could. Plus, Wales was not a cohesive unit as Scotland was. No, Wales was subdivided into various little principalities, and since the death of Llewellyn Fawr in 1240 no one had really managed to unite all Wales again. Also, large chunks of Wales had been under English control for yonks, ruled over by the so called Marcher Lords.

So it was a fragmented people who were invaded by the English in 1282-83, and in some places people didn’t overly care who sat in the nearby castle. Besides, many Welshmen had no reason to risk their neck for Llywellyn ap Gruffyd or his brother as they were princes of Gwynedd, not of Wales. But that does not mean the Welsh had rolled over and given up. In fact, there’d be a sequence of rebellions—of varying size—over the years. What all those rebellions have in common is that they failed, even if the impressive Owain Glyndwr in the early 15^th century came close to success.

In my latest release, Her Castilian Heart, the adventures and misfortunes that beset my fictional protagonists, Robert FitzStephan and his wife Noor, are to some extent set against the backdrop of another Welsh rebellion, that of Rhys ap Maredudd.

Rhys was a member of the royal house of Deheubarth, a principality in mid Wales. Deheubarth and Gwynedd were traditional enemies, so when Dafydd ap Gruffyd prodded his older brother into rebellion in 1282, Rhys sided with the English. Actually, already in the Anglo-Welsh wars of 1276-77, Rhys submitted to England, hoping that by doing so he’d be able to keep his lands—and regain the impressive Dinefwr Castle, the traditional seat of the princes of Deheubarth.

In the aftermath of the 1282-83 conquest, Rhys was rewarded for his loyalty with more land.
“And Dinefwr?” he asked.
King Edward likely raised an eyebrow. No way was he about to return such an impressive castle to a Welsh princeling. Instead, he forced Rhys to sign a quitclaim, effectively handing over “his” castle permanently to the English king. Rhys may not have liked this, but he seems to have swallowed his disappointment and instead focussed his attention on fortifying his remaining castle of note, Dryslwyn.

But it must have rankled, losing Dinefwr. Also, Rhys seems to have been under the impression that he’d been promised Dinefwr if he rode with the English against his fellow Welshmen. Whatever the case, in 1287, Rhys rebelled.

He had some initial success, but King Edward’s appointed regent, Edmund of Cornwall (the king himself was in Gascony) acted with speed, assembling a huge host that marched into Wales. By October, the rebellion had effectively been stamped out until all that was left was a core of determined men besieged at Dryslwyn. This was when King Edward’s interest in siege machines came in handy: soon enough several huge trebuchets began bombarding Dryslwyn’s walls with projectiles. In all that upheaval, Rhys managed to slip away.

For some weeks, things were quiet, but in mid-November Rhys popped up again, urging his fellow Welshmen to join his rebellion. A new, much smaller force was assembled to sort things out—one in which I’ve included Robert FitzStephan and his friend, Roger Mortimer. Rhys took refuge in yet another castle, this time the triangular-shaped Newydd Emlyn.

The English packed together their siege weapons, loaded them onto carts, requisitioned forty oxen and hauled them all the way up to Newydd Emlyn. Ten days of siege and the English won—but the elusive Rhys had managed to slip away. Again.

For the coming four years, he somehow managed to stay hidden. Some people think he may have escaped to Ireland, but if he had, one wonders why he came back only to be captured. In 1291, Rhys ap Maredudd was executed in York, far from the land of his birth. His son and namesake was to spend the coming fifty years in prison.

Rhys was not the last Welshman to rebel against Edward. Some years later, the fires of rebellion would yet again threaten Edward’s iron hold on this his newest dominion—but of that I will write in the next book in the series!

Thank you so much for sharing such a fascinating post. Good luck with your new book and with writing the next one.

Here’s the blurb:

Blood is not always thicker than water…

At times a common bloodline is something of a curse—or so Robert FitzStephan discovers when he realises his half-brother, Eustace de Lamont, wants to kill him.

A murderous and greedy brother isn’t Robert’s only challenge. He and his wife, Noor, also have to handle their infected relationship with a mightily displeased Queen Eleanor—all because of their mysterious little foundling whom they refuse to abandon or allow the queen to lock away.

Eustace is persistent. When Robert’s life hangs in the balance, it falls to Noor to do whatever it takes to rip them free from the toothy jaws of fate. Noor may be a woman, but weak she is not, and in her chest beats a heart as brave and ferocious as that of a lioness. But will her courage be enough to see them safe?

Trigger Warnings:
There is some sexual (consensual) content. Also some violence