I’m really excited to share the details of the Pagan Warrior blog tour with The Coffee Pot Book Club.
Pagan Warrior is the story of the battle of Hædfeld, fought in the seventh century between the Northumbrians, and you got it, the Mercians – or rather, Cadwallon of Gwynedd but with Penda of Mercia as his firm ally. You can find more details here.
I might have written this book many years ago, but it’s had a refresh, and is now available in audio, narrated by the fabulous, Matt Coles, as is the second book, Pagan King. Warrior King will be coming later this year in audio. For this first week, 13th March-19th March, the ebook of Pagan Warrior is reduced globally. Follow the link below.
You can follow the blog tour, and I’ll be sharing posts here as well. A quick shout out to thank all the blog hosts and Cathie at The Coffee Pot Book Club for organising.
For today, March 14th, check out my author interview over on Archaeolibrarian.
BREAKING NEWS Mystery Woman was in the Earl of Rossex’s car when it crashed
Reports are coming in that an unidentified woman was in the car that killed James Wilshire (24), the Earl of Rossex, when it crashed in Fenshire late on Tuesday evening and died from her injuries later in hospital. The police have not named the woman, but sources at Francis Court, where the earl lived with his wife Lady Beatrice (21) claim the dead woman was the wife of a member of staff.
The impertinence of the man! Who does this Detective Sergeant Richard Fitzwilliam think he is asking personal questions about the state of her marriage and insinuating that James was having an affair with the estate manager’s wife? Of course he wasn’t! She knew her husband and he wouldn’t do that to her. But what was James doing back in Fenshire on that fateful night when he’d told her he would be London? And why was Gill Sterling in the car with him when they barely knew each other? Unless, of course, she didn’t know her husband as well as she thought she did…
PLEASE NOTE: This is a prequel in the A Right Royal Cozy Investigation series and is not intended to be read as a standalone.
A Right Royal Cozy Investigation series is fast becoming one of my favourites, and An Early Death is a fabulous prequel novel, answering so many questions and leaving much more unanswered for those readers enjoying the series, which begins about a decade after the events of An Early Death.
I really, really can’t wait for the next book, A Dead Herring, which I hope might finally contain all the answers fans of the series are after.
The author makes it very clear the prequel shouldn’t be read until after reading the first three books in the series, and I echo this. Don’t spoil it for yourself:) Check out my reviews for the first three books below.
Hello. I’m Helen Golden. I write British contemporary cozy whodunnits with a hint of humour. I live in small village in Lincolnshire in the UK with my husband, my step-daughter, her two cats, our two dogs, sometimes my step-son, and our tortoise.
I used to work in senior management, but after my recent job came to a natural end I had the opportunity to follow my dreams and start writing. It’s very early in my life as an author, but so far I’m loving it.
It’s crazy busy at our house, so when I’m writing I retreat to our caravan (an impulsive lockdown purchase) which is mostly parked on our drive. When I really need total peace and quiet, I take it to a lovely site about 15 minutes away and hide there until my family runs out of food or clean clothes
Meet the craft group swapping decoupage for deception and glues for clues…
Violet Brewer is the owner of Rooney-at-Burrow’s charming wool shop, Brewer’s Loop, and the organiser of its weekly crafting group. Nothing much usually happens in the sleepy little English village. Until now.
But when Sir Buster Burniston, much-loved owner of nearby Burrow Hall, is found dead, a cloud of mystery lingers in the village air. Or at least it does for Violet and her fellow craft mates in Team C.R.A.B – the Crafters of Rooney-at-Burrow. They are certain that the old man’s death might not be as cut and dried as Violet’s police officer nephew, Samuel, seems to think. Violet has lived in the village for over sixty years, and something tells her and her creative pals that there is more behind Sir Buster’s sad demise. Violet and her friends are determined to turn detective, despite what her nephew says. And soon murder is on the cards at their meet and make sessions as they discover a mystery that needs to be unpicked stitch by stitch…
Nigel to no stranger to the worlds of both publishing and crafting. He has published seven previous novels – six glam fiction blockbusters such as Trinity, Addicted and Revenge, which saw him gain fabulous reviews and nicknamed as the ‘UK’s male Jackie Collins’, and a gripping psychological thriller called The Girl Unknown. Quilling Me Softly is his first foray into the cosy crime world. Crafting is very close to his heart as he has been working as a TV presenter on the UK’s biggest crafting TV channel, Create & Craft, for over 16 years, and he has launched his own successful craft range, A-May-Zing, as well. He was named top Male Personality Of The Year in the Crafts Beautiful Awards in 2021.
As well as writing and telly hosting, Nigel presents a weekly national radio show on Gaydio, interviewing celebrities from the worlds of TV, film and music. He lives in Brighton and his obsessions include Eurovision, all things 80s, flea markets and juicy reality TV.
THE HUGE QUILLING ME SOFTLY CRAFT GIVEAWAY (Open Int)
Seeing as Quilling Me Softly is based around the members of a fabulous craft group and Nigel also works in the world of craft it only seems right that the launch of Quilling Me Softly should come with a massive crafty prize giveaway! Nigel has teamed up with one of the craft world’s most inventive companies, the incredible Lisa Horton Crafts to give away a bumper bundle of crafting goodies worth over £150. Included in the prize bundle are loads of inspirational layering stencils and embossing folders plus the worldwide crafting smash that is the Ulti-Mate Multi Tool – it’s the perfect crafting tool for everyone when it comes to stamping, stencilling and blending.
*Terms and Conditions –Worldwide entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.
January 1972. The Christmas and New Year holiday is over and it is time to go back to work. Newly engaged to Detective Sergeant Laurence Walker, library assistant Jan Christopher is eager to show everyone her diamond ring, and goes off on her scheduled round to deliver library books to the housebound – some of whom she likes; some, she doesn’t.
She encounters a cat in a cupboard, drinks several cups of tea… and loses her ring. When two murders are committed, can Jan help her policeman uncle, DCI Toby Christopher and her fiancé, Laurie, discover whether murder was a deliberate deed – or a tragic mistake?
Buy Links
This title is available to read on #KindleUnlimited.
First accepted for traditional publication in 1993, Helen became a USA Today Bestseller with her historical novel, The Forever Queen (titled A Hollow Crown in the UK) with the sequel, Harold the King (US: I Am The Chosen King) being novels that explore the events that led to the Battle of Hastings in 1066.
Her Pendragon’s Banner Trilogy is a fifth-century version of the Arthurian legend, and she writes a nautical adventure/fantasy series, The Sea Witch Voyages. She has also branched out into the quick read novella, ‘Cosy Mystery’ genre with her Jan Christopher Murder Mysteries, set in the 1970s, with the first in the series, A Mirror Murderincorporating her, often hilarious, memories of working as a library assistant.
Her non-fiction books are Pirates: Truth and Tales and Life of A Smuggler. She lives with her family in an eighteenth-century farmhouse in North Devon, England, and occasionally gets time to write…
A brutal Viking raid heralds the dawn of a new, powerful dynasty – the House of Normandy
Neustria, Kingdom of the West Franks AD 890
Fourteen-year-old Poppa’s life changes when Northmen land near Bayeux. Count Bérengar, her father, submits to them, and she is handfasted to Hrólfr, the Northmen’s heathen leader, as part of their agreement.
To her relief, Hrólfr leaves immediately in search of further conquest, only returning to claim her years later. In the face of retaliating Franks, they flee to East Anglia, where she gives birth to their son and daughter.
When Hrólfr and Poppa return to reclaim Bayeux, his new campaign strikes at the heart of Frankish power, and King Charles of the West Franks offers him a pact he cannot refuse. In exchange for vast tracts of land in Neustria, Hrólfr must convert to Christianity and accept marriage to Gisela, the king’s illegitimate daughter.
Poppa’s world shatters. She remains in Bayeux, with her daughter, Adela. When Gisela arrives one day, demanding she hand over Adela, to be raised in Rouen, Poppa’s patience is at an end. But Gisela makes for a dangerous enemy, and only one woman will survive their confrontation high up on the cliffs.
Will Poppa live to witness the dawn of a new era?
ASCENT is the first in a new series about the early women of the House of Normandy – women whose stories have been forgotten through time.
Until now!
Readers of Viking and medieval fiction will enjoy ASCENT, a fictional account of the life of Poppa of Bayeux, handfasted wife of Rollo the Viking.
Trigger warning: Loss of a child. Some battle and fighting scenes.
Ascent tells the story of how the Duchy of Normandy formed, through the eyes of both Poppa, wed to the man many of us will know as Rollo and Rollo himself.
This is a fascinating period, at the end of the ninth century and the beginning of the tenth, when the focus of the Viking raiders had shifted from just trying to plunder, kill and steal to wanting to find new homes for themselves. While some of the story takes places in England, the focus is on the West Frankish lands, and there are familiar names here, Charles III, the king of the West Franks, the most well-known of them all.
Poppa is a strong-willed woman, but her life isn’t without hardship and suffering. Rollo, or Hrolfr, is a Viking raider, but with an eye to the future and ambition to match it. The evolving story is well portrayed, focusing on several life-changing moments as the tale progresses as it covers their entire lives after meeting.
I feel the book really comes into its own from about halfway through, and I powered through the remainder of the story. Poppa and Hrolfr are both ambitious and strong-willed, with an eye to the future, and such ambition is well portrayed without us disliking either of them. Their friends and allies also provide moments of intense sorrow and triumph as Dunn weaves a tale of the era, bringing in far-flung places, such as Orkney, which were all closely interconnected to men and women of the sea.
Constructed using incredibly scarce surviving sources (I know, I’ve studied this period, and it is mind-glowingly confusing), Ascent, the first book in the stories of Normandy, is sure to appeal to those interested in tales of historically strong women, in the formation of Normandy and also in this turbulent period when the Viking raiders – or the Normans as they came to be known – claimed a toe-hold on Frankish soil which was to have far-reaching consequences. I look forward to book 2.
Meet the author
Cathie Dunn is an award-winning author of historical fiction, mystery, and romance. The focus of her historical fiction novels is on strong women through time.
Cathie has been writing for over twenty years. She studied Creative Writing online, with a focus on novel writing, which she also taught in the south of France. She loves researching for her novels, delving into history books, and visiting castles and historic sites. A voracious reader, primarily of historical fiction / romance, she often reviews books on her blog, Ruins & Reading.
Cathie is a member of the Historical Novel Society, the Richard III Society, and the Alliance of Independent Authors.
After many years in Scotland, Cathie now lives in south of France with her husband, and rescued Charlie Cat and Ellie Dog. Discover more about Cathie at http://www.cathiedunn.com!
Giveaway to Win a signed paperback copy of Ascent by Cathie Dunn (Open INT)
*Terms and Conditions –Worldwide entries welcome. Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data. I am not responsible for despatch or delivery of the prize.
I can never miss an opportunity to ask a fellow Saxon author questions about why they write about the same period as me. My thanks to Mercedes for answering them.
What drew you to the character of Godwine and his wife and children?
While I was writing my first book, Heir To A Prophecy, I introduced my protagonist Walter into London on the day Godwine came back from exile. It was a plot device to introduce him to Harold Godwineson (Walter took out one of the Normans fleeing through the crowd). I didn’t know who Godwine was, but I couldn’t shake him loose! I went back fifty years and discovered a great story.
Naturally, very little is known about these historical characters, and I had two challenges that dovetailed nicely. Both had to do with not wanting to fall into that old predictable trap concerning characters. First of all, the love interest. There are so many love stories that seem formulaic. I didn’t want that same old theme: disliking each other first, then falling in love (and all the variations thereof). On the other hand, I understand that there needs to be some kind of stress in the romance to make a good story. It was obvious that Godwine had a happy marriage (or at least a productive one) since they had so many children. I was really intrigued by the discrepancy of their social status. Godwine was a commoner, and Gytha was a noble (or the Danish equivalent). At the same time, I had a hard time figuring out why Swegn, the firstborn, turned into such a bad egg. I don’t believe a character should be all good or all bad. People just aren’t like that. Even wicked characters act that way for a reason; sometimes they have good qualities that get buried under their more powerful bad qualities. Finally I had an inspiration: if Godwine’s marriage started out in anger, or stress (Gytha was given to him in marriage, but she didn’t have to go willingly), perhaps the firstborn would be neglected and unloved. That would explain his subsequent behaviour. It took some doing to make that work, but I’m happy with the result.
What part of your research did you enjoy the most?
I love research; I actually prefer the research to the writing. I knew I was going to like Godwine. What surprised me was how fascinated I was with Canute. He was an incredibly complicated character. From the angry king-to-be that cut the noses off his 200 hostages after England rejected him in favour of Aethelred the Unready, he eventually became a very successful monarch. Most of all, I loved the single combat between him and Edmund Ironside, where he cleverly talked himself out of getting flattened by convincing Edmund to split the kingdom between them. This may well be apocryphal, but that’s the challenge of writing about events 1000 years ago. We have more legends than “history” to work with, and the legends are so good they stick.
Was there a resource that was invaluable?
I hate to admit this because it makes me sound so old, but when I was writing Godwine Kingmaker there was no internet. Back then, I was living in St. Louis, MO—a very nice town but far from the libraries I needed. If the book wasn’t in the card catalogue, it might as well not even exist. So, like any warm-blooded researcher who didn’t have a family to take care of, I pulled up stakes and moved to New York. The day I discovered the New York Public Library my life changed forever. I found authors I never knew about, and finally got my hands on my first copy of Edward A. Freeman’s “History of the Norman Conquest of England”. I thought I had gone to heaven! In six volumes he wrote about every aspect of Anglo-Saxon England I could possibly think of. (These days Freeman is somewhat out of fashion, but he’s still my go-to when I need to look something up; he has never failed me yet.) Copy machines were available for ten cents a page, but as much as I needed to copy, I’d be better off buying the books—if I could find them. No such luck until a couple of years later, when I went on a book-buying trip to England and discovered Hay-on-Wye. A breakthrough! Those were the days (the late ’80s) when old used hardbacks were still easy to find, and I discovered my very own set of Freeman which I gleefully brought home. That was the original basis of all my research. Those books are still my most precious possession, though now you can find them online (scanned, of course).
Did you learn anything that surprised you while writing the trilogy?
Back to Canute again. While delving into Harold’s relationship with Edith Swan-neck in THE SONS OF GODWINE, again I wanted to avoid the usual romantic formulas. First of all, I had to decide whether Edith was a luscious young thing or an attractive widow; both possibilities were referred to in the histories. By lucky chance, I stumbled across Canute’s Law Code of 1020, designed to smooth relations between the Danes and the Saxons. One section dealt with heriot (essentially an inheritance tax), not a new concept. But I found a reference to protecting widows. Canute gave a widow twelve months to pay her husband’s heriot. But she had to remain unmarried or she would lose both her morning-gift and all possessions from her former husband. If some unscrupulous man coveted her inheritance and forced her to marry him, all the possessions would pass on to the nearest kinsman. The king would lose the heriot tax if this were to happen, so it was also written into Canute’s law that a widow should never be forced to marry a man she dislikes. After all, the Crown had much to lose. So I decided to make Edith a recent widow trying to evade the attentions of an unwelcome suitor, while she and Harold conducted their relationship.
What is your personal opinion? Do you believe that William the Conqueror was justified in claiming England? Do you believe he had been promised it?
Apparently the whole justification came down to King Edward the Confessor’s promise to William when the duke visited England during Godwine’s exile. I think we can negate the assertion that Edward felt some sort of gratitude for having been sheltered there during his exile. When Edward left Normandy in 1041, William was only 13 years old and Edward was 38. With that age gap, it seems unlikely that the two of them would have developed a close relationship, so any alleged gratitude Edward might have owed probably belonged to William’s father Robert, dead by 1035.
Now, during Godwine’s exile in 1051, it’s far from certain that William even visited England. Some historians thought he would have been too busy putting down rebellions to leave his country even for a short time. If William did visit England and if Edward offered him the crown at this point, it’s curious why he would have done so. The king knew that it was up to the Witan to decide the succession. However, considering his antagonism toward the Godwines (he even put the queen in a nunnery while Godwine was in exile), perhaps he made this alleged promise out of spite.
However, it’s my belief that the blame can be placed upon Robert of Jumièges, former Archbishop of Canterbury and arch-enemy of Earl Godwine. Robert is one of the Normans who fled from London once it was clear that Godwine was back in control. He’s almost certainly the one who kidnapped the hostages, Godwine’s son Wulfnoth and grandson Hakon, and brought them to Normandy. In my interpretation, Jumièges acted on his own when he told William that Edward declared him heir to the English throne, and here are the hostages to guarantee his promise. What a great revenge on Godwine and all of England for kicking him out! Why wouldn’t William believe such an opportune offer?
Who is your personal favourite member of the House of Godwine?
When all is said and done, Earl Godwine still holds his place as my favourite. If it weren’t for him, there would be no Harold Godwineson Last Anglo-Saxon King. I think he helped smooth the relations between the conquering Danish king and his unhappy countrymen, then moved on to staunchly defend the Saxons against the hated Normans. His rise to power was unprecedented, and I think his fall was tragic, though not in the way we usually think of as a tragedy. Having sacrificed so much for the wrong son, he had nothing left to live for as he watched Harold take his place in the hearts of his people.
As you know, I write about the Earls of Mercia. What opinion did you form of the rivals to the House of Godwine while researching and writing your books?
I wondered if you’d ask that question! Of course, by the late Anglo-Saxon period, I think the Mercian earls had lost much of their lustre. Old Earl Leofric certainly held his own against Earl Godwine (with the help of Earl Siward of Northumbria). It seems the odds were against Leofric as Godwine’s sons were granted their own earldoms, shifting the balance of power in Godwine’s favour. At this stage, I always thought of them as bitter, unhappy competitors who could never regain their former glory. After King Edward died, Harold tried to join forces with the grandsons of Leofric, Edwin and Morcar, but I don’t think their association was ever successful. William the Conqueror certainly put an end to that.
Thank you for answering my questions with such insight. I hope you enjoy the blog tour.
Here’s the blurb:
They showed so much promise. What happened to the Godwines? How did they lose their grip? Who was this Godwine anyway, first Earl of Wessex and known as the Kingmaker? Was he an unscrupulous schemer, using King and Witan to gain power? Or was he the greatest of all Saxon Earls, protector of the English against the hated Normans? The answer depends on who you ask.
He was befriended by the Danes, raised up by Canute the Great, given an Earldom and a wife from the highest Danish ranks. He sired nine children, among them four Earls, a Queen and a future King. Along with his power came a struggle to keep his enemies at bay, and Godwine’s best efforts were brought down by the misdeeds of his eldest son Swegn.
Although he became father-in-law to a reluctant Edward the Confessor, his fortunes dwindled as the Normans gained prominence at court. Driven into exile, Godwine regathered his forces and came back even stronger, only to discover that his second son Harold was destined to surpass him in renown and glory.
Mercedes Rochelle is an ardent lover of medieval history, and has channeled this interest into fiction writing. She believes that good Historical Fiction, or Faction as it’s coming to be known, is an excellent way to introduce the subject to curious readers. She also writes a blog: HistoricalBritainBlog.com to explore the history behind the story.
Born in St. Louis, MO, she received by BA in Literature at the Univ. of Missouri St.Louis in 1979 then moved to New York in 1982 while in her mid-20s to “see the world”. The search hasn’t ended!
Today she lives in Sergeantsville, NJ with her husband in a log home they had built themselves.
I’m aware that there’s been a bit of a delay in getting everything shipshape over on Amazon, but everything is now where it should be – the ebook, paperback, audio, and hardback, all linked together. Whoo hoo. You can find them with the link below, which also includes other retailers, with links to the large print version.
So, I thought it would be the perfect opportunity to share a few things with you that have happened since release.
As I can’t upload the video here, I’ve done my ‘unboxing’ video and popped it over on TikTok – which I’m trying to learn. You can find it here. The paperback looks amazing:) It’s very smart and the family tree and map are also included. If you’re on TikTok give me a follow, as I’m looking for more content to help me get to grips with it.
I’m also going to share a link for the audiobook, read by the fabulous Matt Coles, which you can also find here, on my website, not my blog. (I can’t upload videos to my blog – who knew).
And, if you missed my blog post yesterday on Historia, you can read it here. It’s an introduction, quite a swift one, into what was happening in the Saxon kingdoms just before the events of King of Kings. And, it’s got some amazing images to go with it. I’m always in awe of someone who knows how all the rules work regarding sharing images on the web. Thank you. (I’ve just been trying to work some of this out for myself, with British Library images – it made my head hurt).
My new book, King of Kings, is a multi-viewpoint novel telling the story of events in Britain from 925-934. I thought it would be good to share details of the historical people my main characters are based on.
Owain of Strathclyde is perhaps the most difficult character in King of Kings to find in the historical record. Indeed, his place in the story is contested by historians, as we don’t know if the scribe of the Anglo-Saxon Chronicle of the time meant Owain of Strathclyde, or an Owain of one of the Welsh kingdoms. I decided to adopt the Owain of Strathclyde, but who exactly was he, and what was Strathclyde?
The kingdom of Strathclyde is also known by another name, that of Cumbria, and there is confusion in the sources and amongst historians about where it is and what it was. Alex Woolf suggests that by the events of 927, Strathclyde/Cumbria encompassed, ‘most of part of Lanarkshire, Dunbartonshire, Renfrewshire, Stirlingshire, Peebleshire, West and Mid-Lothian, eastern Dumfriesshire and Cumberland.’ (Woolf, A. From Pictland to Alba, 789-1070, Edinburgh University Press, 2007) p.155)
So who then were it’s kings? This again is far from as easy to state as might be thought. It’s believed that Owain of Strathclyde, succeeded his father, Donald II, to become king of Strathclyde, and in turn was succeeded by his son.
In 924, we are told that ‘the king of the Strathclyde Britons and all the Strathclyde Britons,’ (Swanton p.104) joined the king of Wessex, Edward the Elder’s alliance by the Anglo-Saxon Chronicle, but Owain isn’t named. Indeed, and as said above, when we do get mention of Owain in the Anglo-Saxon Chronicle, he’s named as ‘king of Gwent,’ (Swanton, M. trans and edit The Anglo-Saxon Chronicles, (Orion Publishing Group, 2000) p.107) even though there was no Welsh king of Gwent named as Owain at the time. It’s therefore difficult to get a feel for who he was, and what he did, but that didn’t mean I couldn’t include him in King of Kings. If anything, it made it all the more intriguing.
King of Kings has a number of characters, and some might be surprised to find Lady Eadgifu amongst them, but she was an incredibly important historical character, and I couldn’t leave her out of the narrative set at the English court.
Lady Eadgifu was the third wife of Edward the Elder (r.899-924), king of the Anglo-Saxons. Edward the Elder was the father of King Athelstan, and a whole host of daughters, as well as five sons. Lady Eadgifu would, it seems, have been young when she married the aging Edward the Elder, and that meant that she long outlived him, and also, that her three children (possibly four, but I’ve opted for three) were young when their father died. And two of these children were sons, Edmund (born c.921) and Eadred (born c.923). Her daughter, Eadburh, is thought to have been the oldest of the three children, born c.919.
While Lady Eadgifu, from what’s known (and it isn’t much, as there are few surviving charters from the end of Edward’s reign) perhaps had little role to play while her husband lived, other than wife and mother to the king’s children, following his death, she became increasingly significant. She was the daughter of an ealdorman, who perhaps died just before her birth, and her family are said to have had connections with Kent. Indeed, it’s often stated that she brought her husband Kent with their union. By that, what’s often meant, is the loyalty of the Kentish people. Remember, at this time, we’re still just before the creation of ‘England’ as we would now recognise it.
Sadly, very little is known about Lady Eadgifu (and she’s not alone in this – many of the royal women ‘disappear’ at points in the historical record, and on occasion, are entirely lost.) We know about a land dispute she was involved in, and also much more information for after Athelstan’s reign.
Indeed, it has been said that
‘Nor is it surprising that Eadgifu, as the consort of the previous king, served little role in her stepson’s court.[i]
‘the enhanced position [of Lady Eadgifu] may also have been developed specifically for the widowed Eadgifu as part of an alliance with her stepson Æthelstan [Athelstan] in which she supported his position and he recognised her sons as his heirs.’[i]
[i] Yorke, B. ‘The Women in Edgar’s Life,’ in Edgar, King of the English, 959-975 Scragg, D. ed (The Boydell Press, 2008), p.146
And it is this option that I’ve decided to explore in King of Kings. Lady Eadgifu was wife to a king. She would have known her worth, even when faced with a stepson as the king of the English, and another stepson, and stepdaughters, who perhaps didn’t share any love for their, potentially, younger stepmother. Will Lady Eadgifu work with or against Athelstan? Read on to find out.
Today, I’m absolutely delighted to share a fabulous post from Anna Belfrage about dressing in the seventeenth century. It will make you giggle, I promise.
Dressing for success in the seventeenth century
In a A Rip in the Veil—the first book in The Graham Saga—the unfortunate (or not, depending how one sees it) Alex Lind has the misfortune of falling three centuries backwards in time to land at the feet of Matthew Graham. Matthew Graham is a devout Presbyterian who has fought in the Commonwealth armies in the Civil War. To Alex, he is initially very strange. Heck, the entire situation is strange: no, wait—it’s impossible!
Matthew is as taken aback as Alex is—perhaps even more, as the only explanation to her sudden appearance in his life must be magic. Or? Besides, what is the woman wearing? Those tight, tight breeches she calls ‘djeens” showcase her every curve, as do her other garments. No, had she been his woman, he’d never have allowed her to set a foot outside dressed like that, all of her exposed, like.
Alex quickly realises that in this new time she has to adapt. ASAP. And one of the first things she must embrace is an entire new wardrobe. “Yay me,” she mutters as she shakes out shift and petticoats and heavy skirts and bodice and. . .
I must admit that I wasn’t entirely thrilled when Alex landed in 1658. The seventeenth century is not my sartorial favourite – especially when it comes to male fashion.
This period dress thing is difficult.
First of all, as the writer of historical fiction it is important to understand what people wore, who wore what and how it was worn. In some cases it’s straightforward: stockings cover your feet and the nether part of your legs no matter if you live in the twentieth century or the fifteenth. But take that rather ugly male adornment that Henry VIII was so proud of flaunting – the codpiece – and I am somewhat stumped. How did it work? ( Okay, so I’ve looked this up; strings, buttons or hooks kept this decorative little (hmm) flap of fabric in place.)
Secondly, it helps if the writer in question finds the period attire alluring in some way or other. It’s difficult to write convincingly about handsome men in codpieces and padded breeches when all you see in your head is something resembling a man in a huge diaper.
Finally, there must be a familiarity with how people dress and undress. “He told her to turn around and zipped up her gown,” is not a good description of the intimacy between man and wife in the fourteenth century. (BTW, the modern zipper owes a lot to Swedish inventor Gideon Sundback. It’s nice to know us Swedes have contributed to human development: dynamite, zippers, gauge blocks, the AGA cooker.) Having exploring male fingers encountering panties in the sixteenth century is also something of an anachronism, and should the dashing regency rake pulls down his boxers you’re not reading historical fiction, you’re reading about a masquerade.
To avoid such gaffes, I’ve spent a lot of time researching the period and have accordingly done my fair share of staring at what few clothes survive from the seventeenth century—like James II’s elegant attire exhibited in the Victoria & Albert museum. Okay, so that is later in the century, but all that lace, all those embroideries, and that gigantic wig! Plus, the high heels on the shoes. . . Nope, not at all my cup of tea.
Earlier in the 1600s, men wore wide breeches, sashes, lace, ribbons—like these young and elegant Stuart brothers in Van Dyke’s portrait.
To the seventeenth century young girl, they were likely delectable. To Alex, not so much. She’d be hard put not to laugh her head off. So it is fortunate that when she first meets Matthew, he is in a ragged shirt and equally ragged breeches, fleeing from pursuing soldiers. It is also fortunate that Matthew would no more adorn himself with ribbons than he would dance attendance on the king—he is a man of Parliamentarian convictions. No, Matthew wears plain and well-made clothes, now and then adorned with a ruffled cuff or an elegant collar.
Obviously, Matthew expects this new female companion of his to dress sedately, which is how Alex finds herself obliged to re-learn just how to dress.
In the seventeenth century, there were no bras, no panties. Instead, the undergarment is a shapeless elongated linen shirt that comes to just below the knees. This shift is worn over stockings that come to just above the knee and are fastened by garters. “I can help you with those,” Matthew suggests, and there is a twinkle in his eyes as he helps Alex fasten the stockings with pink ribbons. Just because he doesn’t wear ribbons, it doesn’t mean she can’t, he says. In fact, he rather likes the fact that she is wearing them—and that he tied them into place. Over the shift—which also doubles as nightgown—Alex now dons a corset. “Ugh!” she groans as she tightens into place. The corset she has ties in front—only people who can afford a ladies maid have corsets that tie in the back. She has to struggle a bit to get it to sit right, and then there are the petticoats, tied into place at her waist and falling to mid-calf. Only the very, very rich have garments that fall all the way to the floor. Most women have skirts high enough to allow them to work and walk without dragging the hem in the dirt.
“Here.” Matthew hands her the heavy skirts. And yes, they are heavy, making it hard to, for example, run. Or jump a fence. Once Alex has stepped into them, he helps her tighten them into place. A bodice, a shawl to cover what may remain exposed of her chest and then Matthew holds out a cap. “No way!” She backs away, staring at the embroidered linen coif. “You must cover your hair,” he says. She refuses. There is a slight. . . er . . . argument. Things end in a compromise: she will not cover her hair indoors, but otherwise she will either wear a coif or a hat. Matthew would prefer both, but he is pragmatic enough to realise this isn’t a battle he will win. Besides, Alex is having to handle a lot of change as it is. “Tell me about it,” she mutters. She isn’t overly impressed with the food. Or the lack of chocolate. Or of tea. “I thought they had tea in the seventeenth century,” she groans. “They do,” I tell her, “but it is very, very expensive.” “Oh.” She gnaws her lip, her shoulders slumping. Which is probably why Matthew expends a ridiculous amount on a ridiculous small quantity of tea next time he goes to Edinburgh, pleased by the way she lights up from within when he hands the precious package over.
Over time, Alex will become accustomed to her new clothes, even if she will quite often think longingly of jeans and sweatshirts, of Converse and shop-bought socks. (She hates to knit)
But while she adapts to her new life on the outside, she remains a woman of modern conviction and outlook, which will now and then cause her quite some problems in her new time. It is fortunate that she has Matthew to guide her. On the other hand, there will be countless of occasions when Matthew will owe his life and sanity to her, the strange lass he found concussed and burned on an empty Scottish moor. Two halves made whole are my Alex and Matthew, no matter such details as sartorial arguments!
Thank you so much for such a fabulous post. I just can’t imagine all the lace:)
Here’s the blurb
On a muggy August day in 2002 Alex Lind disappears. On an equally stifling August day in 1658, Matthew Graham finds her on a Scottish moor. Life will never be the same for Alex – or for Matthew.
Alexandra Lind is thrown three centuries backwards in time to land at the feet of escaped convict Matthew Graham.
Matthew doesn’t know what to make of this strange woman who has seemingly fallen from the skies—what is she, a witch?
Alex is convinced the tall, gaunt man is some sort of hermit, an oddball, but she quickly realises the odd one out is she, not he.
Catapulted from a life of modern comfort, Alex grapples with her new existence, further complicated by the dawning realization that someone from her time has followed her here—and not exactly to extend a helping hand.
Potential compensation for this brutal shift in fate comes in the shape of Matthew, a man she should never have met, not when she was born three centuries after him. But Matthew comes with baggage of his own and on occasion his past threatens them both. At times Alex finds it all excessively exciting, longing for the structured life she used to have.
How will she ever get back? And more importantly, does she really want to?
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Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.
Anna has also published The Wanderer, a fast-paced contemporary romantic suspense trilogy with paranormal and time-slip ingredients.
Her Castilian Heart is the third in her “Castilian” series, a stand-alone sequel to her September 2020 release, His Castilian Hawk. Set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. In the second instalment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain. This latest release finds our protagonists back in England—not necessarily any safer than the wilds of Spain!
All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards.
Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com
MJ Porter 