I thought I’d share some of my frustrations with writing about the lives of the ‘lost women’ of the tenth century.
The Tenth Century in Saxon England is often seen as heralding the triumph of Wessex to form England and to drive the Viking raiders far from England’s shores. That is both right and wrong, but it does mean that the names of the kings of the House of Wessex are well-known (comparatively speaking). The same can’t be said for the women who were wives, daughters and mothers of these kings. We can debate why this is but it doesn’t solve the problem of who these women were. For some of them, we don’t even know their names. We don’t know the name of King Athelstan’s mother, which astounds me. Equally, some of his half-sisters are quickly ‘lost’ in Continental Europe. Much of this is because they didn’t create huge dynasties to revere them after their death (apart from perhaps Eadgyth, who married Otto of the East Franks and whose sudden death deeply affected her husband). Of course, this problem is also compounded by the few surviving contemporary records.
Even those sources which do survive are not easy to access. Language barriers are a huge problem. The Anglo-Saxon Chronicles have been studied and translated into easily accessible volumes, but alas, only Ealhswith, wife of King Alfred, Æthelflæd of Mercia, her daughter Ælfwynn, and two unnamed sisters of Athelstan are actually mentioned in the ASC. We can find more names in Æthelweard’s Latin translation of the ASC known as the Chronicon but it is still not an exhaustive list of his own relatives. Æthelweard claimed descent from King Alfred’s brother, Æthelred I.
This situation doesn’t just apply to the tenth-century. The online resource, The Prosopography of Anglo-Saxon England (PASE), has a database of 33,981 male names listed for the entire period of Saxon England. Only 1460 female names are listed. As such, we know much more about the male members of Saxon England, than we do the females.
And, these women have received very little study. While there are academic books about the much better known eleventh-century queens, Emma of Normandy and Edith, the wife of Edward the Confessor, it’s not been possible to pick up a single title and learn about these lost women, aside from Elizabeth Norton’s monograph on Lady Elfrdia.
To begin with, I wished to fictionalise the life of Lady Elfrida, wife of King Edgar, thanks to the work by Elizabeth Norton. I then turned my mind to other women of the tenth century and, indeed, even to Lady Estrid, the sister of King Cnut. Time and again, I found that so little information had survived, the majority of it only a reference in relation to male members of the family, that much of their lives had to be reconstructed based on what is documented as happening at the time. There was certainly no tangible way to connect with these women, other than a possible surviving piece of embroidery which might have been stitched by King Edward the Elder’s second wife, and if not by her hand, then at her command, and which was found inside the tomb of St Cuthbert when it was opened in the early nineteenth century (1827).
I can’t help feeling this is how Æthelweard felt when he wrote his Chronicon. The passage of time has not made it any easier to uncover the names of the women, let alone their personalities.
I have now written a non-fiction account of this period, and it is now available from Pen and Sword books – The Royal Women Who Made England. I hope, alongside the fictionalised accounts of their lives, that this will inspire more interest in them.
Welcome to the blog. Can you tell me about your new novel.
Although much of it was done a long time ago, when I began teaching a course that involved a cultural and historical look at Ugarit, tackling a series of books set in an obscure city state in the Late Bronze Age did require some academic snooping. Times and places about which we know relatively little are a mixed blessing: one always wishes one had more clues to hang fiction upon, but in those gaps where we know nothing, plausible imagination is OK for the novelist. Still, I didn’t want to contradict anything we knew for sure to be true, so there was a lot to learn. I bought a lot of books.
To me, a person with a soft spot for words, one of the most interesting things I began to find out about was the literary tradition of Ugarit. Fortunately for us—and unfortunately for the inhabitants of the city in about 1190 BCE, when the city fell never to rise again—Ugarit was put to the torch, baking and preserving the clay tablets upon which information was recorded. A whole private library of texts was among the tablets discovered, opening to modern scholars a wonderful new world of mythological epic.
The author of some of the most complete of these was a certain scribe named Ili-milku, born in the near-by kingdom of Shiyannu. He eventually held the post of chief scribe of Ugarit but evidently still had time to write. It’s likely that, rather than composing the Cycle from scratch, he compiled and wrote down a definitive edition of a slew of tales that had been recited orally for a long time, much like Homer. He is the third point-of-view character in The Moon That Fell from Heaven. More about him in a moment.
Since their discovery in the 1930s, we have been exposed to Ugaritic narratives about Kirta, a Job-like figure of patience in suffering. About Aqhat, the long-prayed-for son of a childless couple. About Ba’al, the storm god, and various lesser divine figures like the Gracious Gods or Horon. Biblical scholars immediately noticed not only themes similar to those of the Hebrew Bible, but also literary forms that occur in the Bible. This shouldn’t surprise us, as the entire world of the eastern Mediterranean, which we may generalize as Canaanite, shared a closely related culture and languages. The Ugaritic high god Ilu, for example, is the same as El and means simply “god.” Ba’al is “the lord,” the rider of the clouds. But the gods of Ugarit were not omnipotent, by any means. They were closely associated with the phenomena of nature, and like nature, they did a lot of dying and resurrecting. Other parallels—with the Greek world—are striking too. Anat the Maiden is a virgin warrior goddess like Athena, for example. The Bronze Age was a world of global interconnection!
When the fictional Ili-milku is held hostage, he finds himself forced to critique endless poems his captor has written. This activity is possible because scholars have worked out that all the mythological stories that have come down to us from Ugarit are actually in verse. Their idea of poetry—like that of the Biblical authors—didn’t require rhyme or even meter. It was free verse, you might say. But it used very definite patterns of language, repetitions, build-ups, parallels. In short, it was constructed pretty much the same way modern Near Eastern poetry is, an interesting continuity of more than 3000 years.
How were these poetic narratives used? Some seem as if they might have been liturgical drama, with choral parts. Others were perhaps sung or chanted in temples or even around the campfire. Unfortunately, there’s no way to know until someone finds some stage directions. But even so, they shed a lot of light on how the people of Ugarit viewed their world, what they valued, how their society was structured. I’m glad to have studied them, because they bring a whole population closer and make them more human. I hope I’ve accomplished a little of that myself by turning a bit of their human drama into fiction.
Thank you for for sharing. Good luck with the new book.
Here’s the blurb
Ehli-nikkalu, eldest daughter of the Hittite emperor, is married to a mere vassal of her father’s. But despite her status, her foreignness and inability to produce an heir drive a wedge between her and the court that surrounds her. When her secretary is mysteriously murdered while carrying the emperor a message that would indict the loyalty of his vassal, Ehli-nikkalu adopts the dead man’s orphaned children out of a guilty sense of responsibility.
A young cousin she has never met becomes a pretender to the throne and mobilizes roving armies of the poor and dispossessed, which causes the priority of her loyalties to become even more suspect. However, Ehli-nikkalu discovers a terrible secret that could destabilize the present regime if the pretender ever learns of it.
With the help of a kindly scribe, her brave young ward, and an embittered former soldier trapped in debt and self-doubt, Ehli-nikkalu sets out to save the kingdom and prove herself to her father. And along the way, she learns something about love.
N.L. Holmes is the pen name of a professional archaeologist who received her doctorate from Bryn Mawr College. She has excavated in Greece and in Israel and taught ancient history and humanities at the university level for many years. She has always had a passion for books, and in childhood, she and her cousin used to write stories for fun.
These days she lives in France with her husband, two cats, geese, and chickens, where she gardens, weaves, dances, and plays the violin
For over a decade, the Lancasters were celebrity royalty, with millions tuning in every week to watch their reality show, Living with the Lancasters.
But then an old video emerges of one of their legendary parties. Suddenly, they’re in the spotlight for all the wrong reasons: witnesses swore they’d seen missing teenager Bradley Wilcox leaving the Lancaster family home on the night of the party, but the video tells a different story
Now true crime investigator and YouTuber Tom Isaac is on the case. He’s determined to find out what really happened to Bradley – he just needs to read between the Lancasters’ lies . . .
Because when the cameras are always rolling, it won’t be long until someone cracks.
_
For fans of Murder in the Family and The Club, Clickbait is told through mixed media, from video transcripts to diary entries, capturing a unique and addictive commentary on ruthless ambition and the dark side of fame.
L.C. North studied psychology at university before pursuing a career in Public Relations. Her first book club thriller – The Ugly Truth – combines her love of psychology and her fascination with the celebrities in the public eye. Her second novel, Clickbait, delves into the world of reality TV and the dichotomy between real and fake. When she’s not writing, she co-hosts the crime thriller podcast, In Suspense. L.C. North lives on the Suffolk borders with her family and also writes psychological suspense novels under the name of Lauren North. Readers can follow her on Twitter and Instagram as @Lauren_C_North, and Facebook as @LaurenNorthAuthor
She flung the long-strapped bag on her back and helped the stableboy saddle the gray horse. Soon, she was on her way to town. The first seven cards were meant for elderly widows, gentle women Erica visited from time to time. Most of them had known her mother, and Erica gladly sat and listened to these women repeat their memories of how her sweet mother had spent time with them.
The last cottage she visited belonged to her elderly friend Ingela.
“I have one card left,” Erica said.
“Say, why don’t you ride to Castle Linborg? I heard the count returned from soldiering a while back. He used to be out and about all the time, talking to people and helping them settle disputes. He even showed up unannounced if someone was in need. But since he returned from war down in Europe, hardly anyone has seen him. His reputation as a fair and good nobleman has dwindled since he’s been away from the public eye. Now, rumors say he keeps to himself and has become both grumpy and of little use to people in our area.”
Castle Linborg? Twice Erica had received advice to go there. Although she had considered going there to spite Aunt Brita, here was the same suggestion from dear, old Ingela. The woman had been more family to her than the foursome at Holst Manor had ever been. Erica pulled the inkbottle and quill out of her bag and placed them next to the last card on the table.
“I’ll go see him then.”
“Do you dare? Will you knock on the door of an aristocrat who has the power to make your life miserable if things don’t go his way.”
Erica smiled back. “You just said the count used to be fair and good. My guess is that he still is… And although perhaps these traits are now hidden, there must be a reason for it.” She wrote his name on the back of the last card.
Count August Brandell of Linborg.
Why not try?
Here’s the blurb
There must be a way to thaw a heart long frozen. Can she help him, or does he have other plans?
Sweden 1810. August Brandell, the count of Linborg, has returned home after four years of war against the French Empire under the direction of Napoléon Bonaparte. Wounded and downtrodden, he is a meager shadow of the man he used to be. One day, a lovely young woman comes calling. She’s strong and bright and, unlike the rest, seems unaffected by his wealth and unfortunate disability. He soon discovers he wants more than a sweet friendship, but a life of caring for him would not be fair to such a beautiful soul. Oh, how dearly, deeply he loves her and secretly wants her to stay, but he cannot and will not ask such a sacrifice from her…especially not when it’s out of pity for him.
Erica Gustava Ebbesdotter has primarily been left to herself since she was orphaned at an early age. Although grateful to her aunt and uncle for taking her in, they pay her no attention and even keep her in the dark about her parents. Hearing about Count Brandell’s unfortunate fate on the battlefield, she knocks on the door at Castle Linborg to leave him a card of encouragement. Meeting Count Brandell changes Erica’s entire world. Falling for him is utterly unexpected. Soon, he fills her heart, but he is far above her station. How can a man like him see beyond her less refined clothes and past? Worst of all, he is already betrothed.
This is a sweet and wholesome historical romance—a hauntingly beautiful tale of two hearts meant to be together.
Buy Links:
This title is available to read with #KindleUnlimited.
HEIDI ELJARBO grew up in a home full of books, artwork, and happy creativity. She is the author of award-winning historical novels filled with courage, hope, mystery, adventure, and sweet romance in the midst of challenging times. She’s been named a master of dual timelines and often writes about strong-willed women of past centuries.
After living in Canada, six US states, Japan, Switzerland, and Austria, Heidi now calls Norway home. She lives with her husband on a charming island and enjoys walking their Wheaten Terrier in any kind of weather, hugging her grandchildren, and has a passion for art and history.
Her family’s chosen retreat is a mountain cabin, where they hike in the summer and ski the vast white terrain during winter.
Heidi’s favorites are her family, God’s beautiful nature, and the word whimsical.
I’m delighted to welcome Anna Belfrage to the blog with a post about her main characters.
When loving came with severe restrictions – of anti-miscegenation laws in Colonial America
In 1967, the Supreme Court of the United States unanimously concluded that state laws forbidding interracial relations were in breach of the 14th amendment to the Constitution. Mildred and Richard Loving no longer needed to worry they’d be fined or incarcerated for loving each other. 1967. Not that long ago, is it?
Anti-miscegenation laws were adopted by several of the British American Colonies. First in Maryland, then in Virginia, and subsequently in several others. The laws were harsh and had as their purpose to ensure the races were kept “separate”—well, beyond the obvious intermingling that occurred when a white slave owner decided to sleep with his black slave. Not that much of a problem according to the legislators, as any child born to a slave was automatically defined as a slave. Initially, the laws forbade marriage between a white person and an enslaved or indentured person of colour – probably because this would cause confusion as to the legal status of the unfree person and encroach on the property rights of said unfree person’s “owner”. Over time, the laws were expanded to include any person of colour, free or not. In some states, the laws were extremely detailed, forbidding not only relations between white and black, white and coloured, but also between black and Native American.
Obviously, these laws reflect the biases of a slave-based economy. If, on the one hand, you were arguing that people of colour were less equal than a white person—so much less equal, in fact, that it was perfectly okay to enslave them—it would be difficult to, on the other hand, welcome a person of colour as your equal in the salons of society. Not even a free person of colour could/should be treated as an equal. Yes, they were no longer slaves, but they were definitely “lesser”.
I had never fully immersed myself in researching this dark side of history until I ended up with a woman of colour as my protagonist. Initially, I didn’t even reflect on the fact that Erin Barnes was of mixed race. Yes, I’d given her a half Afghani, half British grandmother, and yes, said lady was very much in love with her black US Army veteran, but I found that aspect of Erin relatively unimportant. I was far more interested in her pursuit of justice for her murdered grandmother and her determination to use all her investigative skills to achieve this, despite the obvious risks to herself.
“You did not notice how beautiful she is?” Duncan asks, sounding shocked. “You didn’t see that her skin is like molten syrup, her hair a cloud of darkest gold?” Umm . . . No, I didn’t. Not really. And obviously, Duncan is biased—he has been since he first saw Erin.
Frankly, it wasn’t until Duncan and Erin ended up in 1715 that it struck me just how difficult life would be for her in this new time. Duncan, of course, immediately realised this, and did what he could to protect her—namely marry her. Fortunately for him, at the time they were in London, where there were no legal prohibitions to wedding someone of a different colour. There were, however, societal reservations, but Duncan didn’t much care.
After a sequence of adventures, my couple returned to Maryland—briefly. Soon enough, Duncan realised that even with the protection of his name and wealth—and that of his powerful friends—Annapolis would never tolerate this union between a white man and a woman of colour. So they moved north, to Pennsylvania.
What exactly was a white man risking by marrying a woman of colour? Well, if a white man had sexual relations with a free woman of colour (note that it was okay for a slave owner to have sexual relations with an enslaved woman of colour) and chose to live with her, they could both be indentured for decades. Should he be foolish enough to marry her, indentureship converted to enslavement—for both of them. And not necessarily together.
Despite these frightening consequences, there are documented cases of people still choosing to marry the person they loved, no matter the colour of their skin. In one of the more well-known cases, an Irish girl named Nell Butler fell in love with and married a black slave, known only as Negro Charles. She thereby became the property of her hubby’s owner, as did all their future children.
As made obvious already in the opening paragraph, anti-miscegenation laws were to remain in existence in many of the US states well into the twentieth century. And throughout all those years of prohibition, as regular as clockwork, cases would crop up where people loved so hard they were willing to face the consequences. It if wasn’t so very, very sad, it would almost be romantic.
Moving Erin and Duncan to Pennsylvania only bought them a few years of grace: in 1725 the colony of Pennsylvania pushed through their own anti-miscegenation laws. My imaginary couple must now find a new home, but sadly I suspect that wherever they go in the early 18th century they will be met by gasps and avid curiosity. A woman of colour—no matter how beautiful—did not belong with a successful white man. Not, at least, as his wife.
“Pah!” Duncan says, drawing Erin close enough to give her a resounding kiss. “What do I care what others think?”
It is not quite as easy for Erin to be dismissive of the opprobrium she so often faces. But she tries, putting on a brave face while swallowing whispered insults and insinuations. But now and then, the independent, modern Erin just can’t hold back—which at times leads to very, very difficult situations!
Thank you for sharing such an interesting post. I imagine your characters have a few tough moments to survive.
Here’s the blurb:
It is 1718 and Duncan Melville and his time traveller wife, Erin, are concentrating on building a peaceful existence for themselves and their twin daughters. Difficult to do, when they are beleaguered by enemies.
Erin Melville is not about to stand to the side and watch as a child is abused—which is how she makes deadly enemies of Hyland Nelson and his family.
Then there’s that ghost from their past, Armand Joseph Chardon, a person they were certain was dead. Apparently not. Monsieur Chardon wants revenge and his sons are tasked with making Duncan—and his wife—pay.
Things aren’t helped by the arrival of Duncan’s cousin, fleeing her abusive husband. Or the reappearance of Nicholas Farrell in their lives, as much of a warped bully now as he was when he almost beat Duncan to death years ago. Plus, their safety is constantly threatened as Erin is a woman of colour in a time and place where that could mean ostracism, enslavement or even death.
Will Duncan and Erin ever achieve their simple wish – to live and love free from fear of those who wish to destroy them?
Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.
Anna has also published The Wanderer, a fast-paced contemporary romantic suspense trilogy with paranormal and time-slip ingredients.
More recently, Anna has been hard at work with her Castilian series. The first book, His Castilian Hawk, published in 2020, is set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. In the second instalment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain, while the third, Her Castilian Heart, finds our protagonists back in England—not necessarily any safer than the wilds of Spain! The fourth book, Their Castilian Orphan, is scheduled for early 2024.
Anna has recently released Times of Turmoil, the sequel to her 2021 release, The Whirlpools of Time. Here she returns to the world of time travel. Where The Whirlpools of Time had Duncan and the somewhat reluctant time-traveller Erin navigating the complexities of the first Jacobean rebellion in Scotland, in Times of Turmoil our protagonists are in Colonial Pennsylvania, hoping for a peaceful existence. Not about to happen—not in one of Anna’s books!
All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards.
Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com
I’m reading the beginning from A Conspiracy of Kings. Hopefully, you’ll enjoy listening below. Just click on the image. This does contain spoilers if you’ve not yet read book 1, The Lady of Mercia’s Daughter.
Who was Lady Æthelflæd, and what do we know about her from the contemporary sources?
Æthelflæd,[i] said to be the oldest of the children of King Alfred, and his wife, Lady Eahlswith, was born around 866, the exact details are unknown, although the date of her death is well attested as 12 June 918.[ii]
She was married to Lord Æthelred of the Mercians at some point during the 880s, although an exact date cannot be given. The first mention of this union occurs in a charter dated to 887,[iii] although the date may not be reliable. There is also little information about who Lord Æthelred might have been, and his subsequent military successes should not be dismissed, as they often are. Lord Æthelred is assumed to have been a nobleman from Mercia, and one with enough of a reputation to secure the marriage alliance with the Wessex royal family (and it must be assumed, unrelated to her mother’s birth family, and also her father’s family through his sister’s union to Burgred).
Their marriage was a success, and yet there was only one child, a daughter, Ælfwynn, born to the union, perhaps quite soon after the marriage occurred.
During her lifetime, Æthelflæd’s name appears on fifteen surviving charters. These are a real collection, some promulgated by her father, her brother, her husband and then, in her name alone. The earliest to feature her name is S223 dated to 884×9, so between 884 and 889, which survives in two manuscripts, and discussed the building of the burh at Worcester. In her final charters, she’s the sole promulgator, her husband no doubt having already died. It is believed he died in 911. S224 and S225 date to 914 and 915. S225 names Æthelflæd as the ruler of Mercia, something which The Anglo-Saxon Chronicle mirrors in some versions.
In 912, the C text records, ‘Here, on the eve of the Invention of the Holy Cross, Æthelflæd, Lady of the Mercians came to Scergeat and built a stronghold there, and the same year, that at Bridgnorth.’[xxvii]
In 913, the C text further records, ‘Here, God helping, Æthelflæd, Lady of the Mercians, went with all the Mercians to Tamworth, and then built the stronghold there early in the summer, and afterwards before Lammas that at Stafford.’[xxviii]
In 917, the C text writes, ‘Here, before Lammas, God helping, Æthelflæd, Lady of the Mercians took possession of the stronghold which is called Derby, together with all that belonged to it.’[xxxi]
Æthelflæd’s death is recorded in the A and C editions of the Anglo-Saxon Chronicle and also in the E version of the Anglo-Saxon Chronicle, even if only in passing. ‘Here Æthelflæd, Lady of the Mercians, passed away.’[xxxii]
A text states: ‘and then when he (Edward) was settled in the seat there, his sister Æthelflæd at Tamworth, died 12 days before midsummer … and all the nation of the land of Mercia which was earlier subject to Æthelflæd turned to him.’
The C text of 918 offers:
Here in the early part of this year, with God’s help, she [Æthelflæd] peaceably got in her control the stronghold at Leicester and the most part of the raiding-armies that belonged to it were subjected. And also the York-folk had promised her – and some of them granted so by pledge, some confirmed with oaths – that they would be at her disposition. But very quickly after they had done that, she departed, twelve days before midsummer, inside Tamworth, the eighth year that she held control of Mercia, with rightful lordship; and her body lies inside Gloucester in the east side-chapel of St Peter’s Church.[xxxiii]
It seems highly probable that Æthelflæd’s death, when it came, was unexpected, occurring in the middle of an advance into the Danelaw and the Five Boroughs (Derby, Nottingham, Lincoln, Stamford, Leicester). It was left to her daughter, and also her brother, to continue her work, and you can read their story in The Lady of Mercia’s Daughter and A Conspiracy of Kings.
[xviii] Baker, N. and Holt, R. ‘The city of Worcester in the tenth century’, in St Oswald of Worcester: Life and InfluenceBrooks, N. and Cubitt, C. ed, (Leicester University Press, 1996), pp.134–5
[xix] Sawyer, P.H. (ed.), Anglo-Saxon charters: An annotated list and bibliography, rev. Kelly, S.E., Rushforth, R., (2022). http://www.esawyer.org.uk/, S1446
[xxi] Sawyer, P.H. (ed.), Anglo-Saxon charters: An annotated list and bibliography, rev. Kelly, S.E., Rushforth, R., (2022). http://www.esawyer.org.uk/, S1282
[xxii] Hart, C.R. The Early Charters of Northern England and the North Midlands (Leicester University Press, 1975), p.102 (100)
[xxvi] Swanton, M. ed. and trans. The Anglo-Saxon Chronicles, (Orion Publishing Group, 2000) Ibid., p.94
[xxxv] See Stafford, P. After Alfred. Anglo-Saxon Chronicles and Chroniclers 900–1150, (Oxford University Press, 2020), for a full discussion of the Æthelflæd and Edward Chronicles.
They sent three hundred warriors to kill one man. It wasn’t enough.
Mercia lies broken but not beaten, her alliance with Wessex in tatters. Coelwulf, a fierce and bloody warrior, hears whispers that Mercia has been betrayed from his home in the west. He fears no man, especially not the Vikings sent to hunt him down.
To discover the truth of the rumours he hears, Coelwulf must travel to the heart of Mercia, and what he finds there will determine the fate of Mercia, as well as his own.
Here’s an excerpt
AD874
I taste it on my lips, and over the salt of my sweat.
And I scowl. It’s not a flavour I wish to get used to. All the same, I know what it is without a second thought.
My seax glistens slickly in the dull light, the gleaming claret reminding me more of an exotic wine from the south than the lifeblood it truly is. The double headed-eagle impeccably depicted on the handle seems to wink at me, as the eyes fill with the ruby mixture.
Not that I focus on it for more than the time it takes me to blink.
This horde feels as though it’ll never stop, and I’m determined to end the lives of as many of them as possible. Such slaughter doesn’t bring me joy, but this is my skill. I wield it because I must.
My weapon, so sharp it cuts through byrnies as though they’re no more than spider webs, is busy today.
They come against my force, as small as it is, and they mean to annihilate us. But we will not go without making our sacrifices to their god of war.
My seax sweeps effortlessly along the abruptly exposed throat of my enemy, the realisation of what’s befallen him only reaching his eyes as he falls to the ground. I step over him, already sighting my next enemy.
This one swirls an axe in his left hand, as I reveal my bloodied teeth. His entire body recoils, almost a backward step. Before he can consider his move, I’ve sliced through his belly, the gut threatening to spill at my feet. I dismiss him and move onto the next man.
The ground beneath my feet squelches with each step, slick, more like a flooded river than the solid ground it should be.
It’s awash with the dead and wounded, the long shield wall that tried to defeat us long since disintegrated to small spots of desperate one to one fighting. This is my favourite part of any battle.
I turn, noting the angle of the sun, the brush of the breeze against my slick body, breathing deeply through my nose. This is not my first battle. Far from it.
I hear the cries of those boys who thought themselves men, and equally of those men who’ve found they are but boys when their lives are threatened.
I scorn them. They’re not worthy of my attention.
Quickly, I reach for my weapons belt, keen to know that all is where it should be. My hand brushes over the sharpened edges and deadly blades that make a home there. For now.
Satisfied, I pick my next target, a tight knot of men fighting not five steps away, and move forward.
I don’t hurry. Not this time. Neither, as I’ve seen others do, do I check the weight of my weapon, or test the strength of my arm as I consider my next move. Instinctively I know that all is well.
They’ll not fail me. They haven’t before.
If you’ve not yet discovered The Mercian Kingdom: The Ninth Century series, then you’ve in for a treat, as long as you’re not easily offended by foul language and violence – and if you are, there are Cleaner versions available on Amazon Kindle.
If you’ve been reading the Icel books, then you will find a friend in this series, set in the 870s in a Mercia under assault by the Viking raiders.
And don’t forget to check out the short story collection, Coelwulf’s Company, tales from before The Last King.
The Last King books are available in ebook, paperback and hardback, and The Last King (book 1 ) is also available in audio.
I’m delighted to be sharing an excerpt from Victoria Atamian Waterman’s new novel, Who She Left Behind.
“Marta tells me your needlelace is very lovely, and you’re a good teacher.”
“Thank you, Miss Jeppe,” Victoria said.
“It’s important to me that my girls leave here with dignity, knowing their value and confident in their abilities.”
Victoria nodded.
“It’s not enough to churn out girls who can work a loom or stitch a hem, you see. Your people, your culture, they must be preserved even as you scatter into the world. We send girls back to their families when we can. We find them marriages, but most of all we give them the gift of self-sufficiency.”
“It’s a great gift,” Victoria said. “It’s a terrible thing to feel powerless.”
Miss Jeppe dipped her chin in acknowledgment. “Authenticity and quality,” Miss Jeppe continued. “These make your products desirable, they command the best prices in the market. Fine lace and beautiful weavings bring your beautiful history to the eyes of the world and ensure your people aren’t forgotten.”
Victoria nodded again, unsure why she was singled out for this conversation. It was a speech Miss Jeppe and her volunteers made often. “Marta tells me you want to help us with our work.”
“Yes, I do.”
Victoria’s pulse skipped. This was why.
Here’s the blurb
“Who She Left Behind” is a captivating historical fiction novel that spans generations and delves into the emotional lives of its characters. Set in various time periods, from the declining days of the Ottoman Empire in Turkey in 1915 to the Armenian neighborhoods of Rhode Island and Massachusetts in the 1990s, the novel completely immerses its reader in a lesser-known era and the untold stories of the brave and resilient women who became the pillars of reconstructed communities after the Armenian Genocide.
It is a story of survival, motherhood, love, and redemption based on the recounted stories from the author’s own family history. The narrative is framed by a mysterious discovery made almost six decades later of a pair of Armenian dolls left at a gravesite.
Victoria Atamian Waterman is an Armenian American storyteller and speaker who draws inspiration from the quirky multigenerational, multilingual home in which she was raised with her grandparents, survivors of the Armenian Genocide.
Her empowerment of today’s women and girls makes her voice ideal for telling the little-known stories of yesterday’s women leaders. Her TED Talk, “Today’s Girls are Tomorrow’s Leaders” has been seen by thousands of viewers. When she is not writing and speaking, she is reading, puzzle-making and volunteering.
Victoria lives in Rhode Island and is enjoying this next chapter of life with her husband, children, and grandchildren. “Who She Left Behind” is her first novel.
I’m delighted to welcome Rebecca Rosenberg and The Champagne Widows to the blog today.
Join in on Rebecca Rosenberg’s
TREASURE HUNT!
(or, digging for research nuggets that lead to Gold!)
Did you ever make a treasure hunt or hide eggs for children? I’ve done more hunts than I can possibly remember. But, everyday I find myself digging for treasure when I’m writing a novel. I’ll use examples from my novels to explain.
Add your own examples below in comments! We’ll choose a lucky winner for a paperback of Madame Pommery, Creator of Brut Champagne!
The Chatelaine: Have you seen a Chatelaine in a Museum? A Chatelaine, means “mistress of a castle”, and is a chain holding various and sundry household tools like sand timers, needles, thimbles, scissors, magnifying glass. Madame Pommery received a Châtelaine from her husband for her birthday, much like getting a mop or set of deluxe sponges. What does it say about their relationship and her life?
Each novel has many “props” that speak volumes about a character. It can be a personal item like a locket, or a vanity mirror with a large crack in it, or a wine-tasting cup, like Veuve Clicquot received from her great-grandmother. I also consider transportation, the environment, where the character lives, and what she wears (or doesn’t wear, as in my upcoming novel, SILVER DOLLAR) All of these can be intriguing symbols of the character and her plight.
Curse or Gift? In Champagne Widows, Barbe Nicole-Clicquot is told she has Le Nez, the Nose, an extraordinary sense of smell that makes her a great wine maker. It also makes her particular, persnickety, and difficult. Her parents say Le Nez is a curse. Her grandmother says it is a gift that will change her life by making her an extraordinary wine maker.
Character traits form a character’s personality and also sets a course for her future. An ironic character trait makes for controversial and delectable conflict and soul-searching.
Unrequited Love: I write Biographical Historical Fiction about real women who lived in our past. Inevitably there’s a love that did not work out. These are gold nuggets! Why didn’t they work out? Who was hurt? What are the consequences? Could they ever get together? And if not, how do they feel about it? All of these aspects of unrequited love add such emotion to a story.
In Madame Pommery, Creator of Brut Champagne, she hires a young intern, fifteen years younger than her, and his intelligence and helpfulness make her slowly fall in love with him, though it is quite inappropriate. She cannot marry him, or by law he’d own Pommery Champagne House. Ah, unrequited love.
Family squabbles: Families are usually an unresolved dilemma. Madame Pommery has trouble with her son who wants to run the champagne house without knowing what to do. She has trouble with her daughter because the toddler is always underfoot. Her mother is cold and unloving. Ouch! Family differences make good reading, especially when they create havoc for the protagonist. To research information about these family squabbles, I look at the available facts and extrapolate what they could mean. For example, Madame Pommery’s son is 17 when she starts the winery, and he doesn’t join the business for 5 years. Even then, he was not given an important position. And, when Madame Pommery dies, she makes her assistant the head of Pommery, not her son. Those facts add up to a gold nugget for the story.
Friend or Foe? Who can you trust? Who has an ulterior motive? In research, I look for clues about who were Madame Pommery’s business associates, friends, and foes. Then, I look for ways that their relationships can change during the book. For example, Madame Pommery’s banker helps her when her husband dies, but his ulterior motive is that he wants to be her partner.
Habits and Hobbies. I love to research quirky habits and hobbies characters can have. In Champagne Widows, Barbe-Nicole Clicquot’s father has a secret room that he works on constantly, because he doesn’t have the money to hire it done. Barbe-Nicole’s mother loves outrageous fashion and falls deathly ill from the arsenic dye. Both of these are facts that I researched about those real people!
Trials & Tribulations. What are the events of history that affect the characters? For example, in GOLD DIGGER, the Remarkable Baby Doe Tabor is about the Gold and Silver Rush in the nineteenth century, women’s right to vote, and the politics of the day, the Chinese workers imported to build the railroads and mines, then they were hated and killed. All these aspects add texture and context to the story. To research this information, I use libraries, buy books, internet searches, interview historians.
Location, Location, Location! I visit the towns or area I’m writing about and visit every home, winery, mine and theater in search of clues about the person I am writing about so I can breathe life into them on the page.
Skeletons: Everyone has skeletons in their closets, and if you can’t find them for your character, you didn’t look hard enough. The Skeleton can be a human condition like: mental illness, poverty, alcoholism. Or it can be a horrible wound the character suffered, like rape, or losing a child or an affair gone terribly wrong. Character skeletons need to be found and written on the page to make characters feel, hurt, and heal, or not.
She said What? Since I write about real people, I search for real quotes, letters and stories about them to use in building her character. Madame Pommery’s quote informed the entire book, setting the stage from where she came, what she wanted and why, and what her success would look like.
“Inevitably, I find myself in a predicament where the rules do not apply, or worse, they contradict each other.” ~Jeanne Alexandrine Pommery
~Rebecca Rosenberg, #1 Amazon Best Seller, Madame Pommery, Creator of Brut Champagne
“A tour-de-force of historical fiction, Madame Pommery is a deeply fascinating work that blends true-to-life details with artfully crafted elements.” –Publishers Weekly BookLife Prize
Madame Pommery is a story of a woman’s indomitable spirit in the face of insurmountable odds. Set in Champagne, France in 1860, Madame Pommery is a forty-year-old widow and etiquette teacher whose husband has passed away. Now she must find a way to support her family. With no experience, she decides to make champagne, but no champagne makers will teach her their craft. Undeterred, Madame Pommery begins to secretly excavate champagne caves under the Reims city dump and faces numerous obstacles to achieve her dream. From the Franco-Prussian war that conscripts her son and crew to the Prussian General Frederick Franz occupying her home, Madame Pommery perseveres. She even must choose between her champagne dreams and a marriage proposal from her former lover, a Scottish Baron. Inspired by a true story, Madame Pommery is a heroic tale of a woman’s strength and determination to create a champagne legacy. If you enjoyed the novel Sarah’s Key, you will enjoy Madame Pommery.
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CHAMPAGNE WIDOWS, the First Woman of Champagne
EDITORS CHOICE HISTORICAL NOVEL SOCIETY This engrossing historical novel by Rebecca Rosenberg follows Veuve Clicquot, a strong-minded woman determined to defy the Napoleon Code and become a master champagne maker. In 1800 France, twenty-year-old Barbe-Nicole inherits her great-grandfather’s uncanny sense of smell and uses it to make great champagne, despite the Code prohibiting women from owning a business. When tragedy strikes and she becomes a Veuve (widow), she must grapple with a domineering partner, the complexities of making champagne, and the aftermath of six Napoleon wars. When she falls in love with her sales manager, Louis Bohne, she must choose between losing her winery to her husband to obey the Napoleon Code, or losing Louis. In the ultimate showdown, Veuve Clicquot defies Napoleon himself, risking prison and even death. If you enjoyed books like ‘The Widow of the South’ by Robert Hicks or ‘The Paris Seamstress’ by Natasha Lester, you’ll love ‘Veuve Clicquot’.
Buy Links:
These titles are available to read on #KindleUnlimited.
Rebecca Rosenberg is an award-winning novelist, champagne geek, and lavender farmer. Rebecca first fell in love with methode champenoise in Sonoma Valley, California. Over decades of delicious research, she has explored the wine cellars of France, Spain, Italy, and California in search of fine champagne. When Rebecca discovered the real-life stories of the Champagne Widows of France, she knew she’d dedicate years to telling the stories of these remarkable women who made champagne the worldwide phenomenon it is today.
Rebecca is a champagne historian, tour guide, and champagne cocktail expert for Breathless Wines. Other award-winning novels include The Secret Life of Mrs. London and Gold Digger, the Remarkable Baby Doe Tabor.
MJ Porter 