Blog Posts from MJ Porter, author and reviewer

I’m reviewing the new book in the Armstrong and Oscar Cozy Italian Mysteries, Murder in Portofino by TA Williams

Here’s the blurb

A much-needed holiday…

Dan Armstrong hasn’t done much retiring since moving to Tuscany, and with his new career as a successful private investigator taking off, it seems murder seems to follow him. He’s hoping a much-needed trip to beautiful Portofino will give him the break he needs and quality time with girlfriend Anna.

A gathering of celebrities…

Portofino is a celebrity paradise, and holidaying on a nearby superyacht is a group of British media stars, all famous for being infamous. Dan isn’t impressed by their status or wealth, but when he overhears an argument between two of the group, he suspects something fishy could be going on…

A cold-blooded killer?

And then a body is washed up on shore and Dan’s hopes for a holiday go overboard. Could this simply be a tragic accident or is there a killer amidst the assembled celebrity cast? Dan and Oscar have their work cut out before the tide turns…

It’s another gripping case for Dan and Oscar – it’s murder in paradise!

My Review

It’s hard to believe that we’re on book 8 in the Armstrong and Oscar Cozy mysteries, but we are:)

Murder in Portofino perhaps takes a while longer than others to ‘get going.’ Instead, we’re treated to Dan, and Oscar enjoys some ‘downtime’ with Anna, who is close to Portofino. But, of course, our duo seems to attract mystery to them, and so we are soon embroiled in a luxury yacht and its inhabitants, with not one but two crimes to solve.

I thoroughly enjoyed this new addition to the series. I always appreciate the fact that the mysteries are consistently more complex than anticipated, and like Dan, we have to follow the lines of investigation to determine the truth.

A fine new addition to the series. Always a reliable and engaging read. I’m already looking forwards to book 9:)

Check out my review for The Green Viper by Rob Sinclair #blogtour #thriller #newrelease

Here’s the blurb

I need your help. Call me.

Ex-intelligence agent James Ryker receives a coded message through a secret drop point, a means of communication known only to him and one other person. The problem is, that other person is his ex-boss, Mackie… and he’s already dead.

But the cry for help is real, and it’s a request Ryker can’t refuse.

Travelling to New York alone and without official sanction, Ryker has a single goal in mind, yet even he couldn’t have bargained for the violent world he’s soon embroiled in. Caught in the middle of a spiralling chaos with the FBI on one side, and two warring underworld bosses on the other, Ryker must put all of his skills to the test in order to come out on top, and keep his word.

In a world full of lies and deceit, loyalty is everything, and it’s time for James Ryker to pay his dues.

A fast-paced thriller filled with twists, turns, and intrigue that will grip fans of Mark Dawson and the Jason Bourne novels.

Cover for Rob Sinclair's The Green Viper book.

Purchase Link

https://mybook.to/greenvipersocial

My Review

The Green Viper is book 4 in the James Ryker series, but the first one I’ve read, although I’ve read one of Rob Sinclair’s standalone novels, Rogue Hero. Check out the review here.

It is fast-paced as our ‘hero’ sets about helping the son of his former boss where he’s entangled himself in a bit of bother in New York. That said, the beginning is a little more difficult to really get into – I would recommend persevering because after that, the storyline is very quick and I read the vast majority of the book in one sitting. It’s a fun, pacy read with a whole load of violent encounters thrown in for good measure, and some rather nasty bad guys, and our author has no problem with ramping up the body count.

If you’re a fan of action thrillers, then you’ll really enjoy The Green Viper. I certainly plan on finding some room on my TBR pile to add the other books in the series.

Meet the author

Rob Sinclair is the million copy bestseller of over twenty thrillers, including the James Ryker series. Rob previously studied Biochemistry at Nottingham University. He also worked for a global accounting firm for 13 years, specialising in global fraud investigations.

Photo of Rob Sinclair, author

Connect with the author

Facebook: https://www.facebook.com/robsinclairauthor

Twitter: https://twitter.com/RSinclairAuthor

Newsletter Sign Up: https://bit.ly/RobSinclairNews

Bookbub profile: https://www.bookbub.com/authors/rob-sinclair

Blog tour banner for Rob Sinclair's new James Ryker titles.

On the 1100th anniversary of the death of King Ælfweard of Wessex

The death of King Ælfweard of Wessex, 2nd August 924

Today sees the 1100th anniversary of the death of King Ælfweard of Wessex, a king most people have never heard of as his reign was just sixteen days in summer 924, and we know almost nothing about him. (According to one source, the Textus Roffensis he is credited with a reign of 4 weeks, which would have made him king before his father’s death. You can see a digital copy of this source here). There are surely many ‘might have beens’ about his reign, and as much as I admire Athelstan, his older halfbrother, I felt it only right to shed what light there is on Ælfweard.

Quote from ASC from 17th July 924 recounting Edward the Elder's death

Who was Ælfweard?

He was the son of Edward the Elder (who had died 16 days earlier) and his second wife, Ælfflæd. He was, presumably, the oldest born son with Edward’s second wife, and from a very young age, he can be seen attesting to his father’s charters. We don’t know his exact date of birth because we don’t know when Edward remarried, and whether it was before or after his father’s death in 899.

A family tree showing the family of Alfred the Great

What do we know about Ælfweard?

Ælfweard begins to attest charters in 901 as filius regis, alongside his famous older halfbrother, Athelstan, although Ælfweard is given precedence and named before him. This precedence for the oldest son from a second marriage would also be mirrored in later years by King Edgar, who presented his oldest son with his third wife, Elfrida, as the legitimate ætheling while acknowledging his oldest son with his first wife.

Ælfweard attests eight of his father’s charters (S365, S375, S376, S377, S378, S381, S382 and S383). The number is small and may not be representative. There’s a lack of surviving charter evidence from the reign of Edward the Elder and none from Ælfweard’s short reign. Indeed, his full brother, Edwin, doesn’t attest any of his father’s charters, although he is named in one of Athelstan’s charters (S1417). This is something that needs explaining and examining in more depth.

Ælfweard’s death ‘allowed’ Athelstan to become king of Wessex

Despite the survival of his full brother, Edwin, Athelstan was, eventually, proclaimed king of Wessex as well as Mercia on the death of Ælfweard, although his coronation was delayed until September 925 (Read about Athelstan here). We must consider what led to Ælfweard’s death at Oxford. Had he been with his father at Farndon in Mercia putting down a revolt or fighting the Norse enemy? Was there some sort of illness? Was he murdered by those loyal to Athelstan to allow him to become king of Wessex as well as Mercia? We do not know. The situation is presented as a fait accompli in the sources.

Edwin, Ælfweard’s younger full brother, would die far from England’s shores, if the information we do have about his death, is correct. It is possible he did rise in rebellion against Athelstan, but alas, we do not know any details.

Slide showing a quotation about Edwin's death.

For more suggestions, and my fictional recreation of how Athelstan became king of Mercia, Wessex and the English, do check out my books, Kingmaker (the story of Lady Eadgifu, Edward the Elder’s third wife), and King of Kings (which begins with the coronation of King Athelstan in September 925). I’ve also written a post about Athelstan becoming king of Mercia which can be accessed here.

And for more information about the tenth century as a whole, do check out my nonfiction title about the Royal Women of the Tenth Century, which also includes information about the royal men.

Anglo-Saxon Chronicle quotations from M Swanton, The Anglo-Saxon Chronicles.

Image showing the four covers for The Brunanburh series.

I’m delighted to welcome Carolyn Hughes and her new book, Fortune’s Wheel, to the blog #HistoricalFiction #HistoricalRomance #MedievalEngland #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Carolyn Hughes and her new book, Fortune’s Wheel. The First Meonbridge Chronicle, to the blog with a trailer.

Soundcloud Link:

Blurb

How do you recover from the havoc wrought by history’s cruellest plague?

It’s June 1349. In Meonbridge, a Hampshire manor, many have lost their lives to the Black Death, among them Alice atte Wode’s beloved husband and Eleanor Titherige’s widowed father. Even the family of the manor’s lord and his wife, Margaret de Bohun, has not entirely escaped.

But, now the plague has passed, the people of Meonbridge must work together to rebuild their lives. However, tensions mount between the de Bohuns and their tenants, as the workers realise their new scarceness means they can demand higher wages and dictate their own lives.

When the tensions deepen into violence and disorder, and the men – lord and villagers alike – seem unable to find any resolution, the women – Alice, Eleanor and Margaret – must step forward to find a way out of the conflict that is tearing Meonbridge apart.

Buy Link

Universal Link:

This title/series is available to read on #KindleUnlimited

Audible Links

Meet the Author

Carolyn Hughes has lived much of her life in Hampshire. With a first degree in Classics and English, she started working life as a computer programmer, then a very new profession. But it was technical authoring that later proved her vocation, word-smithing for many different clients, including banks, an international hotel group and medical instruments manufacturers.

Although she wrote creatively on and off for most of her adult life, it was not until her children flew the nest that writing historical fiction took centre stage. But why historical fiction? Serendipity!

Seeking inspiration for what to write for her Creative Writing Masters, she discovered the handwritten draft, begun in her twenties, of a novel, set in 14th century rural England… Intrigued by the period and setting, she realised that, by writing a novel set in the period, she could learn more about the medieval past and interpret it, which seemed like a thrilling thing to do. A few days later, the first Meonbridge Chronicle, Fortune’s Wheel, was under way.

Six published books later (with more to come), Carolyn does now think of herself as an Historical Novelist. And she wouldn’t have it any other way…

Connect with the Author

Website: Bluesky: BookBub:

Follow Fortune’s Wheel blog tour with The Coffee Pot Book Club

MJ Porter’s Saxon Stories Order and Series Pages | Infographic

Confused? You’re not alone

Trying to keep tabs of the chronology of my series set in Saxon England is difficult, even for me. It doesn’t help that I often work backwards, and sometimes have a tendency to skip backwards and forwards, and sometimes don’t finish things either. This might help.

The Dark Age Chronicles

There are no character crossovers for this series because we’re right back at the very beginning. But, there will be some Easter Eggs moving forwards.

Gods and Kings

Character crossovers – no one specific but there is sometimes reference to these earlier battles in later books.

The House of Mercia

This is my current project and I have no more information to share just yet but keep checking back.

The Eagle of Mercia Chronicles

Character crossovers – Icel and Coelwulf (as a very young child) from The Mercian Ninth Century

The Mercian Ninth Century (AKA The Last King/Coelwulf books)

Character crossovers – Icel from The Eagle of Mercia Chronicles

The Tenth Century Royal Women (The Lady of Mercia’s Daughter and Kingmaker)

Character crossovers – Athelstan and Ealdorman Athelstan (before becoming an ealdorman) from The Brunanburh Series.

The Brunanburh Series

Character crossovers – Lady Ælfwynn (briefly) and Lady Eadgifu from Kingmaker (a central character to The Brunanburh Series).

The First Queen

Character crossovers – Ealdorman Leofwine from The Earls of Mercia series as a very young man. Lady Eadgifu from both The Tenth Century books, and The Brunanburh series in book 1.

The Earls of Mercia Series

Character crossover – Lady Elfrida from The First Queen of England.

Lady Estrid

Character crossover – Cnut, Ealdorman Leofwine, Leofric and others from The Earls of Mercia series – this book is a side-story to the main series but can be read as a standalone.

And don’t forget my non-fiction title, which is a perfect counterpart for The Tenth Century, and The Brunanburh Series, The Royal Women Who Made England

Posts

I’m delighted to welcome Debra Borchert and her new book, Her Own War, to the blog #HerOwnWar #DebraBorchert #ChateauDeVerzatSeries #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Debra Borhert and her new book, Her Own War, Book 3 in the Château de Verzat Series, to the blog with the historical aspect of the novel.

Historical Aspect of the Novel: Enslavement in Eighteenth-Century France by Debora Borchert

“I survived enslavement. I know where they look.” — Aurélia, Her Own War

In the first book in my Château de Verzat series, the brother-sister protagonists flee France aboard a slaver. As I further researched the slave trade, I knew I would not be able to adequately convey the horrors of their voyage. Consequently, that story lives only in my mind.

Yet, the male protagonist, Henri, falls in love with a formerly enslaved woman, Aurélia, who was forced onto the same ship. In America, they cannot marry, and people treat Aurélia as an enslaved woman. Eager for her freedom, Henri brings Aurélia to France, after the new government abolished enslavement. The August 1793 decree for the abolition of slavery ended all slave-trade activity across all French territories in 1794.

In the second book, Her Own Revolution, Henri, Aurélia, and their son, Charles, depart America and arrive in France in late 1796, where Henri believes Aurélia and their son will be safe.

Although slavery was illegal in France, people, like Thomas Jefferson, brought their “property” to France, and France respected his and others’ rights to own enslaved people.

The irony of these laws caused me to wonder about the formerly enslaved, and whether people of color had rights in France in 1796. They did not. In my work as a historical fiction writer, I attempt to focus light on historic injustices.

For research, I traveled to Nantes, which was the largest slave-trading port in France from 1707-1793. The city has created a Memorial to the Abolition of Slavery, dedicated to the thirteen million Africans who were deported during the transatlantic slave trade.

The Memorial’s underground gallery was created to enable visitors to imagine what it might feel like to exist in the hold of an 18th century ship. Sounds of flapping sails, splashing waves, creaking ropes and wood, clanking chains and shackles, human groans and cries, echo in the shadows.

At that moment I knew my character Aurélia would be mute, caused by the trauma she had endured. I also knew she would not be safe in France, for, although Henri did not know it, I knew she had no rights.

The third book, Her Own War, opens with a hailstorm that threatens the vineyard, and is followed by a declaration that all noble émigrés must leave France or face the guillotine. Henri, a noble émigré, must leave, and, as Aurélia is pregnant, she is unable to travel with him. He must leave her under the protection of the four hundred families who live on the estate. However, no one, not even Henri, could have protected her from history.

During the eighteenth century the recapture of freed, formerly enslaved people was terrifyingly common, and many were enslaved in the sex trade. France had a robust demimonde, a polite name for the business of prostitution, catering to tastes for the exotic. These facts threatened Aurélia’s safety. But, as Aurélia had survived enslavement, she proved to be a courageous character who risks her life to save the lives of her children.

As Napoleon Bonaparte gathers power at the end of Her Own War, I know the plot of the next book of in the series will be affected by his re-establishment of slavery in1802, which revived slave-trade activity for another fifteen years.

Having learned that even today human beings are enslaved, I chose to bring light to the historical facts of the 18th century, sadly reflected in the crimes against humanity in this century.

Blurb

As Napoleon Rises from the Ashes of The French Revolution, One Woman Dares to Spy Against Him

Sentenced to eight months in an insane asylum for the crime of impersonating a man, Geneviève LaGarde fears giving birth in a filthy cell will mean certain death for her and her unborn child. Desperate for her release, her husband, Louis, trades his freedom for hers and must join Bonaparte’s army in Egypt.

As Geneviève wages her own war against the tyrannical general, she not only risks her own life but also those of her children and the four hundred families who depend on the Château de Verzat estate. Knowing her desperate actions could cause the government to confiscate the entire vineyard, she sacrifices everything to save her husband and protect the people who become her family.

A captivating tale of the power of love, hope, and courage, and the strength of community.

Reviews

Fans of historical fiction will find this novel a most captivating read.” Kirkus Reviews

“For fans of Stephanie Dray’s The Women of Chateau Lafayette.” —Publishers Weekly BookLife Editor’s PickA compelling story of love, war, and fierce family loyalty. While the narrative stays true to the social mores of the French Revolutionary era, Borchert gives her readers powerful and active female characters who often cunningly use conventional gender expectations to conceal their real motives and actions. Fans of historical fiction will find this novel a most captivating read.” —Kirkus Reviews

Buy Link

Universal Link:

This title will be on #KindleUnlimited for the first 90 days

Meet the Author

Debra Borchert has had many careers: clothing designer, actress, TV show host, spokesperson for high-tech companies, marketing and public relations professional, and technical writer for Fortune 100 companies. Her work has appeared in The New York Times, San Francisco Chronicle, The Christian Science Monitor, and The Writer, among others. Her short stories have been published in anthologies and independently.

A graduate of the Fashion Institute of Technology, she weaves her knowledge of textiles and clothing design throughout her historical French fiction. She has been honored with a Historical Novel Society Editors’ Choice, Publishers Weekly BookLife Editor’s Pick, and many other five-star reviews.

Connect with the Author

Website: BookBub:

Follow the Her Own War blog tour with The Coffee Pot Book Club

On the 1100th anniversary of King Athelstan becoming King of Mercia, some snippets from my recent Zoom talk with readers

The death of King Edward (the Elder), 17th July 924

17th July saw the anniversary of the death of Edward the Elder, who was Athelstan’s father.

We don’t know why Edward was in Mercia at the time of his death, although this is only recorded in the C and D versions of the Anglo Saxon Chronicles, always deemed to be more Mercian in their outlook by scholars of the era than other surviving versions. I highly recommend Pauline Stafford’s book on the writing of the ASC, and you can read more about the ASC recensions here.

We don’t know why Edward died, although it was potentially quite sudden. Was he wounded in battle? Was he unwell – the fact his oldest son with his second wife dies only 16 days later (the 16 days is provided by the D version of the ASC) at Oxford might suggest a contagion. Admittedly, it might also suggest that Ælfweard was murdered by those loyal to Athelstan, to enable him to also claim Wessex but there is no mention of this in any surviving source material. Alternatively, it might point to a deadly war with ‘someone.’

Quote from ASC from 17th July 924 recounting Edward the Elder's death

Who was Edward the Elder (899-924)

So, who was Edward the Elder? He was the younger brother of Æthelflæd, famously known as the Lady of Mercia, as well as the son of King Alfred. He seems to have ‘stolen’ the kingdom of Mercia from his niece Ælfwynn, who was intended to rule there after her mother’s death in June 918. Perhaps Edward was an unwelcome presence in Mercia. It’s been suggested he might have been putting down either a Mercian rebellion, perhaps orchestrated by Athelstan, or that Edward was fighting the enemies of the Saxons – no doubt the Viking raiders – at the time of his death.

A family tree showing the family of Alfred the Great

King of the Mercians

We are then told by the D version of the ASC that Athelstan was chosen as king by the Mercians.

Quotes about Athelstan becoming king of Mercia while his brother was king of Wessex.

So, a few important things to highlight – he was chosen as king, but only by the Mercians even though his father was ruling Wessex and Mercia.

Despite very popular portrayals of England at this time, we are still very much looking at the kingdoms of Mercia, Wessex and Northumbria, (and of course Jorvik), so not ‘England’ at all. Edward the Elder did try to rule both Mercia and Wessex at the same time after his sister’s death. How successful he was at that is very much open to debate. Certainly, he has been very much relegated behind the achievements of his father and his son (and his sister). It’s not always that easy to study his reign in depth due to the lack of surviving charter evidence. There is also a debate about how ‘much’ ruling Æthelflæd and Æthelred did in Mercia? Was their kingship under a Wessex banner?

But to return to Athelstan. Was he immediately declared king of Mercia on 18th July 924 or did it take longer? We don’t know the answer to this.

A beguiling suggestion by historian Jayakumar is that Athelstan might have been marked to succeed by his grandfather King Alfred in Mercia, not in Wessex. This is intriguing – prior to this we see fathers and sons ‘sharing’ the kingship of Wessex and then Kent, when it was taken back from the Mercians in the 820s/830s. And indeed, while Mercian, Kent was often ruled by an offshoot member of the Mercian ruling family as well.

Who was Athelstan?

So, who was this Athelstan, who became king of Mercia in 924?

The oldest son of Edward the Elder, but who was his mother?

It’s been suggested his mother might have been Mercian, and this also made him acceptable for the Mercians to declare him as king- but it’s impossible to determine more about her. We don’t even know her name, although it’s suggested that it was Ecgwynn. She was soon replaced, either because of her death or because Edward, on becoming king of Wessex, needed to cement his position through marriage with a powerful ealdormanic family. Lady Ælfflæd was Edward’s second wife.

Later discussions abound about Athelstan’s suitability to become king of Wessex, with many casting doubt on the union, but it is evident that Alfred believed the union was a lawful one, and his grandson would one day become king, although of where, we don’t know.

Equally, we don’t actually know when Edward’s second marriage occurred, was it before or after his father’s death?

Powerpoint slide showing some quotes about Athelstan's early life.

Athelstan’s early life

Athelstan and his younger half-brother, Ælfweard, who we must assume was the oldest son born to Edward and his second wife, begin to attest charters in 901 both as filius regis although Ælfweard is named above Athelstan despite being younger. 

Athelstan attests eleven of his father’s charters (Sawyer, P.H. (ed.), Anglo-Saxon charters: An annotated list and bibliography, rev. Kelly, S.E., Rushforth, R., (2022). http://www.esawyer.org.uk/ S365, S366, S371, S375, S376, S377, S378, S379, S381, S382, S383), Ælfweard only eight, but again, the number is still small and so may not be representative – in 901, Athelstan witnesses 2 charters, but Ælfweard only one.

Only three of the eleven charters that Athelstan witnesses under his father are deemed to be authentic, and only one of those witnessed by Ælfweard and Athelstan together which is dated to 901, when they were both young children. This would have been very early in Edward’s reign, when his cousin, Æthelwold, was still alive and contesting the rulership of Wessex, something that wasn’t resolved until the decisive Battle of the Holme, in either 901 or 902. Edward may have wanted to labour the point that he was the father to two potential male heirs, or æthelings. (His brother, Æthelweard is also termed filius regis, and so Edward might have been highlighting that if something did befall him, he had a brother who could also succeed him, as opposed to two young children.)

However, there is a large gap in the charter evidence for Edward the Elder in the middle of his reign, and so it is difficult to track any developments. 

But with all that said, I don’t find Athelstan’s charter witnessing very helpful when trying to determine his place at the Wessex royal court at this time, his position as a young man or even how he got on with his father’s second wife (as well as his third wife) and her many, many children, who would bedevil him when he became king. 

Was Athelstan raised in Mercia by his aunt and uncle?

Quote from William of Malmesbury about Athelstan being raised in Mercia.

The fact Athelstan was declared king of Mercia does seem to corroborate a statement made by William of Malmesbury, in the later Gesta Regum Anglorum, or The History of the English Kings, that Athelstan was raised in Mercia by his aunt and uncle, alongside his full birth sister, who may have been called Edith.

Or, it could be that his mother was Mercian. It’s frustratingly difficult to find explanations when events are merely told us as supposed ‘fact,’ and William of Malmesbury’s assertion has been little questioned, other than by historian David Dumville, even though it dates to two centuries after the events. It seems to be the ‘easy’ explanation as to why Athelstan became king of Mercia after his father’s death.

What was happening in Wessex?

Ælfweard, his younger half-brother, was declared king, until his death, 16 days after his father.

How did Athelstan become king of Wessex?

Quote from the Gesta Abbatum S Bertii Sithiensium marking the death of Edwin.

So, once he was chosen as Mercia’s king, how did he then become king of Wessex on the death of Ælfweard so soon after that of Edward?

This period is as equally hazy as what happened to make Athelstan king of Mercia.

But, after Ælfweard’s death, there is another son of Edward’s second marriage who could have become king, Edwin. As could the sons of Edward’s third wife, Lady Eadgifu, who were very young at the time, perhaps no more than one and three years old. 

Why Athelstan was chosen is difficult to rationalise, especially if the Wessex witan were so uneasy with him. Some suggest he reached an agreement with Lady Eadgifu (his father’s third wife) that her sons would be his heirs. Others think there was a period of unease where Wessex was kingless. We have no explanation for Edwin being overlooked, and certainly, it seems he went on to cause his older half-brother problems. We have reports of Edwin’s death in 933 – apparently from drowning, but it seems likely, it was some sort of rebellion against his half brother, the king. The Gesta Abbatum S. Bertini Sithiensium, reports his burial by his cousin in Flanders. 

I find this period quite interesting as by now, another Eadgifu, a half sister of Athelstan, who had been married to King Charles III of the West Franks, might have been in Wessex. She had a young son, Louis, but Charles had been usurped and imprisoned and certainly Louis was at the Wessex court when his grandfather died. It’s possible Eadgifu was as well. Would she not have supported her full brother against Athelstan claiming the kingship? Equally, we don’t know if Edwin’s mother was still alive. It is all very perplexing.

What we do know is that Athelstan underwent his coronation in September 925, so over a year after his father’s and half-brother’s death. The coronation took place at Kingston upon Thames. This delay has been interpreted as showing he met resistance in Wessex to his rule, but it might not have been that unusual. His father’s coronation was not immediate, although, admittedly, his father was faced with the rebellion of Æthelwold, his cousin and the surviving son of Alfred’s older brother, Æthelred I. Alfred and his brother seem to have reached an accord about the succession before Æthelred I’s death, and Alfred then rode roughshod over it. 

A coronation with a crown?

There is some discussion about whether the surviving Coronation ordo (ceremony) was devised for Athelstan or not, but he was crowned with a crown and not a helmet, as earlier kings had been. We have a famous image of Athelstan, (we only have two contemporary/near-contemporary images of the tenth century kings) presenting a book to St Cuthbert, and in this image, he is shown wearing a crown. This was a departure from earlier ceremonies.

 

An image of King Athelstan presenting a book to St Cuthbert
Frontispiece of Bede’s Life of St Cuthbert, showing King Æthelstan (924–39) presenting a copy of the book to the saint himself. Public domain, via Wikimedia Commons

For more suggestions, and my fictional recreation of how Athelstan became king of Mercia, Wessex and the English, do check out my books, Kingmaker (the story of Lady Eadgifu), and King of Kings (which begins with the coronation of King Athelstan).

Anglo-Saxon Chronicle quotations from M Swanton, The Anglo-Saxon Chronicles.

I’m delighted to welcome Carol McGrath’s new historical fiction novel, The Lost Queen, to the blog #newrelease #histfic #blogtour

Here’s the blurb

1191 and the Third Crusade is underway . . .
It is 1191 and King Richard the Lionheart is on crusade to pitch battle against Saladin and liberate the city of Jerusalem and her lands. His mother, the formidable Eleanor of Aquitaine and his promised bride, Princess Berengaria of Navarre, make a perilous journey over the Alps in midwinter. They are to rendezvous with Richard in the Sicilian port of Messina.

There are hazards along the way – vicious assassins, marauding pirates, violent storms and a shipwreck. Berengaria is as feisty as her foes and, surviving it all, she and Richard marry in Cyprus. England needs an heir. But first, Richard and his Queen must return home . . .

The Lost Queen is a thrilling medieval story of high adventure, survival, friendship and the enduring love of a Queen for her King.


Acclaim for Carol McGrath’s ROSE trilogy:
‘Powerful, gripping and beautifully told’ KATE FURNIVALL on The Silken Rose
‘A tour de force of gripping writing, rich historical detail and complex, fascinating characters’ NICOLA CORNICK on The Stone Rose
‘A beautifully narrated novel’ K J MAITLAND on The Damask Rose

The cover for The Lost Queen book by Caol McGrath.

Purchase Link

 https://tinyurl.com/5n8ab2xv

My Review

The Lost Queen is partly the story of Richard the Lionheart’s wife before and during her marriage. However, it doesn’t take place in England, as Richard is so largely absent, and his focus is on the Third Crusade, so our heroine never visits England.

There are also two other main characters: a fictional woman seeking her husband and Blondel, a troubadour. The author uses different tenses for these characters, which I always struggle with, although I know others don’t. The narrative is also moved forward by a collection of letters written to England.

The story itself is rich with period detail, from food to clothes to journeys and all those they encounter on their journey. The historical political landscape is abundant with those who are loyal to or disloyal to King Richard.

Fans of the genre will enjoy meeting Berengaria and visiting the period so meticulously brought to life by the author.

Meet the author

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, first in a medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask RoseThe Stone Rose was published April 2022. Carol is writing Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022. The Stolen Crown 2023 and The Lost Queen will be published 18th July 2024. Carol lives in Oxfordshire, England and in Greece. 

Find Carol on her website: www.carolcmcgrath.co.uk.

Follow her on amazon @CarolMcGrath

https://twitter.com/carolmcgrath

https://www.pinterest.co.uk/carol0275/the-handfasted-wife/

https://scribbling-inthemargins.blogspot.com/

https://www.linkedin.com/in/carol-mcgrath-906723a/

https://www.facebook.com/CarolMcGrathAuthor1/

I’m delighted to welcome Luv Lubker and her new book, Under A Cloud, to the blog #HistoricalFiction #VictorianFiction #VictorianEra #GermanHistory #UnderACloud #LuvLubker #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Luv Lubker and her new book, Under A Cloud, from The Rival Courts series, to the blog, with an excerpt.

Excerpt 1

On the 24th they had arrived in Palermo. Fritz had been emotionally excited to show them this place, where he had been the year before his and Vicky’s engagement. They had visited the place where he had stayed at the time, and also an old monastery, leaving with bits of beautiful mosaic in their pockets.

Most of the buildings here were of very Eastern architecture. The orange groves, aloes, cactuses, fig trees, heliotropes, date palms, all the vegetation was such as Vicky had never seen before outside of a hot house. They often stopped to breathe in the sweet, almost overpowering scent of the brightly colored flowers, and to watch the swarms of butterflies and bees. The gaudily painted donkey and mule carts, embellished with red dyed feathers and harnesses covered with glittering, jingling bells were also very striking. In the towns, they often met these carts, driven by boys or young men who were dressed for the heat – or rather so nearly undressed Vicky felt shy of looking at them.

She had begun to take sketches of the views which were most striking to her eye.

“You are sure you do not need more time?” Fritz had asked her. She had only been sitting a few minutes when she put her sketchbook away.

“Oh, no, that is plenty. I can finish them later,” she had assured him. “You remember my pictures from Balmoral. Most of those were done this way.”

“How do you remember the details? Every color is perfect, and the shadows, the drops of water. How do you do it?”

Vicky smiled up at him, meeting his gaze. He stood looking down at her, his eyes expressing his admiration, just as they had when she first showed him her artwork at Balmoral, a few days before he proposed. She shrugged and shook her head.

“It is so easy. I don’t know what the fuss is.” She laughed. “Bertie, I didn’t think you knew so much about art as you do. You knew every artist at the galleries we saw.”

Bertie shrugged, turning his face away. He had always professed ignorance and boredom when Papa and Mama had attempted to speak with him about such things. “I know. I – I don’t usually find it so interesting, though I do know it quite well. But you make it so interesting,” he said to Fritz.

“No, it is she who makes it interesting,” Fritz said, smiling at Vicky. “I know so little myself, my company could not possibly make it interesting.”

“No, that is not true,” Vicky and Bertie both said. Vicky took their hands, smiling up at them. “You have both learned so much about art, I am proud of you.”

Here’s the blurb

Vicky’s father, Albert, the Prince Consort, has just died, leaving her and her family under a heavy cloud of grief, without their dearest friend and advisor, at a most critical time: The political horizon grows dark with storm clouds at the entry of Bismarck to Germany’s political stage in 1862.

Will Fritz’s courage stand the test as he confronts the spider in its web? Is Prussia really fighting for the rights of the Schleswig people, or is so much blood being shed for the sake of Prussia’s aggrandizement?

Join Vicky and Fritz on their journeys under the blue cloudless skies of the Mediterranean to the peaceful heather-clad hills of the Highlands of Scotland; to the burning heat of the North African desert to the raging blizzards of a winter war in Denmark.

When Vicky’s closest friend disappears, will she be able to keep the secret? Will old enemies prove to be friends, and old friends prove to be enemies?

Buy Link

Universal Link:

Meet the Author

Luv Lubker has lived in the Victorian era half her life, making friends with the Brontë sisters and the extended family of Queen Victoria. Now she knows them quite as well as her own family.

Born in a cattle trough in the Appalachian mountains, Luv lives in Texas – when she comes to the modern world.

When she isn’t living in the Victorian era, she enjoys being with her family; making and eating delicious raw food, riding her bike (which she only learned to ride at 25, though she has ridden a unicycle since she was 7), and watching animals – the passion of her childhood.

Connect with the Author

Website:

Follow the Under A Cloud blog tour with The Coffee Pot Book Club

I’m sharing my review for Toby Clements new historical fiction tale, A Good Deliverance, the story of Thomas Malory, author of Le Morte D’Arthur #histfic

Here’s the blurb

From the author of the Kingmaker series, an epic and intimate tale of adventure, myth and the creation of one of literature’s greatest stories.

Warwick, 1468. One drowsy summer afternoon, Sir Thomas Malory – politician, courtier, renowned author of Le Morte D’Arthur – is seized from his garden and dragged to Newgate Prison for reasons unknown.

Shivering in his foul-smelling, filthy old cell, Malory mourns his misspent life as he awaits the execution bell. But when the locking bar lifts, he is greeted by a boy of about twelve winters: the gaoler’s son. Giddy with relief, Malory seizes the opportunity to recount his deeds to an audience.

So begins a prison confession of a perilously exciting life full of sieges, battles and court intrigue. A Good Deliverance is the captivating tale of a man at odds with his past and the events that inspired him to write the first great work of prose fiction in English.

Purchase Link

https://amzn.to/3S5WtB2

My Review

A Good Deliverance is a fictional account of Thomas Malory, the man who wrote the famous Le Morte D’Arthur and, in doing so, perpetuated the myths of Arthur and his knights, queen, and, of course, Lancelot.

Our Thomas Malory, as presented by Toby Clements, is a man of his time, living a life that even he questions for his feelings of inadequacy. He doesn’t fight at Agincourt, and indeed, his deeds of martial glory come from a battle few remember. Locked up for a crime we, the readers, never truly understand, he finds a willing listener to his life’s tales in the son of his prison guard.

This is an intriguing tale, told in an unconventional way. Wary of losing the interest of his audience, much of the tale is told as an aside, the parts that his young listener won’t be interested in hearing. It does make the story a little disjointed, but it also allows us to sweep through some of the more mundane details and focus on what Thomas Malory (and the author) thinks is important to the reader. Perhaps very much as the Arthurian Legend, it focuses on brave daring-do (or not) and not so much on matters of the heart or Malory’s less honourable actions.

It is somewhat of a rambling tale – indicative of a man fearing for his life and determined to ensure someone knows his story before his death. It is also thoroughly enjoyable – fans of the period will delight in seeing the glories of Agincourt and the hot mess of politics and bickering kingship played out in a very different way – through the eyes, not of a common man, but through the eyes of one for whom everything is still very much out of his control. Thomas Malory must do as he’s bid to make his way in the world.

The ending of this tale is very abrupt – too abrupt – no doubt because I as the reader was hoping for some redemption for our main character.

In a genre where the legends of Arthur have always been so alluring for authors and readers alike, I admire this fresh attempt to tackle where much of our knowledge of the legend comes from. The book might have its faults, but in revealing even our scribe’s biases, it sheds a whole new light on the tales.

A fabulous take on the fifteenth century and the man behind the Le Morte D’Arthur (even if so much of it is fictional as we know so little about him).

MJ Porter

Author of Saxon historical fiction, 20th-century historical mysteries, and Saxon historical non-fiction. Book reviewer and blog host.

Skip to content ↓