Tracey Warr is sharing some historical research from The Anarchy #historicalresearch #blogtour #histfic

Welcome to the blog. Your book, The Anarchy, is set in a time period that I thoroughly enjoy and sounds absolutely fascinating. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life? 

The Anarchy is set 1121–1139 and focuses on the later life of the Welsh noblewoman, Nest ferch Rhys. It is the final book in my Conquest trilogy telling the story of Nest’s turbulent life. Gwyneth Richards has argued that historiography has had a male bias ‘which has hitherto rendered women more invisible than is warranted by the available sources’ (2009, p. 24). Near-invisible women in the early middle ages are the territory of my historical fiction. I take the often very slight references to them in medieval chronicles and charters and imagine into the gaps. My first novel on an 11thcentury countess of Toulouse and Barcelona, Almodis de la Marche, came from a few sentences in the Chronicle of Ademar de Chabannes. My second novel came from a few more sentences in the same medieval chronicle on a different woman who was kidnapped by vikings. The Conquest trilogy derives from a couple of paragraphs on Nest ferch Rhys in Brut y Tywysogion (The Chronicle of the Princes

1 Brut y Twysogion (Chronicle of the Princes)
https://commons.wikimedia.org/wiki/File:Chronical_of_the_Princes_(f.260).jpg Attribution: National Library of Wales, CC0, via Wikimedia Commons

Nest ferch Rhys was the daughter of the last independent king in Wales, Rhys ap Tewdwr. Her father and three of her brothers were killed by invading Normans and she was probably raised in the Norman court. She became the mistress of the Norman king, Henry I, and had a son with him. She was married to Gerald FitzWalter, the Norman steward of Pembroke Castle, which had been part of her father’s kingdom. The Welsh prince, Owain of Powys, abducted her from Gerald for a few years. After Gerald died, she was married to Stephen de Marais, the Norman constable of Cardigan Castle. The character Haith in my novel is based on Hait who is documented as the sheriff of Pembroke in the 1130 pipe roll, the records of the court (Green, 1986). Hait is presumed, from his name, to have been Flemish. It is my invention to make him a close friend of King Henry. According to Nest’s grandson, Gerald of Wales, Hait was the father of one of Nest’s sons. 

Once I have a spark from a primary source such as the Brut y Tywysogion to set me off, I pursue several lines of enquiry to find out everything I can about my characters, their relationships with one another, and the contexts they lived in. The lines of enquiry I pursue are further primary sources, genealogical research, biographies, the literature and art of the time, objects in museums, maps, site research at places associated with the characters, and contextual research—finding out, for example what people in those times and places wore and ate, what games they played and what books they read. I do as much research as I can online and buy key books and then I spend days in the British Library poring over the more inaccessible sources.

Other primary sources I drew on for The Anarchy included William FitzStephen’s account of Norman London and the books written by Nest’s grandson, Gerald of Wales. The genealogical research gives me a sense of the relationships between people and, for instance, an idea of how many children my heroine had and when. One key resource I use for genealogical research is Charles Cawley’s Medieval Lands, which can be searched online (2014). Genealogies are often set out following the patriarchal line. I make an effort to perceive the matriarchal line too, as far as possible. Family and kin—on both sides—were extremely significant for medieval people.

Despite sometimes being described as the most famous early medieval Welsh woman, the historical record of Nest is slender. Her kidnap from her husband Gerald FitzWalter by Prince Owain Cadwgan, which probably occurred at Cilgerran Castle, is briefly described in Brut y Tywysogion (The Chronicle of the Princes). Nest is credited with advising Gerald to escape down the castle toilet chute, which let out onto the dungheap below, outside the castle walls. (See my earlier blogpost on the wily Gerald: https://englishhistoryauthors.blogspot.com/2016/11/a-norman-frontiersman-in-wales.html.) 

Kari Maund and Susan Johns have both written important studies on Nest ferch Rhys. I also research the people around her and try to get a sense of the atmosphere of the Norman court that Nest found herself in. C. Warren Hollister and Judith Green’s biographies of King Henry I were invaluable and writing the character of the king in my novels was one of the most enjoyable parts of composing them. I also drew on David Crouch’s book on the Beaumont twins to think about the personalities and factions at court. Reading journal articles, such as Eleanor Searle’s study of the marriages of Norman conquerors to Welsh and Anglo-Saxon heiresses, often gives me key information or details to use. 

My research on the literature of the time, such as The Mabinogion and the poems of the Welsh bards, helps me find fragments of the authentic voice of that period that I can use. In The Anarchy, Breri the Welsh bard is a double agent, spying for both the Welsh and the Normans. Amanda Jane Hingst’s book on the medieval writer, Orderic Vitalis, also gave me valuable material. Vivid details of daily life can be drawn from manuscript illustrations and objects in museums, and I often use particular objects, such as goblet or a ring, as a significant motif in the story. 

In the opening chapter of The Anarchy, Nest, has been widowed from one Norman and is married unwillingly to another, Stephen de Marais. After the ceremony, she absconds, leaving her wedding ring on the table in the great hall. 

Fourteenth-century medieval finger-ring, probably a wedding ring. The inscription probably reads ‘I will serve you until I die’. https://commons.wikimedia.org/wiki/File:Medieval_finger_ring_(showing_internal_inscription)_(FindID_199291).jpgAttribution: The Portable Antiquities Scheme/ The Trustees of the British Museum, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

I walk the sites of the novel, visiting castle ruins. Even though there is rarely much to see surviving from the 12thcentury, site research gives me atmosphere, weather, birdsong, the lay of the land. I draw up my own chronology, genealogies, and maps to help me flesh out the fictional world of my characters so that it is imagined, but credible, built on a structure of recorded history.

(Historical references are listed below).

Brut y Tywysogion (Chronicle of the Princes). Written 681–1282. Thomas Jones transl. (1953) Caerdydd: Gwasg Prifysgol Cymru.

Ademar de Chabannes, Chronique, 3 vols., translated by Yves Chauvin and Georges Pon (2003) Turnhout: Brepols.

Cawley, Charles (2014) Medieval Lands, http://fmg.ac/Projects/MedLands/Search.htm.

Crouch, David (2008) The Beaumont Twins: The Roots and Branches of Power in the Twelfth Century, Cambridge: Cambridge University Press.

FitzStephen, William, Norman London. Written around 1183. Essay by Sir Frank Stenton & Introduction by F. Donald Logan (1990) New York: Italica Press. 

Gerald of Wales, The Itinerary Through Wales and the Description of Wales. Written 1191 and 1194. Lewis Thorpe, transl. (1978), Harmondsworth: Penguin.

Green, Judith A. (2009) Henry I King of England and Duke of Normandy, Cambridge: Cambridge University Press.

Hingst, Amanda Jane (2009) The Written World: Past and Place in the Work of Orderic Vitalis, Notre Dame, Indiana: University of Indiana Press.

Hollister, C. Warren (2001) Henry I, New Haven/London: Yale University Press.

Johns, Susan M. (2013) Gender, Nation and Conquest in the High Middle Ages: Nest of Deheubarth, Manchester: Manchester University Press.

Maund, Kari (2007) Princess Nest of Wales: Seductress of the English, Stroud: Tempus.

Richards, Gwyneth (2009) Welsh Noblewomen in the 13th Century, Lewiston, N.Y.: Edwin Mellen Press.

Searle, Eleanor (1980) ‘Women and the legitimization of succession’ in Brown, R. Allen, ed., (1981) Anglo-Norman Studies III: Proceedings of the Battle Conference, pp. 159-170.

Thank you so much for sharing your research with. It’s great to see all the resources you used. I also smiled because Kari Maund was one of my lecturers at university. Her books on the early Welsh period are wonderful.

Here’s the blurb:

Unhappily married to Stephen de Marais, the Welsh princess, Nest, becomes increasingly embroiled in her countrymen’s resistance to the Norman occupation of her family lands. She plans to visit King Henry in the hope of securing a life away from her unwanted husband, but grieving for the loss of his son, the King is obsessed with relics and prophecies.

Meanwhile, Haith tries to avoid the reality that Nest is married to another man by distracting himself with the mystery of the shipwreck in which the King’s heir drowned. As Haith pieces together fragments of the tragedy, he discovers a chest full of secrets, but will the revelations bring a culprit to light and aid the grieving King?

Will the two lovers be united as Nest fights for independence and Haith struggles to protect King Henry?

Universal Links: 

The Daughter of the Last King (Book 1)

The Drowned Court (Book 2)

The Anarchy (Book 3)

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Meet the Author

Tracey Warr (1958- ) was born in London and lives in the UK and France. Her first historical novel, Almodis the Peaceweaver (Impress, 2011) is set in 11th century France and Spain and is a fictionalised account of the true story of the Occitan female lord, Almodis de la Marche, who was Countess of Toulouse and Barcelona. It was shortlisted for the Impress Prize for New Fiction and the Rome Film Festival Books Initiative and won a Santander Research Award. Her second novel, The Viking Hostage, set in 10th century France and Wales, was published by Impress Books in 2014 and topped the Amazon Australia charts. Her Conquest trilogy, Daughter of the Last King, The Drowned Court, and The Anarchy recount the story of a Welsh noblewoman caught up in the struggle between the Welsh and the Normans in the 12th century. She was awarded a Literature Wales Writers Bursary. Her writing is a weave of researched history and imagined stories in the gaps in history.

Tracey Warr studied English at University of Hull and Oxford University, gaining a BA (Hons) and MPhil. She worked at the Arts Council, Institute of Contemporary Arts, Chatto & Windus Publishers, and edited Poetry Review magazine with Mick Imlah. She also publishes art writing on contemporary artists, and in 2016 she published a future fiction novella, Meanda, in English and French, as part of the art project, Exoplanet Lot. She recently published a series of three books, The Water Age, which are future fiction and art and writing workshop books – one for adults and one for children – on the topic of water in the future. She gained a PhD in Art History in 2007 and was Guest Professor at Bauhaus University and Senior Lecturer at Oxford Brookes University and Dartington College of Arts. Her published books on contemporary art include The Artist’s Body (Phaidon, 2000), Remote Performances in Nature and Architecture (Routledge, 2015) and The Midden (Garret, 2018). She gained an MA in Creative Writing at University of Wales Trinity St David in 2011. She is Head of Research at Dartington Trust and teaches on MA Poetics of Imagination for Dartington Arts School.

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Don’t forget to check out the other stops on The Anarchy Blog Tour with The Coffee Pot Book Club

David Fitz-Gerald is sharing some historical research from The Curse of Conchobar #historicalresearch #blogtour

Today, I’m delighted to welcome David Fitz-Gerald to the blog. I asked him about the historical research he undertook to write his new book.

Research is my rabbit hole and full immersion is my favorite form. Sometimes, that’s easier said than done, especially during a worldwide pandemic, when travel is restricted and museums are closed. For some eras, there’s almost too much information available, whereas artifacts from distant historical periods are often scarce.

The Curse of Conchobar is set in New York State, long before written history reflects the “discovery” of North America. It is now more commonly believed that European people explored North America hundreds of years earlier than 1492. With each new scientific discovery, it seems, earlier new firsts become accepted.

My main character needed a rich back story. The one I invented for him was inspired by our family’s visit to Ireland in 2019. If we had known what was coming, I’ll bet we would have stayed much longer. My favorite part of our visit was the day that we spent at the Cliffs of Moher. I would love to have visited Skellig Michael, where Conchobar grew up among monks and learned to be a mason. As a hiker and mountain climber, I would love to have climbed the steps to see the ancient structures. Fortunately, I found this stunningly beautiful drone footage, by Peter Cox Photography, on youtube at: https://www.youtube.com/watch?v=SxU6kk24mho

I’ve also had the pleasure of visiting Stonehenge in England and I’ve always been fascinated by megalithic stone structures. There are many smaller stone structures in New York, New England, and Canada that make you wonder, who built this, when did they build it, and what motivated them to do so? When Conchobar returns to masonry in my book, he creates just such a structure. As I was writing the book, the image of a stone chamber in Leverett, Massachusetts, from The New England Historical Society’s (NEHS) website inspired me to imagine what Conchobar could build in his new home in Northern New York State. According to NEHS, “Speculation now runs rampant about the origins of the mysterious stone structures. Did medieval Irish monks, American Indians or Vikings build them? Or did the English colonists just build them as root cellars?” I choose to believe the first theory presented. Don’t miss the other pictures on this website, but the one I’m referring to is the first picture. https://www.newenglandhistoricalsociety.com/6-mysterious-stone-structures-new-england/

The civilization that Conchobar encounters along the banks of what will later be known as the Hudson River is a precursor to the Haudenosaunee, also known as Iroquois. I placed my fictional village for the people in my book, Wanders Far, featuring Conchobar’s descendants, on Garoga Creek, a tributary of the Mohawk River, based on archaeology. If you’d like to spend some time in my research rabbit hole, may I recommend this report, Three Sixteenth-Century Mohawk Iroquois Village Sites, from The University of the State of New York:  https://exhibitions.nysm.nysed.gov/publications/bulletin/503-14603.pdf

There is some debate about whether Native Americans inhabited the Adirondacks. I’m confident that they did and I think that science is proving it. If you’re curious about the evidence, you might be interested in this. The First Adirondackers: Part One and Part Two, from Curiously Adirondack.

The characters in The Curse of Conchobar and Wanders Far travel great distances and survive extreme situations in the wild. I have spent countless hours trying to make sure that the creatures I write about are indigenous. For example, I was tempted to write about honey bees, only to discover that they are not native and didn’t arrive in North America until the 17th century. Crisis averted! It is amazing how many bodies of water would not exist if it weren’t for dams built by modern man, and it is hard to find accurate maps from prehistoric times, so I tried to prove that each waterway existed in ancient times before I wrote about them. And I’ve spent countless hours researching what ancient foragers might have found in New York’s primeval forests. Are you curious about how Native Americans built canoes from materials found in the woods? Check out this historic video from 1946.

As for the wanderlust, on May 5, 2018, I set out from Plattsburgh, New York, and walked to Lake Placid, home of the 1932 and 1980 Winter Olympics. I made the 50-mile journey to commemorate the historic 1963 trek of Lake Placid postman, Denny Miller, and also to make sure that the great distances my characters travel are realistic. I set out at midnight and limped into Lake Placid at dark, almost twenty hours later. The next day, I could barely walk. I’m older than most of the distance hikers I have written about, so I figure they can handle 30-miles a day when they need to.

You know the kind of person that takes pictures of historical mile markers so they can reread them later? How about the guy that has to read every placard in the museum―the one that has to be kicked out at closing time because there’s too much to see in just one day? Or the one that irritates the family by going miles out of the way to see something that nobody else is interested in? That’s me!

Thank you for spending a few minutes with me in my rabbit hole.

Thank you so much for sharing your research with me. Good luck with the new book.

Here’s the blurb:

Banished by one tribe. Condemned by another. Will an outcast’s supernatural strengths be enough to keep him alive?

549 AD. Raised by monks, Conchobar is committed to a life of obedience and peace. But when his fishing vessel is blown off-course, the young man’s relief over surviving the sea’s storms is swamped by the terrors of harsh new shores. And after capture by violent natives puts him at death’s door, he’s stunned when he develops strange telepathic abilities.

Learning his new family’s language through the mind of his mentor, Conchobar soon falls for the war chief’s ferocious daughter. But when she trains him to follow in her path as a fighter, he’s horrified when his uncanny misfortune twists reality, causing more disastrous deaths and making him a pariah.

Can Conchobar defeat the darkness painting his steps with blood?

The Curse of Conchobar is the richly detailed prequel to the mystical Adirondack Spirit Series of historical fiction. If you like inspiring heroes, unsettling powers, and lasting legacies, then you’ll love David Fitz-Gerald’s captivating tale.

Buy The Curse of Conchobar to break free from the fates today!

Trigger Warnings: Violence

Get your copy.

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Meet the Author

David Fitz-Gerald writes fiction that is grounded in history and soars with the spirits. Dave enjoys getting lost in the settings he imagines and spending time with the characters he creates. Writing historical fiction is like making paintings of the past. He loves to weave fact and fiction together, stirring in action, adventure, romance, and a heavy dose of the supernatural with the hope of transporting the reader to another time and place. He is an Adirondack 46-er, which means he has hiked all of the highest peaks in New York State, so it should not be surprising when Dave attempts to glorify hikers as swashbuckling superheroes in his writing.

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The Curse of Conchobar is available for free in exchange for signing up for David’s email list via BookFunnel: https://dl.bookfunnel.com/iwczowhp8q

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A.B Michaels is sharing some historical research from The Golden City #blogtour #histfic

Today, I’m excited to welcome A B Michaels to the blog with a fascinating post about the series, The Golden City.

Bringing America’s Gilded Age to Life One Detail at a Time

My series, “The Golden City,” is set during America’s Gilded Age, which ran from the end of the Civil War to approximately the start of World War I.  To fit the story I had in mind for The Art of Love (Book One), my main characters had to be living in San Francisco around the turn of the twentieth century. The city was booming by then, flush with the wealth of not one but two major gold rushes (California and the Klondike).

I picked San Francisco because I knew the city well from having grown up near it, as well as attending graduate school there.  In addition, as a teenager, my grandfather had worked in Canada’s Yukon Territory (where the Klondike River gave up its riches) and I’d recorded his recollections a few years before he died.  What better place to start my research than with an eyewitness account!

Happily, that time and place has turned out to be a treasure-trove of fascinating history. The late 1800’s to early 1900’s was filled with breakthroughs in science, industry, medicine and social customs. America was on its way to becoming the global leader that it is today, and women were beginning to realize they had power of their own. 

 

Golfer

Primary source material abounds in print and online (e.g., Jack London’s reporting on the San Francisco earthquake of 1906) and there is ample scholarship about such (often arcane) subjects as the prostitutes of the Barbary Coast (the city’s Red Light district); the fight against the bubonic plague (which flared up in the city around 1900); and the notorious corruption scandal that saw the indictment of the mayor and the resignation of virtually all members of the city’s board of supervisors. As a result, I have, and continue to accumulate quite a library that covers my historical niche. 

Bookcase

For The Art of Love, I began with my grandfather’s recollections and expanded further to learn the details of placer gold mining. 

Miner

I knew my female lead was going to be an artist, so I immersed myself in the art trends of the time (luckily, San Francisco had a thriving art scene then).  And, because a story must have conflict, I looked into the roadblocks, such as restrictive divorce laws, that men and especially women faced during that time. Eventually I focused on a fictional young woman who is caught in a social bind and must pay a terrible price in order to help her sister and gain her freedom to become the artist she was born to be.  

Now that I am more familiar with the time period in which I write, I’ll skim my resources on hand to find a kernel for my next story.  Or, I’ll peruse the digital newspaper archives from way back then.  The San Francisco Call, for example, was one of the main periodicals of that era (it evolved into the San Francisco Examiner). 

Newspaper

About a year and a half ago, in a brief article from 1903, I found just the type of story I was looking for because it involved both Spiritualism and “insane” asylums, two movements I knew were important during the Gilded Age.  That short newspaper article formed the basis of my latest book, The Madness of Mrs. Whittaker.

What resources can I not live without?  Undoubtedly, the Internet! I use it to corroborate facts I’ve learned elsewhere, but even more so, I use it as a quick source to fill in all the details that I can’t otherwise find: prices of hotel rooms, for example, or the types of restaurant food popular back then. How about hair or clothing styles for both men and women (Did every man wear those horrid mutton chop whiskers?!). 

Man with mutton chops

Other important aspects: communication and transportation. How common were telephones back then? (Answer: not very.) What did train tickets cost and what train routes would my characters have taken?

One of the most important details, in my opinion, is the use of slang and when it made its way into the American lexicon.  I can’t have my characters exclaiming “Awesome!” back in 1900!

One fan recently asked when the term “car” was first used as slang for “automobile.” My novel (in this case, The Depth of Beauty) took place in 1903, a time when cars weren’t all that common except among the upper classes, so the use of the word sounded strange to him.  I knew the etymology of the word “car” dated back centuries (It comes from the Latin word carrus which means “wheeled vehicle.”).  I had to dig a little to find that the phrase “motor car” dates from 1895 (in Britain) so I feel confident that the word was shortened to “car” by 1903, at least in America. Had I found that the word entered our vernacular later than 1903, I would have quickly made the correction.

Readers care about such minutiae, and so do I. Perhaps it seems trivial but making sure I get such facts right is my pledge to readers.  I want them to know that the period details they read about in my stories are as accurate as I can make them. Sure, the stories and the characters are fiction (with a few historical figures thrown in to make things interesting), but by and large, readers are learning what life was like “back in the day,” whether it was living through a massive earthquake, suffering from bubonic plague, or getting stuck in a mental asylum with no easy way out.

One more note about historical research as it pertains to fiction: I try to follow the old adage “less is more.”  Recently a friend who loves historical fiction said to me, “I’d love doing the research—not the writing, just the research!” And I knew what she meant.  It’s completely engrossing to learn about a different place and time—what challenges men and women faced, what disadvantages they experienced, what everyday life was like.  And it’s so tempting to share much of what I’ve learned.  But I try very hard to make the historical detail serve the story.  I want readers to care about what’s happening within my fictional world; I can’t afford to bog them down with too much description or explanation (what writers sometimes call an “info dump.”) My goal is to have readers effortlessly merge into the Gilded Age as they follow characters they care about, picking up interesting details here and there, and knowing that when it comes to historical verisimilitude, I won’t lead them astray.

Thank you so much for sharing such a fascinating post. Good luck with all the books in the series.

                                                                       

Here’s the blurb

Your Journey to The Golden City begins here…

FORTUNESACRIFICE…PASSION…and SECRETS

A tale of mystery, social morality and second chances during America’s Gilded Age, The Art of Love will take you on an unforgettable journey from the last frontier of the Yukon Territory to the new Sodom and Gomorrah of its time – the boomtown of San Francisco.

After digging a fortune from the frozen fields of the Klondike, August Wolff heads south to the “Golden City,” hoping to put the unsolved disappearance of his wife and daughter behind him. The turn of the twentieth century brings him even more success, but the distractions of a hedonistic mecca can’t fill the gaping hole in his life.

Amelia Starling is a wildly talented artist caught in the straightjacket of Old New York society. Making a heart-breaking decision, she moves to San Francisco to further her career, all the while living with the pain of a sacrifice no woman should ever have to make. 

Brought together by the city’s flourishing art scene, Gus and Lia forge a rare connection. But the past, shrouded in mystery, prevents the two of them from moving forward as one. Unwilling to face society’s scorn, Lia leaves the city and vows to begin again in Europe.

The Golden City offers everything a man could wish for except the answers Gus is desperate to find. But find them he must, or he and Lia have no chance at all.

Buy Links: 

The Art of Love

The Depth of Beauty

The Promise: 

The Price of Compassion

Josephine’s Daughter

The Madness of Mrs Whittaker

Meet the author

A native of California, A.B. Michaels holds masters’ degrees in history (UCLA) and broadcasting (San Francisco State University). After working for many years as a promotional writer and editor, she turned to writing fiction, which is the hardest thing she’s ever done besides raise two boys. She lives with her husband and two spoiled dogs in Boise, Idaho, where she is often distracted by playing darts and bocce and trying to hit a golf ball more than fifty yards. Reading, quilt-making and travel figure into the mix as well, leading her to hope that sometime soon, someone invents a 25+ hour day.

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Don’t forget to check out the other blogs on The Art of Love blog tour with The Coffee Pot Book Club.

Check out my review for The Fort by Adrian Goldsworthy (Roman historical fiction) #blogtour #histfic #Romanhistfic

Here’s the blurb:

AD 105: DACIA

The Dacian kingdom and Rome are at peace, but no one thinks that it will last. Sent to command an isolated fort beyond the Danube, centurion Flavius Ferox can sense that war is coming, but also knows that enemies may be closer to home.

Many of the Brigantes under his command are former rebels and convicts, as likely to kill him as obey an order. And then there is Hadrian, the emperor’s cousin, and a man with plans of his own…

Gritty, gripping and profoundly authentic, The Fort is the first book in a brand new trilogy set in the Roman empire from bestselling historian Adrian Goldsworthy.

The Fort by Adrian Goldsworthy is good ‘Roman’ era fiction.

Set in Dacia in AD105, it is the story of ‘The Fort’ under the command of Flavius Ferox, a character some will know from Goldsworthy’s previous trilogy that began with Vindolanda.

Mistakenly thinking this was an entirely new trilogy with all new characters, it took me a while to get into the story. Everyone seemed to know everyone else apart from me. But Ferox is a good character, and he grounded me to what was happening in the immediate vicinity of the Fort, and apart from once or twice, it didn’t really matter what had gone before.

This is a story of suspicions, ambition and lies, and it rumbles along at a good old pace. This isn’t the story of one battle, but rather many, a slow attrition against the Romans by the Dacians.

Overall, this was an enjoyable novel, and some of the fighting scenes were especially exciting. Those with an interest in Roman war craft will especially enjoy it, although, I confess, I don’t know my spatha from my pilum (there is a glossary, fellow readers, so do not fear.)

About the author

Adrian Goldsworthy has a doctorate from Oxford University. His first book, THE ROMAN ARMY AT WAR was recognised by John Keegan as an exceptionally impressive work, original in treatment and impressive in style. He has gone on to write several other books, including THE FALL OF THE WEST, CAESAR, IN THE NAME OF ROME, CANNAE and ROMAN WARFARE, which have sold more than a quarter of a million copies and been translated into more than a dozen languages. A full-time author, he regularly contributes to TV documentaries on Roman themes.

Adrian Goldsworthy , Author , Broadcaster , Historical consultant .

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The Last King is a year old today – thank you to everyone who’s read and reviewed the book

I’m really quite bad at remembering all the publication dates of my books, but The Last King has certainly stuck in my mind. What started quite inauspiciously, with a few die-hard fans preordering the book, has become my most popular series, and most popular book to date.

Perhaps I shouldn’t be so surprised, but I am. The book, a few years in development, burst from me in a flurry of excitement early in 2020, when I opted for a ‘harder’ character, a man who is simply so good at what he does, he doesn’t understand that others can’t do what he can. It’s not arrogance. It’s confidence.

So, why the hesitation? It takes a lot to stomp, and I mean, stomp all over a time period made so famous by another giant of the field – Bernard Cornwell with his Uhtred, or The Last Kingdom books. And yet, I couldn’t move away from the temptation of the little known Coelwulf, and the story of Mercia which has never been told.

Yet, I needed to do it in a different way to BC. I remember handing the first few chapters to my critique partner and editor and saying ‘is this edgier?’, ‘would a warrior speak like this?’ It came back with a ‘yes’ and also some pencil marks and a bit more swearing added in, and a comment that if I was going to cauterise a wound, then I needed to do it properly, gore and all.

I’d previously written what I thought would be an opening scene, while sitting in hospital for an appointment with lots of different bits to it – but while that gave me the characters, it didn’t give me quite what I was looking for. Still, you can read ‘A Meeting of Equals‘ over on my author platform on Aspects of History.

And that was almost it (apart from a dose of my own confidence drawn from watching The Gentlemen by Guy Ritchie – which truly made me think ‘anything goes,’ and gave me the idea for the opening scene – if you’ve read the book you’ll know what I mean.) Coelwulf reared his head, and so too did a cast of characters that are unique, complex, enjoyable to write about, and often a bit pushy.

There’s a sample below – remember, it’s Coelwulf, it’s going to be pretty full-on from the word go. (18 rated)

So thank you to all my readers and reviewers, to my beta readers (you know who you are), and to the people I’ve collaborated with on ensuring the word gets out about Coelwulf.

Here’s to many more such anniversaries.

The first eight covers for The Last King series by MJ Porter
The Last King/The Mercian Ninth Century

Book Review – The Queen’s Rival by Anne O’Brien – historical fiction – highly recommended

Here’s the blurb;

“One family united by blood. Torn apart by war…

England, 1459: Cecily Neville, Duchess of York, is embroiled in a plot to topple the weak-minded King Henry VI from the throne. But when the Yorkists are defeated at the Battle of Ludford Bridge, Cecily’s family flee and abandon her to face a marauding Lancastrian army on her own.

Cecily can only watch as her lands are torn apart and divided up by the ruthless Queen Marguerite. From the towers of her prison in Tonbridge Castle, the Duchess begins to spin a web of deceit – one that will eventually lead to treason, to the fall of King Henry VI, and to her eldest son being crowned King Edward IV.

This is a story of heartbreak, ambition and treachery, of one woman’s quest to claim the throne during the violence and tragedy of the Wars of the Roses.”

The Queen’s Rival is a stunning look at the ‘later’ life of Cecily Neville from 1459 until 1483. This is not a ‘quiet’ period of history and to cover the tumultuous events, the author adopts the technique of recording the letters of the main protagonists, either from the pen of Cecily or from those who write to her.

It does take a little while to get used to the technique, but the reader is quickly drawn into the story, not perhaps by the events taking place, but rather by the relationship between Cecily and her two sisters, Anne, Duchess of Buckingham and Katherine, Dowager Duchess of Norfolk. The words they share with each other are just what sisters might well say to each other, especially when they’re not likely to see each other soon.

More importantly, the sisters, while fiercely loyal to their Neville inheritance, are not of one mind about who should rule England, and who has the right to rule England. It highlights just how destructive the War of the Roses was, and is a genius way of quickly ensuring the reader appreciates that families were ripped apart by the protracted war.

This is the story of the women of the later 15th century. It’s their voices that we hear, as they try and come to terms with the rises and falls all of them experience. There are moments when the narrative is hard to read, either because you know what’s going to happen, or just because you really feel for Cecily and don’t want her to experience the tribulations than she does.

I am a huge fan of Anne O’Brien and the ‘forgotten’ women of the medieval period in England. While the author may stress that Cecily is not really a forgotten woman, I was not really aware of her before reading this book. The mother of two kings, the grandmother of future kings, and yet she could also have been queen herself. What an interesting life she led.

I highly recommend this book. And you can find my review here for A Tapestry of Treason.

Thank you to the publisher and Netgalley for my review copy.

The Queen’s Rival is released in ebook and hardbook on 3rd September 2020. (What a stunning cover.) It is released in paperback today, 15th April 2021.

Celebrating release day for The Custard Corpses – a delicious 1940s mystery #histfic #mystery

Say what?

I know, but there you have it. 2020 was a strange year and out of it grew The Custard Corpses. I really, really hope you will take a chance on it, and enjoy something a little (okay, a lot) different from this historical fiction author.

Here’s the blurb;

A delicious 1940s mystery.

Birmingham, England, 1943.

While the whine of the air raid sirens might no longer be rousing him from bed every night, a two-decade-old unsolved murder case will ensure that Chief Inspector Mason of Erdington Police Station is about to suffer more sleepless nights.

Young Robert McFarlane’s body was found outside the local church hall on 30th September 1923. But, his cause of death was drowning, and he’d been missing for three days before his body was found. No one was ever arrested for the crime. No answers could ever be given to the grieving family. The unsolved case has haunted Mason ever since.

But, the chance discovery of another victim, with worrying parallels, sets Mason, and his constable, O’Rourke, on a journey that will take them back over twenty-five years, the chance to finally solve the case, while all around them the uncertainty of war continues, impossible to ignore.

Check out the Erdington Mysteries series page for information about the series and where to purchase direct from me.


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Introducing The Custard Corpses, and the first Chapter #histfic #mystery #quirky

Here is it, a book I never thought I’d write – not only a mystery, but one set nearly a thousand years after most of the books I write, and one which began with a series of adverts.

Here’s the blurb;

A delicious 1940s mystery.

Birmingham, England, 1943.

While the whine of the air raid sirens might no longer be rousing him from bed every night, a two-decade-old unsolved murder case will ensure that Chief Inspector Mason of Erdington Police Station is about to suffer more sleepless nights.

Young Robert McFarlane’s body was found outside the local church hall on 30th September 1923. But, his cause of death was drowning, and he’d been missing for three days before his body was found. No one was ever arrested for the crime. No answers could ever be given to the grieving family. The unsolved case has haunted Mason ever since.

But, the chance discovery of another victim, with worrying parallels, sets Mason, and his constable, O’Rourke, on a journey that will take them back over twenty-five years, the chance to finally solve the case, while all around them the uncertainty of war continues, impossible to ignore.

The Custard Corpses cover showing a bow holding a cricket bat in front of some stumps.

As this is something completely new to me, I’m going to share a snippet.

Chapter 1

Erdington, October 1943

Sam bit back the cry of pain, coming to an abrupt stop. The pavement was shaded with the colour of the advancing night, but even so, he knew where the uneven step was. He really shouldn’t have kicked it. Not again. Would he never learn?

He blinked the tears from his eye and lifted his right hand to rub it over the ache of his lower back. All these years, and still it hurt. It would never stop. He knew it, and yet sometimes, he forgot, all the same, only to be rudely reminded when he overbalanced or attempted to take a step that was just too wide.

There was a reason he was here and not on one of the many front lines of this terrible war, the second in his lifetime. There was a reason he was here while his son, John, fought in his place.

His breath rasped through his suddenly tight chest, and yet the thin shard of light from behind the tightly closed curtains encouraged him on. Inside, there was companionship, and it drove him onwards, made him quest to be a better man. Despite the fact he knew it wasn’t true.

“Come on,” he urged himself, and although it was going to ache, he forced his legs to move, left, then right, then left, and his hand reached up to push the welcoming door open.

Appetising smells greeted him, and he dredged a smile to his face, turning to hang his hat on the waiting peg and to shrug the overcoat from his thin shoulders, revealing his policeman’s uniform beneath. The blue so dark; it was almost black. He hooked his gas mask above his overcoat. There in case he should require it. But no bombs had fallen for half a year now. He hoped none ever would again. No voice was raised in greeting to his noisy arrival. It never was.

With the door closed and locked behind him, he slipped his feet from his black shoes, using one foot to force down the ankle and then doing the same in his socked-feet. It was better than being forced to bend when his back was so painful, even if it was destroying the back of his shoes, as his wife complained whenever she witnessed it. He’d taken to hiding his work shoes behind the boots he wore to the allotment. Better that Annie did not see them.

Opening the door that led into the heart of his home, he paused, just watching her for a heartbeat.

“Evening, love.” He bent to place a kiss on his wife’s head, refusing to notice the thinning brown hair, the streaks of grey making up more and more of it as the years passed. A skeletal hand reached up to grip his, and he squeezed tightly, settling beside her at the table.

A single lamp afforded the only light in the small kitchen, a warm fire burning in the hearth in the sitting room as he settled beside her. His wife didn’t so much as look at him. Sam considered that she didn’t want to see the ruin of her husband. 

Time hadn’t been kind to either of them and yet he couldn’t help but be grateful for the years they’d had together. It could have been so different. So many of his brothers-in-arms lost fighting over two decades ago. They would have loved to live long enough to see the ravages of time etched into their skin and characters, to grow weary with aches and pains, to learn the experiences that only time could afford.

A flurry of movement from Annie, and a plate was placed on the table before him, the lid swept aside. The steam took only a moment to clear, and he suppressed his rumbling stomach. It was a meal as any other day, not particularly appetising, and yet, food all the same. He was grateful for the potatoes, harvested from their garden, and the gleaming orange carrots, if not for the small sausages. Gravy pooled around the meat, and he closed his eyes, imagining a feast fit for a king, before meticulously cutting, eating and savouring every mouthful.

His wife didn’t speak, and neither did he. No doubt, she was as caught up in her thoughts as he was in his.

He considered reaching for his newspaper, but instead, his eyes were fixed by the bright image that lay open on the magazine discarded on the table before him. The Picture Post. Was there ever a magazine more filled with stories that titillated while offering little or no actual facts?

Not that he ever complained. Not anymore. If she enjoyed the stories and bright images of the adverts, then why should he? Anything that distracted her from the constant worry about their son. Anything.

Now, he found a smile tugging on his lips, and his mind cast him back to when his son had been a small boy. John had delighted in such simple antics as that on display. The custard advert enticed all parents to part with their hard-earned ration coupons. He couldn’t see that a liberal dollop of the sugary, creamy mixture would help any child become an athlete, professional cricket player or ballerina, but what did he know? He was just an old man, with a job that kept him busy and an ache in his heart where his youth had once been.

Sam reached for the folded newspaper, the smirk still playing on his lips.

“Don’t.” His wife’s voice shocked him, sounding more formidable than he’d heard for the last few years, ever since their son had left to fight Britain’s fresh battles against the might of Hitler and Germany.

He lifted his eyes to find hers boring into his.

“Don’t,” and now there was more softness, but it was too late. His eyes had alighted on what she’d been trying to keep from him.

Once more, he felt an unbidden tear form in the corner of his eye as he gazed at the hazy black and white photograph. Not that he didn’t know it intimately. He did. He’d stared at that image, and others besides, until they were emblazoned on his very soul, overriding even the final images of his lost comrades from the Great War, the war to end all wars. How wrong they’d been.

He swallowed, the burn making it feel as though it were cardboard and not the remnants of his dinner that he evacuated from his mouth.

“Again?” he felt the need to say something.

“Again,” she replied, and there was understanding and sorrow in that look, and he didn’t want any of it. He didn’t want to add to her fears and worries with his own.

“It was a long time ago,” he tried to reassure, reaching for her hand and encasing it within his. It was no longer soft but instead forged in iron, the wiry strength surprising him, even though it shouldn’t, not after all this time.

“It rolls around too quickly, these days,” a hint of a smile on her thin lips, blue eyes glistening with sorrow, and he realised that she was trying to reassure him. He hated it that she felt the necessity.

“And still, there’s no closure for the family.”

“No. But they’re not alone in that. Not anymore.” Her voice trailed off as she spoke, and he turned to gaze into the glow from the table lamp, allowing it to haze in front of him. She was right in that, as well. Many would never hold the knowledge of what exactly happened to their loved ones. Yet, there was a world of difference between adults and children. It was the fact he’d been a child that cut the deepest. 

His mind returned to that terrible day. How could it not? He’d been a young man, wounded and broken after his time at The Front, but at least he’d still breathed. Not like the splayed body found in the undergrowth close to the church hall, eyes forever staring. Somehow, the rigour mortis of a smile on that cherubic face, so that anyone could be forgiven for thinking the boy was merely caught in the act of playing hide and seek.

But the face had been blue and white, the eyeballs rimmed with the grey haze of death that he’d come to know so well during his time in the trenches before his injury had ensured he need never revisit the place.

In the faded light of the lamp, he watched the scene, as though he’d been a bird, able to watch from above. His eyes alighted, not on the corpse, but rather on his chief inspector, the man who’d made him who he was today, and yet who’d been broken by the failure to solve the death of the boy.

Sam found a soft smile playing around his lips. Fullerton had been a meticulous man, with his long mackintosh and tightly wedged police hat covering the tendrils of greying hair showing beneath it and in the sideburns that snaked down to meet the dark moustache quivering over his lips. Many would have been forgiven for thinking he had no compassion for the corpse. But no, he’d had more than most, but he had desired to solve the case, to bring the perpetrator to justice. It was a source of unending disquiet that it had never been possible.

It had marked him from that day he’d found Robert’s body to the day of his death.

It hadn’t been Sam’s first case, far from it, but it had felt like it. He’d learned so much, and yet it had never been enough. Not for young Robert McFarlane and his family.

He swallowed once more, his keen memory fastening on the scene. Or rather, on the way that the body had been presented. The murderer hadn’t killed young Robert beside the church hall behind the High Street. In fact, they’d never found the place the murder had truly taken place, only where the body had been found.

Sam thought of Mrs McFarlane, her tear-streaked face, her shaking shoulders. Her oldest son, taken from her, just as her husband had been by the enemy’s bullets during the Great War. There’d been so much grief and loss in the years during and after the war, if not dead on some far-flung battlefield, then carried away by the terrible Spanish influenza. It had all seemed never-ending. And then, the spark of an untainted future when all had seemed calmer, taken between one breath and the next.

Sam had never seen grief festoon someone so entirely. As Chief Inspector Fullerton had told her the news, she’d aged before their eyes. It had taken his quick reflexes to ensure she didn’t collapse to the floor on the bright red doorstep, her young daughters, wide-eyed and sobbing as they watched their mother, hands clasped tightly together, as though they could hold their mother up with such an act.

There’d been a time when Sam had wished Chief Inspector Fullerton hadn’t told Mrs McFarlane in such a way, his words hard and unfeeling, and yet, he’d come to appreciate that there was no right and wrong way to impart such terrible news. It was almost a kindness to say the words, ‘your son is dead,’ as quickly as possible. There was no need to use superfluous words, to offer sympathy, to say anything but the facts.

Her accusing eyes had followed him through the years. Why they’d said that day and many days since, is my son dead, while yours yet lives?

It was not Mrs McFarlane who’d marked the anniversary of her son’s death, each and every year for the last twenty years, but rather, her daughter. The older one, Rebecca, had taken on the responsibility for ensuring that no one ever forgot her brother when her mother sadly passed away, worn down by grief and loss, by the need to survive in a world turned upside down, with nothing but a war pension to ease the burdens. 

It was Rebecca who routinely sent letters asking for updates on the case. It was Rebecca that he tried to avoid at all costs when he saw her at church, on the tram or along the High Street. It was Rebecca who’d broken Chief Inspector Fullerton, in a rare show of emotion that shocked him to recall, even now. He’d never seen Fullerton like that. He’d never imagined Fullerton could be so very emotional that tears would run from his brown eyes, that he’d tear at what remained of his hair in frustration. 

Chief Inspector Fullerton had retired a few years ago, but he’d not lived long enough to enjoy it. Sam shook his head. One murder and so many lives destroyed, and still, the murderer was out there, perhaps hiding, perhaps luxuriating in what he’d managed to get away with, or maybe, he was dead as well, getting away with his crime for all time. Twenty years was a long time.

Sam was snapped from his reveries by a bowl appearing before him. Somehow, he’d become so lost in the past; he’d not even heard his wife stand at the stove for the last many minutes.

A cheeky smile from her, driving away the wrinkles and the grey streaks in her hair, making her look twenty years younger, and he looked down at the bowl before him.

“Custard?” he asked, enjoying the unusual light-hearted look on her face.

“I know it’s your favourite. There’s even some apple in there, somewhere, and some blackberries, picked from the country lane on my walk yesterday afternoon to Pipe Hayes Park.”

“How did you get it?” he asked, eagerly spooning the sweet mixture into his mouth.

“I’ve been saving my packets. I didn’t tell you. I know you wouldn’t be able to wait.”

“Then you have my thanks,” he grinned, fully returning to the present. He couldn’t do anything about the past. No matter how much he wished he could.

“This is delicious,” he complimented his wife, leaning back, hand on his full belly.

“Well, now you just need to wait another year, and then you can have more.” But there was a lightness to her voice when she spoke, and the flash of joy in her eyes cheered him. There was so much wrong with the world at the moment, and yet here, beside his wife, in their cosy front room, everything was well. Even if only for now.

Intrigued? The Custard Corpses is available here.

Check out The Erdington Mysteries series page.


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The Earls of Mercia Series – what possessed me? #histfic

The Earls of Mercia Series – what possessed me?

I decided it was time to take a hard look at myself, and why my very first historical fiction project is proving to be the longest so far.

The Earls of Mercia inspiration

The last century of Early England is a place well-trodden by non-fiction and historical fiction authors, so why did I choose to tell it through the eyes of a handful of people who almost slip through the historical record unnoticed because of the ‘giants’ of the period?

History is filled with those who get swept aside because other events overtake their achievements, and so it is with the Earls of Mercia. They were a family who ‘ruled’ continually from 993 to 1066 – a feat not even achieved by the Wessex royal family, begun by King Alfred, during the same time period. In the annals of the time they’ve been pushed to the side by the likes of Eadric Streona, King Cnut and the family of Godwine, by the events of both 1016 and 1066, and also by the fact that when the family married into royalty, it was destined to be short-lived.

I ‘discovered’ my first character – Ealdorman Leofwine – while meandering down the aisle in a university library. By rights, I shouldn’t have been there, not in that section, and equally, I shouldn’t have gone on to write my dissertation about him, but I did, but only after I’d made him into a fictional character. So just what was it that made him so appealing as a character?

As I read about the family, in Stephen Baxter’s, The Earls of Mercia, Lordship and Power in Late Anglo-Saxon England, I was flabbergasted that this character existed and yet hadn’t been put to good ‘use.’ Ealdorman Leofwine, his sons, grandsons, and great-grandchildren were witnesses to all of the events I’ve mentioned above. Not only did they witness them, but they were involved as well. I remember picking up and reading Frank Barlow’s book on the Godwines and being disgusted that Ealdorman Leofwine, Earl Leofric, Earl Ælfgar and his sons and daughter get little more than the odd mention. The desire to tell a story only about the Godwines excluded the perfect foil for them. I couldn’t allow that to stand.

But, how to tell the story of a century, of four generations? Initially, my idea was to tell a retrospective story, through the eyes of the great-grandson who did survive the tumultuous events of 1066, using the idea of a scribe writing down the family’s history while he was imprisoned at the request of William the Bastard for well over a decade. I still have the words I first wrote. But, that was not the route I eventually went down. No, I wanted to make Ealdorman Leofwine more than just someone’s ancestor, I wanted to make him a person in his own right, even if I do harbour the suspicion that he might have been retrospectively given greater influence than he might have claimed. 

And that is the path that I’ve continued to tread. My overarching ambition is to tell the story of the years from 993-1066, but each player must have their own story, they must all be allowed to live, before they die; they must all be people in their own right. And now, as I begin to retell the story that so many are familiar with, that of the reign of Edward the Confessor and the events that led to 1066, I’m pleased by my decision to ensure the Earls of Mercia have their own story to tell – and also by the fact that because of that, other historical characters are also having their story retold a little – the oft-forgotten or misunderstood characters, and that means kings as well as earls and great ladies. 

I’m pleased that people who read about the Earls of Mercia are able to consider that the Godwines were not quite the ‘top-dogs’ they might appear to be from such a distance. Not that it doesn’t involve playing around with what some might call the ‘facts’ but that is the joy of historical fiction – in getting to know my characters, in playing around with the information that we do have, I can find other possibilities, and they are not quite as far-fetched as it might be believed.

I began writing the first book in the Earls of Mercia series in 2011. Since then, I’ve been slowly working my way backward through Early England and slightly forward through Denmark. This has meant that the first two books in the series have undergone some subtle changes as they’ve been rereleased in paperback and the copyright returned to me by my publisher. So, for those who haven’t started the books yet, starting with book 1 or even book 2 isn’t necessary. You can jump in at book 3, Northman Part 1, or at The Earl of Mercia’s Father, book 6, or even with Viking King, The English King, or The King’s Brother – yes, you might miss some back story but you’ll be able to enjoy the main story.

Enjoy.

Check out the Earls of Mercia series page on the blog for more information.

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The Windsor Knot by S J Bennett – Book Review – Contemporary Murder Mystery

Here’s the blurb;

The first book in a highly original and delightfully clever crime series in which Queen Elizabeth II secretly solves crimes while carrying out her royal duties.

It is the early spring of 2016 and Queen Elizabeth is at Windsor Castle in advance of her 90th birthday celebrations. But the preparations are interrupted when a guest is found dead in one of the Castle bedrooms. The scene suggests the young Russian pianist strangled himself, but a badly tied knot leads MI5 to suspect foul play was involved. The Queen leaves the investigation to the professionals—until their suspicions point them in the wrong direction.

Unhappy at the mishandling of the case and concerned for her staff’s morale, the monarch decides to discreetly take matters into her own hands. With help from her Assistant Private Secretary, Rozie Oshodi, a British Nigerian and recent officer in the Royal Horse Artillery, the Queen secretly begins making inquiries. As she carries out her royal duties with her usual aplomb, no one in the Royal Household, the government, or the public knows that the resolute Elizabeth will use her keen eye, quick mind, and steady nerve to bring a murderer to justice.”

So, this isn’t quite historical fiction, but it’s mainly set at Windsor Castle, so I’m going with it. The Windsor Knot was in the Kindle sale for 99p, and I decided to try it out on a whim, and I’m pleased I did. What I initially thought to be a cosy-mystery is a bit more than that and the plot becomes more and more complex as the queen wades through the information available to her.

What I really enjoyed was the way the author managed to move the queen through the duties of her day to day business and still find time for her to be thinking more than the people at MI5.

Set in 2016, just before her 90th birthday, this book is very much centred around the queen, and the people she trusts who have far more freedom than she does to get to the people and places she needs information about. There are no end of false leads and the two main characters, that of the queen and her personal secretary, Rosie, are well-constructed and engaging. And, although he only makes the odd appearance – Prince Phillip is a delight as well.

If you’re looking for a (reasonably) light-hearted murder-mystery that’s well-grounded in today’s world, then I would recommend this, and for 99p, it’s an absolute steal. Not my usual read but a delight all the same.

The Windsor Knot is available now.

(This post contains some Amazon Affiliate links)