I’m really pleased to be able to share with you that the audio version of The Custard Corpses is now available from Audible and Amazon, and can be read as part of an Audible membership subscription. If you don’t have one yet, you can sign up here, or it is available to purchase without a subscription
Matt Coles has produced a fantastic narration for Mason, O’Rourke, Smythe and Hamish. I hope you enjoy it. There’s a sample below the cover image.
Here’s the blurb:
A delicious 1940s mystery.
Birmingham, England, 1943.
While the whine of the air raid sirens might no longer be rousing him from bed every night, a two-decade-old unsolved murder case will ensure that Chief Inspector Mason of Erdington Police Station is about to suffer more sleepless nights.
Young Robert McFarlane’s body was found outside the local church hall on 30th September 1923. But, his cause of death was drowning, and he’d been missing for three days before his body was found. No one was ever arrested for the crime. No answers could ever be given to the grieving family. The unsolved case has haunted Mason ever since.
But, the chance discovery of another victim, with worrying parallels, sets Mason, and his constable, O’Rourke, on a journey that will take them back over twenty-five years, the chance to finally solve the case, while all around them the uncertainty of war continues, impossible to ignore.
And don’t forget, it’s also available as an ebook, paperback and hardback from Amazon.
Today, I’m delighted to welcome Paul Walker to the blog, with a guest post on the historical research he undertook to write State of Treason, set in Elizabethan England, a period that’s a particular favourite of mine.
Here’s what Paul had to say about his research methodologyfor the William Constable spy thrillers.
“I’m not a historian and had read very little history non-fiction in the years leading up to 2018. So, I was under no illusion that writing my first work of historical fiction was going to take a lot of research. It was going to be my second attempt at writing a novel. The first, a recently completed contemporary thriller, had been put to one side as an apprentice piece. It wasn’t very good, but I had learned a lot; enough to convince me that I was ready to tackle historical fiction. Mind you, I didn’t take much convincing. I had harboured that ambition for about 20 years, ever since reading the Patrick O’Brian series of books on the early nineteenth century English navy. I adored O’Brian’s use of language and the way his writing had produced a sharp sense of time and place.
I had selected the period and genre as an Elizabethan spy thriller. I’ll admit that the choice of period was influenced by my relative familiarity with characters and events, but that learning was gathered from reading fiction, watching films, TV series and docu-dramas. I didn’t have the depth of knowledge that would escape the attention of eagle-eyed readers ready to pounce on any error in the timeline of actual events or placement of a real character in the wrong town or country.
Like a game of donkey’s tail, I had stuck a pin in the chronology of English history – now what? I knew I had to do research, but there was no typical, documented way to research historical fiction. Of course, there’s also no standard route to writing a novel. Some plan meticulously with charts and spreadsheets for events, characters, sub-plots, locations, dialogue and action while others simply start tapping on the keyboard or put pen to paper and see where it takes them. I’m not a great planner, but understood that I had to create a structure from my research, which I would use to direct my writing. How that structure would manifest itself, I wasn’t sure.
We have an excellent independent bookshop nearby (David’s of Letchworth if I am allowed to name drop) with an extensive second-hand section on history. At the outset of my research, I purchased 17 books; 3 were biographies of Elizabeth; others covered major historical figures from the period including Sir Francis Walsingham, Lord Burghley, Robert Dudley, Doctor Dee and Francis Drake. I didn’t read every page of these books, but I became immersed in more than three months’ reading, note taking and expanding my research library by following up references in the original collection.
I’m fascinated by maps and charts. I purchased a wonderful book titled, London: A History in Maps by Peter Barber, and a large map of Tudor London, which I unfolded and pinned to the wall of my writing shed. I had London as the location and chose the year 1578 as the starting point for my first book. I picked that year as I could find nothing of great importance recorded in the literature, so I was free to invent intrigue and peril. On reflection, that was a strange decision, but as it was my first attempt at writing historical fiction, I probably lacked the confidence to weave the plot around real events. The second and third books in the series have actual historical episodes at the core of their stories.
I had done enough research to create a plot and begin writing. But research never stops and there wasn’t a day’s writing when I didn’t have to check facts, research new possibilities or unearth more detail on a generalisation. Of course, a lot of this research is on the Internet and Wikipedia provides a ‘quick and dirty’ source to check or validate information. There are many other useful websites and documents online, although veracity, objectivity and completeness should always be questioned. Unexpected, and valuable sources of information are held in unpublished academic theses, dissertations and lectures, not least because they can often contain surprising pearls of knowledge.
The first book in the series is titled, State of Treason. The plot developed in a way I didn’t anticipate, involving privateering and an adventure to the ‘New Lands’. For reasons I won’t divulge here, the scholar protagonist, William Constable, invents a device for improving the accuracy of ship navigation. This meant further research and a crash course on celestial navigation, as well as reading up on the explorers and adventurers, John Hawkins and Humphrey Gilbert. The shadow staff mentioned in the book as William’s invention, is an imagined forerunner of the backstaff or Davis Quadrant. Captain John Davis conceived this instrument during his voyage to search for the Northwest Passage and is described in his book Seaman’s Secrets, 1594.
A key incident referenced in the second book, A Necessary Killing, was the Second Desmond Rebellion in Ireland. I was grateful for discovery of a dissertation by C Sasso at the University of Chicago on the Desmond Rebellions, as I regularly delved into its pages to help with the writing.
The third book, The Queen’s Devil, has probably the most complex plot incorporating threads of a number of real occurrences and characters. One of the most interesting and thought-provoking historical characters was Giordano Bruno, a defrocked Dominican Friar turned philosopher and proclaimer of an infinite universe. I was particularly indebted to John Bossy’s book, Giordano Bruno and the Embassy Affair; an enthralling read as well as a mine of information on plots and intrigues in 1580’s England.
So, there you have it; a rundown of the main elements of my research that led to writing the William Constable series of historical fiction. I understand this blog post would have been more interesting if I had taken the trouble to visit the sites in person, absorbed the sensation of time and place from historical objects and examined Walsingham’s original handwritten letters in the British Library. I regret, the truth is more mundane.”
What a fascinating journey into researching the time period. I’m always astounded by how the little pieces of information discovered while researching something else, ultimately worm their way into novels. Thank you, Paul, for sharing your experiences.I agree that a good second hand book shop is a must.
If this has you intrigued, as it does me, here are the details for State of Treason, available now as an audio book, as well as ebook.
William Constable is a scholar of mathematics, astrology and practices as a physician. He receives an unexpected summons to the Queen’s spymaster, Sir Francis Walsingham in the middle of the night. He fears for his life when he spies the tortured body of an old friend in the palace precincts.
His meeting with Walsingham takes an unexpected turn when he is charged to assist a renowned Puritan, John Foxe, in uncovering the secrets of a mysterious cabinet containing an astrological chart and coded message. Together, these claim Elizabeth has a hidden, illegitimate child (an “unknowing maid”) who will be declared to the masses and serve as the focus for an invasion.
Constable is swept up in the chase to uncover the identity of the plotters, unaware that he is also under suspicion. He schemes to gain the confidence of the adventurer John Hawkins and a rich merchant. Pressured into taking a role as court physician to pick up unguarded comments from nobles and others, he has become a reluctant intelligencer for Walsingham.
Do the stars and cipher speak true, or is there some other malign intent in the complex web of scheming?
Constable must race to unravel the threads of political manoeuvring for power before a new-found love and perhaps his own life are forfeit.
This book can be read for free with #KindleUnlimited subscription.
Meet the Author
Paul is married and lives in a village 30 miles north of London. Having worked in universities and run his own business, he is now a full-time writer of fiction and part-time director of an education trust. His writing in a garden shed is regularly disrupted by children and a growing number of grandchildren and dogs.
Paul writes historical fiction. He inherited his love of British history and historical fiction from his mother, who was an avid member of Richard III Society. The William Constable series of historical thrillers is based around real characters and events in the late sixteenth century. The first three books in the series are State of Treason; A Necessary Killing; and The Queen’s Devil. He promises more will follow.