I’m delighted to welcome Luv Lubker and her new book, Under The Sword, to the blog #HistoricalFiction #VictorianEra #KaiserWilhelm #QueenVictoria #Anti-Trafficking #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Luv Lubker and her new book, Under The Sword, to the blog #HistoricalFiction #VictorianEra #KaiserWilhelm #QueenVictoria #Anti-Trafficking #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Luv Lubker and her new book, Under The Sword, from The Rival Courts series, to the blog, with an excerpt.
 
Louischen sat on the broken branch of a tree which leaned over a little stream, gazing down into the water at the round face and big eyes of the little girl who seemed to look back up at her. Her face, too, was streaked with tears.
 
“Oh, Charlotta, I’m so glad I found you here,” she whispered. “You are Charlotta, but I must call you Charlotta the second, as Charlotta – the first – is gone forever. Papa – Papa killed her. I never thought he would do such a thing, but I saw her shatter into pieces with such a look of anguish! Oh, I can tell you everything, Charlotta.” She looked away and sighed. “Only, I can’t see you indoors. I can only see you here. Charlotta – the first – was with me so often. She was in the little glass over my bed. And – oh, Charlotta, I was so afraid. I couldn’t move, because there were bits of glass all over my bed, and I was afraid. But he can’t smash you. The wind can blow you away, into little bits, but you will still be there,” she whispered, as the wind blew and the face in the water rippled away for a moment.
 
Her little yellow voice seemed to float around Charlotta’s face, instead of hers. At first there had been waves of blue around the sides, but now, shimmering stars of deep, piney green fell over it. She sighed happily.
 
“I feel so peaceful here. But I wouldn’t dare to go to sleep here – the wind might blow me down and I wouldn’t want to sleep in your bed. No – I would rather sleep in the orchard, if I slept outside – in, or under, the cherry trees. It would be so nice to be buried in their petals, I think. But you will never know that, unless –” Louischen took a cherry pit out of her pocket, and looked at it. “Unless I planted one here, but the gardener says it would take years before it could rain down its pretty petals. But perhaps…” Louischen slipped carefully down from the branch, dug a little spot in the ground, next to the water, and covered it over. She bent down and kissed the spot. “Make a blanket for Charlotta, please,” she whispered.
 
She turned round and threw her arms around the pine tree, kissing it. “I have something for you, too,” she whispered. She took a bunch of pressed cherry blossoms from her pocket, and tucked it under the pine needles. “You belong together,” she whispered, turning her head on its side to look at the flowers peeking up, and smiled at them.
 
“Goodbye,” she whispered, and ran across the little island, carefully stepping across the fallen tree.
 

Here’s the blurb

From acclaimed Victorian historical author, Luv Lubker, the author of “Under His Spell” comes the continuing romance of the Princess Royal Victoria and Frederick III of Prussia.

Join Queen Victoria’s eldest daughter and her husband, future German Emperor Frederick III in this third installment of The Rival Courts family saga, as they climb the treacherous path to their dream of German unification in the Franco-Prussian war of 1870.

In the calm after the storm, Vicky and Fritz have it all: a devoted marriage, a growing family, and the promise of a bright future. But Fritz’s Uncle Karl lies in wait behind the scenes, hatching his newest plot. A shocking outcome of Vicky’s Royal duties will bring fresh doubts to Fritz’s heart, and his fatherhood.

As personal tragedy strikes and shakes them to their core, Fritz is forced to lead the largest battle history has ever seen. One which could change the face of Europe forever.

Vicky’s best friend struggles to shield her daughters from the sinister force that seeks to control them. The youngest shares her grandfather’s uncanny ability to know the truth behind others’ motives. But can she see the truth in him? In such a dangerous world, what heroic role will this small child play?

Can they escape the danger and betrayal that lurks in every corner as they travel to the icy expanse of Russia, the peaceful Mediterranean shores, and the vast Eastern deserts?

Will Vicky and Fritz’s love and marriage survive a mysterious illness, or will Uncle Karl’s conspiracies tear them apart for good?

Fans of Clare McHugh’s A Most English Princess, Mary Hart Perry’s The Shadow Princess, and Daisy Goodwin’s Victoria will be swept away by this gripping tale of love, war, and intrigue. With rich historical detail and deeply human struggles, Under the Sword, the third installment of The Rival Courts saga, brings to life the triumphs and tragedies in a fight against a nefarious trade which flourished in the shadows of the Royal court. A must-read for lovers of Victorian-era royal fiction.

Trigger Warnings: All non-graphic:

Sex trafficking/prostitution encouraged by villain (but anti-trafficking is a strong theme); Rape, drugged gang-rape (off-the-page); Implied (off-the-page) child abuse (physical, sexual); Childhood pregnancy; Trauma processing/PTSD in historical setting; Death of child, grief; Occasional racist remark (strongly DISapproved by main character); Coerced marriage; War/battle scenes; ED/sexual disfunction (Discreet/non-explicit discussion and frustration of spouse); Implied death of pet cat; Historical views expressed by characters about homosexuality

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Meet the Author

Luv Lubker began life in the Animal World, researching creatures great and small since before she can remember, and earning her degree in chicken psychology by age twelve. Not long after, she immigrated to the Victorian era, where she has lived half her life in close company with the Brontë sisters and made friends with Queen Victoria’s extended family, whom she now knows quite as well as her own kin.

Born in a cattle trough in the Appalachian Mountains, Luv currently resides in Texas’ Great Plains when visiting the modern world. When she isn’t writing or reading, she delights in preparing and savoring gourmet raw food with her family and exploring nature on long bike rides. Her special abilities include researching in seven languages and riding a unicycle since age seven.

Luv’s research delves into the unwritten stories that history left behind. Through unpublished letters, altered manuscripts, and deeply buried secrets, she reveals emotional truths concealed beneath the era’s refined exterior. Her novels give voice to the silenced, reveal what Victorians were taught to suppress and what their biographers chose to omit, tracing invisible scars that shaped lives, choices, and history itself.

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I’m delighted to welcome Christy Matheson and her book, The Boat on the Lake of Regret, to the blog #BoatOnTheLakeOfRegret #CastleInKilkennyFairyTales #HistoricalFantasy #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Chritsy Matheson and her book, The Boat on the Lake of Regret, The Castle in Kilkenny: Fairy Tales, to the blog with a snippet.

Snippet

Opening:

“Hannah!” Dylan calls. “Hannah?”

A shiver of worry runs up my spine. He never uses my real name.

“Here! I’m in the parlor!” Footsteps thunder down the hallway and Dylan bursts in. His hair is all mussed, his face is wild, and his jeans are in deplorable shape.

“What on earth happened? Come in and—”

“I’m fine. It’s yourself who needs to be careful.”

Fancy that, after barely making time for me for weeks, he bursts into my own home and orders me around!

He sees his mistake immediately. “I didn’t mean—look, I brought you this, Henny luv.”

Well, that’s a little better. He holds out his palm and I move close to look. He smells of campfire and sweat and rain, and I rest my hand on his arm just to feel the steady solid warmth of him.

“Oh, you didn’t have to buy me a ring! I’ve told you already that I’ll marry you, and we’re trying to save up.”

Despite my protests, the ring is lovely, and I reach for it, but Dylan closes his fist before I can touch it.

“It’s not that…I mean, of course we are. It’s just”—he takes my hand, his fingers cool and gentle—“there’s a whole story, but”—he slides the skin-warmed metal over my first knuckle—“first I want to —”

Here’s the Blurb

He has one last chance to be a fairy tale hero. 

But she didnt agree to be the damsel in distress.

When her longtime boyfriend unexpectedly slides a ring on her finger, Hannah is whisked from her everyday bedroom to a medieval ball. Hannah knew that Dylan would do anything to prove to her parents that he’s husband material, including going into the Fae world—but she never agreed to go through the Veil herself.

Now one of three princess sisters, Hannah is paired with now-Prince Dylan. But, homesick and blindsided, she pretends the Veil has wiped him from her memory.

As her prince scrambles in vain to be the right kind of hero, Hannah ignores her instincts and follows her new sisters onto a mysterious boat—which promptly sails them into a land of giants, magical traps, and enchanted pianos…and away from Dylan.


Read now to journey back to medieval Ireland, complete with the Fae and mythological monsters, in this fairy tale adventure and sweet “it was always you” romance.

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Meet the Author

Characters you connect with. Adventure. Love. Family… And endings that are more than a sugar rush. 

When Christy Matheson is not throwing ordinary characters into fairy tales, she is busy raising five children. (Very busy.) She writes character-driven historical fiction with and without fantasy elements, and her “fresh, smart, and totally charming” stories have won multiple awards.

Christy is also an embroidery artist, classically trained pianist, and sews all of her own clothes. She lives in Oregon, on a country property that fondly reminds her of a Regency estate (except with a swing set instead of faux Greek ruins), with her husband, five children, three Shelties, one bunny, and an improbable quantity of art supplies.

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I’m delighted to welcome Ken Tentarelli and his new book, The Blackest Time, to the blog #HistoricalFiction #Medieval #ItalianHistoricalFiction #Plague #BlackDeath #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Ken Tentarelli and his new book, The Blackest Time, to the blog with an excerpt.

Excerpt

Parishioners rise up in anger when a priest declares the Black Plague a divine punishment fortheir sins

.Those attending the morning mass included families living in the parish, lumbermen who had been logging forests in the nearby hills, The lumbermen clustered together near the front of the church, close to the altar. They formed the single largest group. Everyone, Gino included, studied the people nearby, fearful someone close by might show symptoms of the sickness: flushed faces, lumps, or darkened areas on the neck or arms.

While waiting for mass to begin, Gino listened to snatches of conversation. Men raised their voices enough to speak with other men, probably neighbors with whom they had sat elbow-to-elbow in a crowded tavern months ago, and now wouldn’t get within an arm’s length of each other. Women felt it imprudent to speak above a whisper in church, so they merely smiled at each other across the void.

Gino heard some families were absent from mass because they were mourning the death of family members. In one family, it was said, both the mother and father had succumbed, leaving behind three youngsters. No one knew what had become of those children. Stories circulated of entire families having been claimed by the sickness. Most surprising were reports of families fleeing the city to escape the pestilence. For the past two years, people had streamed into Florence from the countryside to seek salvation from the famine. Did the departure of these families mark a turnaround, the beginning of an exodus?

Although the lumbermen were far from him, he sensed hostility in their guttural outbursts. Many had left wives and children in the city while they logged in the hills, so death rampaging unchecked though the city threatened their families and they reacted with anger. They wanted something more tangible than bad air—possibly someone—to blame for the misery.

A small bell sounded when the sacristy door opened, and a priest emerged, followed by two altarboys. When they reached the altar, the priest spread his upraised arms and delivered the opening blessing. Near the midpoint of the service, the priest stepped to the pulpit to deliver his sermon.“We are all God’s children,” he began. “God loves us … all of us. He wants us to love Him, to heed His word, and to obey Him. Our Lord would not cause His children to suffer without reason.” Shifting from a tempered tone, the priest boomed, “This pestilence has been inflicted upon us because we have offended Him. There can be no other explanation.”

Shaken by the indictment, people glanced furtively at those around them as if they were all co-conspirators in a plot against God. “What could we have done to deserve this punishment?” they asked themselves.

Pleased his words had stunned his flock as he had intended, he continued, “We have sinned against God, and only by ending our sinful ways can we expect Him to end this scourge. You may not be an adulterer or a fornicator, but ask yourself, are you committing the sins of envy and pride?”

One lumberman’s face reddened. He bellowed, “My wife was a good, holy, God-fearing woman. She committed no sin worthy of this damnation; yet she suffered a horrible death. She cannot beheld to account for this misery.”

The outcry froze everyone. The priest gripped the lectern so tightly his knuckles turned white; his fingernails dug into the wood. Another lumberman shouted, “My son was barely old enough to walk. He was an innocent child. What sin could he have committed? But he was struck down.”

Family groups moved farther away from the bellicose woodsmen, who began grumbling in support of their comrades. A third man called out, “I wear my best smock when I come to church.” He pointed to its threadbare sleeve and its soiled shoulder. “This is my best! Look at it !It’s frayed and spotted. How could anyone who dresses like this be accused of being prideful?

“Do you know who is prideful?” he asked and raised an arm angled toward the priest. “Thepriests! Look at them. They don’t wear frayed vestments. Before the new bishop came, the priests in this diocese wore plain linen vestments. But now, linen isn’t good enough for them. They all wear expensive silk.” The eyes of all the parishioners shifted to the priest.

The man continued, “The bishop refused to serve communion from a pewter chalice. Now all chalices in the diocese are silver … all except the one used by the bishop. His is gold.” He spread his arms wide. “My wife spends nights in the dark to preserve her lone candle, while this church and others are lit up like brothels.”

He swept his gaze around the church to make eye contact with everyone. “For two years, when rain destroyed the crops, we all struggled to find food for our families. Beggars starved in the streets. But do you know of any priest who went hungry? None of them went to sleep with pangs of hunger. They made sure their bellies were filled.”

“If this terrible disease has been unleashed upon us by the sin of pride, it is the bishop and his minions who brought it upon us.” He ended his tirade in a booming voice, saying, “We need to make the bishop stop his prideful ways and walk in the humble shoes of Saint Francis. I say we go to him now.” He strode the length of the nave and out the door, followed by the other lumbermen.

Here’s the Blurb

Set in the 1300s during the devastating black plague, The Blackest Time is a powerful tale of compassion, love, and the human spirit’s ability to endure immense adversity.

Gino, the central character, is a young man who leaves his family’s farm to find work in a pharmacy in Florence. His experiences show us how people coped in the most horrific time in history.

Shortly after Gino arrived in the city, two years of incessant rain destroyed crops in the countryside, leading to famine and despair in the city. Gino offers hope and help to the suffering— he secures shelter for a woman forced to leave her flooded farm, rescues a young girl orphaned by the plague, and aids others who have lost everything.

The rains had barely ended when the plague hit the city, exposing the true character of its people. While some blamed others for the devastation, the story focuses on the compassionate acts of neighbors helping each other overcome fear and suffering. Doctors bravely risk infection to care for their patients. A woman healer, wrongly accused of witchcraft and driven from the city, finds a new beginning in a village where her skills were appreciated.

Despite the hardships, love blossoms between Gino and a young woman he met at the apothecary. Together they survive, finding strength in each other and hope in a world teetering on the edge.

The Blackest Time is a testament to the strength of the human spirit in overcoming unimaginable tragedy.

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Meet the Author

Ken Tentarelli is a frequent visitor to Italy. In travels from the Alps to the southern coast of Sicily, he developed a love for its history and its people.

He has studied Italian culture and language in Rome and Perugia, background he used in his award-winning series of historical thrillers set in the Italian Renaissance. He has taught courses in Italian history spanning time from the Etruscans to the Renaissance, and he’s a strong advocate of libraries and has served as a trustee of his local library and officer of the library foundation.

When not traveling, Ken and his wife live in beautiful New Hampshire.

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I’m delighted to welcome Nancy Jardine and her new book, Tailored Truths, to the blog #HistoricalFiction #FamilySaga #WomensFiction #Victorian #Scotland #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Nancy Jardine and her new book, Tailored Truths, Book 2 in the Silver Sampler Series, to the blog with a guest post.

Guest Post – Mill Owner Benevolence

My character, Margaret, has a variety of jobs in Tailored Truths. Two of them are in different areas of one of the larger mills in Dundee (Scotland). The time period covered in the book is between 1855 and 1868 when Dundee mills were, at times, highly profitable though the situation was also volatile, markets and sales being unpredictable. Workers were hired when high production was needed and they lost their jobs when things weren’t so rosy in the world markets. Margaret finds herself lucky to have a job when she desperately needs one, even if it pays a pittance!

During the earlier part of the 19th Century, linen was the prime mill product in the Dundee area. Coarse linen weave was highly sought after for sailcloth; for canvas sacks and bags for transporting goods; and a coarse linen weave named Osnaburg was produced for sending to the American plantations to be made into rough clothing for slaves. The main drawback, however, was that the flax (raw product) tended to come from Baltic states. When Britain became embroiled in the Crimean War, between 1853-1856, the flax supplies from the Russian Baltic states were deemed as potentially unreliable. The larger mill owners in Dundee tended to work on a ‘six months’ system where supplies were ordered well in advance, since shipping from the Baltic also relied on an annual short-window of weather good enough for sailing ships. Not having continuous raw supplies presented a huge problem since linen was highly sought after during the Crimean War. The war office bought lots of linen products, the British army and navy requiring constant supplies and replacements to sails; uniforms; sacks; tents etc. Market prices fluctuated but some of the Dundee mills profited very well during the Crimean War, though there were the much leaner years afterwards when the War Office requisitions dwindled.

To offset potential losses from a lack of flax, some of those larger mill owners in Dundee turned to producing jute weaves. Jute wasn’t a new product around Dundee, since some of the smaller weavers had already been producing jute products for decades, but the profit margin for them was low. Initially, the raw jute was grown in Bengal (India) and shipped to Dundee via local Indian dealers but when the larger mill owners saw jute as being profitable they organised the shipping themselves.

The tradition in Bengal had been for jute products to be hand-woven. There were no powered-looms nor any steam machinery in Bengal for spinning and weaving till later in the 1850s and 1860s, so there was no real competition when the big Dundee mills began jute mass production.

The raw jute needed to be softened first before carding and spinning could happen. Whale oil was already known to be a good product for that process and it was highly convenient that the quaysides at Dundee were regularly frequented by the huge whaling ships.

Some of the mill owners weathered the unpredictable markets very well and their bank accounts swelled enormously. Many of them chose to use their wealth to build new mansions for their families in the nearby coastal town of Broughty, or around the city of Dundee. In doing this, they provided much needed construction jobs, and then jobs for inside and outside staff. I used this situation in Tailored Truths, giving Margaret a taste of the high-life when she is taken on as a lady’s maid in one of the new mansions. The ‘family’ are naturally only on the periphery of high society, with Margaret experiencing it from the point of view as an elevated servant, but her situation means a glimpse into how the nouveaux riche of Dundee were living.

Some of the Dundee mill owners took opportunities to use some of their wealth for the benefit of the citizens of Dundee. Whether this was true altruism, or expected of them, could be debated at length but the facts are that some public buildings and facilities would not have been built so readily without hefty donations coming from the mill owners. Some of the still-existing public parks in Dundee came about from extensive donations, Baxter Park being a fine example. The land was acquired, planted up and turned into beautiful walkways for the working people of Dundee to enjoy when freed from their long hours of work. Baxter Park also has a very fine pavilion, currently used as a multi-purpose venue with a tiny daytime café. One of the marvellous aspects of the sandstone pavilion in Baxter Park, designed by Sir Joseph Paxton – a renowned  architect and landscaper – is the grand rooftop balustrade. There is a fantastic view from there of the River Tay and the far bank of Fife. When the park was newly planted the view would have been much better than today. It’s still very good since the whole park site is ‘up-the-hill’ from the harbourside but today some of the original and very mature trees, and modern housing slightly obscure the views.

I couldn’t resist adding in a scene where Margaret meets some very handsome lads in my fictitious Baxton park. It didn’t feel authentic to give my Dundee mill family the genuine name of Baxter, but I chose something very close. My fictitious Mister Baxton is, in his own way, remotely instrumental in Margaret’s progress through her late teenage years and into her twenties. How?…Too many spoilers ruin the book (Shh.. I just made that up!)

Here’s the Blurb

An engrossing Victorian Scotland Saga (Silver Sampler Series Book 2)

Is self-supporting success enough for Margaret Law or will her future also include an adoring husband and children? She might secretly yearn for that though how can she avoid a repeat of relationship deceptions that disenchanted her so much during her teenage years?

Employment as a lady’s maid, and then as a private tutor in Liverpool in the 1860s bring thrilling opportunities Margaret could never have envisaged. Though when those posts end, her educational aspirations must be shelved again. Reliance on her sewing skills is paramount for survival when she returns to Dundee.

Meeting Sandy Watson means love, marriage and starting a family – though not necessarily in that order – are a striking development though it entails a move north to Peterhead. Yet, how can Margaret shed her fear of commitment and her independence and take the plunge?

Jessie, her sister-at-heart, is settled in Glasgow. Frequent letters are a life-line between them but when it all goes horribly wrong, the contents of Margaret’s correspondence don’t necessarily mirror her awful day-to-day realities.

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Meet the Author

Nancy Jardine writes historical adventure fiction, historical saga, time travel historical adventure and contemporary mysteries. Research, grandchildren, gardening fill up her day in the castle country of Aberdeenshire, Scotland, when not writing or promoting her writing. Interacting with readers is a joy at Book and Craft Fairs where she signs/sells paperback versions of her novels. She enjoys giving author presentations on her books and on Ancient Roman Scotland.

Memberships include: Historical Novel Society; Scottish Association of Writers, Federation of Writers Scotland, Romantic Novelists’ Association and the Alliance of Independent Authors. She’s self-published with Ocelot Press.

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I’m welcoming Stephanie Cowell to the blog with a fascinating post about research for her new novel, The Man in the Stone Cottage: a novel of the Brontë sisters #Brontë #Yorkshire #Victorian #EnglishLiterature #WomenWriters #HistoricalFiction #TheCoffeePotBookClub #BlogTour 

I’m welcoming Stephanie Cowell to the blog with a fascinating post about research for her new novel, The Man in the Stone Cottage: a novel of the Brontë sisters #Brontë #Yorkshire #Victorian #EnglishLiterature #WomenWriters #HistoricalFiction @cathiedunn
@cowell.stephanie @thecoffeepotbookclub

Researching My Novel on the Brontë Sisters by Stephanie Cowell

I simply love research. The opportunity to know more about my beloved historical characters and their surroundings and daily world is thrilling. Researching Charlotte, Anne and Emily Brontë, I had a chance to go to their village in Yorkshire (Haworth) and to the Parsonage where they lived with their clergyman father and wrote their books and what is more thrilling than that?  I travelled there three times over many years.

In curated display cases, I could see the needles with which they sewed, the cup they drank from (imagine seeing Emily’s cup and knowing she might have paused in writing bits of Heathcliff to drink a sip of tea!), their clothing, their hand-written childhood magazines. I could walk around the house, climbing the steps they climbed every day. In the parlor/dining room, I marveled at the table where they wrote their books. (After a century or more of searching by scholars, the actual table was found in private hands and in 2015 it was brought back to the Parsonage. Someone has scratched “E” in the wood. Was it our Emily?) 

So, my first research was going to the Parsonage, but a great deal of research of course was from biographies and household advice books and letters which describes event and feelings and hopes and fears. They describe loneliness.

Letters are the best! Charlotte wrote the most. She wrote hundreds to her best friend Ellen, pouring out her frustration about working in a teaching job at a boarding school until exhausted. She wrote about her family. She wrote to her publisher’s reader about her sadness over her alcoholic brother who could not keep a job. She wrote her married Belgium professor of her adoration of him. We have these letters almost two hundred years. They are from the writer who penned Jane Eyre’s passionate words, “Do you think, because I am poor, obscure, plain and little, I am soulless and heartless?” 

Research! I have two bookshelves of biographies, literary analysis, life in Victorian England, books about the town of Haworth and the house, even a biography of the rather obscure man Charlotte eventually married. I just remembered that at one time my novel was not from the point of view of the two sisters, but only from his point of view. And like the larger part of stories I begin, it was not finished but eventually morphed into the final novel THE MAN IN THE STONE COTTAGE. 

I try to keep my research books together also in certain shelves but some wander over the house. When I was a beginning writer and rather poor, I used the library for everything. Now I am afraid I mostly use the internet to buy obscure second-hand books.

It was however in an actual bookshop one day that I glanced at a shelf and found THE book I wanted, THE book I must have. This was in the days before the internet. I gasped so that I am fortunate the salesperson did not come rushing over to see if I was okay. Perhaps he was used to having people gasp over discovered books. 

There is a problem with biographies. I went to a bookshop reading of one of Charlotte’s biographers, and someone asked her, “Have you written the definitive biography?” and she replied, “Oh no, I hope not. Every biographer sees her in a different way!” And that is true. Charlotte’s first biographer Mrs. Gaskell made Charlotte into a near saint.  Others have emphasized the prickly side of her personality. Who would not be prickly with all her losses and griefs and hardships? 

Emily and Anne have several biographies each, but less is known about them. These two sisters were more private and did not pour their heart out on paper, or perhaps fewer paper were kept.

Even when a novel is long finished and gone into the hands of readers, I love and long for the worlds where my beloved characters have walked. So, I go to wander in the streets of York or Paris or Florence, and if I wait, I will see one of my characters coming toward me. And likely he or she will smile and say, “There you are! Welcome back! We’ve been waiting for you!”

Here’s the blurb

“A haunting and atmospheric historical novel.” – Library Journal

In 1846 Yorkshire, the Brontë sisters— Charlotte, Anne, and Emily— navigate precarious lives marked by heartbreak and struggle.

Charlotte faces rejection from the man she loves, while their blind father and troubled brother add to their burdens. Despite their immense talent, no one will publish their poetry or novels. 

Amidst this turmoil, Emily encounters a charming shepherd during her solitary walks on the moors, yet he remains unseen by anyone else. 

After Emily’ s untimely death, Charlotte— now a successful author with Jane Eyre— stumbles upon hidden letters and a mysterious map. As she stands on the brink of her own marriage, Charlotte is determined to uncover the truth about her sister’ s secret relationship. 

The Man in the Stone Cottage is a poignant exploration of sisterly bonds and the complexities of perception, asking whether what feels real to one person can truly be real to another.

Praise for The Man in the Stone Cottage:

“A mesmerizing and heartrending novel of sisterhood, love, and loss in Victorian England.” – Heather Webb, USA Today bestselling author of Queens of London

“Stephanie Cowell has written a masterpiece.” – Anne Easter Smith, author of This Son of York

“With The Man in the Stone Cottage, Stephanie Cowell asks what is real and what is imagined and then masterfully guides her readers on a journey of deciding for themselves.” – Cathy Marie Buchanan, author of The Painted Girls

“The Brontës come alive in this beautiful, poignant, elegant and so very readable tale. Just exquisite.” – NYT bestseller, M.J. Rose

“Cowell’s ability to take readers to time and place is truly wonderful and absorbing.” – Stephanie H. (Netgalley)

“Such a lovely, lovely book!” – Books by Dorothea (Netgalley)

Purchase Link

https://books2read.com/u/mqLV2d

Meet the author

Stephanie Cowell has been an opera singer, balladeer, founder of Strawberry Opera and other arts venues including a Renaissance festival in NYC.

She is the author of seven novels including Marrying MozartClaude & Camille: a novel of Monet, The Boy in the Rain and The Man in the Stone Cottage. Her work has been translated into several languages and adapted into an opera. Stephanie is the recipient of an American Book Award. 

Author Stephanie Cowell

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I’m welcoming Then Came The Summer Snow by Trisha T Pritikin to the blog #HistoricalFiction #Downwinders #AtomicJustice #1950s #BlogTour #TheCoffeePotBookClub 

I’m welcoming Then Came The Summer Snow by Trisha T Pritikin to the blog #HistoricalFiction #Downwinders #AtomicJustice #1950s #BlogTour #TheCoffeePotBookClub 

Here’s the blurb

In 1958, Edith Higgenbothum, a housewife in Richland, Washington, downwind of the massive Hanford nuclear weapons production site, discovers that the milk her young son Herbie drinks contains radioactive iodine from Hanford’s secret fallout releases. Radioactive iodine can damage the thyroid, especially in children.

When Herbie is diagnosed with aggressive thyroid cancer, Edith allies with mothers of children with thyroid cancer and leukemia in communities blanketed by fallout from Nevada Test Site A-bomb tests on a true atomic age hero’s journey to save the children.

Praise for Then Came the Summer Snow:

“In Trisha Pritikin’s crisp and sweeping novel, the Cold War comes home to live with a family in Richland, Washington. Not the Cold War of ideologies, but the one that included 2,000+ nuclear tests, and the production of hundreds of tons of plutonium; that contaminated our homes, food and communities; that actually took family members.” 

~ Robert “Bo” Jacobs, Emeritus Professor of History at the Hiroshima Peace Institute and Hiroshima City University, author of Nuclear Bodies: The Global Hibakusha (Yale 2022).

Then Came the Summer Snow is like an unexpected gift in its surprise and freshness.  Absurdity informs its realism, its poignancy, and its humor. A troubling, hilarious, weird, and wonderful novel.”

~ Mark Spencer, author of An Untimely Frost

Triggers: misogynist culture of 1950s; no violence, but cancers in children are a focus, and thyroid cancer treatment.

Purchase Links

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This title is available to read on #KindleUnlimited.

Meet the author

Trisha is an internationally known advocate for fallout-exposed populations downwind of nuclear weapons production and testing sites. She is an attorney and former occupational therapist.

Trisha was born and raised in Richland, the government-owned atomic town closest to the Hanford nuclear weapons production facility in southeastern Washington State. Hanford manufactured the plutonium used in the Trinity Test, the world’s first test of an atomic bomb, detonated July 16,1945 at Alamogordo, NM, and for Fat Man, the plutonium bomb that decimated Nagasaki on August 9, 1945.  Beginning in late 1944, and for more than forty years thereafter, Hanford operators secretly released millions of curies of radioactive byproducts into the air and to the waters of the Columbia River, exposing civilians downwind and downriver. Hanford’s airborne radiation spread across eastern Washington, northern Oregon, Idaho, Western Montana, and entered British Columbia.

Trisha suffers from significant thyroid damage, hypoparathyroidism, and other disabling health issues caused by exposure to Hanford’s fallout in utero and during childhood. Infants and children are especially susceptible to the damaging effects of radiation exposure. 

Trisha’s first book, The Hanford Plaintiffs: Voices from the Fight for Atomic Justice,  published in 2020 by the University Press of Kansas, has won multiple awards, including San Francisco Book Festival, 1st place (history); Nautilus Silver award (journalism and investigative reporting); American Book Fest Book Awards Finalist (US History); Eric Hoffer Awards, Shortlist Grand Prize Finalist; and Chanticleer International Book Awards, 1st Place, (longform journalism). The Hanford Plaintiffs was released in Japanese in 2023 by Akashi Shoten Publishing House, Tokyo. 

Author photo for Trisha Pritikin

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I’m welcoming SR Perricone to the blog with Cobblestones #HistoricalFiction #NewOrleans #TrueEvents #TheCoffeePotBookClub #BlogTour

I’m welcoming SR Perricone to the blog with Cobblestones #HistoricalFiction #NewOrleans #TrueEvents #TheCoffeePotBookClub #BlogTour @cathiedunn
@thecoffeepotbookclub

Excerpt

An editorial from the newspaper introduced the letter. It read:

THE PROVENZANO-MATRANGA CASE.

We have very much pleasure in publishing the letter which here follows. In the first place, such a document, with such names attached to it, holds out a strong prospect that, as the frequent undetected assassinations among the Italian community in New Orleans find no manner of sympathy with a large portion of that community, they will in the course of a few years be stamped out altogether for want of moral support. And in the next place, the contents of the letter are calculated to strengthen the hands of the prosecution, and to stiffen the backbone of the witnesses who will be called to give evidence in the Provenzano-Matranga case, which opens today. This is the letter:

                                                            New Orleans, July 14, 1890

To the Editor of the Times-Democrat:

For a reason appreciated by the entire community we have heretofore been reticent with respect to the numerous assassinations charged to our countrymen. But we trust that, with the help of the intelligent and independent press of this city, we may be able to stamp out forever the horrible scenes of cold-blooded murder which are charged against our entire people, under the delusion that we all favor a settlement of troubles through the vendetta.

We desire to place ourselves on record as friends of peace and order, and without meaning to prejudice the case now on trial we trust sincerely that the witnesses will speak, and that those, whoever they many be, who have taken part in this midnight assassination may be tried and, after legal conviction, sternly punished.

Here’s the blurb

The turbulent history of Post-Reconstruction New Orleans collides with the plight of Sicilian immigrants seeking refuge in America.

Antonio, a young man fleeing Sicily after avenging his father’s murder, embarks on a harrowing journey to New Orleans with the help of Jesuit priests expelled from his homeland. However, the promise of a fresh start quickly sours as Antonio becomes entangled in a volatile clash of cultures, corruption, and crime.

In the late 19th century, Italian immigrants in New Orleans faced hostility, exploitation, and a brutal system of indentured servitude. Antonio becomes a witness to history as a bitter feud over the docks spirals into violence, culminating in the assassination of Irish police chief David C. Hennessy. The ensuing trial of nine Italians and the shocking lynching of eleven innocent men ignited international outrage, threatening to sever ties between the United States and Italy.

Caught in the crossfire of prejudice and power struggles, Antonio fights to survive while grappling with his own past and future. His journey weaves a gripping tale of resilience, betrayal, and the enduring hope for justice. Cobblestones: A New Orleans Tragedy is a poignant reminder of the human cost of intolerance and the courage it takes to rebuild a life from ashes.

“A phenomenal epic account of a forgotten slice of New Orleans history for fans of Scorsese / Coppola-type cinematic dramas such as Midnight Vendetta and The Godfather!”
~ HFC Reviews

Buy Link

https://books2read.com/u/mdOKMd

Meet the author

Sal Perricone, a graduate of Loyola University of New Orleans with a BA (1975) and JD (1979), has dedicated his career to law enforcement, legal practice, and public service. Beginning as a sergeant with the Jefferson Parish Sheriff’s Department, he progressed to detective with the New Orleans Police Department before practicing law privately in New Orleans. In 1985, he joined the Federal Bureau of Investigation as a Supervisory Special Agent, specializing in financial crime investigations and organized crime.

In 1991, Sal Perricone transitioned to the U.S. Attorney’s Office for the Eastern District of Louisiana, where he served as Chief of the Organized Crime Strike Force and Senior Litigation Counsel until retiring in 2012. Over his illustrious career, he prosecuted significant cases involving La Cosa Nostra, public corruption, and white-collar crime. He earned numerous accolades, including multiple Director’s Awards and the Attorney General’s Award for his role in establishing the Katrina Fraud Task Force.

An adjunct professor at Tulane University and the University of New Orleans, Sal Perricone has trained law enforcement professionals across the nation. Post-retirement, he has authored two novels with positive Catholic themes, Blue Steel Crucifix and The Shadows of Nazareth. A Brother Martin alumnus, he continues to inspire with his dedication to justice and ethics.

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I’m delighted to welcome Wendy J Dunn to the blog with her new book Shades of Yellow, and a guest post about the history behind the novel #ShadesOfYellow #Forgiveness #AmyRobsard #WomensFiction #DualTimeline #Romance #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Wendy J Dunn to the blog with her new book Shades of Yellow ShadesOfYellow #Forgiveness #AmyRobsard #WomensFiction #DualTimeline #Romance #BlogTour #TheCoffeePotBookClub

What is the history behind Shades of Yellow? 

There is a lot of history behind my novel — some of it expected and some of it more surprising. I always knew my character would be writing a novel about Amy Robsart. I love the Tudor period, so it made sense that my character would also share that love. It also made sense Lucy, as a breast cancer survivor, would also be drawn to the story of Amy Robsart. Some historians believe Amy Robsart had breast cancer, which led to the theory that her fall down a short flight of stairs resulted in a spontaneous spinal fracture because of bone metastasis. So, that meant I (and my character) had to research the life and times of Amy Robsart.

 Amy was the first wife of Robert Dudley, the man who came closest to marrying Elizabeth Tudor. Amy was born in 1532, and met Robert when he accompanied his father, John Dudley, then the Earl of Warwick to deal with the Kett rebellion in 1549. Amy came from a wealthy family with good bloodlines. More importantly, she was her father’s heir. She was also pretty, pretty enough to catch Robert Dudley’s eye. They were also almost the same age. Robert’s father probably wanted a better match for his son, but he also had other sons. Robert was also not his heir, so when Robert and Amy fell in love (and it appears they fell in love), their parents agreed to their marriage in 1550 when they were around eighteen. 

Amy married Robert while his father was solidifying his position as the actual power behind Edward VI’s throne. The first years of Robert and Amy’s marriage saw a fairly settled period for the Tudors. But then Edward VI died, and John Dudley failed to place Lady Jane Grey onto the throne. Mary Tudor claimed the crown, and Dudley soon lost his head at the Tower of London, and Mary imprisoned all his sons in the Tower. The following year, Lady Jane Grey and her husband Guildford were executed after another failed rebellion. For close to two years, Robert and his remaining brothers stayed in the Tower. His older brother died just days after their release. Another brother died while fighting in a war for Mary’s husband, Philip of Spain. By the time Elizabeth becomes Queen, Robert and Amy were living mostly separate lives. Robert and Elizabeth acted like lovers in the early years of Elizabeth’s reign – and caused a lot of scandal. The day after Elizabeth celebrated her twenty-seventh birthday, Amy was found dead at the bottom of a flight of stairs at Cumnor House, her neck broken. No one has ever solved the mystery of Amy Dudley’s death, and her husband Robert never escaped the suspicion that he organised her murder. 

 But most of my story takes place in 2010. While writing Shades of Yellow, I realised how long ago that now is. It was a different world in 2010. I ended up doing as much research about 2010 as I was doing about Amy’s life in Tudor times. I realised that Lucy’s life would have shaped her differently if she had been born around 1980 compared to 1996. She also would have had a few more life-changing options regarding her medical treatment if I had set the story in 2025.  

By the time I finished Shades of Yellow, I had realised, with surprise, that history informed the entirety of my novel.

Here’s the blurb

During her battle with illness, Lucy Ellis found solace in writing a novel about the mysterious death of Amy Robsart, the first wife of Robert Dudley, the man who came close to marrying Elizabeth I. As Lucy delves into Amy’s story, she also navigates the aftermath of her own experience that brought her close to death and the collapse of her marriage. 

After taking leave from her teaching job to complete her novel, Lucy falls ill again. Fearing she will die before she finishes her book, she flees to England to solve the mystery of Amy Robsart’s death. 

Can she find the strength to confront her past, forgive the man who broke her heart, and take control of her own destiny?

Who better to write about a betrayed woman than a woman betrayed?

Buy Link

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This title is available to read on #KindleUnlimited.

Meet the author

WENDY J. DUNN is a multi-award-winning Australian writer fascinated by Tudor history – so much so she was not surprised to discover a family connection to the Tudors, not long after the publication of Dear Heart, How Like You This, her first Anne Boleyn novel, which narrated the Anne Boleyn story through the eyes of Sir Thomas Wyatt, the elder. 

Her family tree reveals the intriguing fact that one of her ancestral families – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally.

Wendy gained her PhD in 2014 and tutors in writing at Swinburne University of Technology, Australia. She loves walking in the footsteps of the historical people she gives voice to in her books. 

Author image for Wendy J Dunn

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I’m delighted to welcome Julia Ibbotson and her book, Daughter of Mercia, to the blog #DaughterOfMercia #JuliaIbbotson #medieval #anglosaxon #dualtime #timeslip #timetravel #mystery #romance #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Julia Ibbotson and her book, Daughter of Mercia, to the blog with a guest post.

Lady Mildryth of Mercia

It might surprise us to know that women in the Anglo-Saxon period, even early in their history, were regarded as equal in importance to their male counterparts. Women could hold their own wealth, land, possessions; they could inherit from their fathers or mothers on their own account and they could bequeath it to their children. They were not regarded as the property of their husbands or fathers. Their rights were protected in law and it seems that this applied across the social spectrum, from high-status families presumably to ealdormen to thegns to freedmen ceorls and grant-bearer geburs.

High-status women could be leaders of settlements / regions in the years following the immigration and settling of even the early tribes of Anglo-Saxons. They could be strategists and negotiators. Later, for example, Lady Ǣthelflaed of Mercia, the 10th century daughter of King Alfred, strategized battles to take Derby, Leicester, York, and of whom it is said that she was a “man in valour, a woman in name”. The Anglo-Saxon word cūning (king)applies to either male or female leaders, while the word queen (cwene) applies only to the wife of a king. The historical significance of strong female leaders goes right back to Boudicca of the Iceni in the first century AD. Post-Roman Britain was composed of many small kingdoms, and kingdoms fought to take over other kingdoms and thus wield greater power over a larger region. But our theories of this time of great change are beginning to recognise the way that stable everyday life and the quest for peace were also significant.

Lady Mildryth is a fictional character but is bred of such strong female leaders as these. I have based her on other Anglo-Saxon women who have a place in the history of Britain and I wanted her to represent an idea of the powerful yet peace-loving early settlers who wanted to create stable, secure communities, from the chaos and blood-shed of previous generations. Clearly, I have taken liberties with historical characters and events for the sake of my novel and it is not intended to be an accurate academic analysis of the time, but since archaeological excavation is only just gaining a clearer picture of the early Anglo-Saxon period and its domestic and cultural signigifance, maybe my imagination is not so far out!

Recent archaeological excavation and research has demonstrated that even back to the 5th century, high status ladies were buried with signifiers of their wealth in their grave goods: rich jewellery, gold artefacts, precious glass, beautiful fabrics.

Lady Mildryth, as the leader of a region, would have worn fabrics that were richly dyed and decorated: a chemise or shift, a long-sleeved kirtle (under-gown) often of expensive linen or wool, an over-gown trimmed with fur or braid, and an embroidered mantle(cloak). As a high-status woman, she would have eaten well, with home-grown meat, fish, dairy, vegetables, fruit (hedgerow berries but also imported dates, figs, almonds), and she would have drunk honeyed mead and imported wine, during her mead hall feastings.

Although her antecedents are pagan, and she accepts the duality of her people, she finds herself on the cusp of Christianity, yet still drifting to some of the pagan beliefs of her upbringing. Her late mother was from the Cornovii tribe from the people of Pengwern / Powys, Celtic-Brythonic pagans. She was hand-fasted to Mildryth’s father and died when Mildryth was young. Lady M’s character takes after her mother’s strength of will and determination to be on a par with her brothers (Crydda and Cynewald) – although she knows that she must earn this.

Her antecedents are historical (well, possibly legendary!) characters. Her grandfather is Icel, son of Eomer, of the Icinglas (or Iclingas), an Angle from across the seas in Jutland. He is said to have led his people across the North Sea in around 515 AD to the region we now call East Anglia, and is said to have moved westwards across the country, founding the kingdom of Mercia in the 520s AD. His son, Lady Mildryth’s father, is Cnebba who ruled after Icel from possibly around 535 AD.

We speak of the archetypes ‘Peace-weavers’ and ‘Shield-maidens’ in Anglo Saxon society and I see Lady Mildryth as a Peace-weaver. She is a strategist and commander of men, like Lady Æthelflæd of Mercia generations later. But she is also a negotiator and does not wish to conquer other lands or fight to subdue other tribes. She is dedicated to her settlement, her community, and my novel is more about domestic history than that of battles and high kings.

Lady Mildryth strives to make her settlement run smoothly and to encourage the cultural enrichment of her people: a culture taken from her Angeln ancestors as shown in her use of the scōp, the poet story-teller who regales the thegns of the mead-hall with tales of tradition, of warriors, family and legendary heroism. Peace-weavers were often encouraged, or chose, to make expedient marriages with other kingdoms to avert potential strife. There is evidence to suggest that there were battles for lands, yes, but also deals and negotiations so that tribes could coexist. In Daughter of Mercia, Lady Mildryth is certainly aware of this.

If you’d like to read more of life in Anglo-Saxon times, you may like to look at my blog on my website and the 7-part series ‘Living with the Anglo-Saxons’ at https://juliaibbotsonauthor.com where there are also some reference texts.

Here’s the Blurb

Echoes of the past resonate across the centuries as Dr Anna Petersen, a medievalist and runologist, is struggling with past trauma and allowing herself to trust again. When archaeologist (and Anna’s old adversary) Professor Matt Beacham unearths a 6th century seax with a mysterious runic inscription, and reluctantly approaches Anna for help, a chain of events brings the past firmly back into her present. And why does the burial site also contain two sets of bones, one 6th century and the other modern?

As the past and present intermingle alarmingly, Anna and Matt need to work together to solve the mystery of the seax runes and the seemingly impossible burial, and to discover the truth about the past. Tensions rise and sparks fly between Anna and Matt. But how is 6th century Lady Mildryth of Mercia connected to Anna? Can they both be the Daughter of Mercia?

For fans of Barbara Erskine, Elena Collins, Pamela Hartshorne, Susanna Kearsley and Christina Courtenay.

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Meet the Author

Julia Ibbotson is fascinated by the medieval world and the concept of time. She is the author of historical mysteries with a frisson of romance. Her books are evocative of time and place, well-researched and uplifting page-turners. Her current series focuses on early medieval time-slip/dual-time mysteries.

Julia read English at Keele University, England, specialising in medieval language / literature / history, and has a PhD in socio-linguistics. After a turbulent time in Ghana, West Africa, she became a school teacher, then a university academic and researcher. Her break as an author came soon after she joined the RNA’s New Writers’ Scheme in 2015, with a three-book deal from Lume Books for a trilogy (Drumbeats) set in Ghana in the 1960s.

She has published five other books, including A Shape on the Air, an Anglo-Saxon timeslip mystery, and its two sequels The Dragon Tree and The Rune Stone. Her latest novel is the first of a new series of Anglo-Saxon dual-time mysteries, Daughter of Mercia, where echoes of the past resonate across the centuries.

Her books will appeal to fans of Barbara Erskine, Pamela Hartshorne, Susanna Kearsley, and Christina Courtenay. Her readers say: ‘Julia’s books captured my imagination’, ‘beautiful story-telling’, ‘evocative and well-paced storylines’, ‘brilliant and fascinating’ and ‘I just couldn’t put it down’.

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I’m delighted to welcome Mike Weedall and his new book, Escape to the Maroons, to the blog #HistoricalFiction #AmericanHistoricalFiction #AfricanAmericanHistory #BlogTour #TheCoffeePotBookClub

I’m delighted to welcome Mike Weedall and his new book, Escape to the Maroons, to the blog with an excerpt.

Excerpt

Nathanial On Arriving At Maroons Camp

Besides the people waiting here, more are coming. I’m the center of attention. People whisper and point at me. I don’t like what’s going on. No one looks friendly. They must think I’m a white man. Should I say something? Better leave that to Lincoln.

This place looks sizable. The ground is dry. Trees and thick brush are on all sides. We crossed smaller islands like this getting here. Moses called them hummocks. This appears to be much bigger. There must be different ways in and out of here. I’m exhausted and need to sit. Better stand until Lincoln says that’s okay.

How did this day lead me here? This morning, I planned to stand up in court and explain why they should grant me freedom. My stepfather said I’d be a fool to do that and better run if I got the chance. I wasn’t expecting that advice from a minister who preached we should always obey the law. When that lazy deputy got distracted, I took off. What choice did I have other than to flee? I pray they don’t punish my family for raising me as a freeman.

What’s next? Lincoln is waving for me to follow him.

Here’s the Blurb

In 1792, an escaped slave, raised and living as white, is discovered and forced to flee into the Great Dismal Swamp.

Barely escaping a bounty hunter, a Maroons community of fugitive slaves rescues him. Over time, Nathanial comes to accept his true identity while fighting to overcome the suspicions of his new community. Because of his pale skin, he becomes a conductor on the underground railroad, slipping runners onto ships going north. On one of his missions, fate intervenes and places Nathanial’s community at risk.

This little-known chapter in American history tells how escaped enslaved people gave their all to live free while creating a community and economy in one of the world’s most unforgiving environments.

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Meet the Author

As the author of three books, Mike’s passion is finding the little-known stories of history and bringing them to life. History in school is too often events and dates. Mike seeks to discover the people who lived those events and reveal why those individuals made the decisions they did. Ultimately, there are stories to be mined, and who doesn’t love a good story?

In his historical novel “Escape To The Maroons,” Mike tells the little-known story of 1791 self-liberated slaves who chose to struggle for survival in The Great Dismal Swamp in their determination to live free. The term Maroons delineates areas where escaped slaves fled and could not be recaptured. It’s estimated that over 2,000 survived deep in the swamp around the turn of that century.

His first book “Iva: The True Story of Tokyo Rose” describes the tragic life of Iva Toguri. Trapped in Japan during World War II, this Japanese American woman was forced to work for Radio Tokyo. Although she never participated in propaganda, the racial animus of post-war America led to her being falsely labelled as Tokyo Rose and prosecuted for treason. Through her incarceration and the ongoing discrimination heaped upon her, Iva never lost her courage and determination.

“War Angel: Korea 1950” was his second book that followed a reservist nurse thrust into the carnage of The Korean War. Serving as an operating room nurse in a Mobile Army Surgical Hospital, the real MASH and strength of a woman is revealed. 

Mike resides with his family in the Pacific Northwest where they enjoy experiencing the outdoors.

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