Tag: ancient rome

I’m delighted to welcome S.P. Somtow and his book, Nero and Sporus, to the blog with an excerpt.

Excerpt

“Can you not posture in such a boyish manner, domine?  You’ll ruin the effect.”

“What effect?”

“My dear domine, can you turn that wrist more daintily?  Can you not stampede about the room like a raging adolescent lad?”

“Is that not what I am?”

“You will play a role, domine.  And if you don’t do it well, it will fare badly for us, as well.”

Realizing that their fates as well as mine rested on my performance, I sat still while they padded my hips and chest a little, and while a cosmetician painted my face with delicate strokes, and two others teased and piled my hair.

And presently I found myself looking at my reflection in a mirror of polished bronze and I was transformed.  My hair was elaborately coifed and extended with a tall wig.  Exotic fabrics caressed my skin, and an outer layer of rich purple left no doubt as to my Imperial status.  The fibula I recognized was holding it all together at one shoulder.  Lead white gave my face an unearthly pallor and my lips were stained blood-crimson.

I stood taller.  Arrogance flecked my lips.  I felt ennobled.  Entitled, indeed.

I was not just the Divine Poppaea Sabina, Mistress of the World.  I was an idealized version of the Empress.  And I have to admit that, in these garments, my way of moving, my way of walking, shifted towards the feminine.  It was instinctive.  I never felt beautiful as a boy, but as a woman, as an Empress …

Perhaps it was just a role, but I was pulling something from deep within myself. 

Here’s the Blurb

Finally available in one volume! The decadence of Imperial Rome comes to life in S.P. Somtow’s Literary Titan Award-winning novel about one of ancient history’s wildest characters.

The historian Suetonius tells us that the Emperor Nero emasculated and married his slave Sporus, the spitting image of murdered Empress Poppaea. But history has more tidbits about Sporus, who went from “puer delicatus” to Empress to one Emperor and concubine to another, and ended up being sentenced to play the Earth-Goddess in the arena.

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This title is available to read on #KindleUnlimited

Meet the Author

Once referred to by the International Herald Tribune as ‘the most well-known expatriate Thai in the world,’ Somtow Sucharitkul is no longer an expatriate, since he has returned to Thailand after five decades of wandering the world. He is best known as an award-winning novelist and a composer of operas.

Born in Bangkok, Somtow grew up in Europe and was educated at Eton and Cambridge. His first career was in music and in the 1970s, his first return to Asia, he acquired a reputation as a revolutionary composer, the first to combine Thai and Western instruments in radical new sonorities. Conditions in the arts in the region at the time proved so traumatic for the young composer that he suffered a major burnout, emigrated to the United States, and reinvented himself as a novelist.

His earliest novels were in the science fiction field and he soon won the John W. Campbell for Best New Writer as well as being nominated for and winning numerous other awards in the field. But science fiction was not able to contain him and he began to cross into other genres. In his 1984 novel Vampire Junction, he injected a new literary inventiveness into the horror genre, in the words of Robert Bloch, author of Psycho, ‘skillfully combining the styles of Stephen King, William Burroughs, and the author of the Revelation to John.’ Vampire Junction was voted one of the forty all-time greatest horror books by the Horror Writers’ Association, joining established classics like Frankenstein and Dracula. He has also published children’s books, a historical novel, and about a hundred works of short fiction.

In the 1990s Somtow became increasingly identified as a uniquely Asian writer with novels such as the semi-autobiographical Jasmine Nights and a series of stories noted for a peculiarly Asian brand of magic realism, such as Dragon’s Fin Soup, which is currently being made into a film directed by Takashi Miike. He recently won the World Fantasy Award, the highest accolade given in the world of fantastic literature, for his novella The Bird Catcher. His seventy-plus books have sold about two million copies world-wide. He has been nominated for or won over forty awards in the fields of science fiction, fantasy, and horror.

After becoming a Buddhist monk for a period in 2001, Somtow decided to refocus his attention on the country of his birth, founding Bangkok’s first international opera company and returning to music, where he again reinvented himself, this time as a neo-Asian neo-Romantic composer. The Norwegian government commissioned his song cycle Songs Before Dawn for the 100th Anniversary of the Nobel Peace Prize, and he composed at the request of the government of Thailand his Requiem: In Memoriam 9/11 which was dedicated to the victims of the 9/11 tragedy.

According to London’s Opera magazine, ‘in just five years, Somtow has made Bangkok into the operatic hub of Southeast Asia.’ His operas on Thai themes, Madana and Mae Naak, have been well received by international critics.

Somtow has recently been awarded the 2017 Europa Cultural Achievement Award for his work in bridging eastern and western cultures. In 2020 he returned to science fiction after a twenty-year absence with “Homeworld of the Heart”, a fifth novel in the Inquestor series.

Currently he has just finished Nero and Sporus, a massive historical novel set in Imperial Rome.

To support S.P. Somtow’s work, visit his patreon account at patreon.com/spsomtow. His website is at www.somtow.com.

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