The Coffee Pot Book Club – Page 28

Welcome to today’s stop on the blog tour for Two Fatherlands by Chrystyna Lucyk-Berger

Today I’m delighted to welcome Chrystyna Lucyk-Berger and her new book, Two Fatherlands, to my blog, to answer a few questions about the research that went into writing her series.

This sounds like a wonderful book, merging historical fact with a compelling narrative. Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring the historical characters/or events to life?

The research for this series was a journey unlike anything I will ever be able to share in the space available here. It was simply amazing. And daunting.

First, the process. I made the grave mistake of spending almost a decade researching my first novel on Ukraine in WW2, which ended being as much a novel as a documentary is a blockbuster action movie. I was trying to get a grasp on the sheer complexity of a world at war and I lost focus. So, after learning my lesson, I tackled the Reschen Valley series differently. I got the big picture, and had a rough idea of the lay of the land, so to speak, before I started writing. But even that took nearly five years before I could really get started because the majority of my resources were in German, and many more in Italian.

The other extra challenge I made for myself was that I was a pantser. I did not outline and plot out my books in advance. It wasn’t until I was at Bolzano that I had learned to appreciate outlining and I have never looked back. By the time I started Two Fatherlands, which is the fourth book in the main series (excluding the prequel), writing was all about “what happens to my characters next and how do I get them all to meet up again?”. The historical events take a firm background in the series but they are integral to the plot. I chose specific “drivers” for the different parts of the story. From the beginning, Angelo’s father—Colonel Nicolo Grimani—was my Mussolini rep, steering the Fascist agenda that makes up the main conflict in the series. Therefore, it is Angelo’s story that serves as the catalyst for bringing the historical mile markers to the forefront.

As I said, the main resources for my research were in German and Italian. I had the idea back in 2005 to write one book about the reservoir before I even started researching. That was before I had any idea how much was involved in the flooding of that valley! And nobody had really written about South Tyrol’s tragic history in English, except for one professor in Innsbruck whose work happened to have been translated thanks to an exchange program with an American university. The other was a Hungarian diplomat from the Sixties, who had written his memoirs about the South Tyrolean conflict in English. That was it! I had to learn German if I wanted to write this story. At the very least. Because the Italians had their own version…

I live in Austria. I am one of those language learners who learns by doing. I was immersed in German, I visited South Tyrol at least three times a year (I live half-a-day’s drive away), I pulled up all my Latin language knowledge for the Italian and dug in, trying to interpret the foreign information. It took me over 10 years from the first idea to really getting a grasp on the materials. This was long before Google translator, long before DeepL. I was going with what I could and it was like putting together a million-piece jigsaw puzzle. I didn’t get to work until 2010 and gave myself exactly two weeks to plan my characters and timeline. By the end of the two weeks, I had a three-book series planned. NOT plotted, which eventually put me back quite a bit as well.

the Post Inn in the series Gasthof Trauben in real life

My greatest sources were a museum in Graun and the eye-witnesses whose accounts I recorded about the valley and the flooding in 1950. That was fantastic. One of them gave me three books: someone had gone through all the trouble of recording every single family, every house, drawing out every piece of equipment they used for farming and cooking and cleaning and living, getting down the heritage, culture and lifestyle of the valley into one book. That was amazing. I use a lot of photos when I do research. I also try to travel to the places I write about. It brings so much to life for me. Other than books and books and books, I got copies of the original letters written from the civil engineering department and the offers sent to the landowners with the ridiculous prices. I had logs of how many cows, sheep, goats, pigs, horses, acres, etc., each farmer had. I got images of the aerial maps. I used the models built by those in the Obervinschgau Valley (the real name of the Reschen Valley) who wanted to demonstrate the absolute annihilation of the valley. I panned the huge model of the towns and villages with a video camera like a filmmaker would. That does not mean I stayed true to all the facts. I put, for example, one of the rivers near Katharina’s farm because I loved the sound that river made and I felt it was important to have her near it. I adjusted the lay of the land and even made her farm up higher than it would have been, because I wanted her to have a bird’s eye view of the valley. There’s plenty I fictionalized, but much, much more that I did not and where I stayed authentic.

Eye witnesses to the flooding at the Gasthof Trauben the inspiration for Jutta Hannys Post Inn

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

Yes, Felix Mitterer’s TV mini-series Verkaufte Heimat (Sold Homeland) was absolutely integral to my research. It provided me with plenty of inspiration and brought so much to life for me including clothing, colors, signage, how the rooms and buildings look, the feel and atmosphere, the body language differences when communicating. I study and train cross cultural communication, and so I am fascinated by how different cultures and personalities communicate; what we understand and what we meant to say, or not. I use these to concoct conflicts. By the time I’d seen the series though, I was already into the second book, The Breach, and had very similar storylines already happening based on anecdotes and eye-witness accounts from other research.

South Tyrol in the 20^th Century by Prof. Rolf Steininger and Schöne Welt, Böse Leut (Beautiful World, Evil People) by Claus Gatterer also provided me tons of material. Only about four years ago, I managed to get my hands on a doctoral thesis by Brigitte Mari Pircher specifically related to the Reschensee reservoir and the building of it. Suddenly I had all those pieces about the lake in one very compact, succinct and accessible book. She used a lot of the same resources as I had, but she because she is bilingual, she had suddenly given me access to the Italian materials as well in German, which I am fluent in now. So that was exceptionally helpful. But I’ll tell you one thing, if I hadn’t at least mastered German, this would have been a difficult story to get down.

A couple of years ago, a South Tyrolean publisher expressed interest in translating the series. I got a ten-page questionnaire about the research and got corrected on five or six things that I had in the books (which I changed immediately) but 95% of what I confirmed and explained was spot on. It turned out that the translation costs were too high for them. Which is sad, because since then a lot of interest has been drummed up about the reservoir by both German and Italian authors, documentary filmmakers and even a Netflix series has been filmed on the Reschensee.

On a personal note, as a child I read all of the Chalet School books (they were old then), and this sounds like it follows some similar threads. I was enthralled when they had to escape from the Tyrol.

I just looked that up. That’s amazing. Sounds like the kind of series I would have devoured when I was younger!

Thank you so much for sharing your research with me. It’s fascinating.

Intrigued?

Here’s the blurb;

It’s a dangerous time to be a dissident…

1938. Northern Italy. Since saving Angelo Grimani’s life 18 years earlier, Katharina is grappling with how their lives have since been entwined. Construction on the Reschen Lake reservoir begins and the Reschen Valley community is torn apart into two fronts – those who want to stay no matter what comes, and those who hold out hope that Hitler will bring Tyrol back into the fold.

Back in Bolzano, Angelo finds one fascist politician who may have the power to help Katharina and her community, but there is a group of corrupt players eager to have a piece of him. When they realise that Angelo and Katharina are joining forces, they turn to a strategy of conquering and dividing to weaken both the community and Angelo’s efforts.

Meanwhile, the daughter Angelo shares with Katharina – Annamarie – has fled to Austria to pursue her acting career but the past she is running away from lands her directly into the arms of a new adversary: the Nazis. She goes as far as Berlin, and as far as Goebbels, to pursue her dreams, only to realise that Germany is darker than any place she’s been before.

Angelo puts aside his prejudices and seeks alliances with old enemies; Katharina finds ingenious ways to preserve what is left of her community, and Annamarie wrests herself from the black forces of Nazism with plans to return home. But when Hitler and Mussolini present the Tyroleans with “The Option”, the residents are forced to choose between Italian and German nationhood with no guarantee that they will be able to stay in Tyrol at all!

Out of the ruins of war, will they be able to find their way back to one another and pick up the pieces?

This blockbuster finale will keep readers glued to the pages. Early readers are calling it, “…engrossing”, “…enlightening” and “…both a heartbreaking and uplifting end to this incredible series!”

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Meet the Author

Chrystyna Lucyk-Berger is an American author living in Austria. Her focus is on historical fiction. She has been a managing editor for a magazine publishing house, has worked as an editor, and has won several awards for her travel narrative, flash fiction and short stories. She lives with her husband in a “Grizzly Adams” hut in the Alps, just as she’d always dreamt she would when she was a child.

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Don’t forget to check out the other stops on the Two Fatherlands blog tour from The Coffee Pot Book Club

David Loux is sharing some historical research from Chateau Laux #blogtour #historicalresearch #histfic

Today I’m delighted to welcome David Loux to the blog to talk about the research for his new book, Chateau Laux.

Your book, Chateau Laux, is set in a time period I wouldn’t even know how to start writing about. As a historian first and foremost, and then a writer, I’m always interested in how people research their historical stories.

My research did not start out with a novel in mind. It began with an investigation of the Laux family surname in 2005. This research resulted in a lot of information related to the provenance of the name, which I presented in a paper addressed to a Laux family reunion in York, Pennsylvania, in 2010. It subsequently provided the foundational material for Chateau Laux.

Can you explain your research process to me, and give an idea of the resources that you rely on the most (other than your imagination, of course) to bring your historical landscape to life?

One of the challenges of historical research is that much valuable information is lost over the years—especially the good, warm-blooded stories of individual lives. Fortunately, interest in the Laux name goes back many years, and I was able to benefit from genealogical publications in 1910 that provided information which would have been increasingly difficult to access over time. Another very tangible benefit to my research was that the Laux name was of noble origin, which meant that I was able to discover information that went all the way back to the middle ages. Some of the information was in French and some was in Latin, and the wonderful research assistants at the Bibliothèque Nationale were a big help. I also benefited from connections made through the Center for Basque Studies at the University of Nevada in Reno, which put me in touch with researchers familiar with Occitan names and pronunciations. Finally, and most importantly, family group members in southern France were able to provide information from archives that would have been unavailable from other sources.

Do you have a ‘go’ to book/resource that you couldn’t write without having to hand, and if so, what is it (if you don’t mind sharing)?

When I first started my research, I had very little idea of the milieu and other significant associations connected with the name, which means I had to keep an open mind and read anything I could get my hands on. There were many false starts and dead ends. As far as critical resources, I would have to say that Chateau Laux would not have been the same without the research assistance of the Bibliothèque Nationale, as they were able to provide context and authenticity that would otherwise have been elusive. But then again, every resource previously referred to was essential in its own way. It helps that I was able to read French, and to a lesser extent, Spanish, as some of the information was only available in those languages.

Thank you so much for sharing the research you undertook to write your book. It’s so fascinating to find out what makes people write the stories that they do.

Here’s the blurb;

A young entrepreneur from a youthful Philadelphia, chances upon a French aristocrat and his family living on the edge of the frontier. Born to an unwed mother and raised by a disapproving and judgmental grandfather, he is drawn to the close-knit family. As part of his courtship of one of the patriarch’s daughters, he builds a château for her, setting in motion a sequence of events he could not have anticipated.

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Meet the Author

David Loux is a short story writer who has published under pseudonym and served as past board member of California Poets in the Schools. Chateau Laux is his first novel. He lives in the Eastern Sierra with his wife, Lynn.

Virginia Crow is sharing historical research from The Year We Lived #blogtour #historicalresearch #histfic

Today I’m delighted to welcome Virgina Crow to the blog with a post about the historical research she undertook to write The Year We Lived.

Hello and thank you for hosting me and my book on your blog, and for inviting me to share such a fantastic topic with your readers!

I know the research process is slightly different for different writers. The first thing I have to say is that I love research! I would say that, for every statement of historical significance in my book there is about ten-times more research which has gone into the writing of it. In fact, my editor does occasionally point out to me that my readers don’t always need quite so much historiographical details!

Researching so far back in time was quite new to me. Most of the historical fiction I’ve written before has a lot more primary sources to excavate and delve into, especially in those pre-Covid days when a trip to a museum was easily available!

The first thing I had to familiarise myself with was the landscape. I’ve always been surrounded by maps – my dad has a collection of hundreds of them – and some of my favourite books as a child were a massive geography book and the Weetabix atlas! Since my dad is an out-and-out Lincolnshire yellowbelly, I have always known the changing landscape of that particular county! To look at a map of the eleventh century fenlands my characters would have known, it is startlingly different to the lay of the land in the twenty-first century!

This landscape was full of islands, which were often indistinguishable from the rest of the boggy marshes, something which made the hidden Hall in The Year We Lived a very believable concept! When I delved deeper into the case of Hereward, I realised how paranoid William the Conqueror was about the Fens and the threat they posed. It made sense to have the brutal lordship of Henry De Bois situated here in an attempt to crush what William was led to believe were a group of Saxons ready for insurrection.

Next came the characters. For this, I knew I wanted people outside the conventional image of the Normans so, on flicking through various websites and pages about the number of non-Normans on William’s side in the Battle of Hastings, I settled on the possibility of making my French characters Burgundian instead. I loved the headstrong and stubborn trait which seemed to come hand in hand with being from Burgundy, and it’s something I tucked into each of those characters. But the French court at this time was a topic which was totally new to me. When I was studying for my MLitt, I remember my lecturer saying that it was totally acceptable to use Wikipedia as a first port of call providing you checked out everything which was on there, so this was what I did as I researched the major players.

One of the things I love the most about writing historical fiction is how, providing you read around the family and situation, you can convince your audience – and sometimes yourself – of the existence of your characters. Every single one of my Burgundians came from a real family, all of which are referenced in some sneaky way or another. I love weaving little clues into my writing, and I think doing it in a historical setting just makes it all the more fun (but then I could be biased!).

The final thing, which I found perhaps the most fascinating of all, was exploring the superstitions of the time. These were often localised but some things were pretty generally accepted. Having been raised on a diet of myths and legends, this was something I absolutely loved exploring. Something I discovered was that many of these superstitions made sense. A lot of them have their roots in logic, but they were without the understanding of science which we have now. There is no shortage of these words of wisdom, many of which are still in existence today in some shape or form. Perhaps because of the oral nature of these hand-me-downs and the weirdness they relate, these were easier to place in the map and chronology of my research. I tucked into books and theses to uncover some of the most bizarre anecdotes imaginable, and nestling them into The Year We Lived – I hope – helps the plot and characters come to life.

After all, it’s our idiosyncrasies which make us unique!

Thank you so much for sharing your research with me. It’s always fascinating to discover what prompts people to write the books they do.

Here’s the blurb;

It is 1074, 8 years after the fateful Battle of Hastings. Lord Henry De Bois is determined to find the secret community of Robert, an Anglo-Saxon thane. Despite his fervour, all his attempts are met with failure.

When he captures Robert’s young sister, Edith, events are set in motion, affecting everyone involved. Edith is forced into a terrible world of cruelty and deceit, but finds friendship there too.

Will Robert ever learn why Henry hates him so much? Will Edith’s new-found friendships be enough to save her from De Bois? And who is the mysterious stranger in the reedbed who can disappear at will?

A gripping historical fiction with an astonishing twist!

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Meet the Author

Virginia grew up in Orkney, using the breath-taking scenery to fuel her imagination and the writing fire within her. Her favourite genres to write are fantasy and historical fiction, sometimes mixing the two together such as her newly-published book “Caledon”. She enjoys swashbuckling stories such as the Three Musketeers by Alexandre Dumas and is still waiting for a screen adaption that lives up to the book!

When she’s not writing, Virginia is usually to be found teaching music, and obtained her MLitt in “History of the Highlands and Islands” last year. She believes wholeheartedly in the power of music, especially as a tool of inspiration. She also helps out with the John O’Groats Book Festival which is celebrating its 3rd year this April.

She now lives in the far flung corner of Scotland, soaking in inspiration from the rugged cliffs and miles of sandy beaches. She loves cheese, music and films, but hates mushrooms.