Today, I’m excited to welcome Sioban Daiko to the blog with a post about the historical research undertaken to write The Girl From Venice.
Thank you for having me on your blog. I would say that, thus far, I have a huge connection to the places I write about in my historical fiction.
My parents bought an old farmhouse near Asolo in the Veneto in the mid-sixties. From then on, it became my second home, a place where I would spend the summers as a student and, then, later, where my husband and I would take time out from our busy lives to relax.
Eventually, after our son had left home and I retired from teaching languages in a Welsh comprehensive school, we moved here permanently and I was able to indulge my love of writing. I’d been a fan of historical fiction for years and fascinated by how past events still resonate in the present.
The first book I published was set in the Veneto of the 16th and 20th centuries, a homage to Asolo and Venice, Lady of Venezia.
There are many references in Asolo to the Venetian noble woman, Caterina Cornaro, who was married to the King of Cyprus. She died in Venice on 10 July 1510, a year after the Barco, her villa of delights, was damaged by a fire set by the League of Cambrai troops. It was there that she had established a court of literary and artistic distinction and where Pietro Bembo set his platonic dialogues on love, Gli Asolani.
Although “Lady of Venezia” is the first novel I published, it isn’t the first book I wrote. I was privileged to have grown up in Hong Kong during the post-war era, and I hope that my personal experience of a time and place which no longer exist has lent an authenticity to The Orchid Tree, my debut novel. My grandparents were interned in the Stanley Civilian Camp like the family in my story. Gran and Grandpa didn’t talk much about their harrowing time in the camp. When they were liberated, they were so thin they resembled walking skeletons, and both died relatively young due to post-starvation-related illnesses. Their lives were similar to those of the characters in The Orchid Tree, in that they lived on the Peak in a house with nine servants and shared some of the colonial attitudes of my expatriate characters, however that’s as far as the similarities go.
After writing an erotic novella, Veronica Courtesan, an imaginative take on the life of the infamous Venetian courtesan, Veronica Franco, I took a break from writing historical fiction to focus on contemporary romance, which I published as SC Daiko. It was fun for a while, but there was a tale I’d been wanting to tell for years. It needed a lot of research, but I finally got round to doing it and then wrote The Girl from Venice, my new release.
I’ll never forget my initial impression of the Avenue of Martyrs in Bassano del Grappa. The shock and the horror when I saw the trees where the Nazi-Fascists hung some of the young partisans who dared to confront them in 1944. I decided to weave those events into a story based on how many locals, such as the family of farmers next door to my parents’ place, hid Venetian Jews during the war. They inspired me to create the character of Lidia in The Girl from Venice.
The fictional village of Sant’Illaria is founded upon the villages at the foothills of Monte Grappa, all of which lost young men in horrific circumstances during that dark period of Italian history. I decided to create Sant’Illaria rather than use an actual place out of respect for the memory of those who lost loved ones.
I read many books for inspiration and information, including:
Maria de Blasio Wilhelm, The Other Italy, The Italian Resistance in World War II
Luigi Meneghello, The Outlaws
Caroline Moorehead, A House in the Mountains, The Women Who Liberated Italy from Fascism
David Stafford, Mission Accomplished, SOE and Italy 1943-1945
H. W. Tilman, When Men & Mountains Meet
I only start writing once I’ve done enough research to jot down a timeline of events and thought about my characters so long and hard that I can hear their voices and they become real to me. I do a chapter-by-chapter outline so I have a clear roadmap of the story but allow myself to add or take away from it when necessary.
Thank you so much for sharing your research with us. Good luck with the new book.
Here’s the blurb:
Lidia De Angelis has kept a low profile since Mussolini’s racial laws wrenched her from her childhood sweetheart. But when the Germans occupy Venice in 1943, she must flee the city to save her life.
Lidia joins the partisans in the Venetian mountains, where she meets David, an English soldier fighting for the same cause. As she grows closer to him, harsh Nazi reprisals and Lidia’s own ardent anti-fascist activities threaten to tear them apart.
Decades later in London, while sorting through her grandmother’s belongings after her death, Charlotte discovers a Jewish prayer book, unopened letters written in Italian, and a fading photograph of a group of young people in front of the Doge’s Palace.
Intrigued by her grandmother’s refusal to talk about her life in Italy before and during the war, Charlotte travels to Venice in search of her roots. There, she learns not only the devastating truth about her grandmother’s past, but also some surprising truths about herself.
A heart-breaking page-turner, based on actual events in Italy during World War II
Trigger Warnings: Death, Miscarriage, PTSD, Rape
Available on Kindle Unlimited.
Amazon UK: Amazon US: Amazon CA: Amazon AU:
Meet the author
Siobhan Daiko is an international bestselling historical romantic fiction author. A lover of all things Italian, she lives in the Veneto region of northern Italy with her husband, a Havanese puppy and two rescue cats. After a life of romance and adventure in Hong Kong, Australia and the UK, Siobhan now spends her time, when she isn’t writing, enjoying the sweet life near Venice.
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